In this book you will find a collection of poems expressing a young womans desire for love, peace and understanding. These poems have been chosen to share in order to help young women sort through their inner struggles. It has also been written to empower them and other former foster youth while they go through their search for love and acceptance in a world that condemns them for being left alone to figure it out on their own. The words shared will leave you knowing that you are not the only one who has had these feelings, relationships, inner battles and or situations. The poems in this book express some of the results of abandonment, lack of trust, love, stability and a family to truly belong. You will feel the confusion, frustration, contradiction,fear, love, anger, rebellion, and the pain experienced while searching for love in all the wrong situations. You will also be inspired by the scriptures and the biblical stories shared to bring hope to the reader.
Amar L. Curtis is a gifted, artistic, intelligent, determined young man who has always had a love for learning and reading. When he was 4- 6 years old, he would find himself lost in a book. He would be underneath his covers laughing out loud as he imagined himself as one of the characters in the story. Amar would come over to his mother and retell the story with stars in his eyes and joy in his voice. During this time his mother worked with teens and adults many of whom could not read past the First-grade level. Oftentimes young black boys are made to believe reading is not “cool”. This book was written to let them know reading is the “coolest”! Felicia “Fe Fea” White Curtis is Amar’s mother, an Author, Doula, Health Coach, Healer, Speaker, Inspirational Recording Artist, advocate for equity and justice for children, families and communities. She is also the Founder of Growing Seeds, Inc. Felicia has an extensive background in working with children 0-5 years of age and has a clear understanding of the importance of the first 5-7 years of a child’s life. She understands this is where the attachment style develops, and their foundations for health. Their behavior and learning style develop during this time as well. This is a critical time and is crucial to their overall wellbeing and the trajectory of their lives. We decided to write and publish this book to encourage little black boys to embrace a love for reading. For book signing, speaking engagements or more please email growingseedsinc1@gmail. com or visit growingseedsinc.com
Felicia “Fe’ Fea” White birthed Growing Seeds, Inc. Wellness Services after her cervical cancer journey and is now a Certified Doula, a Certified Integrative Health Coach and an ordained Interfaith Minister. She turned her pain into her passion and purpose! Growing Seeds, Inc. Wellness Service’s is a non-profit that offers a select amount of low cost and free Doula and Health Coaching sessions to marginalized communities to educate them about holistic womb wellness. She would also like to offer low cost Integrative Health Coaching sessions to both individuals and groups of cervical cancer survivors to educate and empower them to eat to live! Please visit her website at: growingseedsinc.com
Imagine being the first. The first to live out loud. The first to go against the grain. In I am who god says I am, Felecia White tells the tale of being the first to come out. Follow her journey of confusion, acceptance, and spiritual reconciliation.
AV2 Fiction Readalong by Weigl brings you timeless tales of mystery, suspense, adventure, and the lessons learned while growing up. These celebrated children’s stories are sure to entertain and educate while captivating even the most reluctant readers. Log on to www.av2books.com, and enter the unique book code found on page 2 of this book to unlock an extra dimension to these beloved tales. Hear the story come to life as you read along in your own book.
This book is God-Ordained, predestined for you to read. Being in an interethnic relationship is harder than it looks. Not from the inside, but from the outside. In this book, Ronald and Fe reveal their journey of over 35 years of marriage, although different ethnicity, as soulmates. No one could have told Fe she would be in an interethnic relationship, especially a MARRIAGE!!! But according to Ron, as everyone knows him, he already knew this to be his destiny, with Felicia. However, here we are 35 plus years later; two daughters and a beautiful granddaughter. Living life with someone outside your ethnicity is very challenging. I want to pause and reiterate regarding the challenges; it's not from the relationship itself but from the world's view. Outsiders looking in! I'm not saying it has been easy on the inside either, although very doable. These 35 plus years have taught us a lot about who we are as well as who people (outsiders) are. Over the years we have grown together, cried together, and laughed together. A lot of laughs! But most importantly we have LOVED together. So come along and open your hearts and minds in understanding that it's not the outside that determines who we are but merely the inside. Let's be open and not limited in the way we view the "Human Race" whether black, white or somewhere in between. Love is Love and there are no boundaries. This is our journey.
You don’t have to wear those fat genes your family passed down to you—achieve healthier life from the host of TLC's Honey, We're Killing the Kids. Are human being just products of our environment and genetic blueprint? Or do we have some control? If we had family members that are overweight or obese and never learned healthy habits, are we doomed to the same fate? The answer is a hearty No! Felicia Stoler once struggled with her own “fat genes,” and now shows you how to take control of your own health. No more FADs (Fast Acting Diets) that don’t work. No more yo-yo’s or funny supplements. Here at last is a lifestyle plan based on dietary science that emphasizes nutrition, exercise, rest, and ever-tricky time management. Felicia knows time is often the biggest obstacle of healthy living—she is a busy working mother of two! This is not a “diet” you go on and off of, but a way of life for you and your whole family. It is time to focus on your best health, not just the numbers on the scale. It is time to ditch those fat genes forever! In Living Skinny in Fat Genes, Felicia's health plan discusses: All foods can fit. Never cut out entire food groups again! Learn from other cultures: Greek yogurt? Coconut milk? Couscous? Expand your horizons right on your plate and get away from fast food. Don’t be fooled by trends and fads—Food is fuel! Are you giving your body what it needs to run at its best? Quick and easy recipes and nutritious meals kick-start a healthier you.
Now totally revised and rewritten for today’s female pelvic medicine and reconstructive surgery practice, Ostergard’s Textbook of Urogynecology: Female Pelvic Medicine & Reconstructive Surgery, 7th Edition, offers comprehensive guidance on all aspects of this complex field. Drs. Ali Azadi, Jeffrey L. Cornella, Peter L. Dwyer, and Felicia L. Lane bring you up to date with current diagnosis and treatment of all female pelvic floor dysfunctions, including urinary incontinence and other lower urinary tract conditions, disorders of the anus and rectum, and disorders of pelvic support. Thorough updates include revised and rewritten content throughout, new full-color illustrations, new surgical videos, new chapters on current clinical topics, and much more.
With a need to belong and a desire to lead different lives, Felicia Rosshandler is torn between adventure and meaning. These memoir stories chronicle the masks she used to navigate the chaos and glamor of mid-century New York. She explores Village bohemia and the budding sexual freedoms of her time, she drops out of college and runs off to existential Paris with an artist, her languages open doors to plum jobs in journalism, including Life magazine. She finds her way into the city's art and literary circles but her primary focus is never on career as much as it is on a search for permanence through tumultuous love affairs. Marriage finally offers the security of family but comes at a price. It is perhaps the curse of the refugee to never feel totally whole, to always yearn for something that has been lost.
This volume focuses on two questions: why do people from one social group oppress and discriminate against people from other groups? and why is this oppression so mind numbingly difficult to eliminate? The answers to these questions are framed using the conceptual framework of social dominance theory. Social dominance theory argues that the major forms of intergroup conflict, such as racism, classism and patriarchy, are all basically derived from the basic human predisposition to form and maintain hierarchical and group-based systems of social organization. In essence, social dominance theory presumes that, beneath major and sometimes profound difference between different human societies, there is also a basic grammar of social power shared by all societies in common. We use social dominance theory in an attempt to identify the elements of this grammar and to understand how these elements interact and reinforce each other to produce and maintain group-based social hierarchy.
The Antiracist Writing Workshop is a call to create healthy, sustainable, and empowering artistic communities for a new millennium of writers. Inspired by June Jordan 's 1995 Poetry for the People, here is a blueprint for a 21st-century workshop model that protects and platforms writers of color. Instead of earmarking dusty anthologies, imagine workshop participants Skyping with contemporary writers of difference. Instead of tolerating bigoted criticism, imagine workshop participants moderating their own feedback sessions. Instead of yielding to the red-penned judgement of instructors, imagine workshop participants citing their own text in dialogue. The Antiracist Writing Workshop is essential reading for anyone looking to revolutionize the old workshop model into an enlightened, democratic counterculture.
Winner of the 2008 Chicago Folklore Prize Felicia R. McMahon breaks new ground in the presentation and analysis of emerging traditions of the “Lost Boys,” a group of parentless youths who fled Sudan under tragic circumstances in the 1990s. With compelling insight, McMahon analyzes the oral traditions of the DiDinga Lost Boys, about whom very little is known. Her vibrant ethnography provides intriguing details about the performances and conversations of the young DiDinga in Syracuse, New York. It also offers important insights to scholars and others who work with refugee groups. The author argues that the playful traditions she describes constitute a strategy by which these young men proudly position themselves as preservers of DiDinga culture and as harbingers of social change rather than as victims of war. Drawing ideas from folklore, linguistics, drama, and play theory, the author documents the danced songs of this unique group. Her inclusion of original song lyrics translated by the singers and descriptions of conversations convey the voices of the young men. Well researched and carefully developed, this book makes an original contribution to our understanding of refugee populations and tells a compelling story at the same time.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
The true story of how Detroit entrepreneurs created a thriving—if illegal—lottery system to support themselves and uplift their communities. A testament to the tenacious spirit embodied in Detroit culture and history, this account reveals how numbers gambling, initially an illegal enterprise, became a community resource and institution of solidarity for Black communities through times of racial disenfranchisement and labor instability. Author Felicia B. George sheds light on the lives of Detroit's numbers operators—many self-made entrepreneurs who overcame poverty and navigated the pitfalls of racism and capitalism by both legal and illegal means. Illegal lottery operators and their families and employees were often exposed to precarity and other adverse conditions, and they profited from their neighbors' hope to make it through another day. Despite scandal and exploitation, these operators and their families also became important members of the community, providing steady employment and financial support for local businesses. This book provides a glimpse into the rich culture and history of Detroit's Black Bottom and Paradise Valley neighborhoods, linking the growing gambling scene there with key characters and moments in local history, including Joe Louis's rise to fame and the recall of a mayor backed by the Ku Klux Klan. In succinct and engrossing chapters, George explores issues of community, race, politics, and the scandals that sprang up along the way, discovering how "playing the numbers" grew from a state-proclaimed crime to an encouraged legal activity.
Understanding Organization Through Culture and Structure: Relational and Other Lessons From the African American Organization presents an innovative view of organizations and the communication processes that constitute them. Arguing that human beings are communicatively embedded in their cultures, Anne Maydan Nicotera and Marcia J. Clinkscales, working with Felicia R. Walker, examine issues concerning task and relational orientations and the ways they and other cultural dimensions connect with organizational structure and function for predominantly African American organizations. Utilizing the results of their own research on organizations, they develop a set of humanistically-based models that illustrate how hidden cultural processes suffuse organizational life and are manifest through communication. Emphasizing the development of alternative theories and models of organizing which are rooted in African-American culture, such as team-based versus hierarchy-based interactions, this book explores such organizational functions as leadership and management, power, authority and control, communication and interpersonal dynamics, and cultural identity and human development. Applying their findings in a broader analysis of contemporary practices in organizational restructuring, the authors present research that serves as the foundation for generating several emergent models with significant implications for organizational systems. Understanding Organization Through Culture and Structure stimulates and inspires current researchers of organizational communication, and is certain to raise greater awareness of the operation of culture in organizing. The text is intended for scholars and students in organizational communication, management, organizational psychology, African studies, and related areas.
In recent years, dozens of counties in North Carolina have partnered with federal law enforcement in the criminalization of immigration—what many have dubbed "crimmigration." Southern border enforcement still monopolizes the national immigration debate, but immigration enforcement has become common within the United States as well. While Immigration and Customs Enforcement (ICE) operations are a major part of American immigration enforcement, Felicia Arriaga maintains that ICE relies on an already well-established system—the use of local law enforcement and local governments to identify, incarcerate, and deport undocumented immigrants. Arriaga contends that the long-term partnership between local sheriffs and immigration law enforcement in places like North Carolina has created a form of racialized social control of the Latinx community. Arriaga uses data from five county sheriff's offices and their governing bodies to trace the creation and subsequent normalization of ICE and local law enforcement partnerships. Arriaga argues that the methods used by these partnerships to control immigration are employed throughout the United States, but they have been particularly visible in North Carolina, where the Latinx population increased by 111 percent between 2000 and 2010. Arriaga's evidence also reveals how Latinx communities are resisting and adapting to these systems.
The Battle for Welfare Rights chronicles an American war on poverty fought first and foremost by poor people themselves. It tells the fascinating story of the National Welfare Rights Organization, the largest membership organization of low-income people in U.S. history. It sets that story in the context of its turbulent times, the 1960s and early 1970s, and shows how closely tied that story was to changes in mainstream politics, both nationally and locally in New York City.Welfare was one of the most hotly contested issues in postwar America. Bolstered by the accomplishments of the civil rights movement, NWRO members succeeded in focusing national attention on the needs of welfare recipients, especially single mothers. At its height, the NWRO had over 20,000 members, most of whom were African American women and Latinas, organized into more than 500 local chapters. These women transformed the agenda of the civil rights movement and forged new coalitions with middleclass and white allies. To press their case for reform, they used tactics that ranged from demonstrations, sit-ins, and other forms of civil disobedience to legislative lobbying and lawsuits against government officials.Historian Felicia Kornbluh illuminates the ideas of poor women and men as well as their actions. One of the primary goals of the NWRO was a guaranteed income for every adult American. In part because of their advocacy, this idea had a surprising range of supporters, from conservative economist Milton Friedman to liberal presidential candidate George McGovern. However, by the middle 1970s, as Kornbluh shows, Republicans and conservative Democrats had turned the proposal and its proponents into laughingstocks.The Battle for Welfare Rights offers new insight into women's activism, poverty policy, civil rights, urban politics, law, consumerism, social work, and the rise of modern conservatism. It tells, for the first time, the complete story of a movement that profoundly affected the meaning of citizenship and the social contract in the United States.
Felicia Gift Notebook - Funny Personalized Lined Note Pad for Women Named Felicia - Novelty Journal with Lines - Sarcastic Cool Office Gag Gift for Coworkers Boss - Size 6x9
Felicia Gift Notebook - Funny Personalized Lined Note Pad for Women Named Felicia - Novelty Journal with Lines - Sarcastic Cool Office Gag Gift for Coworkers Boss - Size 6x9
The Felicia's Shit List lined notebook is a hilarious notepad for women named Felicia who enjoy a bit of sarcastic, snarky humor. A great notebook to take to the office to use in meetings or at your desk to give employees and coworkers a good laugh when they see you writing in it. White letters on a black background make this design simple but bold. The journal measures 6 x 9 inches in size with 120 pages for taking notes in class or meetings, journaling, keeping a diary, writing down dreams and ideas, doodling, and so much more! This book makes an affordable birthday gift or Mother's Day gift for moms named Felicia, Christmas present, secret Santa, graduation gift, white elephant present, stocking stuffer, Valentine's Day gift, office gift or gag gift for mom, daughter, wife, girlfriend, sister, best friend, stepmom, stepdaughter, grandma, coworker, boss and anyone in your life named Felicia! It makes a great gift under 10 dollars for for anyone on your holiday gift list. It's a great size for carrying in bags, purses and backpacks. It has book industry perfect binding, a glossy cover, and white pages that are great for pencil or ink drawings.
Inspire and unleash a passion for hand-crafted color! "Unapologetic" is how Felicia Lo always describes her obsession with color and craft. In Dyeing to Spin and Knit, Felicia, founder and creative director of SweetGeorgia Yarns and highly sought after teacher and lecturer, provides clear and accessible guidance for creating gorgeous hand-dyed yarns and spinning fibers and an understanding of how dyeing affects knitted yarn and handspun yarn. Fiber artists will learn the fundamentals of how color works, how to combine and coordinate colors, and how to control the results when dyeing wool and silk yarns and fibers. Spinners will learn how to subdue intense and bright colorways or prevent muddiness in handspun. Knitters will gain the knowledge to avoid or maximize the effects of pooling. And finally, this book will include 10 patterns that use hand-dyed and handspun yarns and fibers to their most exciting advantage in knitting projects. Complete with detailed photographs from Felicia's own dyeing studio, Dyeing to Spin and Knit offers a master class in preparing hand-dyed yarns and fibers. Ignite your love of color--unapologetically!
The complete book on cloisonné enameling . . . encyclopedic in scope." — Jewelers' Circular-Keystone. This critically acclaimed book discusses tools, materials, and processes for creating lovely pendants, rings, pins, buckles, and more. 164 illustrations.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
To Create is a collection of illuminating interviews with an eclectic set of black artists—including Harry Belafonte, Method Man, Nikki Giovanni, Edwidge Danticat, Edward P. Jones, Booker T. Mattison, and more—as conducted by the writer, entrepreneur, educator, and consultant Felicia Pride. This is an honest, inspiring series of conversations in which Pride and her fellow artists talk openly about the challenges and rewards of working creatively across a multitude of platforms. Over the course of dozens of frank discussions with writers, activists, and media creators, Pride elicits sincere firsthand perspectives on the struggle to find—or to create, if it's not there—a niche for one's voice in the media landscape. The personable and fluid interview style allows the artists to follow their threads of dialogue to unique, intimate revelations. The interviews transition smoothly between similar themes, touching on the do-it-yourself mentality of creating; practical musings on media careers; as well as theoretical discussions on art, legacy, and community. Additionally, many of the artists, musicians, and authors discuss finding career longevity through a multi-platform approach, the connection between the personal and political in art, and the ongoing conflict between art and commerce. This is one of the most candid and diversified interview collections within the African-American community, but it is also a stirring look into what it means to be a creator.
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