Don't compete with me in talent. My five branches share the same cultivation, and I have the Demonic Lotus Legacy, the Sky Flipping Palm, and the condensed Nuwa Stone.Don't fight with me for a woman. I am elegant and elegant like a flower. I am a human beauty. I am a demi-human princess. I am a dragon queen.Don't play tricks with me, I look into the distance, my eight faces are as clear as the wind, my little scheme is profound, if you want to harm me, I will make sure your parents won't recognize me.I caused the earth to change color. The fifth prime minister was as miserable as a dog, and I made the heavens fear. The five emperors submitted and made me their enemy. Their lives were in ruins.You have to ask me who I am, I am the Master of the World!
This was the first time he saw her. It was already late winter, and the first thing he saw was the Plum Blossom.The second time he saw her, she was as proud as Bai Mei, as independent as she was independent. She looked as though she could not reject him, but only he could read her arrogance and her poetry.He was a close friend to her, and she was a calamity to him.He was merely a young master who was unrestrained and unrestrained in the eyes of the people. She was also just an oddity that Bai Mei Villa seemed glorious yet sought defeat alone, yet they unexpectedly met on two parallel lines. And their meeting was destined to happen, and was even just a coincidence?Could her painstaking efforts to pursue it be exchanged for a bit of his love?"In this life, there was only one person who was as beautiful as she was in this world.
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati’s greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture.
This book thoroughly analyzes China’s political ideas regarding the international order and their reflection in China’s engagement in multilateralism. It introduces the debates and discussions that take place among Chinese intellectuals in the study of international relations as an important part of non-western international relation theories, generating reflections on the convergences and divergences between China’s political ideas and Europe-centric perspectives. With a focus specifically on China’s main bilateral and multilateral relations in its principal regions of interest – East Asia and Central Asia – the book also examines China’s relationship with the United States, Russia, and the European Union, and the One Belt One Road initiative drawing on a mixture of primary and secondary Chinese language sources, extensive interviews with Chinese officials, academics, and think tanks. This book will be of key interest to scholars and students of Chinese politics/studies, foreign policy analysis, Asian studies, and international relations.
The Demon Lord looked at the Fate Plate in his hands, then waved his hand to summon the Heavenly Master. "Madam Jiang's life... "It changed." "Changed?" As the Heavenly Shi Master looked at the 60 points on the Fate Plate, a confused look appeared in his eyes. "Mm, this Zero ..." Too much. Unfortunately, before Demon Marshall could finish speaking, his vision blurred and the '60' on his Fate Plate appeared. Shockingly, it became 600! Demon Lord:! This sovereign was looking forward to her death, but did not say anything about turning her into a thousand-year-old bastard!
An Sudong was originally an ordinary student, but unintentionally joined the Immortal World's chat group to make a deal with the various deities in the Heaven Realm. From then on, his life began to take off, and he wouldn't care about those rich second generations or geniuses ...
Kingdoms in Peril is an epic historical novel covering the five hundred and fifty years of the Eastern Zhou dynasty, from the civil wars and invasions that marked the birth of a new regime in 771 BCE to the unification of China in 221 BCE. Kingdoms in Peril was written in the 1640s, at the very end of the Ming dynasty, by the great novelist Feng Menglong (1574-1646). In the course of the one hundred and eight chapters of the complete novel, he documents the collapse of the Zhou confederacy during the Spring and Autumn period (771-475 BCE) and the slow rebuilding of civil society during the Warring States era (475-221 BCE) which culminated in the unification of China under the First Emperor of the Qin dynasty (r. 246-221 BCE as king; r. 221-210 BCE as emperor). Thus overall this novel describes a grand arc, from stability to chaos and back again. As a novel about politics, much of the narrative in Kingdoms in Peril concentrates on the exercise of power"--
This book focuses on the cross-cultural advertising communication and aesthetic issues of brands and brand slogans. Based on the pragmatic translating theories and case studies of a few classic brand translations, the book puts forward the Three Aesthetic Principles of translating brands. The book special features the cultural in addition to the business aspect of introducing China Time-honored Brands to foreign markets. Readers will learn about the great importance of the aesthetic issues and cultural communications in translating brands and brand slogans through this book.
Learn the Chinese you need. Gain the language skills you want. Practice Makes Perfect: Basic Chinese is a trusted companion to your Chinese learning experience. In each bite-sized lesson, the authors explain one or two language concepts and illustrate them with many clear examples. Although these lessons are purposely short so you can complete them in twenty minutes or less, you can go at a pace that works for you. You will, of course, get plenty of practice, practice, practice using your new skills. Whether you are learning on your own or taking an advanced beginning Chinese class, Practice Makes Perfect: Basic Chinese will help you build your confidence. Practice Makes Perfect: Basic Chinese will help you master: Basic grammar High-frequency vocabulary Sentence structures And more
This ook redefines the bureaucracy of Ancient Chinese society during the Western Zhou period. The analysis is based on inscriptions of royal edicts from the period carved into bronze vessels. The inscriptions clarify the political and social construction of the Western Zhou and the ways in which it exercised its authority.
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