French author Chretien de Troyes is now firmly estabished as the most important vernacular writer of the 12th-century renaissance. Chretien, a native of Troyes in Champagne, was patronized by two powerful nobles & was thus well placed to compose the courtly lit. that characterized his time. His works include the earliest known Arthurian romance; the earliest & most sustained commentary on the Legend of Tristan & Iseut; the earliest known version of the story of Lancelot & Guinevere; & the earliest known romance about the Grail. Contents of this study: (1) "Erec et Enide": The Norms of the Narrative; The Rejection of the "Marvellous"; & The Problem of Narrative Continuity; (2) "Cliges": The Technique of Alternation; The Technique of Displacement; & The Silence of Soredamors; (3) Lancelot: "Le Chevalier de la Charrette": Internalizing the Narrative; The Manipulation of Obstacles; & The Adaptation of Roles; (3) Yvain: "Le Chevalier au Lion": Externalizing the Narrative; The Delicate Balance; & The Disappearance of the Omniscient Narrator"; (4) Conclusion; & (5) Bibliography.
This book proposes a fundamental revision of the history of early French romance: it argues that oral and performed traditions were far more important in the development of romance than scholars have recognised. Starting with issues of orality and literacy, it is argued that the form in which romances were composed was not the invention of clerics but was, rather, an oral form. The second part of the book looks at performance, and shows that romances such as those of Chretien invited voiced presentation; moreover, they were frequently recited from memory, sung, and acted out in dramatic fashion. Romances can, and should, still be performed today.
French author Chretien de Troyes is now firmly estabished as the most important vernacular writer of the 12th-century renaissance. Chretien, a native of Troyes in Champagne, was patronized by two powerful nobles & was thus well placed to compose the courtly lit. that characterized his time. His works include the earliest known Arthurian romance; the earliest & most sustained commentary on the Legend of Tristan & Iseut; the earliest known version of the story of Lancelot & Guinevere; & the earliest known romance about the Grail. Contents of this study: (1) "Erec et Enide": The Norms of the Narrative; The Rejection of the "Marvellous"; & The Problem of Narrative Continuity; (2) "Cliges": The Technique of Alternation; The Technique of Displacement; & The Silence of Soredamors; (3) Lancelot: "Le Chevalier de la Charrette": Internalizing the Narrative; The Manipulation of Obstacles; & The Adaptation of Roles; (3) Yvain: "Le Chevalier au Lion": Externalizing the Narrative; The Delicate Balance; & The Disappearance of the Omniscient Narrator"; (4) Conclusion; & (5) Bibliography.
Collected for the first time in a single volume: all of the short fiction by one of the 20th century's wittiest and most trenchant observers of the human comedy.
Evelyn Waugh was the last of the great letter-writers, and his witty, elegant correspondence to a wide circle of friends contains more than a touch of malice. In the 1920s Waugh wrote to a schoolfriend about his undergraduate escapades at Oxford and the Harold Acton and Henry Green of his unhappy jobs, his literary plans and the break-up of his first marriage. In the 1930s his boisterous letters recount his successes, social life and travels in South America. During the war, writing to his second wife, Laura Herbert, he revealed the strength of his love for her more vividly than has appeared elsewhere. He was inspired by Ann Fleming, Lady Diana Cooper and Nancy Mitford. Politics are rarely mentioned and he discusses writing only with someone he recognises as an equal, like Graham Greene. His deeply felt religious beliefs are expressed to John Betjeman. But Waugh's main concern is to amuse - and in this he is triumphantly successful.
The writers Nancy Mitford and Evelyn Waugh were great friends, and their friendship gave rise to the 500 letters full of malicious jokes and social gossip, presented in this collection.
A work of art as rich and subtle and unnerving as anything its author has ever done" (New Yorker), The Loved One is Evelyn Waugh's cutting satire of 1940s California and the Anglo-American cultural divide. Following the death of a friend, the poet and pets' mortician Dennis Barlow finds himself entering the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday--and Dennis gets drawn into a bizarre love triangle with Aimée Thanatogenos, a naïve Californian corpse beautician, and Mr. Joyboy, a master of the embalmer's art. Waugh's dark and savage satire depicts a world where reputation, love, and death cost a very great deal.
This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all of Waugh's writings for the first time. Waugh's only historical novel, Helena is the story of the mother of Emperor Constantine and her reputed discovery of the 'True Cross'.
In Robbery Under Law, subtitled 'The Mexican Object Lesson', Waugh presents a profoundly unpeaceful Mexican situation as a cautionary tale in which a once great civilisation - greater than the United States at the turn of the twentieth century - has succumbed, within the space of a single generation, to barbarism.
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