In the Anthropocene age there is a need for unifying the relationships between people, planet and technology, their interactions, experiences and impacts across ecosystems. In response to this need, this book introduces unifying bridging concepts informational waves and transdisciplinary resonance towards producing shared understanding. This book also presents emerging methods for transdisciplinary projects focusing on moments, paradoxes and dialogues for digital social innovation and sustainable development partnership goals for improving quality of life. Shared understanding is about how people from different fields and perspectives are communicating, curating, embodying, intuiting and reflecting on shared responsibilities within social ecologies. As a guide to co-designing for information experiences that create meaningful moments of shared understanding, the author illuminates essential transferable, lateral mindsets and soft skills: knowing the gaps through imagination, creativity, listening and noticing, and bridging the gaps through problem emergence, multiple stakeholders, informed learning and personal change.
Call me Quinn". The moment the tanned stranger showed up in town, Abigail knew she was in trouble. Wolf Creek's stand-in sheriff was gorgeous, charming and irrestible.Abby was too smart to trust her heart to a man like that - especially one who wasn't planning to stick around. But Quinn McCloud wouldn't take no for an answer. Abby had to be the most stubborn woman he'd ever met - and the most desirable. Could he convince her to believe in the love he was offering and make this a Christmas to remember?
Seventeen stories show how ordinary experiences can become extraordinary tales. Additionally, two rare personal essays allow readers glimpses into Kellerman's private life.
Faye Kellerman's best novel to date: deeper, richer, more emotionally complex." James Ellroy With his Orthodox Jewish girlfriend, Rina Lazarus, thousands of miles away in New York wrestling with his marriage proposal, it is a lonelier morning than usual when LAPD detective Pete Decker catches something strange in his headlights. What he discovers is a two-year-old child covered with blood, but otherwise unharmed. Decker is trying to return her to her family, and by the time Rina returns home, he's obsessed with the case. Then he stumbles onto a grisly quadruple murder scene and learns what can happen when passion turns into a fatal blood feud.... "Easily puts her into a class with the most literate, facile and engaging writers in the business." ASSOCIATED PRESS
A race before man was created to bring lives into the worlds. Instead, they erringly created beings that flooded the worlds with terrors and deaths. The race of Elysian hoped to end the decimated war between these formidable creations. Fortified realms were forged to bound them for their eternity in the Order of the Confinement. Locking away their biggest mistake. Then, us, the human, was created. Undeniably, we are bound in our physical world. But our ignorance of this confinement has destined ourselves into unescapable annihilation. Kacey, a scion of the Elysian was born amongst us. She was lured to traverse into the realms, disrupted the Order. The Elysian's ancient defense system had been triggered, when the realignment happens everything will return to the beginning, return to nothing. Will this be the end of mankind? And who is able to stop it?
New York Times bestselling author Kellerman delivers a riveting collection of 14 crime and mystery short stories--plus four bonus tales--compiled for the first time in one volume. THE GARDEN OF EDEN AND OTHER CRIMINAL DELIGHTS marks the highly anticipated return of Peter Decker and Rina Lazarus in three neverbefore- published short mysteries, including "The Garden of Eden," where Peter and Rina investigate the death of a neighbor. The volume also contains two other Decker-Lazarus short mysteries: "Bull's Eye," introducing Cindy Decker, who works with her father to find the killer of a police academy instructor; and "A Woman of Mystery," in which Rina and Peter solve the mystery of a student with amnesia.The nine remaining tales are classic Kellerman, and include "Mummy and Jack," cowritten with her son, Jesse.With two bonus stories and two personal essays drawn from Faye's personal life, this book is a must-have for all Kellerman fans and crime fiction enthusiasts alike.
This journal examines privateering and naval prizes in Atlantic Canada in the maritime War of 1812 - considered the final major international manifestation of the practice. It seeks to contextualise the role of privateering in the nineteenth century; determine the causes of, and reactions to, the War of 1812; determine the legal evolution of prize law in North America; discuss the privateers of Nova Scotia and New Brunswick, and the methods they utilised to manipulate the rules of prize making during the war; and consider the economic impact of the war of maritime communities. Ultimately, the purpose of the journal is to examine privateering as an occupation in order to redeem its historically negative reputation. The volume is presented as six chapters, plus a conclusion appraising privateering, and seven appendices containing court details, prize listings, and relevant letters of agency.
The first book to tell the tale of the War of 1812 from the privateers’ perspective. Winner of the John Lyman Book Award of the North American Society for Oceanic History During the War of 1812, most clashes on the high seas involved privately owned merchant ships, not official naval vessels. Licensed by their home governments and considered key weapons of maritime warfare, these ships were authorized to attack and seize enemy traders. Once the prizes were legally condemned by a prize court, the privateers could sell off ships and cargo and pocket the proceeds. Because only a handful of ship-to-ship engagements occurred between the Royal Navy and the United States Navy, it was really the privateers who fought—and won—the war at sea. In Privateering, Faye M. Kert introduces readers to U.S. and Atlantic Canadian privateers who sailed those skirmishing ships, describing both the rare captains who made money and the more common ones who lost it. Some privateers survived numerous engagements and returned to their pre-war lives; others perished under violent circumstances. Kert demonstrates how the romantic image of pirates and privateers came to obscure the dangerous and bloody reality of private armed warfare. Building on two decades of research, Privateering places the story of private armed warfare within the overall context of the War of 1812. Kert highlights the economic, strategic, social, and political impact of privateering on both sides and explains why its toll on normal shipping helped convince the British that the war had grown too costly. Fascinating, unfamiliar, and full of surprises, this book will appeal to historians and general readers alike.
Of the few historical shortlists women make as influencers in the arts; the same few names are recognized; making the catalogue of powerful and gifted females feel like an small and exclusive club. The truth is; however; that far more women than we know can be credited with contributions to the industries in which they honed their crafts. In 1940; when the world was at war and the Civil Rights Movement had yet to turn the page of history; Hattie McDaniel became the first black woman to win an Academy Award. She and Anna May Wong fought hard to pave the way for actresses of color and fight against racial stereotypes. Maria Tallchief was the first; and one of the only; Native American prima ballerinas to push past the stage wings toward the limelight. More than just performers; these women were people as well. In Hidden in History: The Untold Stories of Female Artists; Musicians; and Writers; the lives of many of these artists are explored; from Edmonia Lewis' wrongful expulsion from higher learning to the boundary-breaking talents of the International Sweethearts of Rhythm and their untraditional start as a school band. This book is an open door to the lives of 10 female artists; wordsmiths and performers whose work has often been overlooked in the dusty pages of an often male-dictated narration.
This book tells the story of US performance artists who adopted guerrilla tactics during the 1970s and 1980s in response to the "cultural domestication of militancy" in the United States. In the 1960s, as US news was covering anti-colonialist resistance in Latin America, Africa, and Southeast Asia, they fashioned the persona of the "guerrilla fighter" as the embodiment of a "foreign" agent of threat. A key example was Che Guevara, resplendent in his beret and camouflage garb. It wasn't long before the nation was consuming endless images of militant protestors donning berets and carrying guns in gestures conjuring Che. As the Black Panthers, Brown Berets, Young Lords, and Weathermen adopted the uniforms and the tactics of armed and psychological interference, artists across the country began to use sabotage, hijacking, deception, and other "risk work" to wage conceptual war on both art and society. They fabricated Chicano gang wars, held TV talk shows hosts hostage, and posed as hijackers in the garb of guerrilla-terrorists made iconic by the news"--
The advocates of woman suffrage and black suffrage came to a bitter falling-out in the midst of Reconstruction, when Elizabeth Cady Stanton opposed the 15th Amendment for granting black men the right to vote but not women. How did these two causes, so long allied, come to this? In a lively narrative of insider politics, betrayal, deception, and personal conflict, Fighting Chance offers fresh answers to this question and reveals that racism was not the only cause, but that the outcome also depended heavily on money and political maneuver.
This book critiques the conceptualization of security found in mainstream and critical theoretical debates, and applies this to the empirical case of the 2003 Iraq War. The Iraq War represents one of the most puzzling, complex, and controversial events in the post-Cold War era. The manner in which the Bush administration finally decided to hold Saddam Hussein accountable through military intervention provoked a worldwide outcry due to the narratives they constructed to justify the "pre-emptive use of force" and "enhanced interrogation techniques." Responding to constructivist and post-structuralist scholars' calls for a turn to discourse, and aligning its argument with critical security studies, particularly the Copenhagen School (CS), this book conceptualizes language as a pivotal mechanism of power. Adopting a Wittgensteinian approach, it moves away from thinking about the nexus between security and language from a single action, or speech act, to a series of actions or interactions. To illustrate this new approach, the author examines two cases in particular: the UN inspectors' finding that there was no credible evidence that Iraq possessed weapons of mass destruction (WMD) in early 2003 and the Abu Ghraib scandal in 2004. Both events show that the boundaries and relations between securitized rules and environments are not pre-given but produced in a particular language game. This book will be of much interest to students of critical security studies, US foreign policy, and IR in general.
“Fascinating premise with mysteries that keep you turning the pages after bedtime.” ~New York Times bestselling author, Wendy Higgins Dying has its perks…mostly. Bullied teen, Ember O’Neill goes from the weird girl to the tyrant of her school when she is resurrected from a deadly prank. Now secretly supernatural, she dethrones the school drama queen and snags the hot new guy, but her reign is at risk when the Order, a heretical sect, sends an assassin to eliminate her. Ember must expose her powers, potentially losing all she has gained, in order to save herself and her friends as her killer closes in.
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