Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with ...And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.
A collection of stories that move through multiple genres and many times and places, from the monsters of the 19th century to the future fields of war, from New England to the South to the American West, from the strange house at the top of the hill to the bottom of your childhood swimming pool.
A stellar collection of stories of the fantastic with a distinctly American Southern Literary accent. Magical realism is the dominant mode here, and other styles of fantasy are represented among these tales, which will appeal to a wide audience and especially to readers who appreciate the Southern Literary tradition. As William Faulkner once observed, "The past isn't dead. It isn't even past." And the past of the American South lives on in a long literary tradition where fantasy and reality blur. It is evident in the writing of giants such as Faulkner himself, Flannery O'Connor, Mark Twain, Edgar Allan Poe, Manly Wade Wellman, Truman Capote, Alice Walker, and many others. Steeped in this tradition and proud to be its inheritors, storytellers and editors F. Brett Cox and Andy Duncan have gathered together stories of the unseen and magical American South by some of the most brilliantly talented Southern writers of our time. From darkly imagined, powerful tales by Bret Lott, Lynn Pitts, Kalanu ya Salaam, Brad Watson, and Don Webb to a deeply affecting and sensual story by Honorée Fanonne Jeffers, to atmospheric works by Richard Butner, James L. Cambias, and Jack McDevitt, to wildly funny stories by Scott Edelman and Michael Swanwick, these original fictions will delight readers who appreciate the unique wealth and breadth of the Southern literary tradition and its natural affinity for the fantastic. With the addition of wonderful reprinted stories by Michael Bishop, Fred Chappell, Andy Duncan, John Kessel, Kelly Link, Sena Jeter Naslund, Daniel Wallace, and Gene Wolfe, this collection is a crossroads of styles and themes where Southern and Fantastic literary traditions meet. Together these stories paint a wide canvas of the real and mythic South in all its fabulous, terrible, joyous, chaotic uniqueness. They are set in all the Southern landscapes of the mind, from the shores of South Carolina to the city of New Orleans, from small-town Mississippi to the streets of modern Atlanta, from the ghosts of ante-bellum splendor to the shadows of what might be. The contributors range from realistic to Gothic, from magic realists to satirists. What they share in common is the South and the endless stories it inspires. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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