Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.
A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie. Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book. Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz. And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
Soon to be a TV show on Hulu Eve Babitz is a writer like no other—she “is to prose what Chet Baker is to jazz” (Vanity Fair)—and she has influenced a generation of writers and readers with her sophisticated, witty, and delightful work. L.A. Woman is quintessential Babitz, the story of Sophie, a twenty-something blonde Jim Morrison groupie gliding through a golden existence in L.A. and Lola, a German immigrant who settles in Hollywood in the twenties to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and Rudolph Valentino are the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga know that while L.A. is constantly changing it is essentially eternal; through their eyes we see the mixture of high culture and low, the promises of youth and the fulfillment of nostalgia, the pink sunsets and the palm trees that are L.A. And through this fantastic tale, Babitz shares what it is to be a woman in what she convinces us is the capital of civilization.
NATIONAL BESTSELLER "This novel is studded with sharp observations . . . Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review The popular rediscovery of Eve Babitz continues with this very special reissue of her novel, originally published in 1979, about a dreamy young girl moving between the planets of Los Angeles and New York City. We first meet Jacaranda in Los Angeles. She’s a beach bum, a part–time painter of surfboards, sun–kissed and beautiful. Jacaranda has an on–again, off–again relationship with a married man and glitters among the city’s pretty creatures, blithely drinking White Ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California. Yet she lacks a purpose—so at twenty–eight, jobless, she moves to New York to start a new life and career, eager to make it big in the world of New York City. Sex and Rage delights in its sensuous, dreamlike narrative and its spontaneous embrace of fate, and work, and of certain meetings and chances. Jacaranda moves beyond the tango of sex and rage into the open challenge of a defined and more fulfilling expressive life. Sex and Rage further solidifies Eve Babitz's place as a singularly important voice in Los Angeles literature—haunting, alluring, and alive.
NATIONAL BESTSELLER "This novel is studded with sharp observations . . . Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review The popular rediscovery of Eve Babitz continues with this very special reissue of her novel, originally published in 1979, about a dreamy young girl moving between the planets of Los Angeles and New York City. We first meet Jacaranda in Los Angeles. She’s a beach bum, a part–time painter of surfboards, sun–kissed and beautiful. Jacaranda has an on–again, off–again relationship with a married man and glitters among the city’s pretty creatures, blithely drinking White Ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California. Yet she lacks a purpose—so at twenty–eight, jobless, she moves to New York to start a new life and career, eager to make it big in the world of New York City. Sex and Rage delights in its sensuous, dreamlike narrative and its spontaneous embrace of fate, and work, and of certain meetings and chances. Jacaranda moves beyond the tango of sex and rage into the open challenge of a defined and more fulfilling expressive life. Sex and Rage further solidifies Eve Babitz's place as a singularly important voice in Los Angeles literature—haunting, alluring, and alive.
Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s—decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation. With an introduction by Stephanie Danler, bestselling author of Sweetbitter. "On the page, Babitz is pure pleasure—a perpetual–motion machine of no–stakes elation and champagne fizz." —The New Yorker
Kennen Sie Eve Babitz? Journalistin, Partygirl, Künstlerin, Muse: Bis zu ihrem dreißigsten Lebensjahr hatte Eve Babitz bereits jede dieser Rollen inne. Schon als Kind war sie Teil der kulturellen Bohème Kaliforniens. Zu erster Berühmtheit gelangte sie als nackte Schönheit am Schachtisch mit Marcel Duchamps und als eine von Ed Ruschas Five 1965 Girlfriends. Doch ihr erstes Buch zeigt Babitz als Schriftstellerin mit eigener Stimme und eigenen Geschichten. So erzählt sie von entzückenden Highschool-Schönheiten, beneidenswert tätowierten Chicanas und Rockstars, die ihren Rausch im Chateau Marmont ausschlafen. In ihren scheinbar beiläufigen Anekdoten verdichten sich Glamour, Witz und Tragik auf einzigartige Weise. Hier lernen wir die wahre Schönheit von Los Angeles kennen: Zitrusbäume wiegen sich im Wind, immer bis zum nächsten Erdbeben.
« Me parecía a Brigitte Bardot y era la ahijada de Stravinsky.» Así se definía Eve Babitz, musa del Los Ángeles de los sesenta y setenta que con apenas treinta años publicó estas memorias dignas de una estrella de Hollywood. Fotógrafa y escritora, Babitz encarnó en su juventud una mezcla única entre la California más liberada y la élite cultural del momento. Jim Morrison le dedicó una canción, se dejó fotografiar jugando al ajedrez desnuda con Marcel Duchamp, presentó a Dalí y Frank Zappa, y contó entre sus amantes a Harrison Ford, Ed Ruscha o Steve Martin. Babitz define sus memorias como «novela confesional», pero lo que aquí nos regala es más parecido a pasear con ella mientras la ciudad se rinde a su pedigrí provocador. Con un humor afilado, nos cuenta su vida como una amiga que ha tomado unas copas de más. Vemos a los jóvenes de L.A. a través de los ojos de una Eve adolescente tumbada en Venice Beach, compartimos viajesde LSD regados con champán en el Chateau Marmont en compañía de futuras estrellas del rock y nos enamoramos de esta bonne vivante capaz de dedicar un capítulo a los mejores tacos de la ciudad. El otro Hollywood es el universo de una chica que adoraba las fiestas tanto como los libros de Henry James, Colette o Virginia Woolf. Es el paraíso de una joven que se entregó a la provocación y el ensueño de una ciudad que fue su razón de ser. Es, por encimade todo, la historia de una mujer que, en esa sociedad hipnótica y volátil, entendió las ventajas que comportaba mantenerse fiel a sí misma. La crítica ha dicho... «Su vida es tan notoria que parece un crimen admitir que sí, que es la primera vez que oyes a hablar de Eve Babitz.» The Guardian «Si no fuera tan condenadamente encantadora, envidiarías profundamente a Eve Babitz. El suyo es un encanto sin esfuerzo que brilla en un estilo franco y moderado, conciso pero sin prisas.» Esquire «Leer a Eve Babitz es como estar en la carretera un día de verano al caer el sol con -como ella lo llamaba- #aire acondicionado 4/100#. Es decir, conduciendo a cienkilómetros por hora con las cuatro ventanillas bajadas. Sientiendo el viento en el pelo.» The New York Times «La prosa de Eve es lo que Chet Baker al jazz, con su estilo ligero, aireado, lírico pero también rítmico, desapegadopero sensual. Nació para esto. O lo parece, consu escritura elevada pero callejera, brillante, exuberante, alegremente hedonista. L.A. en su forma más pura e idealizada.» Vanity Fair «Lo que realmente diferencia a Babitz de escritores de Los Ángeles como Joan Didion o Nathanael West es que no importan las crueldades que tenga que afrontar, una parte de ella todavía cree en la fantasía de Hollywood, siente su magnetismodel mismo modo que un norteamericano del Medio Oeste se lanza esperanzado hacia la costa para perseguir sus sueños de película.» Los Angeles Review of Books
A prologue provides commentary from Sts. Basil the Great, John Chrysostom, Gregory of Nazianzus, Symeon the New Theologian, Gregory of Nyssa, Didymus the Blind, and others on Genesis 1-5. The compassionate Lament of Eve follows a simple style based upon the commentary by the Church Fathers. Many thought-provoking insights are included on: the creation and dignity of men and women; the image and likeness of God and theosis; mankind's stewardship of the earth; propgation before and after the Fall; the tree of life and the tree of knowledge of good and evil; the fall, the reasons for the expulsion from Paradise and the sentence of mortality, God's love and providence and His primacy in our lives.
Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.
In the bestselling tradition of The Red Tent, The Family Orchard is a spellbinding novel of one unforgettable family, the orchard they've tended for generations, and a love story that transcends the ages. Nomi Eve's lavishly imagined account begins in Palestine in 1837, with the tale of the irrepressible family matriach, Esther, who was lured by the smell of baking bread into an affair with the local baker. Esther passes on her passionate nature to her son, Eliezer, whose love for the forbidden Golda threatened to tear the family apart. And to her granddaughter, Avra the thief, a tiny wisp of a girl who thumbed her nose at her elders by swiping precious stones from the local bazaar-and grew to marry a man she met at the scene of a crime. At once epic and intimate, The Family Orchard is a rich historical tapestry of passion and tradition from a storyteller of beguiling power.
Eve Diaries is the new and highly anticipated book peppered with decadent erotica short stories. Each story was created from real people and experiences designing a world of addiction and voyeurism for the reader.
A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie. Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
NATIONAL BESTSELLER "This novel is studded with sharp observations . . . Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review The popular rediscovery of Eve Babitz continues with this very special reissue of her novel, originally published in 1979, about a dreamy young girl moving between the planets of Los Angeles and New York City. We first meet Jacaranda in Los Angeles. She’s a beach bum, a part–time painter of surfboards, sun–kissed and beautiful. Jacaranda has an on–again, off–again relationship with a married man and glitters among the city’s pretty creatures, blithely drinking White Ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California. Yet she lacks a purpose—so at twenty–eight, jobless, she moves to New York to start a new life and career, eager to make it big in the world of New York City. Sex and Rage delights in its sensuous, dreamlike narrative and its spontaneous embrace of fate, and work, and of certain meetings and chances. Jacaranda moves beyond the tango of sex and rage into the open challenge of a defined and more fulfilling expressive life. Sex and Rage further solidifies Eve Babitz's place as a singularly important voice in Los Angeles literature—haunting, alluring, and alive.
Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s—decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation. With an introduction by Stephanie Danler, bestselling author of Sweetbitter. "On the page, Babitz is pure pleasure—a perpetual–motion machine of no–stakes elation and champagne fizz." —The New Yorker
Soon to be a TV show on Hulu Eve Babitz is a writer like no other—she “is to prose what Chet Baker is to jazz” (Vanity Fair)—and she has influenced a generation of writers and readers with her sophisticated, witty, and delightful work. L.A. Woman is quintessential Babitz, the story of Sophie, a twenty-something blonde Jim Morrison groupie gliding through a golden existence in L.A. and Lola, a German immigrant who settles in Hollywood in the twenties to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and Rudolph Valentino are the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga know that while L.A. is constantly changing it is essentially eternal; through their eyes we see the mixture of high culture and low, the promises of youth and the fulfillment of nostalgia, the pink sunsets and the palm trees that are L.A. And through this fantastic tale, Babitz shares what it is to be a woman in what she convinces us is the capital of civilization.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book. Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz. And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
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