Jayne Mansfield (19331967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood. In the first definitive biography of Mansfield, Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider. By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident. Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.
Can the concept of original sin truly be founded on the beautiful Genesis creation story of Adam and Eve in the Garden of Eden? Only if the story is misinterpreted in terms of literal truth which entails belief in an articulate serpent. But when the story is interpreted as myth-history - not literal history - this important myth records a unique, fundamental and uplifting event in the human story. The garden paradise pre-dates the written Old Testament, having circulated in Abraham's country of Mesopotamia in the second millennium BC incorporated in some of the world's oldest literature: the epic poem of Gilgamesh. Behind the naked figures of Adam and Eve stands an earlier naked couple whose 'history' should certainly be preserved in Genesis. However, interpretation of this 'history' in literal terms and from the standpoint of monotheism turns that ancient 'history' on its head. During its long life the story of the first man to enter the garden paradise has been interpreted differently from at least four differing standpoints: Mesopotamian polytheism, the revolution of patriarchal monotheism, Christian monotheism, and the standpoint of science. At its origins, however, this priceless 'history' had nothing to do with the origin of sin. On the contrary, that interpretation throws the baby out with the bathwater. Look at the story in terms of myth, and in sympathy with its integral guiding images of serpent and tree and the garden reveals its long-buried treasure of truth.
Female philanthropy was at the heart of transformative thinking about society and the role of individuals in the interwar period. In Britain, in the aftermath of the First World War, professionalization; the authority of the social sciences; mass democracy; internationalism; and new media sounded the future and, for many, the death knell of elite practices of benevolence. Eve Colpus tells a new story about a world in which female philanthropists reshaped personal models of charity for modern projects of social connectedness, and new forms of cultural and political encounter. Centering the stories of four remarkable British-born women - Evangeline Booth; Lettice Fisher; Emily Kinnaird; and Muriel Paget - Colpus recaptures the breadth of the social, cultural and political influence of women's philanthropy upon practices of social activism. Female Philanthropy in the Interwar World is not only a new history of women's civic agency in the interwar period, but also a study of how female philanthropists explored approaches to identification and cultural difference that emphasized friendship in relation to interwar modernity. Richly detailed, the book's perspective on women's social interventionism offers a new reading of the centrality of personal relationships to philanthropy that can inform alternative models of giving today.
Drawing on approaches from the history of emotions, Eve Tignol investigates how they were collectively cultivated and debated for the shaping of Muslim community identity and for political mobilisation in north India in the wake of the Uprising of 1857 until the 1940s. Utilising a rich corpus of Urdu sources evoking the past, including newspapers, colonial records, pamphlets, novels, letters, essays and poetry, she explores the ways in which writing took on a particular significance for Muslim elites in North India during this period. Uncovering different episodes in the history of British India as vignettes, she highlights a multiplicity of emotional styles and of memory works, and their controversial nature. The book demonstrates the significance of grief as a proactive tool in creating solidarities and deepens our understanding of the dynamics behind collective action in colonial north India.
In a study that is original and timely, Eve Darian-Smith uses the Channel Tunnel between England and France to explore the shifting geographies of nationalism, postcolonialism, and legal autonomy in the formation of the European Union. Conducting ethnographic research in Kent, the county at the English mouth of the Tunnel, she looks at regional differences in feelings about Europe and at the vocabulary used in discussing the Tunnel. Visual representations—political cartoons, photographs, etchings—regarding the Tunnel are also examined. Two hundred years after Napoleon planned to invade England via a tunnel, the completion in 1994 of a fast rail link between Great Britain and the European mainland symbolizes the disintegration of conventional state borders. While the Tunnel precariously affirms the ideal of a united Europe, it also brings to the fore questions of boundaries between the first and third worlds, colonizers and colonized, and the "East" and the "West." Bridging Divides is about much more than an engineering feat. By exploring historical narratives, tunnel stories, and legal myths, Darian-Smith's study shows the interconnections between people's memories of the past and current history.
Real stories. Real teens. Real crimes. A backyard brawl turned media circus filled with gang accusations turns a small, quiet town upside down in this second book in the new Simon True series. On May 22, 1995 at 7 p.m. sixteen-year-old Jimmy Farris and seventeen-year-old Mike McLoren were working out outside Mike’s backyard fort. Four boys hopped the fence, and a fight broke out inside the dark fort made of two-by-four planks and tarps. Within minutes, both Mike and Jimmy had been stabbed. Jimmy died a short time later. While neighbors knew that the fort was a local hangout where drugs were available, the prosecution depicted the four defendants as gang members, and the crime as gang related. The accusations created a media circus, and added fuel to the growing belief that this affluent, safe, all-white neighborhood was in danger of a full-blown gang war. Four boys stood trial. All four boys faced life sentences. Why? Because of California’s Felony Murder Rule. The law states that “a death is considered first degree murder when it is commissioned during one of the following felonies: Arson, Rape, Carjacking, Robbery, Burglary, Mayhem, Kidnapping.” In other words, if you—or somebody you are with—intends to commit a felony, and somebody accidentally dies in the process, all parties can be tried and convicted of first degree murder and sentenced to life without parole, even if nobody had any intention of committing a murder. What really happened that day? Was it a case of robbery gone wrong? Gang activity? Or was it something else?
When forty-year-old Esther Castellani died a slow and agonizing death in 1965, the official cause was at first undetermined. The day after Esther’s funeral, her husband, Rene, packed up his girlfriend, Lolly; his daughter, Jeannine; and Lolly’s son, Don, in the company car and took off for Disneyland. If not for the doggedness of the doctor who treated Esther, Rene, then a charismatic and handsome radio personality, would have been free to marry Lolly, who was the station’s pretty twentysomething receptionist. Instead, Rene was charged with capital murder for poisoning his wife with arsenic-laced milkshakes. Murder by Milkshake is the compelling story of the Castellanis, and of their daughter, Jeannine, who was eleven at the time of her mother’s murder and who clung to her father’s innocence, even committing perjury during his trial. Rigorously researched, and based on dozens of interviews with family, friends, and co-workers, Murder by Milkshake documents the sensational case that kept a city spellbound, while providing a snapshot of the Mad Men–esque social and political realities of the 1960s. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Moving country remains the hugest thing weve ever experienced/ accomplished/ drowned in. Its an act of seemingly utter insanity, which negates all ones most primal connections to the cosmos. I find myself quoting Keats more often, Happiness is sharpened by its antithetical elements. Experiencing a new chapter of life is life-altering and isnt given enough credence. Each day we are grateful to taste a figuratively different menu, yet simultaneously we miss the staple diet stemming from our roots. I recall emailing a psychologist colleague of mine a few months after my arrival here, Am I experiencing a schism of the self? I asked. She replied, No, just re-inventing the self. I kept that pinned on my notice board at work for the first year to reflect on. _______________________________________________________________ Scatterlings Synopsis The book kicks off with the author's innocent and carefree childhood growing up on a farm in South Africa, my awakening (conscientising into an awareness that all is not right, being born into an apartheid era), life in SA and the epiphany to immigrate to NZ. The chapter Bouncing off Planet Africa' encompasses the grieving and healing process of migration. This section should be extremely beneficial to all migrants as part of the adaptation and acculturisaton process. The Scatterling tapestry chapters follow with migrants stories of their passion, pain, love - and hate - of Africa. For this section a remarkable cross section of stories; people of various cultural backgrounds and groups from Southern Africa including: cross cultural marriages; gay marriages; the lobola story between a Zulu woman and an American man; people who were marginalised and affected by apartheid, or survived the war in Zimbabwe, etc., plus Afri-expat tales from places such as Peru, USA, Canada, Saudi Arabia, Qatar, Kenya, Zimbabwe, UK, Oz and NZ have been gathered and incorporated. There is a section with contributions, including a Somali Refugee, a rootless African American (due to slavery) and people of colour uprooted in South Africa due to the apartheid areas act. Expats talk about hurdles and obstacles regarding migration, and about the wonderful sense of freedom from the shackles of apartheid and from fear, violence and criminality. They also offer some tips and advice to wannabes, while others hanker for home so much and return to face the challenges of a violent land. The contributors echo the same parallel threads, yet different and unique, each through their own personal lens. A short chapter offers children the opportunity to share their stories in Out the Mouths of Babes, which is both insightful and humorous. An historical/political time line follows from Khoi Khoi to current with articles and information, demographics and some statistics covering the establishment of humanity in the ancient continent; the conflicts, the horrors of apartheid and current exasperation due to ongoing heinous crime, stress, corruption and structural disintegration, juxtaposed against optimism and hope. Articles (all with the authors blessings) are included by well know South African writers, politicians, projectionists and figure heads, the likes of Helen Zille, Clem Sunter, Max du Preez and several young emerging African columnists the likes of Mabaso, Mtimkulu and Shuudi.) There is a section on migrants poetry, followed by Southern African recipes and food tales as immigrants identify with food as part of the cultural adaptation and period of grieving. A short existential epilogue concludes the book.
From the child taunted by her playmates to the office worker who feels stifled in his daily routine, people frequently take out their pain and anger on others, even those who had nothing to do with the original stress. The bullied child may kick her puppy, the stifled worker yells at his children: Payback can be directed anywhere, sometimes at inanimate things, animals, or other people. In Payback, the husband-and wife team of evolutionary biologist David Barash and psychiatrist Judith Lipton offer an illuminating look at this phenomenon, showing how it has evolved, why it occurs, and what we can do about it. Retaliation and revenge are well known to most people. We all know what it is like to want to get even, get justice, or take revenge. What is new in this book is an extended discussion of redirected aggression, which occurs not only in people but other species as well. The authors reveal that it's not just a matter of yelling at your spouse "because" your boss yells at you. Indeed, the phenomenon of redirected aggression--so-called to differentiate it from retaliation and revenge, the other main forms of payback--haunts our criminal courts, our streets, our battlefields, our homes, and our hearts. It lurks behind some of the nastiest and seemingly inexplicable things that otherwise decent people do, from road rage to yelling at a crying baby. And it exists across boundaries of every kind--culture, time, geography, and even species. Indeed, it's not just a human phenomenon. Passing pain to others can be seen in birds and horses, fish and primates--in virtually all vertebrates. It turns out that there is robust neurobiological hardware and software promoting redirected aggression, as well as evolutionary underpinnings. Payback may be natural, the authors conclude, but we are capable of rising above it, without sacrificing self-esteem and social status. They show how the various human responses to pain and suffering can be managed--mindfully, carefully, and humanely.
With a career spanning over 50 years, Aerosmith has been a trend-setter in the world of rock and roll. From early hits such as “Dream On” and “Sweet Emotion” to their legendary collaboration with Run DMC for a cover of “Walk This Way” to their contribution of “Don’t Wanna Miss a Thing” on the soundtrack for Armageddon, Aerosmith has proved time and again to be a band capable of reinvention and constant influence on the music scene. With their 2024 announcement that the band will no longer tour, 16 crime fiction authors have come together to produce an anthology paying tribute to some of Aerosmith’s greatest hits and their studio albums. This literary trip across the rock and roll landscape is courtesy of multi-award winning editor Michael Bracken with stories by Ed Ridgley, Bill Baber, Eve Fisher. Avram Lavinsky, John C. Bruening, Jeffrey Marks, Mary Dutta, Tom Mead, Steve Liskow, Joseph S. Walker, Adam Meyer, John M. Floyd, Leone Ciporin, M.E. Proctor, Tom Milani and Jim Winter.
The first two sections of this work consider two questions: what does children's writing reveal about their reading experience and competence?; and how can teachers help children to become more careful and critical readers of their own and other people's writing?. In the third section these questions are placed in a theoretical frame which tackles some of the more fundemental issues of culture, language diversity and gender, the relationship between oracy and literacy and how best to help children for whom literacy is a struggle. The final section gives some practical guidance for developing a full and successful literacy curriculum.
Cold Case Vancouver delves into fifty years of some of Vancouver's most baffling unsolved murders. In 1953, two little boys were found murdered in the city's storied Stanley Park, and who remain unidentified to this day. In 1975, a country singer was murdered just as she was on the verge of an amazing career. And in 1994, Nick Masee, a retired banker with connections to the renegade Vancouver Stock Exchange, disappeared along with his wife Lisa, their bodies never found. Cold Case Vancouver is an intriguing whodunit for true-crime aficionados and armchair detectives. Eve Lazarus's previous books include Sensational Vancouver. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
For mystery readers, Michael Bracken brings us an original tale by Eve Fisher—“The Ghost of Eros” features art crime of a most creative sort. Barb Goffman’s presents an action-packed tale by David Hagerty. “A Photo’s Worth” features an actress, a paparazzo, San Francisco, and scancal—a great read. Hal Charles (the writing team of Hal Blythe and Charlie Sweet) brings us another solve-it-yourself mystery. And we have a classic mystery featuring Madame Storey from Hulbert Footner, and a British suspense novel by Edgar Wallace. Science fiction and fantasy fans will enjoy a 1950 short novel from Murray Leinster, a classic space opera. Leinster was one of the greats of the science fiction field. He published more than a thousand stories over a distinguished six-decade career. “Planet of the Small Men” is pulp adventure in grand space opera tradition—and one I wish had been expanded to novel length. It’s from Thrilling Wonder Stories, and I don’t believe it’s ever been reprinted. Plus we have dark fantasy stories by Tom Marcinko (Cynthia Ward’s selection this issue) and Larry Tritten (whose work we’ve been running regularly—a real change of pace for him). Plus classics by Malcolm Jameson and Lester del Rey. Here’s the complete lineup: Mystery / Suspense: “The Ghost Of Eros,” by Eve Fisher [short story] “The Pilfered Pictogram,” by Hal Charles [Solve-It-Yourself Mystery] “A Photo’s Worth,” by David Hagerty [Barb Goffman Presents short story] The Almost Perfect Murder, by Hulbert Footner [short novel] The Strange Countess, by Edgar Wallace [novel] Science Fiction & Fantasy: “Temperance,” by Tom Marcinko [short story] “Africa Screams, ” by Larry Tritten [short story] “Brimstone Bill,” by Malcolm Jameson [short story] “Dark Mission,” by Lester del Rey [short story] “Planet of the Small Men,” by Murray Leinster [short novel]
This tale of an Irish teenager aboard the doomed ship, from a Caldecott Medal winner, is a “taut disaster story . . . nearly impossible to put down” (Publishers Weekly). Fifteen-year-old Barry O’Neill is journeying to New York to reunite with his parents on the maiden voyage of the great ship Titanic. He’s homesick, and worried about the Flynn boys traveling in steerage, who have threatened to throw him overboard. Little does Barry know that a struggle with the Flynns is the least of the dangers that await him. This “fast-paced” and suspenseful young adult adventure story is based on the true and terrible events that occurred as the Titanic sank, and “immerses readers in the many human tragedies” (Booklist).
This book portrays the achievements and progress of equality at work between men and women. The relevant UN Conventions, the ILO Philadelphia Declaration of 1944 and the numerous ILO Conventions and Recommendations on the development of equality are recalled. The European Union has applied and developed the universal ILO standards, empowering rights of equality with effective remedies through EU legislation and enforcement by its Court of Justice. The issues covered include equal remuneration and treatment, positive or affirmative action, dignity of the worker, maternity protection, part-time work and indirect discrimination, workers with family responsibilities and child care. New perspectives, policies and trends are discussed in a conclusion.
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