In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
In this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Reclaiming the Women of Britain’s First Mission to Africa is the compelling story of three long-forgotten women, two white and one black, who lived, worked and died on the Church Missionary Society’s first overseas mission at the dawn of the nineteenth century. It was a time of momentous historical events: the birth of Britain’s missionary movement, the creation of its first African colony as a home for freed slaves, and abolition of the slave trade. Casting its long shadow over much of the women’s story was the protracted war with Napoleon. Taking as its starting point a cache of fifty letters from the three women, the book counters the prevailing narrative that early missionary endeavour was a uniquely European and male affair, and reveals the presence of a surprising number of women, among them several with very forceful personalities. Those who are interested in women’s life history, black history, the history of the slave trade and British evangelism will find this book immensely enjoyable.
This volume is published as part of the series The Spread of Printing, a history of printing outside Continental Europe and Great Britain. The print edition is available as a set of eleven volumes (9789063000257).
This textbook is a dynamic exploration of the relationship between the visual pathway and visual field impairments. Aimed at the practitioner or student of visual fields, the clinical focus of the book is oriented towards differential diagnosis and will assist the reader in identifying the site of a lesion. The emphasis is on detection and interpretation of visual field defects, rather than the background and psychophysics of visual field assessment. Discussion of the normal visual field is included for comparative purposes. The structure of the book traces the visual pathway anatomically from front to back, and is supplemented by information on methodology and programme choice.
Pathology of the Pancreas: A Practical Approach covers all the diagnostic entities in adult pancreatic pathology, providing extensive illustrations and tables to assist the pathologist at the time of diagnostic reporting of histological and cytological specimens. Potential pitfalls and mimics in pancreatic pathology are highlighted and illustrated, and guidance is provided regarding how to recognize and avoid them. Pathology of the Pancreas: A Practical Approach enables the pathologist to recognize the various pathological entities and provide the key information in their pathology reports, which is necessary for the individual patient’s further management. It is based on the most recent diagnostic algorithms, international consensus guidelines, and systems for disease classification, staging and grading. Clinical information is also included, where it is important for the multidisciplinary team management discussion. Pathology of the Pancreas: A Practical Approach is a bench book for everyday use beside the microscope and provides the diagnostic pathologist with a comprehensive, well-illustrated and extensively cross-referenced approach to pancreatic pathology.
A fascinating and accessible history of textiles, including the key personalities and inventions which revolutionized the industry, together with the East End workshops and the creation of artificial materials such as rayon. Textile expert, Fiona McDonald, includes tips on the care and repair of materials and advice on whats worth collecting and the best materials to wear, as well as safe cleaning, tips on collecting.In addition to a handy glossary of textile terms, there is an A-Z of different textiles, full of interesting facts did you know that velvet was originally made from silk and its name derives from the Latin word, vellus, meaning fleece, or that cabbage was the term used in the rag trade to refer to the extra outfits clever cutters created and sold off the books by careful placement of the pattern. A fascinating and often surprising subject area explored at an accessible but informative level.Did you know? Peau de Soie is a heavy satin which was used for wedding dresses at the turn of the last century. The word satin is derived from Zaytoun, an area of China where it was first made We have lost many evocative names for colors over the years, including bouffon (darker than eau de nil) cendre de rose (gray with pink nuances), dust of Paris (ecru), esterhazy (silver-gray), flys wing (graphite) and terre dEgypt (rust)
The batik of Java has a special place in museum textile collections and aspects of the art of batik have been discussed at length in countless publications. This study, based on the batik collections of the Náprstek Museum, raises a number of questions which have been so far underexplored. How strong is the evidence for the early manufacture of batik in Java? How and when did batik-making become widely practised there? Was it made by village women for their own use? How and why did batik develop into an industry employing thousands of people, filling warehouses with stock to be distributed throughout the Indonesian archipelago? What was the effect of the introduction of wax printing and of aniline dyes? It is often asserted that batik carries deep meaning. To what extent is this really the case? When did batik depicting wayang or shadow puppet figures start to be made, and who for? What was the role of calligraphy batiks? And what was it that drew European collectors to batik in the early 20th century? What local circumstances governedtheir choices? In a series of essays, this volume explores these questions, drawing on contemporary sources and providing a wealth of new insights.
A contemporary of the famous landscape designer `Capability' Brown, Richard Woods has never received the recognition he deserves: in contrast to Brown, he emphasised the pleasure ground and kitchen garden, with a more pronounced use of flowers than was general among the landscape improvers of his time. He liked variety and incident in his plans and, where he was employed on a larger scale, the encroachment of the pleasure ground into the park created the Woodsian 'pleasure park'. In this important work of detection and biography, Fiona Cowell analyses his designs, and explores his activities as a plantsman, a determined amateur architect and a farmer. In particular, she shows the difficulties he found as a Catholic living in penal times, examining the difficulties encountered by both Woods and his Catholic patrons, and placing the man and his work in their wider social and economic context. Unjustly neglected in the past, he is here given his rightful place among the creators of the English landscape style.
This textbook provides exercises, problems and projects to reinforce business concepts and skills learnt. Each chapter contains specific learning outcomes, clear explanation of theory and a number of practical exercises. It all comes together as an excellent learning experience." - back cover.
Excavations at Shadwell between 1974 and 1976 uncovered extensive archaeological remains, including the base of a masonry structure interpreted as a 3rd-century military signal tower by the excavator. Analysis and reinterpretation of this fascinating site on the north bank of the Thames and east of the Roman city is now possible. Early Roman quarrying gave way to a cremation cemetery during the 2nd century. The construction of the 9m-square 'tower', dated to the late 2nd century or later, is consistent with that of a mausoleum. In the 3rd century the area was divided into plots, first by fences and later by ditches, and a timber building and other structures associated with domestic occupation were established. Animal bone evidence suggests that large-scale butchery took place nearby. In the mid 4th century the field boundaries were infilled and industrial tanks and drains built. A leather 'bikini' was found in one of the timber-lined tanks.
The dazzling new bestseller from Fiona O'Brien. One moment, Shelley has everything - three beautiful children, an adoring property magnate husband, and the life of her dreams. Then Charlie's business empire crashes and he vanishes. While their privileged beautiful daughters Olivia and Emma have to come to terms with being broke, eleven-year-old Mac refuses to talk about what happened. When Charlie's estranged mother, Vera opens her doors to the broken family, secrets emerge that reveal there was more to Charlie than meets the eye. But Charlie's shell shocked family aren't the only ones asking questions . . . The darkly enigmatic Russian billionaire Lukaz Mihailov arrives in Dublin with some unfinished business. What better way to track down Charlie than befriend his pretty and very vulnerable, abandoned wife Shelley . . . Is blood is always thicker than water? Maybe Charlie's family are simply better off without him ....
A fabulous multi-levelled novel, shortlisted for the Montana NZ Book Awards. Clare Lacey is on a quest. In Ireland to attend an art history conference, she sets out to find her father who walked out one day to buy a packet of cigarettes when she was a child, and disappeared. She is urged on her way by chance encounters: with a woman in a high tower, a blind man at a crossroads, a singer whose song she does not understand . . . Clues lie all around on a labyrinth of walls - but the final clue lies deep within. With Irish roots and a nod to the Irish classic, The Year of the Hiker by John B. Keane, this is a contemporary novel about inheritance, belief, art, love . . . and limestone.
Grown up, intelligent fiction - she just gets better and better' Cathy Kelly 'One of the smartest writers of popular fiction around' Irish Independent When handsome American Daniel O'Connell arrives in Ballyanna to research an old cable station for a documentary he is making, he's hoping that a stay in a sleepy Irish seaside town will help him and his traumatised son move on from a terrible accident. But Daniel soon finds that summer in Ballyanna is anything but quiet ... Meanwhile Annie Sullivan, daughter of the local hotel owner, has moved back home to mend her broken heart, telling everyone that she's there to figure out her next career move. But as a secret threatens Annie's dysfunctional family, Daniel's past is about to catch up with him. Will the two be able to grasp the new future that lies ahead before summer ends?
An evocative novel about secrets, disillusion and a unique place. Luke Freeman returns from the Second World War keen to start a new life with his wife, Constance, and eleven-year-old daughter, Emily. However, after arriving in Northland, it is clear the patch of land he has bought from Brigadier Barnsley is useless. During the drought-stricken summer that follows, the Freeman's lives become interwoven with the demanding Barnsleys. Like the elusive springs of water, secrets are bubbling just under the surface - will they be discovered?
Goodbye Mrs. Robinson is an Irish, very black comedy about a brother and sister who find themselves in a very complex plot to claim money from their foster mother's insurance. Set in Galway, West Ireland this novella is about two orphaned children Aoife and Conor trying to break free from their contrary foster mother, Helen Robinson. If you liked In Bruges and The Guard you'll enjoy this latest book from Fiona O'Malley. Half of the money raised from book sales will go to one of Fiona's favourite charities - GOAL.
Le sol regorgeait d’histoires brisées qui tombaient en cascade, pourrissaient puis se reformaient dans les sous-bois de façon à mieux resurgir dans nos vies. ' John est venu s’installer avec ses enfants, Cathy et Daniel, dans le Yorkshire rural où était née leur mère. Ils y construisent une petite maison, bordée par la forêt et la voie ferrée. Dans ces paysages tour à tour désolés et enchanteurs, les deux enfants grandissent en marge des hommes, chassant pour se nourrir et recevant, pour toute éducation, quelques leçons d’une voisine. Mais un gros propriétaire terrien, Mr Price, menace de les expulser si John refuse de passer à son service. Ravivant un passé trouble, ce chantage déclenche dans la région un crescendo de violence. Jusqu’où John ira-t-il pour protéger les siens ?
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