Explains all of the steps involved in creating a book with the Anaphora Literary Press. It is designed as a tool for editorial, marketing and design interns of the press. It can also be used by publishing industry professionals who are working for other publishing houses, want to start their own press or want to self-publish their book. This book can be a great tool in editing, marketing and design college classes. The fourth edition of the Guide includes more detailed design and marketing advice, and a long section with marketing lists of book reviewers, libraries, and bookstores that hold readings. You’ll also find instructions for making YouTube book trailers and Smashwords E-Books. Authors shouldn’t set out on new book production and marketing ventures without reviewing the helpful information provided.
A subtly linked series of stories that chronicle two generations of a family from the Depression to World War II to the Vietnam War to the present. Characters include a jazz trumpeter, a Ukrainian teenager taken by the Nazis for slave labor in Germany, soldiers from World War II and the Vietnam War, and a strange crew of college professors and their wives from a small college in the Midwest.
Dr. Ethan Meyer is a biochemistry professor conducting scientific research and teaching at an American academic institution. Outwardly, he is a poster-child for success; he runs his laboratory with efficiency and care, projects an air of confidence, and is highly respected. Inwardly, Ethan feels as though he is coming apart at the seams, as the post-traumatic stress disorder he incurred in the Israeli army spirals into a cycle of tortuous hypochondria and threatens to unravel his personal life. Through a series of darkly humorous flashbacks, he realizes how his own military service—the apparent cause of his current condition—has molded his character and contributed to his academic successes. While fighting his personal demons and struggling to keep his family together, Ethan must also navigate a series of crises at work—culminating with the dismissal of a foreign student for fabricating lab results. As the departure of his wife and child for Israel leave him with no choice but to up-the-ante in the struggle to control his hypochondria, Ethan comes to realize that his student may have been framed, and he races against time to search for the truth.
These poems are based on the life of Laura Madeline Wiseman’s great-great-great-grandmother, the nineteenth century lecturer, suffragist, and poet, Matilda Fletcher Wiseman (1842-1909) and the men in her life: her brother, George W. Felts (1843-1921), a civil war solider who was later charged with murder, her first husband, John A. Fletcher (1837-1875), a school teacher and a lawyer, and her second husband, William Albert Wiseman (1850-1911), a minister who became her agent. Like her seven brothers who served in the Civil War, Matilda chose the public sphere. After the death of her only child, Matilda joined the lecture circuit. She spoke to support herself and her first husband, until his death. On the stage she spoke among other lecturers of her time, such as Susan B. Anthony.
In 1968, a young, recently ordained Colombian priest leaves behind everything to start a new parish in the jungles of Panama. Father Héctor Gallego soon discovers that his parishioners live as indentured servants. Inspired by liberation theology, he sets into motion a plan to liberate them. Father Gallegos is successful, but his work places him on a collision course with General Omar Torrijos, the nation’s absolute ruler. On January 9, 1971, military operatives abduct the priest. He is never seen or heard from again, but he remains very much alive in the minds of Panamanians who, still today, clamor for his case to be brought to justice. Although The Saint of Santa Fe is a work of fiction, the novel is based on the real-life experiences of Héctor Gallego and the campesinos who worked alongside him to create a just society. This sweeping novel tells many stories, including that of Edilma, the priest’s sister who since age eleven has been searching for the meaning of his death. The Saint of Santa Fe is a story of faith, heroism, and sacrifice that’s reminiscent of Graham Greene’s The Power and the Glory and Miguel de Unamuno’s San Manuel Bueno, mártir.
These ten stories focus on people who came of age during the turbulent years of the latter 1960s. The events in this collection cover the years from the early sixties when most of the characters were children to the turn of the millennium when these same characters are in their early fifties. Readers will find here a quirky but honest look at the fancies, myths, and follies with which we surround ourselves as we age. With humor, a touch of the bizarre, and the subtle effects of a war that influenced those who fought it, as well as those who did not, these characters stumble toward the future in a world slowly moving ever closer to chaos and disorder. The collection is unified by the fascinating “back story” of Finch and Lauren, and their relationship over a forty-five year period. The ins and outs, ups and downs of this long-term love affair are all here among the bizarre events, the humor, the sadness, and the joy of a journey from the early nineteen sixties into a new millennium.
The forty-eight poems in Sky Sandwiches echo John F. Buckley’s wry, paradoxical perspective, a point of view evoking both the transcendent and the quotidian, fusing a sky associated with religion and higher yearnings with the sandwiches of simpler sustenance. In his poems as in this world, people fly like crooked arrows, seeking targets both above and below. The collection describes how our desires lead us to absurd hopes and stale resignations, humble dreams and sublime despairs. It recounts the ways we may seek both eternal salvation and a half-decent Italian sub. Parts are tender. Parts are funny. Parts will get stuck in your braces.
These stories, in all their narrative voicings, deal with sorrow and still seek to find life’s joys. Despite conflicts, contradictions, sacrifices, surprises and ironies, the haunted and hunted characters try to comprehend death in detail. In so doing, the human spirit rises up and triumphs against the incomprehensible and bewildering aspects of life, love and death.
Examines gender bias from the perspective of readers, writers and publishers, with a focus on the top two bestselling genres in modern fiction. It is a linguistic, literary stylistic, and structurally formalist analysis of the male and female “sentences” in the genres that have the greatest gender divide: romances and mysteries. The analysis will search for the historical roots that solidified what many think of today as a “natural” division. Virginia Woolf called it the fabricated “feminine sentence,” and other linguists have also identified clear sexpreferential differences in AngloAmerican, Swedish and French novels. Do female mystery writers adopt a masculine voice when they write mysteries? Are femalepenned mysteries structurally or linguistically different from their male competitors’, and vice versa among male romance writers? The first part can be used as a textbook for gender stylistics, as it provides an indepth review of prior research. The second part is an analysis of the results of a survey on readers’ perception of gender in passages from literature. The last part is a linguistic and structural analysis of actual statistical differences between the novels in the two genres, considering the impact of the author’s gender.
Neither celebrity-gawk, “misery memoir,” nor confessional melodrama, A Berkshire Boyhood is more reminiscent of such memoirs as Tobias Wolff’s This Boy’s Life and Emily Fox Gordon’s Are You Happy? In fact, A Berkshire Boyhood will strike readers as a parallel universe to Gordon’s book, her own story of growing up in Williamstown, Massachusetts, as a privileged faculty brat and young girl in the 1950s. Berkshire Boyhood is a boy’s story of growing up from working class roots in that same place and time. It explores family troubles arising out of the wounds and separations of World War II, ethnic religiosity, and adolescent sexuality (1950s variety). Its deeper appeal comes from our curiosity about the 1950s and the Boomer generation, from the fraught relations between that generation and their parents, who fought WWII, from our interest in the influence of landscape on human development, and from a vision of post-war years as a decade seething with the anger and dissent of an incipient counterculture that would explode the sixties.
This book is perfectly suitable for the content that can fit into a single semester. Each of the sections on fiction, drama and poetry provides the most essential definitions and concept related to these fields, without becoming repetitive. Within lies a shake up of the traditional introductory literature course textbook formula, with a unique perspective on literature. Among these are some theories that have not even been published in scholarly journals before, like the examination of the merchants' language that Swift uses to disguise his meaning. Across this book readings are mixed with commentary on these readings. These readings include three short stories from Edgar Allan Poe, novel segments from Don Quixote, and Gulliver's Travels, various poems, and a classic Greek play, Lysistrata. The uniting element in these stories is satire, sarcasm, and other forms of derisive humor. The political, social and cultural questions that this canonical criticism veiled under the guise of fiction should inspire students to want to write about them.
The trauma of retiring early forces FBI Special Agent B. Clare Ryan to conduct an unsanctioned investigation into one of her first cases for the Bureau back in 1988. After an unfavorable verdict that was the culmination of eight years of litigation over claims of sexual harassment of Ida Callaghan by the management at the Bedford Bank in Manhattan, her father, Bradley, shot the judge over the case, Vincente Brunetti, to death at his suburban residence before committing suicide. The case is outrageous enough on its own, but Ryan is more interested in why her supervisor at the FBI forbade her from investigating it and destroyed the suicide note that Bradley left behind. This clue leads her to a diary that accuses many powerful men in New York of corruption. Now in 2013, the trail might be cold, but Ryan digs up ancient records and does everything possible, including breaking into private vaults and morgues to get to the truth, which turns out to be more explosive than she predicted. Ryan reproduces original diaries, notes, letters, police reports and other documents that finally sufficiently prove the case that both Bradley and his daughter lost. Ryan takes on the burden of persuasion and brings this case to the public at large, hiding under the veil of fiction what she cannot expose in the court of law. What was the connection between this federal Judge and a major bank like Bedford? What drove Bradley to homicide instead of another appeal? Why were there five hundred sparkling-new, but unused, Bronx-made Vachengrais autos parked outside Bradley's precinct in 1969? What was Bradley's boyhood friend, Terry, who later became the Chief of NYPD, doing on a military base in East Germany in 1955 that sent everybody in this story on a violent collision course? This mystery begins after the whodunit is long solved. Only hidden personal confessions can display what corruption has obstructed from the eyes of justice.
Beware─these poems are skewed, in other words, they deviate from the straight line. Enter a world of betting with God, hard-boiled detectives, the rigors of Pundit School, drinking at the VFW, the joys of divorce, Russian brides, Jesus’ cell phone, bull riders, cartoon doctors, first world worries, grammar hospitals, drinking with clowns, and the worries of a clown. This book will shift your brain out of normal-mode, and will teach it the joys of taking the odd turns. Become Skewed.
Lucinda Thoso, the new Murder Beat reporter, joins the busy newsroom of Cherub Daily. She is immediately thrust into the heart of Los Angeles' gangs, vindictive lovers, corrupt bureaucracy, unintended bloodshed, and convoluted conspiracies. The hunt for the truth becomes personal when Lucinda receives a cryptic newspaper-clipping note in her own mailbox at Cherub that warns of an impending murder. When Lucinda arrives, the threat is proven true: the slashed body of a social worker is an unusual victim that shocks the city. Why would a killer leave a note inviting the discovery? Who would want to kill a lonely caseworker in her home, and yet leave her expensive possessions? Just as answers begin emerging, Lucinda and her police contact, Detective Clovis Pesupetep, are faced with a new gruesome murder of an administrative nurse. With her decades of experience with the macabre, Lucinda finds clues where a slew of techs and detectives fail to see them. On top of their oversights, Clovis' partner, Didier, resists each clue Lucinda uncovers, blocking her progress. Despite great strides, Clovis and Lucinda discover that the realities of crime investigation within the LAPD are such that only subterfuge can lead to the hidden truth.
This class offers more engaging topics for research than the repeating political or social topics that fit the formula of a traditional college research writing class.
Michael Connelly: A Reader’s Guide": covers everything about Connelly including his novels, his short stories, the articles he published as a crime reporter, and even movie treatments of his novels. Over 40 million fans have purchased books by Michael Connelly. His fans storm his website to discuss his characters and plots. Their passion for his characters is obvious. It’s the same kind of enthusiasm now found among fans of the Harry Potter and Hunger Games series. Yet, while both those series have companion books that serve as readers’ guides, no such book exists on Connelly. What is unique about this book is that it shows how Connelly shaped his actual experiences as a crime reporter into his fiction. You will also find explanations of how Connelly fits into the mystery landscape.
Mt. Tam": is an action adventure thriller about a natural disaster. Four hundred years ago, 38 miles off the coast of California, part of the Juan De Fuca plate was subducted under the North American plate. The cataclysmic forces from that event caused Mt. Tamalpais, in exclusive Marin County, to become an active volcano. No evidence remains from those early eruptions because the mountain is cloaked by an overgrowth of vegetation. The memories of the events are all but forgotten through time and Mt. Tam became dormant. Few if any residents living in the cities and towns in the shadow of the giant even knew its history. That is, until a warm day in May when a class of 24 high school students from Sausalito and their science teacher went on a Junior Class trip. Spelunking in caves created by ancient lava tubes, they discover that the volcano has come to life. No one in sleepy Sausalito expected it, least of all Davis H.S. principal Tom Jessup, or Bob Meyers, the Police and Fire Chief of Larkspur. Yet, there it was nearly 3,000 feet above San Francisco Bay sending gray clouds high into the sky. In less than 24 hours, Mt. Tam creates a series of large earthquakes and puts into motion an enormous mobilization of emergency services from Marin County, San Francisco and the entire Bay Area.
This book creates a taxonomy for the major bestselling fictional genres: romance (e.g., authors Heyer, Cartland, Woodiwiss and Roberts), religious and inspirational (Corelli and Douglas), mystery and detective (Conan Doyle, Christie and Mankell), and science fiction, horror and fantasy (Wells, Tolkien, Orwell, Niven, King and Rowling). Chapters look at a genre from its roots to its most recent works. The structural patterns in the plot, characters and setting of these genres are then explained. The book also provides a critique of currently popular hyper-formulaic, hack, unliterary writings that have multiplied in recent decades. Special topics such as the publishing oligopoly and the resulting homogeneity among bestselling works and the steady movement from literary to unliterary fiction are also examined.
This is the third issue of an academic, literary, peer-reviewed journal. It includes original scholarly essays, poetry, a short story, an interview with a well-known Indian poet, Jayanta Mahapatra, photographs, and book reviews. The Summer 2010 Special Issue, "New and Old Historical Perspectives on Literature" uses ideas created by Stephen Greenblatt in the 1980s. Despite H. Aram Veeser's 1989 anthology, _The New Historicism_, and numerous other publications in this field, one is left puzzled about why any historical examination of literature is "new." All genres and periods can be studied through a historic lens. The journal is listed on the MLA Periodicals Directory and is a member of the Council of Editors of Learned Journals. An article about this journal was published in D-Lib Magazine's November/December 2009 issue. This is the first issue that is available in print through a print-on-demand publication with Amazon CreateSpace. The critical essay and book review writers include established professors from America, England, India, China and other countries across the world. They include: Dr. Frank Casale, Dr. Robert Hauptman (Editor, Journal of Information Ethics), Dr. Carol Mejia LaPerle, Dr. Stephen Barnes, Dr. Joan Ferretti Varnum (NYU), Dr. Karley Adney, Dr. Robert McParland, Dr. Sirpa Salenius, Dr. Yihsuan Tso, Dr. Eugenia Russell (University of London), Dr. Hugh Fox (Founder of the International Organization of Independent Publishers), Dr. Louis Gallo, and Dr. Joe Mills.
Liberation from Tyranny": is a collection of poems that covers nature, famous leaders, animals, relationships, emotional states, sports and inspirations. It paints a picture window into the soul. An enlightening, captivating and exhilarating collection with a musical beat.
This Career Portfolio includes the narrative and evidence that support Dr. Anna Faktorovich's application for academic positions. The Portfolio includes a description of her teaching philosophy, and research and writing agenda. You will also find her Curriculum Vita, syllabi, class handouts, lesson plans, and assignments, as well as critical and creative writing samples from a poetry book she published in 2011, Improvisational Arguments, and chapters from her newly published critical book with McFarland, Rebellion as Genre in the Novels of Scott, Dickens and Stevenson.
Each poem’s speaker, shares with us his journey through the landscapes of the American Civil War. McGraw, a Confederate soldier and racist, steps into the War in order to assure that slavery will exist long enough for him to purchase a slave with hopes to impress his love, Martha. As McGraw treks through the blood and mire, experiencing both triumph and tragedy, he begins to transform into a man of peace and compassion – a man who no longer sees a black man or a white man; he simply sees a man – a fellow, a brother.
This summer issue features three interviews with established researchers and writers. Dr. John Milton Hoberman (University of Texas at Austin) discusses a variety of topics connected with his books, including his most recent book, Dopers in Uniform, on steroids in policing. Allen M. Hornblum (covered widely on CBS, CNN, and BBC) replies to questions on medical ethics and smear campaigns in sports, topics related to his latest release, American Colossus: Big Bill Tilden and the Creation of Modern Tennis. And professor Michele McArdle Stephens (West Virginia University) touches on the use of the hallucinogenic drug, peyote, in the Huichol culture, the subject of her first major book-length publication, In the Lands of Fire and Sun: Resistance and Accommodation in the Huichol Sierra, 1723-1930. Then an essay of film criticism by Heather Duerre Humann (Florida Gulf Coast University) discusses gender in science fiction in the film Sucker Punch. Samantha Lauer contributes her regular feature with reviews of recently released films that she particularly enjoyed including Coco, Mother! and Annihilation. In keeping with CCR's mission to promote all visual and audio arts, the last section is a photography project on the themes of timelessness and comfort from a widely published photographer and author, Fabrice Poussin (Shorter University).
The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables.
What are the components of great editing? Are there differences in editorial practices between the United States, Canada, and Australia? What kind of preparation should those hoping to become editors later in their careers obtain? What are the rewards and challenges of working as an editor or as a director of a press or poetry association? In this issue on Editing Technique of the Pennsylvania Literary Journal, I conducted interviews with four outstanding editors of critical and creative magazines to answer these questions. Interviewed Editors: Janet Brennan Croft, Editor of Mythlore; Professor Maria Mazziotti Gillan, Editor of Paterson Literary Review; Dr. Gillian Dooley, Editor of the Transnational Literature Journal; and Dr. Dina Ripsman Eylon, Editor of Women in Judaism: A Multidisciplinary Journal.
This special issue of PLJ includes interviews with Cinda Williams Chima, James Dashner and Carrie Ryan, all New York Times best-selling young adult fiction writers. They are interviewed by Catherine W. Griffin, who has a Master's of Science in Journalism from Columbia University. They share their experiences with writing in a popular genre, and give specific advice for both new and professional writers. Those who love reading their books should appreciate this close inside look into their minds and lives. You will also find Thomas Carlyle's 1840 2nd edition of Chartism and a couple of critical reviews of new academic books.
The content of this issue includes an extended set of detailed reviews from the editor, Anna Faktorovich, of recently released and forthcoming scholarly and general interest non-fiction books. These titles cover the history of the Americas, recent political issues and politicians, biographies of famous or applauded individuals, space exploration studies or personal narratives, and various other works (some outstanding and some nonsensical). Then follows a scholarly essay by R. Joseph Rodríguez, a professor at the California State University, Fresno, on reading and teaching poetics about the Borderlands. This season brought in an unusually heavy volume of innovative, modern and emotional poetry from Jonathan Bracker, Michael Ceraolo, Louis Gallo (a regular contributor, who offered eleven poems and all of them were too good to refuse), Susie Gharib, Rob Luke, Tom McFadden, Andrew Alexander Mobbs, Timothy Robbins, Robert Ronnow, and Kobina Wright. In the last section, you will find a set of short fictional stories on topics ranging from the sea to Eastern European fairytales from John W. Dennehy, Alan Fleishman, Kevin Harris and Kathleen Murphey.
This is a comparative study of Wendell Berry’s theory of New Agrarian economics in contrast with other agrarian proposals, as well as communist, capitalist and feudal economic theories. The argument for an agrarian world has both similarities and sharp contrasts with Marxist communism, industrial capitalism, and classic feudalism. Agrarianism can be seen more clearly when it is contrasted and shown as having existed in parallel with each of these stages of economic world development. As the world quickly grows in the direction of overpopulation and pollution, a re-evaluation is needed of the previously used sustainability methods that have kept humanity in balance with the earth for millennia. As resources continue to become scarcer, those who can support themselves independently from mass-agricultural ventures might have a survival advantage. And this advantage should be explored before the world reaches a catastrophic phase. As the American farming population shrinks further below one percent of the overall population, this is a crucial moment to consider if agrarianism and agriculture itself should retain a central role in American political theory or if it should fade into the past.
This issue of the Pennsylvania Literary Journal is dedicated to British literary criticism. Britain has produced some of the world's most extraordinary writers, in terms of their technique and structural mastery. William Shakespeare wrote dozens of tragedies and comedies that reflect essential political and romantic impressions of humanity. Charles Dickens mixed socialist, realistic as well as romantic and sentimental elements in his novels that brought poor characters into artistic center-stage. The length of a list of brilliant British authors is extraordinary. The critical essays in this issue all come from established professors, who are teaching literature and composition in the colleges of America's east and west, and even as far as Spain. The primary concerns of the essays are: oppression, rebellion and the structural features of fiction. Dr. Kelley Wezner writes about the affect of Machiavellian thought on Jonathan Swift. Dr. Mark Zunac writes about human rights and the colonial condition in a novel by Mary Robinson. Dr. Victoria Williams closely examines Dickens's use of the fairytale-like details and structure of his Our Mutual Friend. Dr. Ignacio Ramos Gay talks about Victorian theatrical audience censorship trying to exclude French theatrical productions from the British stage. Lastly, Dr. Michael Cornelius discusses the suppression of homosexuality from the pages of historical British fiction. In addition to the essays in British studies, we included a non-fiction narrative about Dr. Douglas King's adventures as a movie-extra during the brief boom in Pennsylvanian film production in 2008. I also included a non-fiction proposal by one of the students that took my English 101 writing class at the Edinboro University of Pennsylvania this Fall 2010, Hannah Schurr, who writes about the need for healthier food choices for college students. If you are a student or a teacher of literary criticism or writing, you will enjoy reading through the interview I did by email with Professor Margarita Boyers of the Salmagundi Magazine, as she gives frank and detailed advice to new editors, and to those who are interested in publishing their creative and critical works in academic journals. If you enjoy reading fiction, you will be delighted to find a novel excerpt from a new novel by Bucknell University's Dr. Robert Rosenberg, who has previously published a critically acclaimed novel, This Is Not Civilization through Houghton Mifflin (2004). Another treat is a short story by the retired professor, Dr. George Held, who has studied in Brown and Columbia, and has been widely published. PLJ's goal is to provide quality criticism and literature for your enrichment.
This Fall 2011 issue of the Pennsylvania Literary Journal includes poetry, short stories, book reviews and a non-fiction story from academics and published creative writers. Among other works, the issue includes a short story by the editor, Anna Faktorovich, "Vampire Daichi.
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