The Unwritten Brazilian Constitution offers an unexplored topic outside Portuguese language: the leading cases on human rights in the Brazilian Supreme Court (Supremo Tribunal Federal – STF). The Brazilian Constitution of 1988 represents an institutional framework able to restructure the relationship between the powers after the military dictatorship. The constituents drafted the Brazilian Constitution in order to set an extensive system of judicial protection for fundamental rights, by means of several instruments that have strengthened access to the Judiciary. Because the Brazilian Constitution has an extensive list of fundamental rights, the STF was called to interpret them several times and it developed an unwritten understanding of these fundamental rights. These decisions are not available to the international community since they are not translated to English. Based on this gap, this original book illustrates the main rulings on human rights analyzed by great scholars in Brazil. The text presents a deep discussion regarding the characteristics of the cases and demonstrates how the STF has built the legal arguments to interpret the extension of the fundamental rights.
Nosso Lar - Our Home' is the name of the spirit colony that spirit Andre Luiz, through the mediumship of Chico Xavier, presents to us in the book of his series. In a compelling narrative, the author tells of his impressions and discoveries about life in the spirit world, acting as a sort of journalist who records his own experiences as they occur. Andre Luiz unveils to us an exciting in an exemplary way. It is a place where discarnate spirits go through a recovery stage and a spiritual educational process supervised by high order spirits. 'Nosso Lar' enables us to get a glimpse of the spirit world that awaits us after we leave our physical bodies.
Handbook of Concrete Bridge Management provides complete coverage of concrete bridges from planning, design, repair, maintenance, and demolition, with a focus on small- and medium-size bridges. This handbook offers a global overview of bridge management based on the knowledge and experience of the authors, as well as presents rational and objective criteria to aid in decision-making. A classification system concerning defects, their causes, repair techniques and diagnosis methods is included. Project managers, structural engineers, highway engineers, and all other engineers involved with the building, maintenance, and repair of concrete bridges will benefit from this book. About the Authors Fernando A. Branco, Ph.D., is professor and head of the Construction Sector at Instituto Superior Tecnico, Lisbon, Portugal. Jorge de Brito, Ph.D., is associate professor at Instituto Superior Tecnico, Lisbon, Portugal. Product Reviews Bridges are expected to perform satisfactorily over their expected life span. This practical, user-oriented handbook helps concrete bridge engineers and managers meet this challenge. The key aspects of concrete bridge management are covered in a clear and straightforward way. --Dan M. Frangopol, professor of civil engineering, University of Colorado at Boulder.
Within the field of soil science, soil chemistry encompasses the different chemical processes that take place, including mineral weathering, humification of organic plant residues, and ionic reactions involving natural and foreign metal ions that play significant roles in soil. Chemical reactions occur both in the soil solution and at the soil part
Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political re-foundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries.) In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.
Forges a new understanding of how these two Lusophone nations are connected. The closely entwined histories of Portugal and Brazil remain key references for understanding developments--past and present--in either country. Accordingly, Fernando Arenas considers Portugal and Brazil in relation to one another in this exploration of changing definitions of nationhood, subjectivity, and utopias in both cultures. Examining the two nations' shared language and histories as well as their cultural, social, and political points of divergence, Arenas pursues these definitive changes through the realms of literature, intellectual thought, popular culture, and political discourse. Both Brazil and Portugal are subject to the economic, political, and cultural forces of postmodern globalization. Arenas analyzes responses to these trends in contemporary writers including Jose Saramago, Caio Fernando Abreu, Maria Isabel Barreno, Vergilio Ferreira, Clarice Lispector, and Maria Gabriela Llansol. Ultimately, Utopias of Otherness shows how these writers have redefined the concept of nationhood, not only through their investment in utopian or emancipatory causes such as Marxist revolution, women's liberation, or sexual revolution but also by shifting their attention to alternative modes of conceiving the ethical and political realms.
This book is characterized as the result of an ethnomusicological and historical research by Recife musician Walter Wanderley (1932-1986), known as a representative of Bossa Nova. Organist, pianist, arranger and sporadic composer, Walter Wanderley has released dozens of records on record labels such as Odeon, Philips, the American company Verve and many others, both as an instrumentalist and arranger for singers and as solo instrumental albums. Even with such a robust record production, Walter Wanderley seems to have been forgotten by most records in the History of Brazilian Popular Music. This book tries to help understand how this success happened predominantly only outside his country of origin and the reasons why his name was practically omitted by historiography and by important references of Bossa Nova. As was his performance in other genres such as Samba, Bolero, Sambalanço and Sambajazz, which are much more present in his work than Bossa Nova itself, a genre for which the artist came to be labeled as representative, especially after his death. The book makes a contribution to the construction of knowledge for Ethnomusicology, Musicology and other areas of study of Brazilian Popular Music in its relations with the cultural industry and with the aspects between Memory and Forgetfulness.
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