When her son faces trial for murder, Audrey soon finds herself reaching out to the arresting officer, Kirk Maxwell, who finds himself responding to her heartache with a surge of protectiveness. But soon she must decide which is more important: fighting for her child or her own heart.
A brand new tale of passion, struggle, and love from a rising star in contemporary fiction whose previous novels were Essence and Blackboard bestsellers. With Everything in Its Place, Palfrey takes the story of a broken heart and gives it a twist all her own.
When her son faces trial for murder, Audrey soon finds herself reaching out to the arresting officer, Kirk Maxwell, who finds himself responding to her heartache with a surge of protectiveness. But soon she must decide which is more important: fighting for her child or her own heart.
Everett Evelyn-Green's historical book "In the Wars of the Roses: A Story for the Young" vividly depicts the violent time of the Wars of the Roses in 15th-century England. This engaging novel provides an easy and instructive introduction to this significant period in British history and is written particularly with young readers in mind. The narrative centers on a group of youthful characters who get embroiled in the disputes and power struggles between the houses of York and Lancaster. The literary style of Everett Evelyn-Green blends mystery, adventure, and historical authenticity to produce a compelling story that immerses young readers in a bygone age. For young readers, "In the Wars of the Roses" offers an engaging and approachable way to learn about the intricacies and drama of this crucial era in English history. For young history buffs, Evelyn-Green's writing artfully strikes a balance between fun and learning, making the book a satisfying and instructive read.
The boy stood with his head thrown back, his fair curls floating in the mountain breeze, his blue eyes, clear and bright and keen as those of a wild eaglet, fixed upon a craggy ridge on the opposite side of the gorge, whilst his left hand was placed upon the collar of a huge wolfhound who stood beside him, sniffing the wind and showing by every tremulous movement his longing to be off and away, were it not for the detaining hand of his young master.
Mother, will the little prince be there? "Yes, my son. He never leaves his mother's side. You will see them all today, if fortune favours us--the good King Henry, his noble queen, to whom he owes so much, and the little prince likewise. We will to horse anon, that we may gain a good view of the procession as it passes. The royal party lodges this night at our good bishop's palace. Perchance they will linger over the Sunday, and hear mass in our fair cathedral, Our loyal folks of Lichfield are burning to show their love by a goodly show of welcome; and it is said that his majesty takes pleasure in silvan sports and such-like simple pleasures, many preparations for the which have been prepared for him to witness.
What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
The Knights Templar In Britain examines exactly who became knights, what rituals sustained them, where the power bases were, and how their tentacles spread through the political and economic worlds of Britain before their defeat at the hands of the Inquisition some two hundred years later. Founded in the early twelfth century, the mysterious Knights Templar rose to be the most powerful military order of the Middle Ages. While their campaign in the Middle East and travels are well-known, their huge influence across the British isles remains virtually uncharted. For readers interested in Medieval History.
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