... A number of schools and locating their core areas. Mendelsohn concludes with a discussion of the great changes that have occurred since world war II.
The Jews have been an urban people par excellence, and their influence on the urban landscape is unmistakable. Who can imagine modern Vienna, Berlin, Warsaw, or New York, to name just a few examples, without their large, vibrant, and creative Jewish populations? Conversely, the urban experience has been a decisive factor in modern Jewish history. This new volume in the acclaimed Studies in Contemporary Jewry series is devoted to the theme of Jews and the modern city. It features essays on Orthodox Jewry in the city, Jewish-Christian relations, klezmer music, the impact of urbanization on German Jewry, the Jewish communities in New York and St. Petersburg, and the emergence of the first "Hebrew City" (Tel-Aviv). It also includes a discussion of the new prayer book of the Conservative movement in Israel. Like others in the series, this book presents current scholarship in the form of a symposium, essays, and book reviews by distinguished experts in Jewish studies from around the world. Published annually by the Avraham Harman Institute of Contemporary Jewry at The Hebrew University of Jerusalem, Studies in Contemporary Jewry continues to be an invaluable resource for scholars of modern history and culture.
Literary Strategies: Jewish Texts and Contexts collects essays on Jewish literature which deal with "the manifold ways that literary texts reveal their authors' attitudes toward their own Jewish identity and toward diverse aspects of the 'Jewish question.'" Essays in this volume explore the tension between Israeli and Diaspora identities, and between those who write in Hebrew or Yiddish and those who write in other "non-Jewish" languages. The essays also explore the question of how Jewish writers remember history in their "search for a useable past." From essays on Jabotinsky's virtually unknown plays to Philip Roth's novels, this book provides a strong overview of contemporary themes in Jewish literary studies.
This volume examines music's place in the process of Jewish assimilation into the modern European bourgeoisie and the role assigned to music in forging a new Jewish Israeli national identity, in maintaining a separate Sephardic identity, and in preserving a traditional Jewish life. Contributions include "On the Jewish Presence in Nineteenth Century European Musical Life," by Ezra Mendelsohn, "Musical Life in the Central European Jewish Village," by Philip V. Bohlman, "Jews and Hungarians in Modern Hungarian Musical Culture," by Judit Frigyesi, "New Directions in the Music of the Sephardic Jews," by Edwin Seroussi, "The Eretz Israeli Song and the Jewish National Fund," by Natan Shahar, "Alexander U. Boskovitch and the Quest for an Israeli Musical Style," by Jehoash Hirshberg, and "Music of Holy Argument," by Lionel Wolberger. The volume also contains essays, book reviews, and a list of recent dissertations in the field.
The sixth volume of the annual publication of the Institute for Contemporary Jewry at The Hebrew University of Jerusalem, Art and Its Uses analyzes the levels of meaning present in a wide range of visual images, from high art by Jewish artists to Judaica, caricatures, and political propaganda. The use of such material to illuminate aspects of modern history and society is rather uncommon in the field of modern Jewish studies; these essays provide the tools necessary for understanding the image in its proper social and political context. The distinguished contributors include Richard I. Cohen, Michael Berkowitz, Milly Heyd, Irit Rogoff, Chone Shmeruk, Ziva Amishai-Maisels, Vivianne Barsky, and Vivian Mann. Accompanied by more than 160 illustrations, the essays shed new light on such topics as Jewish nationalism, Jewish identity, and Jewish-gentile relations. In addition to the symposium, the volume contains articles by major scholars of contemporary Jewish studies, a substantial book review section, and a list of recent dissertations in the field.
Bringing together contributions from established scholars from multiple disciplines and countries, Volume XIX of Studies in Contemporary Jewry offers a comparative view of alliances between Jewish communities and the state. Together, the volume's contents show the price Jews paid for allying with unpopular regimes. The essays cover the American South, South Africa, Canada, Algeria, Morocco, Poland, Hungary, Romania, and Russia.
This series is published yearly by the Institute of Contemporary Jewry at The Hebrew University of Jerusalem. It is edited by Jonathan Frankel, Peter Medding, and Ezra Mendelsohn, all distinguished professors of history at The Hebrew University. The volumes include symposia, articles, book reviews, and lists of recent dissertations by major scholars of Jewish history from around the world. Among the topics examined in this volume are the transformation of Russian Jewish communal life; Habsburg Jewry and its disappearance; the Bolsheviks and British Jews; and the Palestinian labor movement. This diverse collection is one of the first attempts to examine the over-all impact of the First World War and the Russian revolution on the Jewish people.
Maurycy Gottlieb was born in 1856 in the small city known in Polish as Drohobycz, then attached to the province of Galicia in the Austro-Hungarian Empire. In the course of his very short life (he died at age twenty-three), Gottlieb painted dozens of extraordinary works that have since found homes in museums in eastern Europe and in Israel, where, following a major exhibition in 1991 in Tel-Aviv, he achieved the status of a founding father of Jewish art. The subjects of his paintings range from self-portraits and portraits of family and friends to orientalist themes, historical topics, and biblical scenes, including two important representations of Jesus. Ezra Mendelsohn sets this impressive body of work in the context of contemporary European painting, and uses Gottlieb's work to illuminate the cultural complexity of the Austro-Hungarian Empire prior to World War I. Interpreting the paintings, and their reception in Gottlieb's day and beyond, Mendelsohn touches on a number of key issues in modern Jewish history, among them identity, assimilation, acculturation, nationalism, the relationship between Jewry and European culture, and relations between Jews and non-Jews, particularly between Poles and Jews. Mendelsohn notes that Gottlieb is an ideal subject for a historian of modern Jewish Eastern Europe with an interest in the visual dimension of Jewish culture. Since the artist's death in 1879, Polish nationalists, Jewish integrationists, Jewish nationalists, and finally the Israeli Jewish establishment, have laid claims to his art. Yet as Mendelsohn shows the subjects Gottlieb chose to paint -- particularly the historical subjects -- demonstrate that Gottlieb was first andforemost an artist of Jewish universalism.
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