Told in her own words, this book relates her story of a life characterized by great spiritual depth and profuse creativity. Her life was as remarkable as her writing. Blinded as an infant, Fanny Crosby began generating verses while still a young child. Her lifelong passion for God infused her lyrics with evangelistic zeal, pointing all, listeners and singers alike, to a loving and welcoming God. In the recollections, she offers the tender memories and gentles insights of a woman who lived her life not defined by limitations but bursting in creativity--all through God's love." -- Inside Cover
Herein are the great hymnwriter Fanny Crosby’s memories of eighty years. Told in her own words, this book relates her story of a life characterized by great spiritual depth and profuse creativity. Though blind since infancy, Fanny Crosby overcame great prejudice to become a poet and teacher, much beloved and respected. She lived a remarkable life, and her passion for God infused her lyrics with evangelistic zeal that points people to a loving and welcoming Lord.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This third of 12 projected volumes of a critical edition of English novelist Burney's (1752-1840) journals and letters covers the period from January 1778 to December 1779, the period following the publication of Evelina, or, a Young Lady's Entrance into the World, a universally acclaimed novel that led admirers to place Burney in the ranks of Fielding and Richardson. It reveals Burney's striking transformation to a "celebrity" as she is welcomed into London's literary society, and her mixed delight and terror at this reception. Annotation copyright by Book News, Inc., Portland, OR
Why do we live in homes and communities built around the century-old industrial model of large service networks that use polluting resources? For more than a century, creative architects and planners have dreamed of decentralisation and self-sufficient living, not to cut themselves off from society, but to invent new modes of consumption and to rethink collective public services around common environmental values. In a time of climate crisis, changing society means changing energy infrastructures. Dreams of disconnection tells the story of this strand of design and planning, from its pioneers in the late nineteenth century to those applying similar ideas to tomorrow’s technology two hundred years later. Lopez takes in many a utopian visionary in her tour of dreamers of disconnection, from theorists and architects to industrialists and engineers. Technology and design are the centrepieces for these projects, and their complexity, particularly around sustainable supplies of energy, food and water, so often find solutions in aesthetics. Whether these models were based around single homes or whole cities, Dreams of disconnection reveals that there is much to be learnt and marvelled at in the history of self-sufficient design.
In the last two decades, research on spatial paradigms and practices has gained momentum across disciplines and vastly different periods, including the field of medieval studies. Responding to this ’spatial turn’ in the humanities, the essays collected here generate new ideas about how medieval space was defined, constructed, and practiced in Europe, particularly in France. Essays are grouped thematically and in three parts, from specific sites, through the broader shaping of territory by means of socially constructed networks, to the larger geographical realm. The resulting collection builds on existing scholarship but brings new insight, situating medieval constructions of space in relation to contemporary conceptions of the subject.
This book brings together three different texts. First and foremost, it contains all of the material from the 1927 cookbook Aunt Sammy's Radio Recipes, produced by the U.S. Department of Agriculture (USDA). But it also includes excerpts from the 1920s radio broadcasts that inspired the character of 'Aunt Sammy' and menus and recipes promoted by the USDA. Finally, my introduction and editorial comments throughout the book contain historical context to provide a scholarly perspective on USDA's cooking advice and radio listenership of Aunt Sammy's audiences"--Preface.
Born in Baltimore in 1838, Fanny Dunbar grew up in Louisiana to a family who survived the hardships of the Civil War. An intelligent, sensitive woman, Fanny experienced a radical life change when she met William Henry Corbusier, a Yankee officer and army surgeon. Her memoir recounts their subsequent forty-eight year marriage. The events of Fanny’s life are sometimes amusing but more often dramatic. The Corbusiers moved frequently, but Fanny made moving an art form, often selling all the family possessions to avoid high shipping rates. She learned to cope with primitive living conditions and harsh climates. She raised five sons at posts with no schools. But Fanny took her job as a mother seriously, providing her sons with a broad education and a nurturing home. Corbusier’s long life and her husband’s thirty-nine-year career in the army (recounted in his memoir Soldier, Surgeon, Scholar) allow the reader to experience the period between the Civil War and World War I in totality, including her exceptional memories of the Spanish-American War and the Philippine Insurrection. As the recollections of two people whose lives played out against a world panorama, Fanny and William’s memoirs together provide a rare opportunity to examine events of frontier military life from both male and female perspectives. "Mrs. Corbusier writes from the unique perspective of a surgeon’s wife, and we have a picture not only of an army wife, but of an army wife who saw many different aspects of frontier military life and frontier life in general."—Charles M. Robinson, author of General Crook and the Western Frontier and A Good Year to Die: The Story of the Great Sioux War "Of the memoirs penned by wives of nineteenth-century army officers, this is among the best and most detailed. The woman’s perspective of events that transpired in the Indian-fighting army is a much needed counterbalance to the male-dominated histories of these same events."—Darlis Miller, author of Mary Hallock Foote: Author-Illustrator of the American West Fanny Dunbar Corbusier was the career army wife of officer-surgeon William Henry Corbusier. Patricia Y. Stallard, retired federal civil servant and education specialist with the United States Navy Recruiting Command, is the author of Glittering Misery: Dependents of the Indian Fighting Army, published by the University of Oklahoma Press.
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