Modernism reshaped novel theory, shifting criticism away from readers' experiences and toward the work as an object autonomous from any reader. Novel Theory and Technology in Modernist Britain excavates technology's crucial role in this evolution and offers a new history of modernism's vision of the novel. To many modernists, both novel and machine increasingly seemed to merge into the experiences of readers or users. But modernists also saw potential for a different understanding of technology - in pre-modern machines, or the technical functioning of technologies stripped of their current social roles. With chapters on Henry James, Ford Madox Ford, Wyndham Lewis, and Rebecca West, Novel Theory argues that in these alternative visions of technology, modernists found models for how the novel might become an autonomous, intellectual object rather than a familiar experience, and articulated a future for the novel by imagining it as a new kind of machine.
Jane Whittaker finds herself on a downtown street, her pockets stuffed with a large number of crisp $100 bills, the front of her dress soaked with blood. She has no idea of her identity. After a terrifying night of hiding, Jane ends up in hospital. There, while undergoing a battery of medical tests, she is recognized by one of the nurses. Soon her husband comes to claim her. He is every woman’s dream: popular, respected, wealthy, a tall blond doctor. He takes Jane home and vows to cure her with loving care and modern medicine. But Jane doesn’t get any better. The medication seems to be turning her into a zombie, and she begins to feel that her private nurse is holding her a virtual prisoner in her own home, isolating her from friends who might help her recover. Can Jane remember her past in time… in time to stop whatever it is that is happening to her, whatever made her lose her memory in the first place, whatever is trying to destroy her and her family?...
This is a book about patient care. It emphasizes the importance of good communications as an implicit and necessary component of care in clinical practice, and advocates a mutually negotiated and open style of communication. Focusing on the needs of both adults and children, this book contains specific recommendations for communication approaches relating to questioning styles, giving information, handling difficult questions, and breaking bad news. Theoretical issues are also addressed and many clinical situations (such as pain, cancer and terminal illness) are included for illustration purposes. It is written for doctors, nurses and other clinical practitioners who may want to further develop their communication skills, and is particularly suitable for medical and nursing students. It will also be of use to consumers of health services who are increasingly coming to expect more considerate communications in health care.
A woman hires a housekeeper to care for her aging parents—only to watch as she takes over their lives in this riveting novel from the New York Times bestselling author Samantha M. Bailey calls “an ingenious master of domestic suspense.” ONE OF THE BEST BOOKS OF THE YEAR: Reader’s Digest In the end, I have only myself to blame. I’m the one who let her in. Jodi Bishop knows success. She’s the breadwinner, a top-notch real estate agent. Her husband, Harrison . . . not so much. Once, he had big dreams. But now, he’s a middling writer who resents his wife’s success. Jodi’s father, Vic, now in his late seventies and retired, is a very controlling man. His wife, Audrey, was herself no shrinking violet. But things changed when Audrey developed Parkinson’s ten years ago and Vic retired to devote himself to her care. But while still reasonably spry and rakishly handsome, Vic is worn down by his wife’s deteriorating condition. Exhausted from trying to balance her career, her family, and her parents’ needs, Jodi starts interviewing housekeepers to help care for Audrey and Vic. She settles on Elyse Woodley, an energetic and attractive widow in her early sixties, who seems perfect for the job. While Vic is initially resistant, he soon warms to Elyse’s sunny personality and engaging ways. And Jodi is pleased to have an ally, someone she can talk to and occasionally even confide in. Until . . . She shuts Jodi out. And Audrey’s condition worsens—rapidly. Who is this woman suddenly wearing her mother’s jewelry? What is she after? And how far will she go to get it?
The history of execution at Pentonville began with the hanging of a Scottish hawker in 1902. Over the next sixty years the names of those who made the short walk to the gallows reads like a who's who of twentieth-century murder. They include the notorious Dr Crippen, Neville Heath, mass murderer John Christie of Rillington Place, as well as scores of forgotten criminals: German spies, Italian gangsters, teenage tearaways, cut-throat killers and many more. Infamous executioners also played a part in the gaol's history: the Billington family of Bolton, Rochdale barber John Ellis and Robert Baxter of Hertford who, for over a decade, was the sole executioner at Pentonville. For many years the prison was used to train the country's hangmen, including members of the well-known Pierrepoint family, Harry Allen and Robert Leslie Stewart, the country's last executioners. Fully illustrated with photographs, news-cuttings and engravings, Hanged at Pentonville is bound to appeal to anyone interested in the darker side of London's history.
It has been just over 40 years since a gallows was last used in Great Britain, and the secrets behind the men who pulled the lever and dropped the condemned to their deaths are still shrouded in mystery. This account tells the story of the working-class men who carried out this profession until its abolition in the late 1960s. The hangman's rope was part of an exact science, and in their day, the men who undertook the job assumed the profiles of infamous celebrities, their reputations often rivaling the notorious criminals they were charged with dispatching. From the bungling hangmen sacked for incompetence and those driven to guilt-ridden suicide to the last to pull the lever at the height of the swinging sixties, the secrets of this form of capital punishment are finally revealed. They were the last of their kind, the hangmen of the 20th century; and this is their fascinating, sometimes repugnant, always enthralling story.
This book looks at how the British Labour Party came to terms with the 1960's 'cultural revolution', specifically changes to: the class structure, place of women, black immigration, the generation gap and calls for direct political participation.
Practitioner and Educator, Tina Fryling Presents a Pragmatic and Accessible Approach to Constitutional Law for Criminal Justice Students Constitutional Law in Criminal Justice, Third Edition presents the constitutional provisions most directly related to criminal law and procedure and demonstrates their daily impact on the attitudes, capabilities, events, and responses of legal professionals in policing, courtrooms, and federal agencies. The U.S. Constitution guides every facet of the investigation of crime and of threats to public safety and national security. To further readers’ understanding of the nature of these procedures, this book examines both the Constitution’s relevant provisions and the central developments in their interpretation by the Supreme Court and other U.S. courts. Vivid examples of the situations faced by practitioners on a daily basis bring the complexities of criminal law to life. New to the Third Edition: Expanded discussions of strict scrutiny, stop and frisk, cell phone privacy, the Strickland Test, and First Amendment protections in social media and campaign financing. New cases cover: the interpretation of the attempt to restrain an individual as a seizure (Torres v. Madrid) searches based on “common sense” and making a “logical inference” (Kansas v. Glover) hot pursuit and entry into a building (Lange v. California) the “community caretaking exception” to the Fourth Amendment (Caniglia v. Strom) the Establishment Clause and schools (Kennedy v. Bremerton School District and Carson v. Makin) the primacy of Second Amendment rights (New York State Rifle and Pistol Ass’n. v. Bruen) New scenarios for “You Be the Judge” and featured cases. Professors and students will benefit from: “You Be the Judge” feature encourages students to consider all sides of an issue and broaden their understanding of the complexities of constitutional law in the criminal justice context. Brief summaries of landmark Supreme Court cases provide essential information and insight. The relevant constitutional amendments are covered in terms of both their historical basis and their interpretation and application today. Clear writing speaks to a wide range of readers’ interests, perspectives, and preparation; the text is accessible to both majors and nonmajors in courses at all levels. Written by a practicing attorney who has litigated the issues, the text is authentic, current, approachable, and practical. Comprehensive information on the complexities of constitutional law relates to daily practice by courts, law enforcement, and other criminal justice professionals. The text is further enhanced by: A logical structure and conceptual focus Learning Objectives and key term lists in each chapter Stimulating questions in each chapter to test and assess student understanding
Bridget Jones, beloved Singleton and global phenomenon, is back with a bump in Bridget Jones's Baby: The Diaries. 8:45 P.M. Realize there have been so many times in my life when have fantasized about going to a scan with Mark or Daniel: just not both at the same time. Before motherhood, before marriage, Bridget with biological clock ticking very, very loudly, finds herself unexpectedly pregnant at the eleventh hour: a joyful pregnancy which is dominated, however, by a crucial but terribly awkward question – who is the father? Mark Darcy: honourable, decent, notable human rights lawyer? Or Daniel Cleaver: charming, witty, notable fuckwit? 9:45 PM It’s like they’re two halves of the perfect man, who’ll spend the rest of their lives each wanting to outdo the other one. And now it’s all enacting itself in my stomach. In this gloriously funny, touching story of baby-deadline panic, maternal bliss, and social, professional, technological, culinary and childbirth chaos, Bridget Jones – global phenomenon and the world’s favorite Singleton – is back with a bump.
This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, andballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage.This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in thisvolume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive.The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
For fifty years, the newsreel was a fixture in American movie theaters. Released twice a week, less than ten minutes long, each had news footage that combined journalism with entertainment. With the advent of television news programs after World War II, newsreels began to be obsolete, but they remain the first instances of moving image photographic journalism and were for decades a unique source of information--and misinformation. This history details the full span of the American newsreel from 1911 to 1967, discussing the European forerunners, changes in the American version over time, and the ethical and unethical use of newsreels in present-day television documentaries. Photographs, bibliography and index.
Before Jane Austen's novels explored heroines in English society, writers Sarah Fielding and Jane Collier dared to provide commentary on gender and education through self-conscious narratives. Published in 1754 in five parts and divided into three volumes, The Cry stands as one of the most distinctive and intriguing works by women during the florescence of their writing in eighteenth-century England. Strikingly experimental—mixing fiction and philosophy, drama and exposition, satire and irony, and singular and choral voices—The Cry revolves around a main character, Portia, who tells a series of stories to an audience that includes Una, the allegorical representation of truth, and "The Cry" itself, a collection of characters who serve as a kind of Greek chorus. A story about the story-making female subject, the novel serves as a catalyst to convey that women are capable of doing all of the things that men can do—discuss ethics, learn, and think rationally—and should be allowed to do these things publically. Throughout, editor Carolyn Woodward offers essential historical and editorial context to the work, demonstrating that this novel continues to facilitate discussions about women and public life.
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