Aezlynn is assigned a project for social studies. She must interview a person over 50 and write a 10 page report on her findings. Being new to town, she has no idea who to interview. On her way home from school, she sees a homeless man living behind the drug store. Little does she know that this interview will turn into so much more.
Gentry is stabbed int he back by her sister, literally. Eighteen times as a matter of fact. The attack left her in a wheelchair and blind. Talk show host, Rachael, asks Gentry to come on the show and relive those horrific events. Is she ready to go through it all again?
What would you do if you lost your entire family? Thessaly had to face this very decision. After making several choices that got her into trouble, she must rely on some friends from her past. Will they be able to help her in time?
Eloah is a normal college girl living a normal life. Her boyfriend is a reporter that discovers something he wasn't supposed to. Samael is a San Francisco police officer that is fighting against corruption. When one of his fellow officers tries to recruit him to work for a notorious crime family, he loses everything he loves. These two are brought together and find out they are supposed to be the two witnesses from Revelation. Their job is to record what happens as the seals are opened then go out into the world and save anyone else they can. Can they survive the twists and turns of their journey?
The saying goes ""Someone has skeletons in their closet."" But what about the basement? When Luke and Heidi inherit an old Victorian home in quite Philomath, Oregon, they think it will be a dream come true. The house needed work, but it was quiet and peaceful. As they start renovating, they find a treasure trove of expensive antiques. It begs the question ""Why would anyone leave this stuff behind?"" Heidi starts to notice something is wrong. The house feels weird and something is attacking her. Through research, they discover two different families lived in the house before, one met a tragic end and the other a mysterious one.
The Christmas Letter: Rowan writes a letter to Santa Cloaus asking for his help. Santa is his last hope. When Bill finds the letter, he answers Rowan's wishes. Borrowed Angel Ava found her self as a single mother. She loves her son with all her heart. Then her worst nightmare comes true.
Her Unexpected Hero Widow Summer Spencer is eager for a quiet life—without the worry of loving a man who lives life in the fast lane. But when fire chief Cameron Jackson starts to woo her, it's tough to resist his charms. Chief Cam can't ignore the sparks between him and the stately beauty. But when he learns she's from the richest family in town, he's not sure he can ever measure up to her expectations. Can he set aside his fears and give true love another chance?
The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.
In many churches, the work of evangelism and social justice is relegated to clergy, staff, or special committees. Rarely do most members of the laity believe they should or even want to engage in the tasks of evangelism and social justice. In this volume, LaBoy contends that participation in baptism and Eucharist mandates for all Christians--and those who are Wesleyan in their orientation, in particular--that evangelism and social justice are not optional but in fact integral to their worship and witness. She argues that this understanding and practice of the integration of sacraments, evangelism, and social justice are what can help churches deal with contemporary issues of decline and church disenfranchisement by both congregants and those beyond church walls. LaBoy further argues that making the sacraments central to the worship life of congregations is what made early Methodists great evangelists and advocates for social justice.
Why do black families own less than white families? Why does school segregation persist decades after Brown v. Board of Education? Why is it harder for black adults to vote than for white adults? Will addressing economic inequality solve racial and gender inequality as well? This book answers all of these questions and more by revealing the hidden rules of race that create barriers to inclusion today. While many Americans are familiar with the histories of slavery and Jim Crow, we often don't understand how the rules of those eras undergird today's economy, reproducing the same racial inequities 150 years after the end of slavery and 50 years after the banning of Jim Crow segregation laws. This book shows how the fight for racial equity has been one of progress and retrenchment, a constant push and pull for inclusion over exclusion. By understanding how our economic and racial rules work together, we can write better rules to finally address inequality in America.
This volume focuses on two questions: why do people from one social group oppress and discriminate against people from other groups? and why is this oppression so mind numbingly difficult to eliminate? The answers to these questions are framed using the conceptual framework of social dominance theory. Social dominance theory argues that the major forms of intergroup conflict, such as racism, classism and patriarchy, are all basically derived from the basic human predisposition to form and maintain hierarchical and group-based systems of social organization. In essence, social dominance theory presumes that, beneath major and sometimes profound difference between different human societies, there is also a basic grammar of social power shared by all societies in common. We use social dominance theory in an attempt to identify the elements of this grammar and to understand how these elements interact and reinforce each other to produce and maintain group-based social hierarchy.
Culturally Relevant Ethical Decision-Making in Counseling presents a hermeneutic orientation and framework to address contextual issues in ethical decision-making in counseling and psychotherapy. Authors Rick Houser, Felicia L. Wilczenski, and Mary Anna Ham incorporate broad perspectives of ethical theories which are grounded in various worldviews and sensitive to cultural issues. Key Features: Introduces a wide range of ethical theories: Important to the foundation of ethical decision-making is an in-depth understanding of general culturally relevant ethical theories that represent most world philosophical views. In addition to covering mainstream theories, this book introduces a wide range of ethical theories from Western, Eastern, Middle Eastern, Pan African, Native American, and Latino ethical perspectives. Offers numerous examples: Case studies are provided throughout the text to show how to apply diverse ethical theories to clinical practice. The authors also discuss how to negotiate between an enhanced ethical perspective based on diversity and professional standards codified and mandated in this country. Provides a systematic ethical decision-making model: Ethical decision-making has become a critical part of the training and practice of professional counselors and they can benefit immensely from systematic training in this area. The model in this book provides practitioners with a broad based approach to ethical decision-making, and ultimately improves the ethical decision-making process for counselors. Intended Audience: This is an ideal textbook for advanced undergraduate and graduate courses on professional standards and ethics in the fields of Counseling, Psychotherapy, and Psychology.
Felicia Day, author of You're Never Weird on the Internet (Almost), brings her original webisodic-sensation to comics with the help of The Guild cast (most of 'em!), crew (producer Kim Evey and director Sean Becker), and an amazing group of artists. Set before the web series begins, these stories follow lonely violinist Cyd Sherman trying to navigate a frustrating personal life as she stumbles on an online MMO called "The Game". As she gathers friends in-game, she gains confidence to confront all the problems in her real life. With, ahem, varying results. The Guild is a pioneer among web series, referred to by Rolling Stone as "[one of] the net's best serial shows." Heartwarming and hilarious, this is a comic origin story that brings an award-winning world to life in a unique way that will delight geeks of all ages. Especially gamers.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Films are produced, reviewed and watched worldwide, often circulating between cultural contexts. The book explores cosmopolitanism and its debates through the lens of East Asian cinemas from Hong Kong, China, Malaysia and Singapore, throwing doubt on the validity of national cinemas or definitive cultural boundaries. Case studies illuminate the ambiguously gendered star persona of Taiwanese-Hong Kong actress Brigitte Lin, the fictional realism of director Jia Zhangke, the arcane process of selection for the Best Foreign Film Oscar and the intimate connection between cinema and identity in Hirokazu Koreeda s Afterlife (1998). Considering films, their audiences and tastemaking institutions, the book argues that cosmopolitan cinema does not smooth over difference, but rather puts it on display.
Felicia Hemans was the most widely read woman poet in the nineteenth-century English-speaking world. Broadview’s edition shows why she was one of the few standard poets to be found in middle-class homes on both sides of the Atlantic, despite being routinely disparaged as a “merely” feminine poet. Included here is poetry representative of her entire career, from often-anthologized works, such as “The Homes of England” and “Casabianca,” to several long poems in their entirety, such as “The Forest Sanctuary.” Also included are selections of her prose and letters, a comprehensive introduction, and selections of views and reviews showing her changing and controversial place in culture into the twentieth century. All selections are edited, annotated, and introduced.
Too often caregivers of children with challenging behaviours feel that the solution to the problem lies outside of them. Yet we all bring past wounding into our relationships. Drawing on the latest research from both scientific fields and healing modalities, Seeing the Unseen encourages caregivers to recognise how adverse experiences and trauma in childhood lives with them, resulting in whole body dysfunction—activating harmful stress responses that keep them stuck engaging in patterns of behaviour. Unless addressed, these self-sabotaging behaviours can significantly impact vulnerable children in their care. In extreme cases, this can lead to burnout or ‘blocked care’. In Seeing the Unseen, caregivers are invited to journey through ten steps that will forever change the lens with which they view themselves (and their loved ones), resulting in a more balanced and joyful home environment. While this workbook is written for caregivers of adopted or fostered children, it may appeal to broader audiences such as kinship providers, stepparents, life coaches, family therapists, and social workers.
For generations, African Americans have enriched South Carolina's history, and the black families of Chesterfield County are no different. During slavery, many African Americans in Chesterfield County were forced to provide domestic services and labor to build the towns in which they were never considered citizens. Many slaves mastered their crafts and used those skills to start a new life for their families after the Civil War. The images in African Americans of Chesterfield County are a testament to the contributions of black families who lived in the county from the 1800s to the mid-1900s, including entrepreneurs, educators, entertainers, farmers, ministers, and other individuals who assisted in making their county a better place to live. Most of the photographs were provided by private collections and archives in hope of preserving the black history of Chesterfield County.
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
This book is about hope and a call to action to make the world the kind of place we want to live in. Our hope is to provoke conversation, and gently challenge possibly long-held views, beliefs, and ideologies about the way the world works and the people in that world. Written by eminent researchers and experienced practitioners, the book explores the principles that underpin living well, and gives examples of how this can be achieved not just in our own lives, but across communities and the planet we share. Chapters cover the stages of life from childhood to ageing, the foundations of everyday flourishing, including health and relationships, and finally wellbeing in the wider world, addressing issues such as economics, politics and the environment. Based in the scientific evidence of what works and supported by illustrations of good practice, this book is both ambitious and aspirational. The book is designed for a wide audience – anyone seeking to create positive change in the world, their institutions or communities. www.creatingtheworldwewanttolivein.org
Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
Romance blooms in the balmy air in Island Bliss, a collection of four romantic novellas by beloved African American authors. From the Heart by Rochelle Alers: Architectural historian Aimee Fraser accepts a research project on St. Simons Island off the coast of Georgia, where her greatest discovery is a devastatingly handsome local. What was supposed to be a month of tedious work is suddenly something far more interesting--and deliciously tempting... Our Secret Affair by Carmen Green: Toni Kingsley is looking forward to an all-expense paid week at a luxurious resort on the island of St. Croix until she learns her gorgeous business rival is part of the vacation package. Toni's convinced work and romance don't mix but a week of more than stolen kisses under a tropical sky just might change her mind--forever... An Officer and a Hero by Marcia King-Gamble: A relaxing cruise with her best friend sounds perfect to hard-working Kitt DuMaurier. The last thing she wants is the attention of a sexy ship's officer. A painful past has left Kitt wary of men, but when she finds herself on the exotic island of Aruba, passion is reborn... Heart's Desire by Felicia Mason: Lucia Heart Allen arrives in the Bahamas seeking peace after a messy divorce. She absolutely does not want to get involved, especially with a widowed father of three small children. But the man makes Lucia's heart sing and her body soar. Maybe it's island magic--or maybe Lucia's finally met her prince...
A new updated edition of the first integrated and comprehensive textbook to explain the principles of evolutionary biology from a medical perspective and to focus on how medicine and public health might utilise evolutionary biology.
The Battle for Welfare Rights chronicles an American war on poverty fought first and foremost by poor people themselves. It tells the fascinating story of the National Welfare Rights Organization, the largest membership organization of low-income people in U.S. history. It sets that story in the context of its turbulent times, the 1960s and early 1970s, and shows how closely tied that story was to changes in mainstream politics, both nationally and locally in New York City.Welfare was one of the most hotly contested issues in postwar America. Bolstered by the accomplishments of the civil rights movement, NWRO members succeeded in focusing national attention on the needs of welfare recipients, especially single mothers. At its height, the NWRO had over 20,000 members, most of whom were African American women and Latinas, organized into more than 500 local chapters. These women transformed the agenda of the civil rights movement and forged new coalitions with middleclass and white allies. To press their case for reform, they used tactics that ranged from demonstrations, sit-ins, and other forms of civil disobedience to legislative lobbying and lawsuits against government officials.Historian Felicia Kornbluh illuminates the ideas of poor women and men as well as their actions. One of the primary goals of the NWRO was a guaranteed income for every adult American. In part because of their advocacy, this idea had a surprising range of supporters, from conservative economist Milton Friedman to liberal presidential candidate George McGovern. However, by the middle 1970s, as Kornbluh shows, Republicans and conservative Democrats had turned the proposal and its proponents into laughingstocks.The Battle for Welfare Rights offers new insight into women's activism, poverty policy, civil rights, urban politics, law, consumerism, social work, and the rise of modern conservatism. It tells, for the first time, the complete story of a movement that profoundly affected the meaning of citizenship and the social contract in the United States.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
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