Examining the privileged relation of women to the singing voice in nineteenth-century literary works, the author argues for an emerging identification between women and artifice in the period. Beginning with texts by Rousseau and Proust that show a link between nostalgia for the maternal voice and the writer's self, the book then turns to the psychoanalytic literature on the role of the voice in the formation of the psyche. In the process, it analyses feminist polemics on the maternal voice to show how voice and rhythm together form the matrices of the subject. The voice of the soprano occupied a special place in nineteenth-century operatic history, replacing the castrato voice as a sexless, angelic, ethereal source of pleasure for the opera-goer. The author shows how these qualities are identified with women's voices in literary texts by Sand, Balzac, du Maurier and Nerval.
For generations, African Americans have enriched South Carolina's history, and the black families of Chesterfield County are no different. During slavery, many African Americans in Chesterfield County were forced to provide domestic services and labor to build the towns in which they were never considered citizens. Many slaves mastered their crafts and used those skills to start a new life for their families after the Civil War. The images in African Americans of Chesterfield County are a testament to the contributions of black families who lived in the county from the 1800s to the mid-1900s, including entrepreneurs, educators, entertainers, farmers, ministers, and other individuals who assisted in making their county a better place to live. Most of the photographs were provided by private collections and archives in hope of preserving the black history of Chesterfield County.
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