The basis for HBO's Patria, named one of the "Best TV Shows of 2020" by The New York Times In the heart of Spain’s Basque Country, two friends, Miren and Bittori, find their worlds upended by violence. When Bittori’s husband runs afoul of the separatist organization ETA, a terrorist group of which Miren’s son, Joxe Mari, is a member, both women must choose between their friendship and their families. Moving back and forth in time and told through the eyes of a rich cast of characters from all walks of life, Fernando Aramburu’s dazzling novel probes the lasting legacy of conflict. A work of nearly unbearable suspense, Homeland is a searing examination of truth, reconciliation, and coming to terms with history.
The story of two families in small-town Basque country, pitted against each other by the ideology of ETA, from 1980s to October 2011 when the group proclaimed an end to its savage insurgency. Told through a succession of more than one hundred short sections
With its astounding hardcover reviews Richard Zenith's new complete translation of THE BOOK OF DISQUIET has now taken on a similar iconic status to ULYSSES, THE TRIAL or IN SEARCH OF LOST TIME as one of the greatest but also strangest modernist texts. An assembly of sometimes linked fragments, it is a mesmerising, haunting 'novel' without parallel in any other culture.
A single father struggles to change for his daughters and the woman he loves in this second book in the Cursed Ravens Motorcycle Club series from New York Times bestselling author Chantal Fernando. As a single father of two girls and the sergeant at arms for the Cursed Ravens Motorcycle Club, Jack “Knuckles” Chester doesn’t have much free time. And having earned his road name from his reputation as a fighter, Knuckles isn’t one to back away from a challenge. But what he'll never admit out loud is that his two daughters have changed him irrevocably, softened him even. And these two girls are the only women who will ever hold his heart forever. That is, until he meets Celina. Celina is nothing like the women Knuckles used to date. She’s a journalist for the local newspaper, and basically just has her life together. And the last thing she wants is to be involved with a Cursed Raven. But when the ripped, badass biker worms his way into her heart, she has trouble remembering all the reasons they would never work. But when a shocking story is published her newspaper, it breaks the thin trust she has with Knuckles. Will she lose him forever? Or will Knuckles fight to keep Celina in his life?
(Applause Books). "As Greek tragedy," says a Spanish writer, "was composed from the crumbs that fell from Homer's table, so the Spanish drama owed its earliest forms to La Celestina (1499)." Fernando de Rojas' tragi-comedy which has also been called "a novel in dialogue" runs to about three hundred pages in the James Mabbe translation, here adapted to the stage by Eric Bentley in a five-act, 93-page version. The central and pervasive situation is a simple one: a dirty old woman is helping a courtly young gentleman to seduce a girl. The wonder of the thing lies in the art with which Fernando do Rojas derives, from such commonplace materials, a towering tragedy or rather, tragi-comedy.
Here is the story of political prisoners finally freed in December 2014, after being held captive by the United States since the late 1990s. Through the 1980s and 1990s, violent anti-Castro groups based in Florida carried out hundreds of military attacks on Cuba, bombing hotels and shooting up Cuban beaches with machine guns. The Cuban government struck back with the Wasp Network—a dozen men and two women—sent to infiltrate those organizations. The Last Soldiers of the Cold War tells the story of those unlikely Cuban spies and their eventual unmasking and prosecution by US authorities. Five of the Cubans received long or life prison terms on charges of espionage and murder. Global best-selling Brazilian author Fernando Morais narrates the riveting tale of the Cuban Five in vivid, page-turning detail, delving into the decades-long conflict between Cuba and the US, the growth of the powerful Cuban exile community in Florida, and a trial that eight Nobel Prize winners condemned as a travesty of justice. The Last Soldiers of the Cold War is both a real-life spy thriller and a searching examination of the Cold War’s legacy.
From USA TODAY bestselling author Chantal Fernando comes a brand new Wind Dragons Motorcycle Club e-novella, full of sexy bad-boy bikers, strong heroines, and steamy romance! Even by Wind Dragon Motorcycle Club standards, Irish was always a bit of a dark horse. Not one to confide his secrets, such as where he got that mysterious scar across his neck, he’s quick with his fists and even quicker to jump to the defense of his MC. But is he nimble enough to handle the woman he never saw coming? Or will she leave him with a matching scar across his heart? Featuring scorching hot chemistry and plenty of sass, Dirty Ride is sure to rev your engine and get you immediately hooked!
For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.
In New York Times bestselling author Chantal Fernando’s latest novel in the Wind Dragons Motorcycle Club series, Rake—baddest of the bad boys—gets his own romance at last! Rake is known for being up for anything, in and out of the bedroom. He’s wild, he’s deadly, yet quick with a joke or a stolen kiss. Known as the player of the WDMC, he loves women, the more the merrier. However, behind his womanizing façade, Rake hides the pain of losing his first love, Bailey. He hasn’t loved anyone since, and doesn’t think he ever will. Seven years after their split, Rake and Bailey run into each other at the MC’s favorite club. Old wounds resurface, secrets are spilled...and passionate feelings are awakened. But they’ve each done things to hurt the other, hurt them too badly to get over it—haven’t they? Only when Bailey’s connection to Rake puts her in danger from another Club member does he realize that there’s nothing he won’t do to protect her—and claim her as his once again.
Walks Through Memories of Oblivion is a collection of short stories and essays about resistance, prison, and exile; a creative nonfiction narrative based on true events; flashbacks from the former political prisoner Fernando Andres Torres once was at eighteen years of age, during the military regime that overthrew democracy and established a brutal dictatorship (1973-90) in Chile, Torres's homeland. These stories are not about politics, they are personal; the flesh and bones behind the young and restless student militant that Torres once was; there is a good game of dark humor and tales of subtle and small victories of human endurance and perseverance.
The Celestina is considered by scholars to be the first European novel. Written in fifteenth-century Spain, this masterpiece is remarkable for its originality, depth, handling of dialogue, and drawing of character. The novel's focus is the character of Celestina, who dominates the scene. An old bawd brimming with salty wisdom derived from a vigorous and sinful life, she is one of the great creations of all literature and holds a secure place beside her two compatriots, Don Quixote and Sancho Panza. This Spanish classic, the greatest of the forebears of Cervantes, was originally published anonymously, in 1499; later editions bear the name of Fernando de Rojas as author.
Fernando Vidal’s trailblazing text on the origins of psychology traces the development of the discipline from its appearance in the late sixteenth century to its redefinition at the end of the seventeenth and its emergence as an institutionalized field in the eighteenth. Originally published in 2011, The Sciences of the Soul continues to be of wide importance in the history and philosophy of psychology, the history of the human sciences more generally, and in the social and intellectual history of eighteenth-century Europe.
La presente obra establece una aproximación hacia la comprensión del significado del continente americano desde los contextos sociales y culturales a través de las manifestaciones musicales afrodescendientes, destacando el aporte imprescindible que estas prácticas sonoras suponen a la configuración del territorio. Además, aborda algunos de los procesos sincréticos ocurridos en diversas regiones de África originados con la llegada de las músicas e instrumentos musicales afroamericanos a sus tierras originarias.
Even before the arrival of Europeans to the Americas, the practice of taking captives was widespread among Native Americans. Indians took captives for many reasons: to replace--by adoption--tribal members who had been lost in battle, to use as barter for needed material goods, to use as slaves, or to use for reproductive purposes. From the legendary story of John Smith's captivity in the Virginia Colony to the wildly successful narratives of New England colonists taken captive by local Indians, the genre of the captivity narrative is well known among historians and students of early American literature. Not so for Hispanic America. Fernando Operé redresses this oversight, offering the first comprehensive historical and literary account of Indian captivity in Spanish-controlled territory from the sixteenth to the twentieth century. Originally published in Spanish in 2001 as Historias de la frontera: El cautiverio en la América hispánica, this newly translated work reveals key insights into Native American culture in the New World's most remote regions. From the "happy captivity" of the Spanish military captain Francisco Nuñez de Pineda y Bascuñán, who in 1628 spent six congenial months with the Araucanian Indians on the Chilean frontier, to the harrowing nineteenth-century adventures of foreigners taken captive in the Argentine Pampas and Patagonia; from the declaraciones of the many captives rescued in the Rio de la Plata region of Argentina in the seventeenth and eighteenth centuries, to the riveting story of Helena Valero, who spent twenty-four years among the Yanomamö in Venezuela during the mid-twentieth century, Operé's vibrant history spans the entire gamut of Spain's far-flung frontiers. Eventually focusing on the role of captivity in Latin American literature, Operé convincingly shows how the captivity genre evolved over time, first to promote territorial expansion and deny intercultural connections during the colonial era, and later to romanticize the frontier in the service of nationalism after independence. This important book is thus multidisciplinary in its concept, providing ethnographic, historical, and literary insights into the lives and customs of Native Americans and their captives in the New World.
Author Ajith Fernando believes that much ministry failure results from neglect of the basics of the faith. Too often today's church is riveted on ministry technique to the neglect of leadership lifestyle. In this book, Fernando identifies the foundational elements that allow you to be both effective and joyful in your service. He shows from Jesus' own ministry that relating to the people you minister to, retreating from busyness to prayer, being affirmed and empowered by God, discipling younger leaders, and gaining strength from God's Word must be at the heart of your ministry. Rich in Scripture and full of stories from Fernando's own years of ministry, this book will help men and women commit themselves afresh to those vital basics of ministry that make for long-term service that is both fruitful and joyful.
Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.
Caio Fernando Abreu is one of those authors who is picked up by every generation... In these surreal and gripping stories about desire, tyranny, fear, and love, one of Brazil’s greatest queer writers appears in English for the first time In 18 daring, scheming stories filled with tension and intimacy, Caio Fernando Abreu navigates a Brazil transformed by the AIDS epidemic and stifling military dictatorship of the 80s. Tenderly suspended between fear and longing, Abreu’s characters grasp for connection: A man speckled with Carnival glitter crosses a crowded dance floor and seeks the warmth and beauty of another body. A budding office friendship between two young men turns into a surprising love, “a strange and secret harmony." One man desires another but fears a clumsy word or gesture might tear their plot to pieces. Abreu writes the stories of people whose intimate lives are on the verge of imploding at all times. Even simple gestures—a salvaged cigarette, a knock on the door from the hazy downpour of a dream, a tight-lipped smile—are precarious offerings. Junkies, failed revolutionaries, poets, and conflicted artists face threats at every turn. But, inwardly ferocious and secretly resilient, they heal. In these stories there is luminous memory and decay, and beauty on the horizon. Translated by Bruna Dantas Lobato, currently an Iowa Arts Fellow and MFA candidate in Literary Translation at the University of Iowa.
Voltaire, considerado como una de las personalidades más brillantes y provocadoras de su época, fue un luchador infatigable contra la intolerancia, un defensor de la Ilustración y un agitador de conciencias demasiado satisfechas y adormiladas. Sus cuentos son, posiblemente, la mejor contribución que nos ha dejado, con unos personajes que siguen despertando en nosotros la curiosidad y la perplejidad, nos hacen dudar de cosas ya sabidas o bien afirmarnos en otras que pensábamos. Las historias que recoge este volumen (El ingenuo, Micromegas, Historia de los viajes de Escarmentado y finalmente Historia de un buen brahmán) constituyen una buena y ejemplar selección de la capacidad narrativa y filosófica de este excelente pensador.
Fernando Pessoa (1888-1935) - a poet who lived most his life in Lisbon, Portugal, and who died in obscurity there - has in recent years gained international recognition as one of the greatest writers of the twentieth century. Now Richard Zenith has collected in a single volume all the major poetry of one of the most extraordinary poetic talents the century has produced (Microsoft Network's Reading Forum). Fernando Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under numerous heteronyms, literary alter egos with fully fleshed identities and writing styles, who supported and criticized each other's work in the margins of his drafts and in the literary journals of the time. From spare minimalism to a revolutionary exuberance that recalls Leaves of Grass, Pessoa's oeuvre was radically new and anticipated contemporary literary concerns to an unnerving degree. The first comprehensive edition of Pessoa's poetry in the English language, Fernando Pessoa & Co. is a work of extraordinary depth and poetic precision. Zenith's selection of Pessoa is a beautiful one-volume course in the soul of the twentieth century. -- Booklist
Business schools have come under fire in recent years with criticisms centring on their academic rigour and the relevance of business education to the 'real' world of management. Alongside this ongoing debate, increasing international competition and media rankings have led to a fierce struggle between business schools for positioning and differentiation. These are among the challenges that are faced by the Dean of the modern-day business school. In this book, Fernando Fragueiro and Howard Thomas show how Deans of business schools can meet such challenges in terms of strategic direction setting and the execution of their leadership role. Drawing on their invaluable experience as Deans of highly successful business schools, they present a series of case studies to show how leaders of five leading business schools (IMD, LBS, INSEAD, IAE and Warwick) have built effective strategies in the context of internal and external political pressures.
p-adic numbers are of great theoretical importance in number theory, since they allow the use of the language of analysis to study problems relating toprime numbers and diophantine equations. Further, they offer a realm where one can do things that are very similar to classical analysis, but with results that are quite unusual. The book should be of use to students interested in number theory, but at the same time offers an interesting example of the many connections between different parts of mathematics. The book strives to be understandable to an undergraduate audience. Very little background has been assumed, and the presentation is leisurely. There are many problems, which should help readers who are working on their own (a large appendix with hints on the problem is included). Most of all, the book should offer undergraduates exposure to some interesting mathematics which is off the beaten track. Those who will later specialize in number theory, algebraic geometry, and related subjects will benefit more directly, but all mathematics students can enjoy the book.
First published in 1940 and long out of print, Fernando Ortiz's classic work, Cuban Counterpoint is recognized as one of the most important books of Latin American and Caribbean intellectual history. Ortiz's examination of the impact of sugar and tobacco on Cuban society is unquestionably the cornerstone of Cuban studies and a key source for work on Caribbean culture generally. Though written over fifty years ago, Ortiz's study of the formation of a national culture in this region has significant implications for contemporary postcolonial studies. Ortiz presents his understanding of Cuban history in two complementary sections written in contrasting styles: a playful allegorical tale narrated as a counterpoint between tobacco and sugar and a historical analysis of their development as the central agricultural products of the Cuban economy. Treating tobacco and sugar both as agricultural commodities and as social characters in a historical process, he examines changes in their roles as the result of transculturation. His work shows how transculturation, a critical category Ortiz developed to grasp the complex transformation of cultures brought together in the crucible of colonial and imperial histories, can be used to illuminate not only the history of Cuba, but, more generally, that of America as well. This new edition includes an introductory essay by Fernando Coronil that provides a contrapuntal reading of the relationship between Ortiz's book and its original introduction by the renowned anthropologist Bronislaw Malinowski. Arguing for a distinction between theory production and canon formation, Coronil demonstrates the value of Ortiz's book for anthropology as well as Cuban, Caribbean, and Latin American studies, and shows Ortiz to be newly relevant to contemporary debates about modernity, postmodernism, and postcoloniality.
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