If people could live forever, how would they spend their time? Science, study, pleasure, games? All of the above? And how about those who don’t want it—or can’t have it? In “For Blood,” those who have rejected—or been rejected by—the Medprots (Medical Protection Devices) live in separate communities. There, dying has become a fundraiser, a spectator sport...and a temptation to murder!
When an aging actress and her two companions move to small-town Laskin, South Dakota, everyone is dazzled by their racy sophistication and style. But no amount of sophistication will help when something happens to one of the actress’s teen groupies and the town needs someone to blame.
Every place has its unique sensibility; a flavour that makes it special. Whether one is going somewhere new or discovering the secrets that make the familiar seem foreign, where you are matters as much as when you’re there. The stories in this fifth collection from Plan B Magazine occur at the intersection of the familiar and the strange, the rise of the unexpected and the twist in the road. Let’s take a journey to the unknown. Table of Contents: "Honeymoon Sweet" by Craig Faustus Buck "Broad Daylight" by Eve Fisher "This Land of the Strange" by Math Bird "Please Wait" by Robert Dawson "Fill In The Blanks" by Stephen D. Rogers "The Double Iron Cross" by William E. Wallace "Red Bait" by Edd Vick & Manny Frishberg "Broken Hearts" by Laird Long "Intimate Knowledge" by Suzanne Baginskie "The Asshat Fund" by Todd Morr "Mysterious Private Investigations" by Peter DiChellis "Coffee and Killings" by Simon Maltman "The Good Neighbor" by Lawrence Buentello
In a small town, everybody talks about your business, but they don’t always know your secrets. Everyone knew that Olive Stark was the widow of the town bank robber and was the town hermit, too, but who knew she buried her pet dogs in roasting pans? Or what her will really said? Or, perhaps most importantly, where the bank money went?
For generations, the science fiction genre and literary fiction have been perceived as irreconcilable. Startling Sci-Fi: New Tales of the Beyond attempts to prove otherwise. These 13 stories are boldly literary while employing unmistakable characteristics of the sci-fi genre. Jhon Sanchez’s “The Japanese Rice Cooker” and Daniel Gooding’s “Crow Magnum Xix” toy with readers’ expectations by defying traditional storytelling techniques while Eve Fisher’s “Embraced” and David W. Landrum’s “The Priestesses of Light” are intricately constructed character studies. Rob Hartzell’s “The Dead and Eternal” raises profound concerns about modern technology though Adam Sass’s “98% Graves” takes an optimistic view of the future. Every story is accompanied by Stefanie Masciandaro’s vibrant, hypnotic illustrations which simultaneously evoke the days of sci-fi pulp paperbacks yet remain firmly grounded in 21st century digital techniques. This anthology will take you beyond what you thought possible in science fiction.
I mentioned to BCW's acquiring editor Michael Bracken that I was enjoying the mystery/science fiction crossover stories he had been selecting for BCW, many of them originals, and he confessed to challenging writers to come up with stories that mixed the two genres. I thought, Aha! So that’s where they have all been coming from! It’s a Good Thing in my opinion. And this issue we have another one—“For Blood,” by Eve Fisher, which works well as both science fiction and mystery. Another of our acquiring editors, Barb Goffman, was nominated for not one, but two Agatha Awards at the Malice Domestic mystery convention last weekend. It’s hard to win when you have two stories up at the same time in the same category, as she did. I kept my fingers crossed for a tie, so she’d have two Agatha Awards this year, but it wasn’t to be. Next year! The good news is, she affirmed her enthusiasm for editing for BCW, and this issue she has yet another great mystery story: “Death of a Bible Salesman,” by Sarah R. Shaber (who I suspect of watching Paper Moon in part for her inspiration. I have a fondness for stories about grifters and conmen.) And speaking of conmen, we have another rare tale by Christopher B. Booth featuring conman deluxe Mr. Amos Clackworthy. Plus mysteries by Hulbert Footner and Hal Charles (a solve-it-yourself puzzler). Plus a historical adventure by western author W.C. Tuttle. On the science fiction front, we have Darrell Schweitzer’s 1979 interview with Fred Saberhagen. If you’re a fan of his Berserker series, there’s a lot here about it. Michael Swanwick returns to our pages with “The House of Dreams,” a fantasy tale selected by Cynthia Ward. Plus we have classics by Malcolm Jameson and Lester del Rey (both from the Golden Age of Astounding Science Fiction) plus a dark science fiction tale by Henry Kuttner from Weird Tales. This issue also has the final 3 episodes of Mel Gilden’s novel, The Case by Case Casebook of Emily Silverwood. Great Fun. Here’s the lineup: Non-Fiction: Speaking with Fred Saberhagen, an Interview by Darrell Schweitzer [interview] Mysteries / Suspense / Adventure: For Blood, by Eve Fisher [Michael Bracken Presents short story] Booked For Murder, by Hal Charles [solve-it-yourself mystery] Death of a Bible Salesman, by Sarah R. Shaber [Barb Goffman Presents short story] The Case of Luke Darrow, by Hulbert Footner [novel] When Mr. Clackworthy Needed a Bracer, by Christopher B. Booth [novelette] Cinders, by W.C. Tuttle [short story] Science Fiction & Fantasy: For Blood, by Eve Fisher [Michael Bracken Presents short story] The House of Dreams, by Michael Swanwick [Cynthia Ward Presents short story] Tricky Tonnage, by Malcolm Jameson [short story] Raider of the Spaceways, by Henry Kuttner [novelette] The Renegade, by Lester del Rey [short story] The Case by Case Casebook of Emily Silverwood, by Mel Gilden (Part 4 of 4) [Serial Novel]
For mystery readers, Michael Bracken brings us an original tale by Eve Fisher—“The Ghost of Eros” features art crime of a most creative sort. Barb Goffman’s presents an action-packed tale by David Hagerty. “A Photo’s Worth” features an actress, a paparazzo, San Francisco, and scancal—a great read. Hal Charles (the writing team of Hal Blythe and Charlie Sweet) brings us another solve-it-yourself mystery. And we have a classic mystery featuring Madame Storey from Hulbert Footner, and a British suspense novel by Edgar Wallace. Science fiction and fantasy fans will enjoy a 1950 short novel from Murray Leinster, a classic space opera. Leinster was one of the greats of the science fiction field. He published more than a thousand stories over a distinguished six-decade career. “Planet of the Small Men” is pulp adventure in grand space opera tradition—and one I wish had been expanded to novel length. It’s from Thrilling Wonder Stories, and I don’t believe it’s ever been reprinted. Plus we have dark fantasy stories by Tom Marcinko (Cynthia Ward’s selection this issue) and Larry Tritten (whose work we’ve been running regularly—a real change of pace for him). Plus classics by Malcolm Jameson and Lester del Rey. Here’s the complete lineup: Mystery / Suspense: “The Ghost Of Eros,” by Eve Fisher [short story] “The Pilfered Pictogram,” by Hal Charles [Solve-It-Yourself Mystery] “A Photo’s Worth,” by David Hagerty [Barb Goffman Presents short story] The Almost Perfect Murder, by Hulbert Footner [short novel] The Strange Countess, by Edgar Wallace [novel] Science Fiction & Fantasy: “Temperance,” by Tom Marcinko [short story] “Africa Screams, ” by Larry Tritten [short story] “Brimstone Bill,” by Malcolm Jameson [short story] “Dark Mission,” by Lester del Rey [short story] “Planet of the Small Men,” by Murray Leinster [short novel]
Female philanthropy was at the heart of transformative thinking about society and the role of individuals in the interwar period. In Britain, in the aftermath of the First World War, professionalization; the authority of the social sciences; mass democracy; internationalism; and new media sounded the future and, for many, the death knell of elite practices of benevolence. Eve Colpus tells a new story about a world in which female philanthropists reshaped personal models of charity for modern projects of social connectedness, and new forms of cultural and political encounter. Centering the stories of four remarkable British-born women - Evangeline Booth; Lettice Fisher; Emily Kinnaird; and Muriel Paget - Colpus recaptures the breadth of the social, cultural and political influence of women's philanthropy upon practices of social activism. Female Philanthropy in the Interwar World is not only a new history of women's civic agency in the interwar period, but also a study of how female philanthropists explored approaches to identification and cultural difference that emphasized friendship in relation to interwar modernity. Richly detailed, the book's perspective on women's social interventionism offers a new reading of the centrality of personal relationships to philanthropy that can inform alternative models of giving today.
Gender Circuits explores the impact of new technologies on the gendered lives of individuals through substantive sociological analysis and in-depth case studies. Examining the complex intersections between gender ideologies, social scripts, information and biomedical technologies, and embodied identities, this book explores whether and how new technologies are reshaping what it means to be a gendered person in contemporary society.
This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels of this period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a wide range of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and Evelyn Waugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White. The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship as it features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course of England's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture, nationalism, and political ideology, together with a new perspective on the Irish sources engaged by English literary modernism.
During the 18th century, letter manuals became the most popular form of conduct literature. They were marketed to and used by a wide spectrum of society, from maidservants and apprentices, through military officers and merchants, to gentlemen, parents and children. This work presents the most influential manuals from both sides of the Atlantic.
As a journalist, Australian-born Eve Lazarus has become adept at combining her well-honed investigative skills with an abiding love for her adopted city. These qualities are on full display in her latest book, an exploration of Vancouver’s hidden past through the city’s neighborhoods, institutions, people, and events. Vancouver Exposed is a nostalgic romp through the city’s past, from buried houses to nudist camps, from bellyflop contests to eccentric museums. Featuring historic black-and-white and color photographs throughout, the book reveals the true heart of the city: one that is endlessly evolving and always full of surprises. With equal parts humor and pathos, Vancouver Exposed is a vividly entertaining and informative book that pays homage to the Vancouver you never knew existed. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
This book brings together two pieces of writing. In the first, "After Eve Kosofsky Sedgwick," Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick's work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring, Lana Lin, and Philomina Tsoukala are among those considered as he explores questions of queer temporality and the breaching of ontological divides. Main concerns include the relationship of Sedgwick's later work in Proust, fiber, and Buddhism to her fundamental contribution to queer theory, and the axes of identification across difference that motivated her work and attachment to it. "Come As You Are," the other piece of writing, is a previously unpublished talk Sedgwick gave in 1999-2000. It represents a significant bridge between her earlier and later work, sharing with her book Tendencies the ambition to discover the "something" that makes queer inextinguishable. In this piece, Sedgwick does that by contemplating her own mortality alongside her creative engagement with Buddhist thought, especially the in-between states named bardos and her newfound energy for making things. These were represented in a show of her fabric art, "Floating Columns/In the Bardo," that accompanied her talk, a number of images of which are included in this book. They feature floating figures suspended in the realization of death. They are objects produced by Sedgwick, made of fabric; they come from her, yet are discontinuous with her, occupying a mode of existence that exceeds the span of human life and the confines of individual identity. They could be put beside the queer transitive identifications across difference that Goldberg's essay explores"--Publisher's description
As touching as it is humorous, The Garden of Eden is a parable for our time with a powerful and ultimately redemptive ending that speaks to oft underappreciated virtues such as loyalty (sticking with those you love even when they screw up royally), tolerance, and forgiveness. It's also about the values that keep America together--the simple solutions ordinary people find to keep their small communities strong. Trooper Sam Neely is fresh out of the State Police academy and finds himself assigned to the dullest backwater town he's never heard of. Things heat up quickly in Eden, U.S.A., however, when Ed Harris, the banker, finds his wife in bed with his best friend, Hayden Elkins. Ed picks up a shotgun, escorts them both to the door, and tells friend Hayden, "Guess what? She's yours!" "I've got a wife, Ed," says Hayden. "Now you have two. . . ." Forced to take his paramour to live under his own roof (after all, they had only intended to share an afternoon of delight, not to leave their spouses), Hayden suddenly finds himself the butt of every joke in town. That's where things start to spin out of control. Before long, Elijah Murphy, the town drunk, and the snooping widow next door, to whom he'd exposed himself, are falling in love; sleazy Sheriff's Deputy Delmar Clay is about to get a butt-full of birdshot for the pictures he's been snapping of young couples getting hot and heavy in parked cars; and the Barrow Boys are out of jail and looking for trouble. Soon, Neely finds that managing the crises in the sticks is a full-time job, and it takes a whole community--from the compassionate local magistrate to the new female preacher--to keep things from exploding big-city style.
This book combines the results of current research with essential background material to provide complete, in-depth coverage of every aspect of in situ and ex situ bioremediation, as well as an extensive overview of the physical and chemical processes currently available for treating petroleum-contaminated soils. Critical information has been collected and assembled under one cover to provide a convenient reference for anyone who must contend with this worldwide problem. Remediation of Petroleum Contaminated Soils: Biological, Physical, and Chemical Processes describes how to optimize the biodegradation of petroleum hydrocarbons in soil-water systems. It reports on the susceptibility of various petroleum components to biodegradation by microorganisms, and considers all groups of microorganisms for their potential contributions. The book also deals with problem areas such as the transport of organisms, oxygen, or nutrients throughout the subsurface, as well as biodegradation of polynuclear aromatic hydrocarbons (PAHs) and nonaqueous phase liquids (NAPLs). In addition, the book presents a variety of methods for monitoring bioremediation. This reference discusses current soil remediation processes and includes many innovative approaches. It also investigates means of controlling volatile organic compounds (VOCs) and leachate, and addresses methods for collecting and treating these secondary waste streams. The expansive coverage of this book will furnish readers with a wide range of options for developing treatment strategies and for customizing procedures for specific requirements.
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