Famous letters by a young American pianist, dating from 1869 to 1875, uniquely describe study with Liszt, Tausig, and other luminaries. Fay offers firsthand impressions of performances by Rubinstein, Clara Schumann, Wagner (as conductor), Joachim, and many others.
From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
The papers presented in this volume of Advances in X-Ray Analysis were chosen from those presented at the Fourteenth Annual Conference on the Applications of X-Ray Analysis. This conference, sponsored by the Metallurgy Division of the Denver Research Institute, University of Denver, was held on August 24,25, and 26, 1965, at the Albany Hotel in Denver, Colorado. Of the 56 papers presented at the conference, 46 are included in this volume; also included is an open discussion held on the effects of chemical com bination on X-ray spectra. The subjects presented represent a broad scope of applications of X-rays to a variety of fields and disciplines. These included such fields as electron-probe microanalysis, the effect of chemical combination on X-ray spectra, and the uses of soft and ultrasoft X-rays in emission analysis. Also included were sessions on X-ray diffraction and fluor escence analysis. There were several papers on special topics, including X-ray topography and X-ray absorption fine-structure analysis. William L. Baun contributed considerable effort toward the conference by organizing the session on the effect of chemical combination on X-ray spectra fine structure. A special session was established through the excellent efforts of S. P. Ong on the uses and applica tions of soft X-rays in fluorescent analysis. We offer our sincere thanks to these men, for these two special sessions contributed greatly to the success of the conference.
Catherine Murphy had recurring strange and frightening images since she was a small child. After becoming an adult, she learns that she had been kidnapped, her mother had been murdered, her father had fled or disappeared, and a brother had surfaced. She takes you from New York to Arizona and instigates an investigation that leads you around the United States, Europe, and the Middle Eastern countries. You will be immersed in a fascinating case that weaves local police responses, federal investigations, and covert military operations with the intrigue of CIA and Interpol interactions. You will be delighted to discover information about conditions and conflicts in the Middle East that may provide insights to current events. Any complex investigation has stumbling blocks that must be overcome to reach closure. This case is no different, and those obstacles must be surmounted for Catherine to conquer the mystery behind her fears.
Here’s a practical guide to the future of web-based technology, especially search. It provides the knowledge and skills necessary to implement semantic web technology.
Plants of the World is the first book to systematically explore every vascular plant family on earth—more than four hundred and fifty of them—organized in a modern phylogenetic order. Detailed entries for each family include descriptions, distribution, evolutionary relationships, and fascinating information on economic uses of plants and etymology of their names. All entries are also copiously illustrated in full color with more than 2,500 stunning photographs. A collaboration among three celebrated botanists at the Royal Botanic Gardens, Kew, Plants of the World is authoritative, comprehensive, and beautiful. Covering everything from ferns to angiosperms, it will be an essential resource for practicing botanists, horticulturists, and nascent green thumbs alike.
In the aftermath of total war and unconditional surrender, Germans found themselves receiving instruction from their American occupiers. It was not a conventional education. In their effort to transform German national identity and convert a Nazi past into a democratic future, the Americans deployed what they perceived as the most powerful and convincing weapon-movies. In a rigorous analysis of the American occupation of postwar Germany and the military’s use of “soft power,” Jennifer Fay considers how Hollywood films, including Ninotchka, Gaslight, and Stagecoach, influenced German culture and cinema. In this cinematic pedagogy, dark fantasies of American democracy and its history were unwittingly played out on-screen. Theaters of Occupation reveals how Germans responded to these education efforts and offers new insights about American exceptionalism and virtual democracy at the dawn of the cold war. Fay’s innovative approach examines the culture of occupation not only as a phase in U.S.–German relations but as a distinct space with its own discrete cultural practices. As the American occupation of Germany has become a paradigm for more recent military operations, Fay argues that we must question its efficacy as a mechanism of cultural and political change. Jennifer Fay is associate professor and codirector of film studies in the Department of English at Michigan State University.
“As a study of fiction, femininity and family it is bursting with intelligence and fire”—from the award-winning author of Death of a She Devil (The Telegraph). Your writer, in conjuring this tale of murder, adultery, incest, ghosts, redemption, and remorse, takes you first to a daffodil-filled garden in Highgate, North London, where, just outside the kitchen window, something startling shimmers on the very edges of perception. Fluttering and chattering, these are our kehua—a whole multiplying flock of Maori spirits (all will be explained) goaded into wakefulness by the conversation within. Scarlet—a long-legged, skinny young woman of the new world order—has announced to Beverley, her aged grandmother, that she intends to leave home and husband for the glamorous actor, Jackson Wright, he of the vampire films. Beverley may be well on her way to her ninth decade, but she’s not beyond using this intelligence to stir up a little trouble. How the kehua became attached to a three-year-old white girl is the origin of your writer’s tale. Suffice to say that murder is at the root of it all, that Beverley and her female bloodline carry a weighty spiritual burden and that this is the story of how they learn to live with their ghosts, or maybe how their ghosts learn to live with them. “A haunting book . . . The novel is a spirited triumph: adroit, affecting and bung-full of genuine humour and ideas.” —The Guardian “Weldon crafts this traffic between spirit worlds with characteristic wit, and without sacrificing the intricacies of a family’s struggle to accept its past.” —Financial Times “Wonderfully wicked, highly readable.” —Independent
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