From its earliest inhabitants up to the beginnings of Stewart rule, 'Scotland: A Very Peculiar History - Volume 1' is a lively and informative account of the chequered (or rather, 'tartaned') history of Scotland. Detailing grisly clan wars and the many mythical creatures to look out for while you're out in the wild, this ebook gives an objective account of the nation's history, with 'no added haggis'! Focussing on the more weird and wonderful aspects of Scottish history, such as forgotten towns and mysterious runes, it celebrates how Scotland came to be, and includes fact boxes, quotes, poetry excerpts and recipes you wouldn't believe!
Great Scots, A Very Peculiar History looks at a whole host of great (and not so great) Scots and their influence on the world. The book features a short history of each person, detailing their achievements, personalities and lifestyles in a quirky and memorable way. Including chapters about Scots in power, scientific Scots, scandalous Scots and many, many more, Great Scots, A Very Peculiar History celebrates the men and women who have helped to shape Scottish history.
How has Singapore's environment and location in a zone of extraordinary biodiversity influenced the economic, political, social, and intellectual history of the island since the early 19th century? What are the antecedents to Singapore's image of itself as a City in a Garden? Grounding the story of Singapore within an understanding of its environment opens the way to an account of the past that is more than a story of trade, immigration, and nation-building. Each of the chapters in this volume focusing on topics ranging from tigers and plantations to trade in exotic animals and the greening of the city, and written by botanists, historians, anthropologists, and naturalists examines how humans have interacted with and understood the natural environment on a small island in Southeast Asia over the past 200 years, and conversely how this environment has influenced humans. Between the chapters are travelers' accounts and primary documents that provide eyewitness descriptions of the events examined in the text. In this regard, Nature Contained: Environmental Histories of Singapore provides new insights into the Singaporean past, and reflects much of the diversity, and dynamism, of environmental history globally.
This book visits contemporary British children’s and young adult (YA) fiction alongside cosmopolitanism, exploring the notion of the nation within the context of globalization, transnationalism and citizenship. By resisting globalization’s dehumanizing conflation, cosmopolitanism offers an ethical, humanitarian, and political outlook of convivial planetary community. In its pedagogical responsibility towards readers who will become future citizens, contemporary children’s and YA fiction seeks to interrogate and dismantle modes of difference and instead provide aspirational models of empathetic world citizenship. McCulloch discusses texts such as J.K. Rowling’s Harry Potter series, Jackie Kay’s Strawgirl, Theresa Breslin’s Divided City, Gillian Cross’s Where I Belong, Kerry Drewery’s A Brighter Fear, Saci Lloyd’s Momentum, and Julie Bertagna’s Exodus trilogy. This book addresses ways in which children’s and YA fiction imagines not only the nation but the world beyond, seeking to disrupt binary divisions through a cosmopolitical outlook. The writers discussed envision British society’s position and role within a global arena of wide-ranging topical issues, including global conflicts, gender, racial politics, ecology, and climate change. Contemporary children’s fiction has matured by depicting characters who face uncertainty just as the world itself experiences an uncertain future of global risks, such as environmental threats and terrorism. The volume will be of significant interest to the fields of children’s literature, YA fiction, contemporary fiction, cosmopolitanism, ecofeminism, gender theory, and British and Scottish literature.
Short-Listed for the 2023 Walter Scott Prize for Historical Fiction Named a Top 10 Best Book of 2023 by The Wall Street Journal Named a Best Book of 2023 by Kirkus and Chicago Public Library “The Sun Walks Down is the book I’m always longing to find: brilliant, fresh, and compulsively readable. It is marvelous. I loved it start to finish.” —Ann Patchett, author of The Dutch House Fiona McFarlane’s blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia. In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, Indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the landscape they inhabit. The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It’s haunted by many gods—the sun among them, rising and falling on each day in which Denny could be found, or lost forever. Told in many ways and by many voices, Fiona McFarlane’s new novel pulses with love, art, and the unbearable divine. It arrives like a vision, mythic and bright with meaning.
Few aspects of Scottish history inspire as fervent an interest as the wars with England. The exploits of not one, but two, national heroes – William Wallace and Robert Bruce – have excited the attention of a host of novelists, filmmakers, artists and songwriters, as well as historians. But few have ventured to examine it in depth from an English perspective. Yet there could have been no Wallace or Bruce, no Stirling Bridge or Bannockburn, without the English kings' efforts to subjugate their northern neighbour. This book explores how Edward I attempted to bring the Scottish kingdom under his control during the last years of the thirteenth and early years of the fourteenth centuries. Despite England's overwhelming military might, victory was by no means inevitable, and Scotland's leaders proved able to create a successful front to repel a far more powerful enemy. Packed with detail, description and analysis, Under the Hammer paints a vivid picture of a key period in the history of both nations.
This book asks important questions about making performance through the means of collaboration and co-created practice. It argues that we can align ethics and aesthetics with collaborative performance to realise the importance of being in association with one another, and being engaged through our shared imaginations. Evident in the examples of practice visited in this study is the attention given by a number of practitioners to the development of shared, co-operative modes of creation. Here, we can appreciate ethical work as being relational, forged in association with the others as we cultivate ideas that matter. In looking at a range of work from practitioners including Meg Stuart, Rosemary Lee, Deufert&Philschke and Fevered Sleep, Considering Ethics in Dance, Theatre and Performance explores ways that we rehearse by attending to ethics, aesthetics and co-creation. In learning to listen, to observe, to co-operate and to negotiate, these practitioners reveal the ways that they bring their work into existence through the transmission of shared meaning.
From the author of The Infinite Air, a powerful story of women’s lives spanning decades and continents. New Zealand, 1943. Violet Trench crosses Lake Rotorua with a small boy, Wing Lee, but rows back alone. Twenty years later, the same body of water is the scene of an event that will have lasting repercussions for Violet and her employees at the cafe she runs now on the lake shore. The lives of these young people will diverge, their paths to independence taking them as far apart as Cambodia and the USA, but Violet’s influence will continue to mark both those who leave and those who stay behind.
Exploring the writing process and its relationship to self, this guide synthesizes critical and creative theories of writing for both writers and readers. Each chapter links a range of theoretical approaches to one practical aspect of writing, using illustrations from fiction, poetry and literary non-fiction, and suggesting practical exercises for pursuing the topic further. The book will enable students to develop literary, critical and psychodynamic understandings of the creative process and to explore a range of key topics.
You know a book is good when you get up, realize you finished it last night and are really disappointed that you can't read it with your breakfast. This book reminds me of the best golden age of mystery writers, especially Agatha Christie and Dorothy Sayers... Can't wait for the next one!' Reader review 5 stars Murder is no occupation for a lady... or is it? 1929: Miss Clara Vale is a woman ahead of her time. Rather than attending Oxford to bag an eligible Duke (as her mother, Lady Vale, so desperately hoped), she threw herself into a degree in chemistry, with aspirations to become a scientist in her own right. But the world isn't ready for Clara. Unable to land a job in science because she's a woman, she is stuck behind the desk at a dingy London library. Until her estranged Uncle dies suddenly, leaving her his private detective agency, and laboratory, in his will. Clara couldn't become a detective, could she? The decision is made for her when one of her uncle's old clients comes to her for help with a case surrounding the local picture house and invites Clara to see the latest show, before they discuss the details. But during the film, a fire suddenly engulfs the picture house, with tragic consequences. It seems at first an accident, but Clara soon begins to question if it was in fact a carefully orchestrated murder. She's suddenly in the middle of a deadly mystery and will discover her scientific skills make her a sleuth to be reckoned with... Can she catch the killer before they strike again? The first in a brand-new, glittering Golden Age cozy mystery series. Fans of Verity Bright, Helena Dixon and TE Kinsey will be hooked from the very first page to the final breathtaking finale.
EU Cohesion policy accounts for a major share of the EU budget and is central to economic and social development in many European countries. This book provides a comprehensive and theoretically-informed analysis of how Cohesion policy has evolved over time, in particular the budgetary and policy dynamics of the 2007–13 reform. In the context of the budgetary politics of the EU, the book examines the process by which the reform of Cohesion policy has been shaped; it identifies the key factors that explain the allocation of funding, assesses the roles of the Member States, European Commission and European Parliament, and tests whether the process and outcome are consistent with the expectations of EU decision-making and integration theories. Based on extensive, EU-wide research over a ten-year period, the book provides new insights into both the process and outcomes of EU policy reform. Presenting original research in an accessible format, this book will be of interest to scholars as well as undergraduate and postgraduate students in the fields of European integration and policy studies.
Brought up in poverty in the slums of Edinburgh’s Old Town, nineteen-year-old Catriona Dunbar is shocked to discover, on her mother’s death, that she is heiress to a handsome fortune. But there is a catch – the inheritance will be hers only if she agrees to become the ward of Sir Duncan Buccleuch, the notoriously loose-living Laird of Lochlannan Castle. Catriona’s mother had always blamed the Buccleuch family – Sir Duncan’s late father in particular – for her sister’s death. Now, under pressure from her impoverished fiancé, Catriona reluctantly journeys into the heart of the Highlands to make her home in the Laird’s 15th century keep. There, she finds that Sir Duncan intends to take his responsibilities as her guardian seriously. But Catriona is determined to discover the truth about her aunt’s untimely death.
Redefines the British historical novel as a key site in the construction of British national identityThe British historical novel has often been defined in the terms set by Walter Scott's fiction, as a reflection on a clear break between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty challenges this view by returning us to the rich range of historical novels written in the late eighteenth-century. It explores how these works participated in a contentious debate concerning political change and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty reveals how history becomes a site to rethink Britain as 'land of liberty' and it positions Scott in relation to this tradition.Key FeaturesRecovers the richness of the historical novel and history writing before Walter Scott, including the contribution of women writers to this debateExplores how historical fiction probes anxieties at the rise of commerce, the question of empire, and radical political changeRewrites our understanding of Scott and his relation to the earlier British historical novel
This time her intrepid heroine is on the trail of a mystery wrapped in an enigma wrapped in a mummy... a beautifully rendered period of Egypt... a ripping adventure in the company of a no nonsense heroine' Vaseem Khan A night at the museum, a dead body and a trail to Cairo. Sounds like a case for Miss Clara Vale! 1930: Miss Clara Vale, chemistry major turned detective, is taking a night off from sleuthing to attend the launch party of a new exhibition at the Hancock Museum in Newcastle. But when the piece de resistance, a rare ornate sarcophagus, is finally opened and it turns out the mummy inside it is a fake, it looks like there is no rest for Clara after all... Later that night, she is summoned back to the museum and asked to investigate a series of stolen Egyptian artefacts. Using her scientific and forensic prowess, Clara, with her trusted assistant Bella in tow, embarks on a trail that will lead from Newcastle to London and along the river Nile to Cairo. But she is not the only person hunting for stolen antiquities and when she uncovers an international smuggling ring with a penchant for murder, it becomes clear that Clara's own life is in danger too. Can Clara catch the smugglers before they get away with another murder among the pyramids? Perfect for fans of Verity Bright, Helena Dixon and TE Kinsey! Readers are LOVING The Pyramid Murders: 'A delightful cozy mystery that will appeal to readers who enjoy smart and sassy protagonists, interesting and not too complicated plots, and a whole lot of FUN! One of the most entertaining cozies I've read in a long time' NetGalley reviewer 'The third in this delightful series. A great cast of characters set in 1930, a cameo from Agatha Christie... what's not to like!' NetGalley reviewer 'Well written and filled with detail... The characters are vivid, and the mystery is very well plotted... there isn't a dull moment' NetGalley reviewer
List of Abbreviations -- Prologue -- The puzzle of the nuns' priest --Biblical models : women and men in the apostolic life -- Jerome and the noble women of Rome -- Brothers, sons, and uncles : nuns' priests and family ties -- Speaking to the bridegroom : women and the power of prayer -- Conclusion -- Appendix : Beati pauperes.
This book focuses on the fraught relationship between cultural heritage and intellectual property, in their common concern with the creative arts. The competing discourses in international legal instruments around copyright and intangible cultural heritage are the most obvious manifestation of this troubled encounter. However, this characterization of the relationship between intellectual and cultural property is in itself problematic, not least because it reflects a fossilized concept of heritage, divided between things that are fixed and moveable, tangible and intangible. Instead the book maintains that heritage should be conceived as part of a dynamic and mutually constitutive process of community formation. It argues, therefore, for a critically important distinction between the fundamentally different concepts of not only intellectual and cultural heritage/property, but also of the market and the community. For while copyright as a private property right locates all relationships in the context of the market, the context of cultural heritage relationships is the community, of which the market forms a part but does not – and, indeed, should not – control the whole. The concept of cultural property/heritage, then, is a way of resisting the reduction of everything to its value in the market, a way of resisting the commodification, and creeping propertization, of everything. And, as such, the book proposes an alternative basis for expressing and controlling value according to the norms and identity of a community, and not according to the market value of private property rights. An important and original intervention, this book will appeal to academics and practitioners in both intellectual property and the arts, as well as legal and cultural theorists with interests in this area.
Bringing the science of psychology to life! The 2nd Australasian edition of Psychology and Life emphasises the science of psychology, with a special focus on applying that science to students’ everyday lives. As a result, the features of Psychology and Life support a central theme: psychology as a science, with a focus on applying that science to real life experiences. Australasian research, examples and statistics help make the theory even more relevant for today’s students. Psychology and Life 2e provides a rigorous, research-centred survey of the discipline while offering students special features and learning aids that will make the science of psychology relevant, spark their interest and excite their imaginations.
Redefines the British historical novel as a key site in the construction of British national identityThe British historical novel has often been defined in the terms set by Walter Scott's fiction, as a reflection on a clear break between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty challenges this view by returning us to the rich range of historical novels written in the late eighteenth-century. It explores how these works participated in a contentious debate concerning political change and British national identity. Ranging across well-known writers, like William Godwin, Horace Walpole and Frances Burney, to lesser-known figures, such as Cornelia Ellis Knight and Jane Porter, Reinventing Liberty reveals how history becomes a site to rethink Britain as 'land of liberty' and it positions Scott in relation to this tradition.Key FeaturesRecovers the richness of the historical novel and history writing before Walter Scott, including the contribution of women writers to this debateExplores how historical fiction probes anxieties at the rise of commerce, the question of empire, and radical political changeRewrites our understanding of Scott and his relation to the earlier British historical novel
Did you know that European royalty once used cheetahs to hunt deer, or that caracals can capture birds by leaping six and a half feet straight up into the air from a standing start? Have you ever wondered whether domestic cats really do land on their feet when they fall, or how Canada lynx can stalk their prey in the winter without falling through the deep snow? Wild Cats of the World is a treasure trove of answers to questions like these, and many others, for anyone who's interested in learning more about the world's felids, including the ones with whom we share our homes. Mel and Fiona Sunquist have spent more than a decade gathering information about cats from every available source, many of them quite difficult to find, including scientific papers, descriptions of hunts, archeological findings, observations by naturalists and travelers, reports from government agencies, and newsletters from a wide variety of organizations. Weaving information from these sources together with their own experiences observing wild cats around the world, the Sunquists have created the most comprehensive reference on felids available. Each of their accounts of the 36 species of cat contains a description of the cat, including human interactions with it, as well as detailed data on its distribution, ecology and behavior, status in the wild, and efforts to conserve it. Numerous photographs, including more than 40 in full color, illustrate these accounts. Ranging from the two-pound black-footed cat to the five-hundred-pound tiger, and from the African serval with its satellite-dish ears to the web-footed fishing cat of Asia, Wild Cats of the World will fascinate and educate felid fans of any stripe (or spot).
A ground-breaking account of the scientists and architects who pioneered acoustics in twentieth-century Britain. On a winter’s night in 1951, shortly after Evensong, the interior of St Paul’s Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul’s tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker’s Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of ‘architectural acoustics’. They culminated in 1951 with the opening of the Royal Festival Hall – the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul’s brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times.
Possessions and how believers handle them are key topics in the NT. In this book, Fiona Gregson examines the practice and theology of sharing possessions in community in the NT by examining six diverse NT examples of sharing. Each example is considered in its historical and cultural context before being compared to one or more non-Christian examples to identify similarities and differences. Gregson identifies common characteristics across the NT examples and consistent distinctives in how the early church shared possessions compared to the surrounding cultures. Gregson's findings demonstrate that Christians subverted Roman patronage expectations; Christian groups were more diverse in their membership and exhibited more flexible, less structured examples of sharing; Christians placed greater emphasis on the free choice of individuals to contribute to sharing; and Christians more frequently participated in eating together and had a greater focus on relational bonds than was common in Graeco-Roman society/culture.
In this pathbreaking study, Fiona I. B. Ngô examines how geographies of U.S. empire were perceived and enacted during the 1920s and 1930s. Focusing on New York during the height of the Harlem Renaissance, Ngô traces the city's multiple circuits of jazz music and culture. In considering this cosmopolitan milieu, where immigrants from the Philippines, Cuba, Puerto Rico, Mexico, Japan, and China crossed paths with blacks and white "slummers" in dancehalls and speakeasies, she investigates imperialism's profound impact on racial, gendered, and sexual formations. As nightclubs overflowed with the sights and sounds of distant continents, tropical islands, and exotic bodies, tropes of empire provided both artistic possibilities and policing rationales. These renderings naturalized empire and justified expansion, while establishing transnational modes of social control within and outside the imperial city. Ultimately, Ngô argues that domestic structures of race and sex during the 1920s and 1930s cannot be understood apart from the imperial ambitions of the United States.
In what circumstances should we be allowed to kill an intruder who breaks into our home? Should battered women be forgiven for killing their husbands? This book analyses the questions raised by the argument of self-defence, and offers a theoretical framework for understanding the defence in the context of human rights norms.
Do you want to improve your teaching practice? Do you need to know more about getting the most out of student feedback? This textbook covers all topics in preparing TESOL teachers for the practical component of their programme.
In this book, Farr examines the spoken and written language of post-observation teaching-practice feedback on teacher education programs. To do so, she draws upon theories from discourse analysis, conversation analysis, and pragmatics to frame the analysis of feedback meetings and written tutor reports, which are then examined using comparative quantitative and qualitative corpus-based techniques. The overall aim is to determine the defining characteristics of this genre, focusing especially on pragmatic factors, with the ultimate goal of investigating the salient aspects responsible for making feedback both effective and affective. Farr's research draws upon a spoken corpus of feedback interactions and a written corpus of tutor reports from language teacher education and is also strongly informed by data in the form of diary reflections and questionnaire responses from student teachers and questionnaire responses from the relevant tutors.
The increasing importance attached to the economic and social cohesion of the European Union since the 1980s, and the role of competition policy in achieving this objective, has special significance for the control of regional aids, given the general ban on State aid. Regional aids are considered to have the potential to contribute to economic and social cohesion and to undermine its attainment. The notion of competition policy as an instrument of economic and social cohesion has become a standard part of Commission rhetoric in defence of its actions. This book is concerned with the influence of EU competition policy on the regional policies of the Member States. It focuses on how the European Commission has interpreted the derogations from the State aid ban to enable the conduct of regional aid policies. The book takes both a historical perspective, tracing the evolution of policy, and a thematic one, examining in particular the relationship between EU competition and cohesion policies and the treatment of aid to very large projects. The author clearly demonstrates that, in reality, the competition policy control of regional aids is of much longer standing than the community?s explicit regional aid policy and, in many respects, of arguably greater influence. She shows how competition policy has for almost thirty years shaped the design, scope and implementation of national regional aid policies; in no EU country has regional policy been unaffected by Commission intervention in the name of competition policy. Moreover, the policy principles developed for the EU now apply extraterritorially to members of the European Economic Area and to the current applicant countries. The study?s overall perspective is policy-oriented. It considers both the impact of Commission intervention in the past and the implications of policy for the future, especially in the context of enlargement and a wider Europe. It will be an invaluable resource for all policymakers and practitioners active in the fields of economic development, regional policy and State aid law at European, national and subnational levels.
The Collector’s Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin
From disastrous beginnings after he took the throne of Scotland, having murdered a powerful rival, Robert I became a military leader of consummate genius. Throwing away the rulebook of medieval warfare, which favoured the mounted knight, he remodelled the Scottish army as a disciplined, audacious band of brothers capable of surprising castles, raiding and extracting blackmail as far south as Yorkshire and even defeating a mighty English army in pitched battle. Ruthless, charismatic, indomitable and lucky, the 'Bruce' is a towering example of an underdog capable of turning disadvantage into advantage and winning the day through talent and sheer determination. The English turned the lessons they learnt from him to good effect in their Hundred Years war against France.
Notting Hill was not always an upmarket residential enclave and celebrity hotspot. Streets of Sin delves into the district's murky past and relates the deplorable scandals and shocking crimes that blighted the area from its development until the late twentieth century. Best-selling London historian Fiona Rule sheds new light on notorious events that took place amid the leafy streets, including the horrifying murders at Rillington Place, the nefarious career of slum landlord Peter Rachman, the Profumo affair and Britain's first race riots. She reveals what life was like in 'Rotting Hill' during its dark years when murder, extortion and disorder were everyday occurrences, and explores the price its residents have had to pay to climb up out of the ghetto.
This work examines the dualistic thinking that characterizes the legal regimes governing creativity and cultural production. It reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western.
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