A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE’s development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect’s perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.
The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.
Why do black families own less than white families? Why does school segregation persist decades after Brown v. Board of Education? Why is it harder for black adults to vote than for white adults? Will addressing economic inequality solve racial and gender inequality as well? This book answers all of these questions and more by revealing the hidden rules of race that create barriers to inclusion today. While many Americans are familiar with the histories of slavery and Jim Crow, we often don't understand how the rules of those eras undergird today's economy, reproducing the same racial inequities 150 years after the end of slavery and 50 years after the banning of Jim Crow segregation laws. This book shows how the fight for racial equity has been one of progress and retrenchment, a constant push and pull for inclusion over exclusion. By understanding how our economic and racial rules work together, we can write better rules to finally address inequality in America.
This volume focuses on two questions: why do people from one social group oppress and discriminate against people from other groups? and why is this oppression so mind numbingly difficult to eliminate? The answers to these questions are framed using the conceptual framework of social dominance theory. Social dominance theory argues that the major forms of intergroup conflict, such as racism, classism and patriarchy, are all basically derived from the basic human predisposition to form and maintain hierarchical and group-based systems of social organization. In essence, social dominance theory presumes that, beneath major and sometimes profound difference between different human societies, there is also a basic grammar of social power shared by all societies in common. We use social dominance theory in an attempt to identify the elements of this grammar and to understand how these elements interact and reinforce each other to produce and maintain group-based social hierarchy.
Culturally Relevant Ethical Decision-Making in Counseling presents a hermeneutic orientation and framework to address contextual issues in ethical decision-making in counseling and psychotherapy. Authors Rick Houser, Felicia L. Wilczenski, and Mary Anna Ham incorporate broad perspectives of ethical theories which are grounded in various worldviews and sensitive to cultural issues. Key Features: Introduces a wide range of ethical theories: Important to the foundation of ethical decision-making is an in-depth understanding of general culturally relevant ethical theories that represent most world philosophical views. In addition to covering mainstream theories, this book introduces a wide range of ethical theories from Western, Eastern, Middle Eastern, Pan African, Native American, and Latino ethical perspectives. Offers numerous examples: Case studies are provided throughout the text to show how to apply diverse ethical theories to clinical practice. The authors also discuss how to negotiate between an enhanced ethical perspective based on diversity and professional standards codified and mandated in this country. Provides a systematic ethical decision-making model: Ethical decision-making has become a critical part of the training and practice of professional counselors and they can benefit immensely from systematic training in this area. The model in this book provides practitioners with a broad based approach to ethical decision-making, and ultimately improves the ethical decision-making process for counselors. Intended Audience: This is an ideal textbook for advanced undergraduate and graduate courses on professional standards and ethics in the fields of Counseling, Psychotherapy, and Psychology.
Felicia Day, author of You're Never Weird on the Internet (Almost), brings her original webisodic-sensation to comics with the help of The Guild cast (most of 'em!), crew (producer Kim Evey and director Sean Becker), and an amazing group of artists. Set before the web series begins, these stories follow lonely violinist Cyd Sherman trying to navigate a frustrating personal life as she stumbles on an online MMO called "The Game". As she gathers friends in-game, she gains confidence to confront all the problems in her real life. With, ahem, varying results. The Guild is a pioneer among web series, referred to by Rolling Stone as "[one of] the net's best serial shows." Heartwarming and hilarious, this is a comic origin story that brings an award-winning world to life in a unique way that will delight geeks of all ages. Especially gamers.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Films are produced, reviewed and watched worldwide, often circulating between cultural contexts. The book explores cosmopolitanism and its debates through the lens of East Asian cinemas from Hong Kong, China, Malaysia and Singapore, throwing doubt on the validity of national cinemas or definitive cultural boundaries. Case studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar and the intimate connection between cinema and identity in Hirokazu Koreeda s Afterlife (1998). Considering films, their audiences and tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display.
Felicia Hemans was the most widely read woman poet in the nineteenth-century English-speaking world. Broadview’s edition shows why she was one of the few standard poets to be found in middle-class homes on both sides of the Atlantic, despite being routinely disparaged as a “merely” feminine poet. Included here is poetry representative of her entire career, from often-anthologized works, such as “The Homes of England” and “Casabianca,” to several long poems in their entirety, such as “The Forest Sanctuary.” Also included are selections of her prose and letters, a comprehensive introduction, and selections of views and reviews showing her changing and controversial place in culture into the twentieth century. All selections are edited, annotated, and introduced.
Too often caregivers of children with challenging behaviours feel that the solution to the problem lies outside of them. Yet we all bring past wounding into our relationships. Drawing on the latest research from both scientific fields and healing modalities, Seeing the Unseen encourages caregivers to recognise how adverse experiences and trauma in childhood lives with them, resulting in whole body dysfunction—activating harmful stress responses that keep them stuck engaging in patterns of behaviour. Unless addressed, these self-sabotaging behaviours can significantly impact vulnerable children in their care. In extreme cases, this can lead to burnout or ‘blocked care’. In Seeing the Unseen, caregivers are invited to journey through ten steps that will forever change the lens with which they view themselves (and their loved ones), resulting in a more balanced and joyful home environment. While this workbook is written for caregivers of adopted or fostered children, it may appeal to broader audiences such as kinship providers, stepparents, life coaches, family therapists, and social workers.
For generations, African Americans have enriched South Carolina's history, and the black families of Chesterfield County are no different. During slavery, many African Americans in Chesterfield County were forced to provide domestic services and labor to build the towns in which they were never considered citizens. Many slaves mastered their crafts and used those skills to start a new life for their families after the Civil War. The images in African Americans of Chesterfield County are a testament to the contributions of black families who lived in the county from the 1800s to the mid-1900s, including entrepreneurs, educators, entertainers, farmers, ministers, and other individuals who assisted in making their county a better place to live. Most of the photographs were provided by private collections and archives in hope of preserving the black history of Chesterfield County.
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
This book is about hope and a call to action to make the world the kind of place we want to live in. Our hope is to provoke conversation, and gently challenge possibly long-held views, beliefs, and ideologies about the way the world works and the people in that world. Written by eminent researchers and experienced practitioners, the book explores the principles that underpin living well, and gives examples of how this can be achieved not just in our own lives, but across communities and the planet we share. Chapters cover the stages of life from childhood to ageing, the foundations of everyday flourishing, including health and relationships, and finally wellbeing in the wider world, addressing issues such as economics, politics and the environment. Based in the scientific evidence of what works and supported by illustrations of good practice, this book is both ambitious and aspirational. The book is designed for a wide audience – anyone seeking to create positive change in the world, their institutions or communities. www.creatingtheworldwewanttolivein.org
Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Romance blooms in the balmy air in Island Bliss, a collection of four romantic novellas by beloved African American authors. From the Heart by Rochelle Alers: Architectural historian Aimee Fraser accepts a research project on St. Simons Island off the coast of Georgia, where her greatest discovery is a devastatingly handsome local. What was supposed to be a month of tedious work is suddenly something far more interesting--and deliciously tempting... Our Secret Affair by Carmen Green: Toni Kingsley is looking forward to an all-expense paid week at a luxurious resort on the island of St. Croix until she learns her gorgeous business rival is part of the vacation package. Toni's convinced work and romance don't mix but a week of more than stolen kisses under a tropical sky just might change her mind--forever... An Officer and a Hero by Marcia King-Gamble: A relaxing cruise with her best friend sounds perfect to hard-working Kitt DuMaurier. The last thing she wants is the attention of a sexy ship's officer. A painful past has left Kitt wary of men, but when she finds herself on the exotic island of Aruba, passion is reborn... Heart's Desire by Felicia Mason: Lucia Heart Allen arrives in the Bahamas seeking peace after a messy divorce. She absolutely does not want to get involved, especially with a widowed father of three small children. But the man makes Lucia's heart sing and her body soar. Maybe it's island magic--or maybe Lucia's finally met her prince...
A new updated edition of the first integrated and comprehensive textbook to explain the principles of evolutionary biology from a medical perspective and to focus on how medicine and public health might utilise evolutionary biology.
The Battle for Welfare Rights chronicles an American war on poverty fought first and foremost by poor people themselves. It tells the fascinating story of the National Welfare Rights Organization, the largest membership organization of low-income people in U.S. history. It sets that story in the context of its turbulent times, the 1960s and early 1970s, and shows how closely tied that story was to changes in mainstream politics, both nationally and locally in New York City.Welfare was one of the most hotly contested issues in postwar America. Bolstered by the accomplishments of the civil rights movement, NWRO members succeeded in focusing national attention on the needs of welfare recipients, especially single mothers. At its height, the NWRO had over 20,000 members, most of whom were African American women and Latinas, organized into more than 500 local chapters. These women transformed the agenda of the civil rights movement and forged new coalitions with middleclass and white allies. To press their case for reform, they used tactics that ranged from demonstrations, sit-ins, and other forms of civil disobedience to legislative lobbying and lawsuits against government officials.Historian Felicia Kornbluh illuminates the ideas of poor women and men as well as their actions. One of the primary goals of the NWRO was a guaranteed income for every adult American. In part because of their advocacy, this idea had a surprising range of supporters, from conservative economist Milton Friedman to liberal presidential candidate George McGovern. However, by the middle 1970s, as Kornbluh shows, Republicans and conservative Democrats had turned the proposal and its proponents into laughingstocks.The Battle for Welfare Rights offers new insight into women's activism, poverty policy, civil rights, urban politics, law, consumerism, social work, and the rise of modern conservatism. It tells, for the first time, the complete story of a movement that profoundly affected the meaning of citizenship and the social contract in the United States.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Her Unexpected Hero Widow Summer Spencer is eager for a quiet life—without the worry of loving a man who lives life in the fast lane. But when fire chief Cameron Jackson starts to woo her, it's tough to resist his charms. Chief Cam can't ignore the sparks between him and the stately beauty. But when he learns she's from the richest family in town, he's not sure he can ever measure up to her expectations. Can he set aside his fears and give true love another chance?
Fear to Freedom is a collaboration of authors who share their fears and triumphs. It is your guide to a life of faith, favor and fulfillment. This book presents ten fearless authors who share their stories with transparency in hopes to inspire you to live your best life.Their stories will fascinate, astonish and captivate you. Sit back, relax and enjoy!
In this heart-pounding mystery, a woman is found dead—but in a society where only the privileged have memories longer than a day, the chances of solving the crime seem futile. Imagine a world in which classes are divided not by wealth or religion but by how much each group can remember. Monos, the majority, have only one day's worth of memory; elite Duos have two. In this stratified society, where Monos are excluded from holding high office and demanding jobs, Claire and Mark are a rare mixed marriage. Clare is a conscientious Mono housewife, Mark a novelist-turned-politician Duo on the rise. They are a shining example of a new vision of tolerance and equality-until... A beautiful woman is found dead, her body dumped in England's River Cam. The woman is Mark's mistress, and he is the prime suspect in her murder. The detective investigating the case has secrets of his own. So did the victim. And when both the investigator's and the suspect's memories are constantly erased -- how can anyone learn the truth? Told from four different perspectives, that of Mark, Claire, the detective on the case, and the victim -- Felicia Yap's staggeringly inventive debut leads us on a race against an ever-resetting clock to find the killer. With the science-fiction world-building of Philip K. Dick and the twisted ingenuity of Memento, Yesterday is a thriller you'll never forget.
A deeply personal memoir chronicles life growing up on the tough streets of Brooklyn in the 1980s with her volatile, deceitful, beautiful, and drug-addict mother, looking back on life among drug dealers, users, and substitute fathers as she became her mother's keeper, coped with abuse, wondered about her real father, and eventually succumbed to alcohol and drug abuse herself.
Issues of the Day provides an easy way for students, academics, journalists, policymakers, and the public to learn about a diverse range of policy issues affecting the environment, energy, transportation, and public health. Each commentary gives a short assessment of a topic, summarizing in a non-technical way the current state of analysis or evidence on the issue, along with selected recommendations for further reading. The essays are written by world renowned scholars, mostly economists, and provide useful insights on policy problems that are often complex and poorly understood. Some of the topics covered include air pollution, hazardous waste, voluntary environmental programs, domestic (U.S.) and global climate policy design, fishery management, water quality, endangered species, forest fires, oil security, solar power, road and airport, fuel taxes and fuel economy standards, alternative fuel vehicles, health and longevity, smoking, malaria, tuberculosis, and the environment and development. The objective is to disseminate the findings of sound, objective research on the costs, benefits, and appropriate reform of public policies. The book provides a useful supplement for undergraduate- and graduate-level course reading, a reference guide for professionals, and a way for the general reader to quickly develop an informed perspective on the most important policy problems of the day. Issues of the Day is available to download as a PDF from the Resources for the Future website: www.rff.org/weeklycommentary
This single-volume encyclopedia examines the Grand Canyon in depth, from the native peoples who have survived there for centuries to the explorers who charted its vast expanses and to the challenges that Grand Canyon National Park faces. The Grand Canyon is one of the most internationally recognized landscapes and symbols of nature in North America. In this one-volume encyclopedia, readers can dive into the many people, places, stories, and issues associated with the Grand Canyon as well as the scientific, religious, and social contexts of events that have made the Grand Canyon what it is. At the front of the encyclopedia are thematic essays that examine the Grand Canyon's history, geography, and culture. Essays cover topics including John Wesley Powell, to whom the Grand Canyon "belongs," the Native Americans who live at the Grand Canyon, and the future of the Grand Canyon. Following the thematic essays are approximately 150 topical entries focusing on more specific aspects of the Grand Canyon, such as trails and camps, natural formations, and courageous heroes as well as shameless profiteers who have influenced the Grand Canyon's history. The encyclopedia is rounded out by a chronology of human history at the Grand Canyon, a Grand Canyon "at a glance" section, and multiple fact-based sidebars. Through the people, places, and stories explored in this work, readers will gain a better understanding of how the history of the Grand Canyon is relevant to the world today.
The life story of Marie-Madeleine Jodin opens an exciting new perspective on the world of 18th-century women, European court theatres, and, most strikingly, entails the remarkable discovery of a previously unknown French feminist. In 1790, Jodin, a protégée of Denis Diderot and a former actress, published a treatise entitled Vues législatives pour les femmes (Legislative Views for Women), which can lay claim to being the first signed, female-authored feminist manifesto of the French Revolutionary period, and which reveals Jodin's wide reading in women's history and feminist writing since ancient times. This new critical and contextual biography traces the turbulent life of an extraordinary woman, focusing particularly on her transformation from artisan's daughter, to tragic actress, to Enlightenment intellectual and feminist. The authors analyze the confrontations and scandals that beset her career, and read her feminist treatise-here reproduced, for the first time in English, in its entirety-as the summation of a chaotic but passionate existence. Also presented for the first time in English, fully set in their biographical and historical context, are the twenty-one letters that constitute Diderot's correspondence with Jodin. The varied and fascinating documentation concerning Jodin, which has only recently been discovered, provides a window on the world of 18th-century women. While memoirs and biographies of aristocratic women and upwardly mobile salonières such as Mme. Geoffrin and Mme. Roland are legion, chronicles of the lives of individual women lower down the social ladder are far fewer in number. A contemporary of Mary Wollstonecraft and Olympe de Gouges, Jodin argued for the social reform of working-class women, particularly prostitutes, to render them worthy to exercise the rights of citizenship.
Imported from India, China, the Levant, and Persia and appreciated for their diversity, designs, fast bright colours and fine weave, Asian textiles became so popular in France that in 1686 the state banned their import, consumption and imitation. A fateful decision. This book tells the story of smuggling on a vast scale, savvy retailers and rebellious consumers. It also reveals how reformers in the French administration itself sponsored a global effort to acquire the technological know-how necessary to produce such textiles and how the vitriolic debates surrounding the eventual abolition of the ban were one of the decisive moments in the development of Enlightenment economic liberalism.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.
A change in course can be refreshing…when it’s done together. 1871 After two disastrous marriages, beauty columnist Amalia Truitt’s life is finally her own—well, it will be if she can get herself back to Delaware and demand access to her share of the Truitt family fortune. After all, the charity she’s organized for women who can’t afford their own divorces won’t fund itself. However, not everyone wants her to reach her destination. When her family learns she’s been receiving anonymous death threats, a solo journey is out of the question. Enter David Zisskind, the ragtag-peddler-turned-soldier whose heart Amalia broke years ago. He’s a Pinkerton now, and the promotion he craves depends on protecting his long-lost love on the unexpectedly treacherous journey across Pennsylvania. That their physical connection has endured the test of time (and then some) is problematic, to say the least. In very close quarters, with danger lurking around every curve, with each kiss and illicit touch, the wrongs of the past are righted. But David can’t weather another rejection, especially with his career in jeopardy. And Amalia can’t possibly take a lover, never mind another husband…not with so much depending on her repaired reputation. Not when she’s hurt David—her David—so badly before. Publisher’s Note: Dalliances & Devotion contains content that some readers may find challenging, including PTSD, depression, war, sibling death and antisemitism. And don’t miss the first book in Felicia Grossman’s The Truitts series, Appetites & Vices, available now! One-click with confidence. This title is part of the Carina Press Romance Promise: all the romance you’re looking for with an HEA/HFN. It’s a promise! This book is approximately 85,000 words
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. An excavation of this image, in the historical context of maximum productivity and mechanical reproducibility, reveals its development in European Modernism--Modernism drawn to dancers of American, African, and Asian origins, to Taylorism as well as to Primitivism, to cinema and to myth. This book traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic, and in the streamlined gestures of industry, avant-garde art, and entertainment. What surfaces is dances centrality to machine aesthetics and to its alternatives, as well as to the early elaboration of the machine that would become the ultimate guarantor of modern dances de-mechanization, the motion picture camera.
Lucia has a disturbed childhood. Unloved, she lives a life devoid of care and affection and is unable to express herself or communicate in any way with her family. But one day everything changes when Lucia finds an outlet and a way to communicate real emotion through her poltergeist, “Ginger”. Set in North London in 1989, sixteen year old Lucia comes home from school one day to discover a patch of water on her exercise paper. Noticing the reaction it gets from her mother, Lucia starts a game pouring water on carpets and beds. When psychics confirm there is malignant energy in the flat, her behaviour escalates. Before long, she is throwing heavy furniture around the flat and writing all over the walls. Before she knows it, she is appearing on national TV to convince the public of the poltergeist... Lucia does not understand why she is doing these things, but once she starts, she cannot stop. Why can’t she stop and what makes her do these things? Does she ever get found out. And more important, does Lucia fake the poltergeist or is Ginger real and part of her? Written from both a first person and third person perspective and with dual time narratives, Lucia’s Poltergeist is an unusual psychological suspense novel that explores themes of the supernatural, the psychological impact of abuse, and the issue of polarity and duality, the Jekyll and Hyde, within us all.
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