Este vagar del pensamiento […] por caminos sin metas es semejante al pensar pensando, donde cada tanto nos sorprende un descubrimiento con valor de meta. En cuanto a las metas sin caminos, entiendo que se corresponden con hacer pasar los resultados de ese pensar distraído por el trazado que reconoce los rigores de la escritura. Algo así como trazar caminos para esas metas descubiertas en la distracción […]. Esta soltura me ayuda y me reconcilia con el escribir en este momento”. Salud ele-Mental. Con toda la mar detrás recorre, por momentos “hablando al azar de la memoria y sus vicisitudes”, conceptos clave de la psicología social como la Numerosidad Social, entre otros, al tiempo que propone una reconceptualización de la salud mental, desde (mejor dicho, con) la propia voz de su autor. Fernando Ulloa nos dejó en estas páginas no sólo parte de su vasta experiencia como “operador en la producción de salud mental”, sino también muchas de sus percepciones sobre temas que trascienden el campo de la psicología, del cual es considerado nada menos que uno de sus precursores en nuestro país.
NOW A MAJOR NETFLIX SERIES SHE IS the daughter of a disgraced physician, forced to work in the kitchen of a great eighteenth-century Spanish house, hiding her intense agoraphobia from everyone. HE IS the Duke of Castamar, one of the most powerful men in the aristocracy. He is also sunk in terrible grief after the death of his young wife in a riding accident. When Clara arrives at Castamar, she is shocked at the state of the kitchen. Unlike most educated girls of the time, she is a gifted cook, and when the annual party in memory of the duke's wife comes around, Clara gets the chance to contribute to the menu. Soon both Clara and her exquisite food have caught the attention of the duke – and aroused dangerous jealousies both above and below stairs. An epic story of swirling conspiracies, risky secrets and scandalous affairs, set against the sumptuous backdrop of eighteenth century Spain.
In The Left Hand of Capital, Fernando Ignacio Leiva provides a theoretically grounded analysis of the last thirty years of socioeconomic policies in Chile, beginning at the end of the Pinochet military regime in 1990. He skillfully probes how innovative center-left politico-economic initiatives transformed the state's relationships with the country's urban poor, indigenous peoples, workers, students, and business elites, thereby contributing to institutionalize, legitimize, and renew Chile's neoliberal system of domination. Leiva documents how such politics, progressive in appearance, were pivotal in forging new arts of domestication, "participatory" social control mechanisms, and commodified subjectivities. This landmark book guides us into a deeper awareness about the limitations of center-left politics, not only in Chile, but elsewhere in the Americas and Western Europe as well. At a time when far-right movements seem to be growing in the Global South, Europe, and the United States, this book offers valuable insights into the predicament of social democracy and how, as in Chile and in the context of global neoliberalism, it can become the "left hand of capital.
A sweeping, authoritative history of 16th-century Spain and its legendary conquistadors, whose ambitious and morally contradictory campaigns propelled a small European kingdom to become one of the formidable empires in the world “The depth of research in this book is astonishing, but even more impressive is the analytical skill Cervantes applies. . . . [He] conveys complex arguments in delightfully simple language, and most importantly knows how to tell a good story.” —The Times (London) Over the few short decades that followed Christopher Columbus's first landing in the Caribbean in 1492, Spain conquered the two most powerful civilizations of the Americas: the Aztecs of Mexico and the Incas of Peru. Hernán Cortés, Francisco Pizarro, and the other explorers and soldiers that took part in these expeditions dedicated their lives to seeking political and religious glory, helping to build an empire unlike any the world had ever seen. But centuries later, these conquistadors have become the stuff of nightmares. In their own time, they were glorified as heroic adventurers, spreading Christian culture and helping to build an empire unlike any the world had ever seen. Today, they stand condemned for their cruelty and exploitation as men who decimated ancient civilizations and carried out horrific atrocities in their pursuit of gold and glory. In Conquistadores, acclaimed Mexican historian Fernando Cervantes—himself a descendent of one of the conquistadors—cuts through the layers of myth and fiction to help us better understand the context that gave rise to the conquistadors' actions. Drawing upon previously untapped primary sources that include diaries, letters, chronicles, and polemical treatises, Cervantes immerses us in the late-medieval, imperialist, religious world of 16th-century Spain, a world as unfamiliar to us as the Indigenous peoples of the New World were to the conquistadors themselves. His thought-provoking, illuminating account reframes the story of the Spanish conquest of the New World and the half-century that irrevocably altered the course of history.
This fascinating book examines the particular importance of cities in Spanish and Hispanic-American culture as well as the different meanings that artists and cartographers invested in their depiction of New and Old Wold cities and towns. Kagan maintains that cities are both built human structures and human communities, and that representations of the urban form reflect both points of view. He discusses the peculiar character of Spain's empire of towns; the history and development of the cityscape as an independent artistic genre, both in Europe and the Americas; the interaction between European and native mapping traditions; differences between European maps of urban America and those produced by local residents, whether native or creole; and the urban iconography of four different New World towns. Lavishly illustrated with a variety of maps, pictures, and plans, many reproduced here for the first time, this interdisciplinary study will be of interest to general readers and to specialists in art history, cartography, history, urbanism, and related fields.
Insect Pathology, 2nd ed. Fernando E. Vega and Harry K. Kaya, Editors Foreword May Berenbaum Chapter 1. Scope and Basic Principles of Insect Pathology Harry K. Kaya and Fernando E. Vega Chapter 2 - History of Insect Pathology Elizabeth W. Davidson Chapter 3 - Principles of Epizootiology and Microbial Control David I. Shapiro-Ilan, Denny Bruck, and Lawrence A. Lacey Chapter 4 - Baculoviruses and Other Occluded Insect Viruses Robert Harrison and Kelli Hoover Chapter 5 - RNA Viruses Infecting Pest Insects Yan Ping Chen, James J. Becnel, and Steven M. Valles Chapter 6 - Fungal Entomopathogens Fernando E. Vega, Nicolai V. Meyling, Janet Jennifer Luangsa-ard, and Meredith Blackwell Chapter 7 - Microsporidian Entomopathogens Leellen F. Solter, James J. Becnel, and David H. Oi Chapter 8 - Bacterial Entomopathogens Juan Luis Jurat-Fuentes and Trevor Jackson Chapter 9 - Wolbachia Infections in Arthropod Hosts Grant Hughes and Jason L. Rasgon Chapter 10 - Protistan Entomopathogens Carlos E. Lange ...
In a progressive and systematic approach to communication, and always through an interdisciplinary and cross-cultural perspective, this first volume presents culture as an intricate grid of sensible and intelligible sign systems in space and time, identifying the semiotic and interactive problems inherent in intercultural and subcultural communication according to verbal-nonverbal cultural fluency. The author lays out fascinating complexity of our direct and synesthesial sensory perception of people and artifactual and environmental elements; and its audible and visual manifestations through our speaking face , to then acknowledge the triple reality of discourse as verbal language-paralanguage-kinesics , which is applied through two realistic models: (a)for a verbal-nonverbal comprehensive transcription of interactive speech, and (b)for the implementation of nonverbal communication in foreign-language teaching. The author presents his exhaustive model of nonverbal categories for a detailed analysis of normal or pathological behaviors in any interactive or noninteractive manifestation; and, based on all the previous material, his equally exhaustive structural model for the study of conversational encounters, which suggests many applications in different fields, such as the intercultural and multisystem communication situation developed in simultaneous or consecutive interpretating. 956 literary quotations from 103 authors and 194 works illustrate all the points discussed.
In a progressive and systematic approach to communication, and always through an interdisciplinary and cross-cultural perspective, this first volume presents culture as an intricate grid of sensible and intelligible sign systems in space and time, identifying the semiotic and interactive problems inherent in intercultural and subcultural communication according to verbal-nonverbal cultural fluency. The author lays out fascinating complexity of our direct and synesthesial sensory perception of people and artifactual and environmental elements; and its audible and visual manifestations through our speaking face , to then acknowledge the triple reality of discourse as verbal language-paralanguage-kinesics , which is applied through two realistic models: (a)for a verbal-nonverbal comprehensive transcription of interactive speech, and (b)for the implementation of nonverbal communication in foreign-language teaching. The author presents his exhaustive model of nonverbal categories for a detailed analysis of normal or pathological behaviors in any interactive or noninteractive manifestation; and, based on all the previous material, his equally exhaustive structural model for the study of conversational encounters, which suggests many applications in different fields, such as the intercultural and multisystem communication situation developed in simultaneous or consecutive interpretating. 956 literary quotations from 103 authors and 194 works illustrate all the points discussed.
Even before the arrival of Europeans to the Americas, the practice of taking captives was widespread among Native Americans. Indians took captives for many reasons: to replace--by adoption--tribal members who had been lost in battle, to use as barter for needed material goods, to use as slaves, or to use for reproductive purposes. From the legendary story of John Smith's captivity in the Virginia Colony to the wildly successful narratives of New England colonists taken captive by local Indians, the genre of the captivity narrative is well known among historians and students of early American literature. Not so for Hispanic America. Fernando Operé redresses this oversight, offering the first comprehensive historical and literary account of Indian captivity in Spanish-controlled territory from the sixteenth to the twentieth century. Originally published in Spanish in 2001 as Historias de la frontera: El cautiverio en la América hispánica, this newly translated work reveals key insights into Native American culture in the New World's most remote regions. From the "happy captivity" of the Spanish military captain Francisco Nuñez de Pineda y Bascuñán, who in 1628 spent six congenial months with the Araucanian Indians on the Chilean frontier, to the harrowing nineteenth-century adventures of foreigners taken captive in the Argentine Pampas and Patagonia; from the declaraciones of the many captives rescued in the Rio de la Plata region of Argentina in the seventeenth and eighteenth centuries, to the riveting story of Helena Valero, who spent twenty-four years among the Yanomamö in Venezuela during the mid-twentieth century, Operé's vibrant history spans the entire gamut of Spain's far-flung frontiers. Eventually focusing on the role of captivity in Latin American literature, Operé convincingly shows how the captivity genre evolved over time, first to promote territorial expansion and deny intercultural connections during the colonial era, and later to romanticize the frontier in the service of nationalism after independence. This important book is thus multidisciplinary in its concept, providing ethnographic, historical, and literary insights into the lives and customs of Native Americans and their captives in the New World.
Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.
St. Teresa of Avila—great saint, reformer and mystic—was also one of the most traveled women of her day. She covered thousands of miles, crisscrossing Spain on the “divine adventure” of starting a new way of Carmelite living in her discalced monasteries. With lively details, Teresa recounts her travels and the events and people connected with them in her classic book, The Foundations. The Divine Adventure, produced to celebrate St. Teresa’s 500th birthday in 2015, is a fascinating armchair pilgrimage to each of these foundations and more, in full color. Filled with hundreds of color photographs, maps, charts and historic artwork, this unique book lets the reader walk with Teresa and see the places touched by her life and holiness. Visit some of Spain’s most breathtaking sites and also get a rare glimpse into the cloistered monasteries she founded, still extant today.
Until the end of the eighteenth century, missionaries to the New World agreed that diabolism lay at the heart of the Native American belief system and at the root of their own failure to establish a church purged of Satan and pagan superstition. The Devil mattered, and he occupied a central place in discussions of all non-Christian religious systems and in the bitter disputes over how to combat them. In this elegant and sensitive analysis, Fernando Cervantes gives the Devil his due, illuminating a neglected aspect of the European encounter with America and setting the full history of the "spiritual conquest" in a rich and original context. He reveals how Native Americans reinterpreted the view of Christianity presented to them, how they refused to see the world as the missionaries saw it. Drawing on archival sources, he brings into clear focus the complex, often bewildering, and sometimes tragic clash between a theology that posited the existence of competing forces and one that insisted that all deities were multiform beings within which good and evil coexisted. He deals in compelling and persuasive detail with the social history of the interaction between the two cultures, explaining not only the impact of European ideas upon the New World but the influence of diabolism on the ideology of the Old. And he provides a subtle account of the role of diabolism in the emerging baroque culture of the seventeenth and eighteenth centuries that strikingly challenges conventional explanations of the growth of skepticism in the period.
The Eighty Years War (1567-1659) has been the subject of important monographs but the high command of the Army of Flanders, which played a decisive role in the making of Spanish strategy and was in charge of its tactics, has eluded detailed scrutiny. This work, the first study of an early modern officer corps, examines the culture, class structure, and combat effectiveness of the largest army of its day. Combining approaches and insights from social, cultural and military history, it traces the evolution of the leading cadres of the legendary tercios in relation to major trends such as aristocratization and military modernization while revising recent perspectives on Spain’s war against the Dutch and the French in the Low Countries.
Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.
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