A mesmerizing first novel about trust, dependence, and fear, from a major new writer Ruth is widowed, her sons are grown, and she lives in an isolated beach house outside of town. Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in. Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her own troubled past? And how far can Ruth trust herself? The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, trust, dependence, and fear; about processes of colonization; and about things (and people) in places they shouldn't be. Here is a new writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to describe the mysterious workings of our minds. A Kirkus Reviews Best Fiction Book of 2013
A gripping, enigmatic collection of linked short stories about the reverberations of a serial killer’s crimes in the lives of everyday people. In the small town of Barrow, Australia, people go about their ordinary lives. They drive to work through the dense state forest. They raise their families. They flirt and yearn. They lie and confess. Some of them leave home. Some of them return. Darkness thrums beneath the surface of these ordinary lives: the violence of one man, a serial killer whose murders made Barrow infamous. His twelve victims—women, men, mostly young—are long gone, but their deaths are felt, beyond the forest where they were buried, beyond this country, beyond even this time. In the past, where a young woman on a school trip to Rome sees something she shouldn’t have. In the present, where a man confronts an ancient grief on the suburban streets of Texas. In the future, in the hands of journalists and podcast hosts and television actors whose livelihoods hinge on the twin spectacles of loss and violence. Highway Thirteen is a luminous wonder: a book about the collisions between public and private selves, between parents and children, between history and what comes after, between the living and the dead. Fiona McFarlane’s roving vision is itself a story about stories—those we tell, retell, forget, sell, disprove, inherit, live through—and a work of extraordinary power and magic.
One morning Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea. In fact she's come to care for Ruth. Frida and the tiger: both are here to stay, and neither is what they seem. Which of them can Ruth trust? And as memories of her childhood in Fiji press upon her with increasing urgency, can she even trust herself? 'The Night Guest is such an accomplished and polished debut. A delicacy and poignancy to the writing is combined with almost unbearable suspense.' Kate Atkinson, author of Life After Life 'I will be haunted by its beauty and its truths for along time to come . . . A rapturous, fearsome fable of grief and love.' Susanna Moore, author of In the Cut 'Clear-sighted and compelling . . . and you love Ruth as you travel with her to the book's end.' Ashley Hay, Weekend Australian 'An extraordinary novel. At once a tender thriller and an exquisitely constructed meditation on time and memory, it is propelled by sentence after sentence of masterful prose. With The Night Guest, Fiona McFarlane announces herself as a writer to be read, admired, and read again.' Kevin Powers, author of The Yellow Birds 'The best Australian first novel I've read in years. I so much admire the intelligence that animates it, and her calm sentences that contain surprises.' Michelle de Kretser, winner of the 2013 Miles Franklin Award for Questions of Travel 'An utterly charming book. Ruth is mischievous, adventurous, and unconventional . . . McFarlane's style is fresh and full of surprising delights.' Australian Book Review 'Astonishingly brilliant . . . Such a very rare voice.' Evie Wyld, a Granta Best Young Writer 'Sometimes a debut novel burns brighter than the rest, and offers up the promise of literary greatness. The Night Guest is one of these books.' LA Review of Books 'An enthralling psychological thriller in which every gesture and detail is loaded with meaning. This stellar debut will haunt you.' Entertainment Weekly 'Mesmerising and suspenseful . . . a masterful, magical novel crafted around a very modern dilemma . . . McFarlane's talent shines.' Newtown Review of Books 'A debut of uncommon assurance . . . It seems to rise above the shiny trivia of the last decade's novels . . . and do what serious fiction can: leave you more interested in the world, more conscious of its enigmas of love and memory, than you were before you read it.' Chicago Tribune 'Precise and elegant . . . [with] extraordinary maturity for such a young writer.' The Independent (UK)
A gripping, provocative work by one of our finest writers, the internationally acclaimed author Fiona McFarlane. In overlapping stories, Highway 13 explores the reverberations of a serial killer's crimes in the lives of everyday people. A brilliant and illuminating account of loss and its extended echoes across an entire society. 'Every one of them was a whole world, full of love and curiosity, and every one of these worlds touched hundreds of others.' A gripping, haunting work about the reverberations of a serial killer's crimes in the lives of everyday people. In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders of backpackers along a highway. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further - into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more: through the investigation of the aftermath of this violence across time and place, from the killer's home town in country Australia to the tropical Far North, and to Texas and Rome, McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost. From the acclaimed author of The Sun Walks Down and The Night Guest comes a captivating account of loss and fear, and their extended echoes in individual lives. 'Remarkable . . . an accomplished collection, stylish and lyrical in its prose and deeply sensitive in its characterisation.' The Guardian 'Highway 13 is vibrant and intricately crafted, from its taut sentences and pitch-perfect psychological observations to its very order of stories.' The Sydney Morning Herald 'Highway 13 is a thrilling collection that explores an uncanny restlessness haunting the Australian psyche.' The Conversation 'McFarlane is a master at just about everything: dialogue, setting, comic timing . . . but her biggest accomplishment is creating an empathic bond with people whose lives are touched by unexplainable violence. Compulsively suspenseful and enormously readable.' The Los Angeles Times 'These sublime stories have the poise and clarity of classics. As Fiona McFarlane's characters edge towards revelation or disaster, her artistry shines on every page.' Michelle de Kretser, author of Scary Monsters 'In Fiona McFarlane's gifted hands, this Mobius strip of linked stories bends and twists the crime genre until it is barely recognisable . . . The result is a riveting study of human nature.' Geraldine Brooks, author of Horse 'McFarlane expands our understanding, illuminating what it is to be human . . . compulsory reading for anyone who's ever read (or written) a tale of murder.' Hayley Scrivenor, author of Girl Falling 'McFarlane is a ventriloquist in these brilliant stories, voicing our fear and fascination around atrocity, the shocking ordinariness of its perpetrators.' Kristina Olsson 'Every chapter is a small masterpiece in this eerie, haunting novel.' Jack Heath, author of Kill Your Husbands Praise for The Sun Walks Down: 'Quite simply, the best novel I've ever read about 19th-century Australia. A tense search for a lost child unfolds with rising dread against a landscape of harsh and radiant beauty, amid lives as tangled as barbed wire.' Geraldine Brooks, Pulitzer Prizewinning author of Horse 'McFarlane's language and unblinking historical realism are more evidence that the author is one of the legitimate talents of her generation.' The Australian
Short-Listed for the 2023 Walter Scott Prize for Historical Fiction Named a Top 10 Best Book of 2023 by The Wall Street Journal Named a Best Book of 2023 by Kirkus and Chicago Public Library “The Sun Walks Down is the book I’m always longing to find: brilliant, fresh, and compulsively readable. It is marvelous. I loved it start to finish.” —Ann Patchett, author of The Dutch House Fiona McFarlane’s blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia. In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, Indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the landscape they inhabit. The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It’s haunted by many gods—the sun among them, rising and falling on each day in which Denny could be found, or lost forever. Told in many ways and by many voices, Fiona McFarlane’s new novel pulses with love, art, and the unbearable divine. It arrives like a vision, mythic and bright with meaning.
Shy and insecure all her life, fifteen-year-old Hannah finally feels as if she belongs. She acts in the theater club production and hangs out with a super-kissable boy, and her new best friend, Zoë, has turned her on to clothes, makeup and nicking lipsticks for fun. It's great. Of course, her unbearable mother, Jane, is unimpressed with all this behavior...especially the night she has to bail Hannah out of serious trouble. But who's behaving badly? On a trip to a remote Scottish isle the tables are turned when Hannah discovers her mom's hiding a startling secret. With everything up in the air—even the self-proclaimed rebel Zoë is having strange episodes of conscience—something good surely must be lurking in the chaos.
Eminent surgeon Leo Costa's famous Italian charm has never failed him. But Dr. Abbie McFarlane is determined not to fall for Leo's good looks—even if they could easily grace any fashion magazine cover. Abbie appreciates his skills as a doctor, but his attention to her as a woman she can do without! A month in his hometown is Leo's worst nightmare, but to pass the time he's helping out in Abbie's hospital. Secretly he hopes that a no-strings affair will help him outrun the ghosts of his past, but Abbie doesn't do flings. If she's going to open her heart to Leo, she wants it to be forever….
The Poetry Exchange is an award-winning podcast and project that celebrates the role poetry plays in people's lives. In their first anthology, Fiona Bennett and Michael Shaeffer draw on ten years of archival material to bring together a collection of poems chosen by readers that know them as friends, presented alongside their personal stories of connection. Featuring Brian Cox on John Clare, Andrew Scott on George Herbert, Maxine Peake on Tony Harrison and many more, in this gathering of poems you can reacquaint yourself with old friends, perhaps make some new ones, and enjoy the companionship poetry can offer us. Friends that offer connection and solidarity. Friends that help us wrestle with difficult things. Friends that name our experiences. Friends that comfort and help us move forward. Friends we admire.
Rehearsing the State presents a comprehensive investigation of the institutions, performances, and actors through which the Tibetan Government-in-Exile is rehearsing statecraft. McConnell offers new insights into how communities officially excluded from formal state politics enact hoped-for futures and seek legitimacy in the present. Offers timely and original insights into exile Tibetan politics based on detailed qualitative research in Tibetan communities in India Advances existing debates in political geography by bringing ideas of stateness and statecraft into dialogue with geographies of temporality Explores the provisional and pedagogical dimensions of state practices, adding weight to assertions that states are in a continual situation of emergence Makes a significant contribution to critical state theory
Hidden amid lush parkland, Eardisford is the ultimate English country retreat and it's just been sold for the first time in its history. Romantic daredevil Kat Mason has been bequeathed the estate's lakeside sanctuary, Lake Farm, until she dies or marries. But the new owners want her out now . . . In rides charming playboy Dougie Everett, the man hired to sweep Kat off her feet and off the property. Dougie loves nothing more than the thrill of the chase, but does he risk losing his heart along the way?
Do your students find psychology difficult to engage with or want a textbook that is easy to read? Would they benefit from a textbook that demonstrates how psychology applies to nursing? Right from the start of their programme it is crucial for nursing students to understand the significance of psychology in nursing. This book helps students recognise why they need to know about psychology, how it can affect and influence their individual nursing practice as well as the role it plays in health and illness. Written in clear, easy to follow language and with each chapter linking to relevant NMC Standards and Essentials Skills Clusters it simplifies the key theory and puts the discipline of psychology into context for nursing students, with clear examples and case studies used throughout. Transforming Nursing Practice is a series tailor made for pre-registration student nurses. Each book in the series is: · Affordable · Mapped to the NMC Standards and Essential Skills Clusters · Focused on applying theory to practice · Full of active learning features ‘The set of books is an excellent resource for students. The series is small, easily portable and valuable. I use the whole set on a regular basis.’ - Fiona Davies, Senior Nurse Lecturer, University of Derby
A comprehensive survey of the theory, research and forensic implications related to suggestibility in legal contexts that includes the latest research. Provides a useful digest for academics and a trusted text for students of forensic and applied psychology A vital resource for legal practitioners who need to familiarize themselves with the subject Includes practical suggestions for minimizing witness suggestibility in interviews Features topics that focus on suggestibility at each stage - from witnessing a crime through to trial
A concise, accessible introduction to the development, application and evaluation of nursing theories, this new edition of Fundamentals of Nursing Models, Theories & Practice provides a thorough overview of the body of knowledge on the topic, and a clear outline of their relevance to everyday nursing practice. Linking the development of theory to practice, this full-updated text features learning outcomes, key concept summaries and reflective exercises to aid the study of this key element of all modern nursing courses. Special Features Clearly examines the relationship between nursing theory, clinical practice and nursing roles Accessible and user-friendly with a range of features to help study, including key concepts, learning objectives and reflective exercises Useful for all pre-registration nursing students, as well as newly qualified nurses Accompanied by an online resource centre featuring case studies, multiple choice questions, exercises and activities
This comprehensive and challenging text unravels the phenomenon of homicide. In introducing the broad spectrum of different features, aspects and forms of homicide, Fiona Brookman examines its patterns and trends, how it may be explained, its investigation and how it may be prevented.
This book presents a narrative approach to creating a supportive environment for health and human service practitioners who work with vulnerable children and their families—one of the most difficult and complex areas of practice. People working in these environments are routinely exposed to violence and trauma and commonly experience symptoms of traumatic stress as a result. Traditionally, human service and health care service organisations have struggled to support practitioners who experience primary and secondary trauma in either a preventative context or post exposure. Using contemporary trauma theory, this book provides a trauma-informed support and supervision framework for supervisors and managers of practitioners that recognises the uniqueness of the practice field, the diversity of practitioners who undertake the work and the diversity of contexts in which they work. It will be required reading for all human service and health professionals, including social workers, psychologists and nurses as well as teachers, counsellors and youth workers.
This title was first published in 2000. John Ireland (1879-1962) was as elusive as the music that he composed. His music resists easy categorization, in part because it is linked so closely to specific events, places and people in Ireland's personal life. The Music of John Ireland explores the expressive and extramusical qualities of Ireland's compositions and their complex system of personal musical symbols, images and ideas. Fiona Richards interweaves biography and musical analysis in a series of chapters which take their themes from the significant influences in Ireland's life: Anglo-Catholicism, paganism, the countryside, the city, love and war. Ireland emerges as highly individual, struggling with his religious beliefs, his sexuality, and an uncertainty as to his success. His music, often an expression of a state of mind, is given, for the first time, the close investigation that it merits. Ireland preferred to compose on a small scale, showing a masterful command of form and a gift for melody. Richards reveals how the essence of the man shines through in the miniatures that he wrote.
Whisky, A Very Peculiar History' takes a sideways look at this most inebriating beverage from its simplistic origins to its pride of place in the drinks cabinets of the world. When Henry VIII disbanded the monasteries and let those brewing monks out into the wilderness, he had no idea of the kind of beast he'd unleashed. Whisky was used as a medicine, giving 'the glow of apparent well-being' and even horses were known to be given a dram here and there (although via the kneecaps). Featuring quirky tales of whisky's development and refining through the ages and detailed stories about its effect on the common man and woman, 'Whisky, A Very Peculiar History' delivers a warm aftertaste of hilarity with every shot of fact.
Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Given their rhetoric on safeguarding, the response of religious organisations to abuse by the clergy - sexual, physical and spiritual - has been inept, thoughtless, mean, and without any sense of urgency. Sex, Power, Control explores the underlying reasons for the mishandling of recent abuse cases. Using psychoanalytical and sociological insights, and including her own experiences as shown in the BBC documentary Exposed: The Church’s Darkest Secret, Gardner asks why the Churches find themselves in such a crisis, and how issues of power and control have contributed to secrecy, deception and heartache. Drawing on survivor accounts and delving into the psychology of clergy abusers, she reveals a culture of avoidance and denial, while an examination of power dynamics highlights institutional narcissism and a hierarchical structure based on deference, with defensive assumptions linked to sex, gender and class. Sex, Power, Control is an invaluable resource for all those in the church or similar institutions, and for anyone concerned about child abuse.
An evocative memoir about the emergence of a pre-eminent writer in a changing world 'What I have to tell is largely a personal narrative about how I came to inhabit a fictional world' This absorbing memoir explores the first half of writer Fiona Kidman's life, notably in Kerikeri amid the 'sharp citric scent of orange groves, bright heat and . . . the shadow of Asia' - at the end of Darwin Road. From the distance of France, where Kidman spent time as the Katherine Mansfield Fellow in Menton, she reconsiders the past, weaving personal reflection and experience with the history of the places where she lived, particularly the fascinating northern settlements of Kerikeri and Waipu, and further south the cities of Rotorua and Wellington. Her story crosses paths with those of numerous different New Zealanders, from the Tuhoe prophet Rua Kenana, to descendants of the migration from Scotland led by a charismatic Presbyterian minister, to other writers and significant friends. We learn of Kidman's struggles to establish herself as a writer and to become part of different communities, and how each worked their way into her fiction. At the End of Darwin Road is a vivid memoir of place and family, and of becoming a writer: 'I was certain that . . . I would continue to write, if possible, every day of my life.
Organizational Behaviour and Gender provides an alternative to the gender silence of the standard OB textbooks. This Second Edition updates and expands the text's coverage and employs the most recent research findings to portray the world of work in a realistic manner. Organizational Behaviour and Gender is a comprehensive text. The text examines some of the assumptions that have been made about women at work - for example that women's 'difference' is rooted in biology and that women and men have contrasting (and even polar opposite) skills and attitudes. The text considers the key topics in OB (such as selection, assessment,leadership and motivation) to test such assumptions. The book describes the reality of working life for women. It examines issues of low pay, part-time working, family responsibilities, home working and horizontal and vertical job segregation. It asks whether inequality of opportunity comes about because of actual gender differences or from prejudicial expectations and thinking. The last chapter is about sex and sexuality in organizations. Sexual behaviour in organizations is pervasive but is rarely discussed in OB textbooks. This chapter describes the masculine and heterosexual business environment and examines the issues of work romances and sexual harassment. The text provides numerous learning aids (including discussion topics and chapter questions) to assist both the lecturer and the student.
Fiona Terry examines the side-effects of intervention by aid organisations and points out the need to acknowledge the political consequences of the choice to give aid.
Short-Listed for the 2023 Walter Scott Prize for Historical Fiction Named a Top 10 Best Book of 2023 by The Wall Street Journal Named a Best Book of 2023 by Kirkus and Chicago Public Library “The Sun Walks Down is the book I’m always longing to find: brilliant, fresh, and compulsively readable. It is marvelous. I loved it start to finish.” —Ann Patchett, author of The Dutch House Fiona McFarlane’s blazingly brilliant new novel, The Sun Walks Down, tells the many-voiced, many-sided story of a boy lost in colonial Australia. In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, farmers, mothers, Indigenous trackers, cameleers, children, artists, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the landscape they inhabit. The colonial Australia of The Sun Walks Down is noisy with opinions, arguments, longings, and terrors. It’s haunted by many gods—the sun among them, rising and falling on each day in which Denny could be found, or lost forever. Told in many ways and by many voices, Fiona McFarlane’s new novel pulses with love, art, and the unbearable divine. It arrives like a vision, mythic and bright with meaning.
Drawing on their many years of experience in various orthopaedic settings, the authors of this valuable resource describe how to apply clinical reasoning to a diverse range of patient problems. The content of the book progresses logically from normal to abnormal findings and from simple to complex conditions. Engaging case studies and self-assessment sections help readers develop a reasoned and logical approach to the management of orthopaedic patients. Chapter summaries emphasize key areas of importance. Case studies illustrate problem-solving approaches and demonstrate how to manage specific client groups. Objectives and prerequisites are included for each section, alerting readers to what they should know before and after reading. Reading and practice assignments include recommended prerequisite knowledge and experience. Well-illustrated text includes line diagrams, photographs, and radiographs to clarify important concepts. New chapters on Hydrotherapy and Gait present current knowledge on these areas. Chapters have been updated to include more information on the upper limb. Chapters on Decision Making and Clinical Reasoning in Orthopaedics and Gait Analysis in the Clinical Situation have been thoroughly updated and revised.
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