During the 1950s, Evelyn E. Smith regularly published science fiction in magazines like Galaxy and Fantastic Universe. Her stories ranged from post-apocalyptic satires to adventure to humor. She also wrote four science fiction novels, which chiefly deal with questions of gender identity. Like all of her work, they are characterized by their sharp wit. At her best, she was the equal of anyone -- male or female -- writing for the pulp magazines. This volume collects 12 of her short stories, including: TEA TRAY IN THE SKY NOT FIT FOR CHILDREN COLLECTOR'S ITEM THE DOORWAY THE VILBAR PARTY HELPFULLY YOURS THE VENUS TRAP THE MOST SENTIMENTAL MAN ONCE A GREECH THE BLUE TOWER MY FAIR PLANET SENTRY IN THE SKY If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 220+ other entries in this series, science fiction, fantasy, horror, mysteries, westerns -- and much, much more!
Charles Macdonald and his parents, exiled Scots, take refuge at the splendid and decadent eighteenth-century Versailles court of Louis XV. Charles, a ruthless and degenerate young man, is soon forced by his gambling debts into an arranged marriage with his cousin, Anne. Anne is beautiful and wealthy—and in love with Charles. But none of this prevents him from carrying on with his mistress, the Baroness de Vitale, who in turn inflicts cruelties and humiliations upon Anne. When Anne finds that her life is in danger, Charles must decide what sort of man he wants to be, and which woman he truly cares for.
The Qing Dynasty was the last of the conquest dynasties to rule China. Its rulers, Manchus from the north, held power for three centuries despite major cultural and ideological differences with the Han majority. In this book, Evelyn Rawski re-interprets the remarkable success of this dynasty, arguing that it derived not from the assimilation of the dominant Chinese culture but rather from an artful synthesis of Manchu leadership styles with Han Chinese policies.
When published in 1929, Evelyn Scott's The Wave was lauded as "magnificent", "monumental", and "masterly" in its experimental, almost cinematic, narrative technique and its modernist view of war and history. For those same reasons, less visionary reviewers labeled it "a failure". Without sentimentality, nostalgia, or a hint of southern apology, Scott takes as her subject the Civil War and shapes it into a kaleidoscopic design. She tells the story not of a single family or person, but of countless characters - northern, southern, black, white, male, and female - from nearly every conceivable background in many different predicaments. Like drops of water in a wave, they are all caught up in the overwhelming force of war, of history. The Wave set a standard against which all subsequent war novels have been compared. It was partly responsible for inspiring a trend in sprawling books on the Civil War that culminated in Margaret Mitchell's romanticized version in 1936, but it remains unique as a literary mosaic of the human condition, a novel of international consequence and boldly innovative method.
Sometimes a catastrophe isn’t the worst of your problems As dust settles on the buried kingdom of Ymittos, Princess Derya faces a horrifying conclusion: her friend Princess Eliana has perished after failing to break an evil sorcerer’s curse. Which means the next obstacle in the plot to enslave the continent is Derya’s father — the Emperor of Cinar. When the emperor tasks Derya with forming a crucial alliance, her only way forward is to race the sorcerer in a hunt for the magical scepter he lost a millennium ago. If he retrieves it, he’ll be unstoppable in his quest to dominate the world. Seeking the scepter in barbarian-controlled territory could cost Derya her life. But if she refuses the quest, she loses her right to the empire. And if she fails, there won’t be an empire left to inherit.
Arguing that existing ideas about balance of power and power transition are inadequate, this book gives an innovative reinterpretation of the changing nature of U.S. power, focused on the 'order transition' in East Asia.
McCune has recreated the splendor and intrigue of the imperial court in the Tang dynasty...giving us entertaining and informative access to a brilliant time and a complex woman." JEFFREY RIEGEL Chair, Department of East Asian Languages University of California, Berkeley Sweeping through exotic, turbulent seventh-century China, EMPRESS is the captivating epic of one extraordinary woman who would become the only female emperor in all of China's history. The story of Wu Jao, set against the backdrop of medieval China, reveals not only an age of horrifying barbarism, daring treachery, and precarious power, but also an eternal culture of sophistication and enlightenment.
Nightbreak By: Evelyn Gloria Rodrigues Chedekel For twenty years the United States has been under the vicious control of tyrant Adrianne Madden. Anyone – any family – any town – who defies her is destroyed. Vanessa Riley and Gloria Rodrigues are on the run. After their families were murdered by Madden’s soldiers, they have only each other. Vanessa is clever and compassionate, but her kindness makes her vulnerable in this new world. Gloria is determined and strong, but her focus on revenge could destroy everything she has left. When Gloria decides to create an army to assassinate Madden, leadership, love, and revenge will do more than test their friendship – it could break them. Action and sacrifice, friendship and betrayal, love and war – Nightbreak is a thrilling new dystopian by a fresh young voice.
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