For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.
This is the first monograph on the medieval Italian representations of the corporal and spiritual Works of Mercy, the fourteen basic categories of almsdeeds conceived by the scholastics. This is a genuinely interdisciplinary study: Federico Botana has painstakingly dissected frescoes, panel paintings, miniatures, and sculptures of the Works of Mercy to shed new light on fundamental aspects of medieval society. These depictions reveal how communities took care of their needy, in some instances beyond what can be gleaned in written sources. Most of all, they contribute to our understanding of medieval confraternal piety. For Church reformers and the Mendicant Orders, the Works of Mercy served to rally Christians against heresy. For Christians, performing the Works was a means of communion with Christ, opening the door to salvation. Botana's discoveries demonstrate the essential importance of the Works of Mercy in the late Middle Ages, and suggest that depictions of the theme would have been far more common than previously thought. Dr Federico Botana is a Visiting Lecturer at the Courtauld Institute. His research interests include medieval Italian painting, sculpture and illuminated manuscripts. He has recently completed a monograph on the representation of the Works of Mercy in medieval Italy (forthcoming), and is currently researching didactic illustrations in fifteenth-century Tuscan vernacular manuscripts.
For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.
In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right. As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.
Argentina is famous for its ties with fascism as well as its welcoming of Nazi war criminals after World War II. At mid-century, it was the home of Peronism. It was also the birthplace of the Dirty War and one of Latin America's most criminal dictatorships in the 1970s and early 1980s. How and why did all of these regimes emerge in a country that was "born liberal"? Why did these authoritarian traits first emerge in Argentina under the shadow of fascism? In this book, Federico Finchelstein tells the history of modern Argentina as seen from the perspective of political violence and ideology. He focuses on the theory and practice of the fascist idea in Argentine political culture throughout the twentieth century, analyzing the connections between fascist theory and the Holocaust, antisemitism, and the military junta's practices of torture and state violence, with its networks of concentration camps and extermination. The book demonstrates how the state's war against its citizens was rooted in fascist ideology, explaining the Argentine variant of fascism, formed by nacionalistas, and its links with European fascism and Catholicism. It particularly emphasizes the genocidal dimensions of the persecution of Argentine Jewish victims. The destruction of the rule of law and military state terror during the Dirty War, Finchelstein shows, was the product of many political and ideological reformulations and personifications of fascism. The Ideological Origins of the Dirty War provides a genealogy of state-sanctioned terror, revealing fascism as central to Argentina's political culture and its violent twentieth century.
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