At the south side of Liu Family Town, there was a ravine that the villagers talked about — Willow Ditch. Legend has it that Willow Ditch was very strange, with ghosts everywhere and Yin and Yang in chaos. When I was seven years old, I was accidentally caught by a wild wolf and dragged into the willow tree ditch. I did not expect to find out that I was destined to be the "out of Ma Xian`er" of the Third Madam Chang, who from then on went through endless tribulations, finally cultivating into an immortal technique, exorcising demons and reducing demons, subjugating the "White Immortal" who did all sorts of evil, and protecting the peace of Liu Town.
On the surface, I am a young man with knowledge from the countryside, but the secret in my heart will never be told to you. On the day I arrived in Liujiajia, the people in the terraced fields dug up a large amount of copper coins. What I didn't expect was that it was these copper coins that brought about this terrifying disaster ...
Urbanization was central to development in late imperial China. Yet its impact is heatedly debated, although scholars agree that it triggered neither Weberian urban autonomy nor Habermasian civil society. This book argues that this conceptual impasse derives from the fact that the seemingly continuous urban expansion was in fact punctuated by a wide variety of “dynastic urbanisms.” Historians should, the author contends, view urbanization not as an automatic by-product of commercial forces but as a process shaped by institutional frameworks and cultural trends in each dynasty. This characteristic is particularly evident in the Ming. As the empire grew increasingly urbanized, the gap between the early Ming valorization of the rural and late Ming reality infringed upon the livelihood and identity of urban residents. This contradiction went almost unremarked in court forums and discussions among elites, leaving its resolution to local initiatives and negotiations. Using Nanjing—a metropolis along the Yangzi River and onetime capital of the Ming—as a central case, the author demonstrates that, prompted by this unique form of urban–rural contradiction, the actions and creations of urban residents transformed the city on multiple levels: as an urban community, as a metropolitan region, as an imagined space, and, finally, as a discursive subject.
A detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs. Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework. Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge.
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