Following the success of "Flickering in the Arctic," the Fairbanks Arts Association Community Writers Group follows up with a second anthology. "Out of Darkness, Into the Light" features poetry and prose in a variety of themes, from living through World War II to losing one's self or those we love. The Community Writers Group has explored aspects of the human experience. Now they want to share their insights and discoveries. About the Author Living in Alaska takes dedication when winter darkness lasts up to twenty-one hours a day. Yet those dark months, as temperatures drop to -50 degrees, provide authors with time to write and reflect on the stories that make up their lives. The Community Writers Group is the most successful writers' group in Interior Alaska. More than seventy of Fairbanks' most talented writers, who have crafted, edited, and published novels, short stories, articles, and plays, have at one time been associated with the group. Authors include schoolteachers, hoteliers, scientists, and more than a few professional communicators.
This unique anthology celebrates the Community Writers Group of Fairbanks, Alaska. Founded in April 1998, the Community Writers Group includes writers from all walks of life and levels of experience. What they share is their passion for writing and their commitment to helping one another grow. These emerging writers take a clear-eyed look at their past and present lives, including adventures operating the Healy Roadhouse, running a dog sled team down a well packed trail, and hitting pay dirt at Ketchum Creek. Not all adventures are Alaskan in spirit, though. One story tells of a woman's miraculous recovery from breast cancer, another follows a runaway boy who jumps a freight train with nothing more than a pork chop to sustain him. Other stories and poems draw upon fantasy. How does a vampire who dislikes the taste of blood cope? What if a boy led his family out of a blizzard by pretending to be the leader of a French-Indian tribe who defied British soldiers? These writers speak from the heart, a heart as big as all outdoors. Pull up a chair and join them.
In the words of one reader, Brian W. Fairbanks has a real talent for extracting the essence of a given subject and articulating it in a meaningful way. In WRITINGS, the author collects some of his finest essays and criticism spanning the years 1991-2005 and covering four subjects: FILM LITERATURE MUSIC SOCIETY Whether offering an insightful analysis of film noir, examining Benjamin Franklin's impact on American society, taking a clear-eyed, non-partisan look at democrats, republicans, the 2004 presidential campaign, George W. Bush, and the war on terror, or lambasting the corruption of television news, Brian W. Fairbanks is ingenious with a sophisticated yet effortlessly readable style. Also available in two hardcover editions.
Few people have influenced Hollywood history than Douglas Fairbanks. And who better than his niece and Fairbanks family historian, Letitia, to relate that story? On-screen and offscreen, he was a force of nature, progressing in easy leaps and bounds from the Broadway stage to silent movies when feature-length film was just a few years old. His happy, healthy characters and acrobatic acting style brought a new energy to the medium. But it was through his extraordinary success as a producer that Fairbanks achieved the goal of all creative people: to run his own show. This he did by co-founding United Artists in 1919 with his soon-to-be wife Mary Pickford, Charles Chaplin, and D. W. Griffith. As a producer, he showed visionary taste, collaborating with his directors and designers to enact gallant tales in spectacular settings. Whether he played a young man on the go or a swashbuckling hero in a fairy-tale land, Fairbanks—one of the thirty-six founders of the Academy of Motion Picture Arts and Sciences—put America’s hopes and dreams on film. This updated version of the original 1953 biography has been expanded by the Fairbanks family with archival materials as well as never-before-seen photographs from the Academy of Motion Picture Arts and Sciences, Margaret Herrick Library.
Dis is a war zone, ya get me? An' we gotta take 'em all out, see?' Fog is about two families: one white and dysfunctional, the other black and aspiring. Fog and Lou were put into care as young children by their soldier father, Cannon, following the untimely death of their mother. Ten years later, Cannon returns, expecting to reassemble his family around him. But he feels a stranger in this 'new' England of broken promises. And nothing could prepare him for the damage that abandonment and an inadequate care system has wreaked on his kids. He desperately tries to repair what has been broken, but is it all too little too late? Fog is a stunningly powerful and gritty play which confronts important social themes with a clear-eyed lack of sentimentality. The play looks at the care system and the effects on the children placed there. It explores the difficulties we face in trying to reconnect with people who have been absent throughout childhood, and the inadequacy of communication: words are used as loose sticking plasters to try and patch up and hide the exposed wounds of fractured relationships.
Communicates information about the histories, contemporary presence, and various other facts of the Native peoples of the United States. From publisher description.
This is a practical guide for software developers, and different than other software architecture books. Here's why: It teaches risk-driven architecting. There is no need for meticulous designs when risks are small, nor any excuse for sloppy designs when risks threaten your success. This book describes a way to do just enough architecture. It avoids the one-size-fits-all process tar pit with advice on how to tune your design effort based on the risks you face. It democratizes architecture. This book seeks to make architecture relevant to all software developers. Developers need to understand how to use constraints as guiderails that ensure desired outcomes, and how seemingly small changes can affect a system's properties. It cultivates declarative knowledge. There is a difference between being able to hit a ball and knowing why you are able to hit it, what psychologists refer to as procedural knowledge versus declarative knowledge. This book will make you more aware of what you have been doing and provide names for the concepts. It emphasizes the engineering. This book focuses on the technical parts of software development and what developers do to ensure the system works not job titles or processes. It shows you how to build models and analyze architectures so that you can make principled design tradeoffs. It describes the techniques software designers use to reason about medium to large sized problems and points out where you can learn specialized techniques in more detail. It provides practical advice. Software design decisions influence the architecture and vice versa. The approach in this book embraces drill-down/pop-up behavior by describing models that have various levels of abstraction, from architecture to data structure design.
The tragic and inspiring story of the leaders of Outlaw country and their influence on today’s Alt-County and Americana superstars, tracing a path from Waylon Jennings’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music.
The world of contemporary American infants and young children is saturated with inappropriate images of American Indians. American Indian Stereotypes in the World of Children reveals and discusses these images and cultural stereotypes through writings like Kathy Kerner's previously unpublished essay on Thanksgiving and an essay by Dr. Cornell Pewewardy on Disney's Pocahontas film. This edition incorporates new writings and recent developments, such as a chronology documenting changes associated with the mascot issue, along with information on state legislation. Other new material incorporates powerful commentary by Native American veterans, who speak to the issue of stereotyping against their people in the military. Also includes a new expanded annotated bibliography.
Fact, Value, Policy is a reader/rhetoric designed for second semester freshman courses or more advanced courses on argumentation. It presents a theory of argument that distinguishes arguments of fact that depend on casual reasoning, and arguments of value that depend on analytical reasoning. Policy arguments are discussed as a special kind of claim that combines factual and evaluative issues. This coherent presentation of theory is coordinated with cross-curricular readings.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
0070198721
ISBN 13
9780070198722
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