Este livro procura trazer o contato entre o autor e um extraterrestre do planeta Arcturus, visando a promover ao leitor uma sensação de ser possível ampliar a participação de cada um no universo.
A vida continua após a morte? E se o próprio Jesus viesse buscá-lo, com uma armadura e uma espada na mão? Você iria com ele? Você iria se soubesse que partindo da Terra, seria preparado para ser um dos Cavaleiros da Ordem da Espada? E que seria um dos representantes do Exército do Arcanjo Miguel para combater o mal na Terra? Este livro vai conectar você a este exército do Bem Maior. Você será um dos convocados? A resposta está aqui dentro...
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
What does the expression pop culture mean today? And how does it contribute to understanding a Country and a cultural group? This collection of essays, diverse in content, approach and perspective, tries to answer these questions. It aims at describing and figuring out the texture of Italian pop culture – as a meaningful juxtaposition between high and low, mass and elite, artistic and consumerist – in relation to the Italian mediascape and cultural context. Through the mosaic of narratives produced by television, music, comics and novels, to name a few, and the mixture of genres and types of cultural products analyzed in every essay, the reader is allowed to further the knowledge of Italian pop culture and to get a glimpse of Italians and ‘Italian-ness’.
Drawing upon extensive experience of both theoretical and empirical research, according to the Italian school of Political Science, this book provides a holistic assessment of contemporary world politics. It begins by defining concepts such as “world order”, before going on to classify foreign policies into four models of political cultures: namely, the “interests-intensive” conservative; the “ideologies-intensive” liberal, the leftist constructivist, and the leftist Manichean. The volume shows how multipolar and bipolar systems have remained relatively stable, with each main power defending its own interests, yet ultimately not promoting ideas and order. Change periods, however, are instable. Between 1915 and 1945, Nazi-fascist and communist ideologies emerged, but, after Yalta, the West did not effectively export market, democracy and peace to the Third World. After 1989, the ideas of liberalism (in economic globalization and EU enlargement), neo-conservatism (in the Iraq war), and multi-cultural leftism (in pluri-national conflict resolution processes) began to be applied toward a “near” world order. Since 2001, Islamic fundamentalism’s threat has prevented both stability (with the failure of the concert of powers of the 1990s), and order (with minimal improvements in democracy and peace). Following the Arab Spring, Obama has also abandoned interests-intensive conservative diplomacy, no longer supporting “lesser evils” (personalistic or military regimes) against “absolute evils” (such as the Islamic State), and waged only “low intensity” wars in Iraq, Syria and Libya.
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