My first book grabbed people out of curiosity. This book is going to make people want to find out what happens next. My book covers so many areas so it touches everybody at some level. I believe everybody struggles with that bad side of them that makes you want to say forget everything and just go for it! It captures the reader even if for only a short but makes them walk away feeling someone understands me. I want people from all walls of life to know that we all connect on some level. It doesn’t matter whether you’re rich or poor, pretty or struggle with your looks, whether you’re with the in crowd or on the outside of the in crowd, at the end of the day we all struggle with something. We are all human. It will always be someone more richer, more prettier, more smarter, but you have to know how to work with what you have and let your best shine through because there’s only one you! So let it shine! Let it shine like the Stars!
This book depicts many changes in my life. Many emotions that I went through. Trials and tribulations that made me who I am. Struggles and fights that help me to get to where I am. People who touched my heart or tried to destroy my soul, but yet I am still here. People who came into my life for a moment or others that been there for a lifetime. Ones that built me up when I thought all was lost, verses ones who tried to confine me, but I found a way out. This book is about love, hate, power, defeat, struggles, successes, falling, rising, and so many other emotions that I feel strongly that after reading this book you will find something you relate to.
My first book grabbed people out of curiosity. This book is going to make people want to find out what happens next. My book covers so many areas so it touches everybody at some level. I believe everybody struggles with that bad side of them that makes you want to say forget everything and just go for it! It captures the reader even if for only a short but makes them walk away feeling someone understands me. I want people from all walls of life to know that we all connect on some level. It doesn’t matter whether you’re rich or poor, pretty or struggle with your looks, whether you’re with the in crowd or on the outside of the in crowd, at the end of the day we all struggle with something. We are all human. It will always be someone more richer, more prettier, more smarter, but you have to know how to work with what you have and let your best shine through because there’s only one you! So let it shine! Let it shine like the Stars!
This book depicts many changes in my life. Many emotions that I went through. Trials and tribulations that made me who I am. Struggles and fights that help me to get to where I am. People who touched my heart or tried to destroy my soul, but yet I am still here. People who came into my life for a moment or others that been there for a lifetime. Ones that built me up when I thought all was lost, verses ones who tried to confine me, but I found a way out. This book is about love, hate, power, defeat, struggles, successes, falling, rising, and so many other emotions that I feel strongly that after reading this book you will find something you relate to.
The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.
This parallel text edition of Felicia Hemans’s important dramatic poem presents the 1823 publication alongside a transcription of the original manuscript, offering a unique glimpse at her compositional process. Situated in medieval Spain, in the heat of Moorish-Christian conflicts, this complex political tragedy is both a rich historical narrative and a commentary by the poet on her own post-Napoleonic world. The Broadview edition also includes selections of related poetry, excerpts from source texts, and contemporary reviews.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. An excavation of this image, in the historical context of maximum productivity and mechanical reproducibility, reveals its development in European Modernism--Modernism drawn to dancers of American, African, and Asian origins, to Taylorism as well as to Primitivism, to cinema and to myth. This book traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic, and in the streamlined gestures of industry, avant-garde art, and entertainment. What surfaces is dances centrality to machine aesthetics and to its alternatives, as well as to the early elaboration of the machine that would become the ultimate guarantor of modern dances de-mechanization, the motion picture camera.
Hip slang words transformed into power packed acronyms, a cool rap, message that keeps it real and a reflective journaling section! "Encouraging Youth to Live their Faith Out Loud!
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Felicia Hemans was the most widely read woman poet in the nineteenth-century English-speaking world. Broadview’s edition shows why she was one of the few standard poets to be found in middle-class homes on both sides of the Atlantic, despite being routinely disparaged as a “merely” feminine poet. Included here is poetry representative of her entire career, from often-anthologized works, such as “The Homes of England” and “Casabianca,” to several long poems in their entirety, such as “The Forest Sanctuary.” Also included are selections of her prose and letters, a comprehensive introduction, and selections of views and reviews showing her changing and controversial place in culture into the twentieth century. All selections are edited, annotated, and introduced.
This single-volume encyclopedia examines the Grand Canyon in depth, from the native peoples who have survived there for centuries to the explorers who charted its vast expanses and to the challenges that Grand Canyon National Park faces. The Grand Canyon is one of the most internationally recognized landscapes and symbols of nature in North America. In this one-volume encyclopedia, readers can dive into the many people, places, stories, and issues associated with the Grand Canyon as well as the scientific, religious, and social contexts of events that have made the Grand Canyon what it is. At the front of the encyclopedia are thematic essays that examine the Grand Canyon's history, geography, and culture. Essays cover topics including John Wesley Powell, to whom the Grand Canyon "belongs," the Native Americans who live at the Grand Canyon, and the future of the Grand Canyon. Following the thematic essays are approximately 150 topical entries focusing on more specific aspects of the Grand Canyon, such as trails and camps, natural formations, and courageous heroes as well as shameless profiteers who have influenced the Grand Canyon's history. The encyclopedia is rounded out by a chronology of human history at the Grand Canyon, a Grand Canyon "at a glance" section, and multiple fact-based sidebars. Through the people, places, and stories explored in this work, readers will gain a better understanding of how the history of the Grand Canyon is relevant to the world today.
Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.
Often considered a Christian heartland in Nigeria, Igboland has recently seen a dramatic increase in Igbo Christians converting to Islam. Yet, despite this rapid change, there has been minimal research into the growth of Islam in the area and the implications this has for Christianity in the region. Addressing this need, Dr Chinyere Felicia Priest provides a detailed exploration of Igbo converts’ reasons for conversion through skilful analysis of in-depth ethnographic interviews with thirty converts, considering their social, religious, and familial backgrounds. This unique study sheds much-needed light on the role of intellectual factors in the conversion experiences of many newly Muslim Igbos and challenges previous ideas of monetary and social influences as primary motivations for conversion. As a result of her examination of these conversion experiences, Dr Priest calls for serious intellectual engagement of biblical doctrine within the Igbo church and highlights the need for ministers and missiologists to better disciple and equip Christians to adequately engage with Muslim objections to the gospel and give a reasoned defence of their faith. The vulnerability of many Igbo Christians will continue to result in converts to Islam unless the church heeds the lessons learned from this research and outlined in this book.
To Create is a collection of illuminating interviews with an eclectic set of black artists—including Harry Belafonte, Method Man, Nikki Giovanni, Edwidge Danticat, Edward P. Jones, Booker T. Mattison, and more—as conducted by the writer, entrepreneur, educator, and consultant Felicia Pride. This is an honest, inspiring series of conversations in which Pride and her fellow artists talk openly about the challenges and rewards of working creatively across a multitude of platforms. Over the course of dozens of frank discussions with writers, activists, and media creators, Pride elicits sincere firsthand perspectives on the struggle to find—or to create, if it's not there—a niche for one's voice in the media landscape. The personable and fluid interview style allows the artists to follow their threads of dialogue to unique, intimate revelations. The interviews transition smoothly between similar themes, touching on the do-it-yourself mentality of creating; practical musings on media careers; as well as theoretical discussions on art, legacy, and community. Additionally, many of the artists, musicians, and authors discuss finding career longevity through a multi-platform approach, the connection between the personal and political in art, and the ongoing conflict between art and commerce. This is one of the most candid and diversified interview collections within the African-American community, but it is also a stirring look into what it means to be a creator.
Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Now totally revised and rewritten for today’s female pelvic medicine and reconstructive surgery practice, Ostergard’s Textbook of Urogynecology: Female Pelvic Medicine & Reconstructive Surgery, 7th Edition, offers comprehensive guidance on all aspects of this complex field. Drs. Ali Azadi, Jeffrey L. Cornella, Peter L. Dwyer, and Felicia L. Lane bring you up to date with current diagnosis and treatment of all female pelvic floor dysfunctions, including urinary incontinence and other lower urinary tract conditions, disorders of the anus and rectum, and disorders of pelvic support. Thorough updates include revised and rewritten content throughout, new full-color illustrations, new surgical videos, new chapters on current clinical topics, and much more.
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