A legendary love letter to Los Angeles by the city's most charming daughter, complete with portraits of rock stars at Chateau Marmont, surfers in Santa Monica, prostitutes on sunset, and Eve's own beloved cat, Rosie. Journalist, party girl, bookworm, artist, muse: by the time she’d hit thirty, Eve Babitz had played all of these roles. Immortalized as the nude beauty facing down Duchamp and as one of Ed Ruscha’s Five 1965 Girlfriends, Babitz’s first book showed her to be a razor-sharp writer with tales of her own. Eve’s Hollywood is an album of vivid snapshots of Southern California’s haute bohemians, of outrageously beautiful high-school ingenues and enviably tattooed Chicanas, of rock stars sleeping it off at the Chateau Marmont. And though Babitz’s prose might appear careening, she’s in control as she takes us on a ride through an LA of perpetual delight, from a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a roller-skating hooker, to the Watts Towers. This “daughter of the wasteland” is here to show us that her city is no wasteland at all but a glowing landscape of swaying fruit trees and blooming bougainvillea, buffeted by earthquakes and the Santa Ana winds—and every bit as seductive as she is.
Soon to be a TV show on Hulu Eve Babitz is a writer like no other—she “is to prose what Chet Baker is to jazz” (Vanity Fair)—and she has influenced a generation of writers and readers with her sophisticated, witty, and delightful work. L.A. Woman is quintessential Babitz, the story of Sophie, a twenty-something blonde Jim Morrison groupie gliding through a golden existence in L.A. and Lola, a German immigrant who settles in Hollywood in the twenties to drive Pierce Arrows recklessly down Sunset Boulevard and who knows that Maybelline mascara cakes and Rudolph Valentino are the essence of life. Sophie and Lola, like the many other women who move in and out of this electric saga know that while L.A. is constantly changing it is essentially eternal; through their eyes we see the mixture of high culture and low, the promises of youth and the fulfillment of nostalgia, the pink sunsets and the palm trees that are L.A. And through this fantastic tale, Babitz shares what it is to be a woman in what she convinces us is the capital of civilization.
Kennen Sie Eve Babitz? Journalistin, Partygirl, Künstlerin, Muse: Bis zu ihrem dreißigsten Lebensjahr hatte Eve Babitz bereits jede dieser Rollen inne. Schon als Kind war sie Teil der kulturellen Bohème Kaliforniens. Zu erster Berühmtheit gelangte sie als nackte Schönheit am Schachtisch mit Marcel Duchamps und als eine von Ed Ruschas Five 1965 Girlfriends. Doch ihr erstes Buch zeigt Babitz als Schriftstellerin mit eigener Stimme und eigenen Geschichten. So erzählt sie von entzückenden Highschool-Schönheiten, beneidenswert tätowierten Chicanas und Rockstars, die ihren Rausch im Chateau Marmont ausschlafen. In ihren scheinbar beiläufigen Anekdoten verdichten sich Glamour, Witz und Tragik auf einzigartige Weise. Hier lernen wir die wahre Schönheit von Los Angeles kennen: Zitrusbäume wiegen sich im Wind, immer bis zum nächsten Erdbeben.
Urban fantasy that is "Dark, seductive, and sexy as sin."—Library Journal A murdered demigod. A powerful soul reaper bent on his resurrection. A woman determined to stop him at any cost. Demigod Dagan Krayl hungers for the impossible—resurrecting his murdered brother, a quest that defies the rules of the Underworld and threatens to unleash a world-ending war. Blood drinker Roxy Tam is hell-bent on stopping him, willing to risk it all for humanity's survival. When they are forced into an uneasy alliance, loyalties are pushed to the brink, and a forbidden desire ignites, poised to reshape the destiny of gods and mortals alike. For fans of dark fantasy, Egyptian mythology, supernatural suspense, and a kick-butt heroine. Start the Sins series now! Praise for the Sins Series: "Sleek, dark and utterly seductive!"—New York Times bestselling author, Lara Adrian "Darkly delicious, savagely beautiful, fiercely seductive—SINS OF THE HEART sets the new gold standard.”—New York Times bestselling author, Ann Aguirre THE SINS SERIES READING ORDER Sin's Daughter (Novella that can be read at any point in the series) Sins of the Heart Sins of the Soul Sins of the Flesh Body of Sin
Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.
Seen through the eyes of siblings 14 years apart in age, X vs. Y is a smart, funny, stylish, and visually driven anthology that compiles and compares their two generational cultures. It’s a story told through lists, infographics, essays, anecdotes, and images, with chapters devoted to fashion, TV, music, technology, dating, books, and movies. Through musings on topics such as leg warmers, Clueless, Sassy magazine, and MTV, along with mixtapes and TV characters, X vs. Y paints a portrait of two intricately entwined generations.
Francisco, a young Mexican-American boy, helps his grandfather find work as a gardener, even though the old man cannot speak English and knows nothing about gardening.
NATIONAL BESTSELLER "This novel is studded with sharp observations . . . Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review The popular rediscovery of Eve Babitz continues with this very special reissue of her novel, originally published in 1979, about a dreamy young girl moving between the planets of Los Angeles and New York City. We first meet Jacaranda in Los Angeles. She’s a beach bum, a part–time painter of surfboards, sun–kissed and beautiful. Jacaranda has an on–again, off–again relationship with a married man and glitters among the city’s pretty creatures, blithely drinking White Ladies with any number of tycoons, unattached and unworried in the pleasurable mania of California. Yet she lacks a purpose—so at twenty–eight, jobless, she moves to New York to start a new life and career, eager to make it big in the world of New York City. Sex and Rage delights in its sensuous, dreamlike narrative and its spontaneous embrace of fate, and work, and of certain meetings and chances. Jacaranda moves beyond the tango of sex and rage into the open challenge of a defined and more fulfilling expressive life. Sex and Rage further solidifies Eve Babitz's place as a singularly important voice in Los Angeles literature—haunting, alluring, and alive.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book. Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz. And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a “good body.” “In the 1950s,” Eve writes, girls were “pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don’t eat too much. They . . . don’t eat at all. They stay perfect. They stay thin. I could never be good.” The Good Body starts with Eve’s tortured relationship with her own “post-forties” stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the “flabby badness” out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating “spread,” a stubborn layer of fat that she calls “a second pair of thighs.” The wife of a plastic surgeon recounts being systematically reconstructed–inch by inch–by her “perfectionist” husband. An aging magazine executive, still haunted by her mother’s long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups. Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature’s diversity; an Indian woman who transcends “treadmill mania” and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve’s global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the “good bodies” we inhabit.
This book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up and run a production--from finding a production office to turning over delivery elements. Even if you know what you're doing, you will be thrilled to find everything you need in one place. If you're not already working in film production, but think you'd like to be, read the book -- and then decide. If you choose to pursue this career path, you'll know what to expect, you'll be prepared, and you'll be ten steps ahead of everyone else just starting out. New topics and information in the fourth edition include: * Low-budget independent films, including documentaries and shorts * Information specific to television production and commercials * The industry's commitment to go green and how to do it * Coverage of new travel and shipping regulations * Updated information on scheduling, budgeting, deal memos, music clearances, communications, digital production, and new forms throughout
Performed by an ensemble of young women, EMOTIONAL CREATURE is made up of original monologues—and irresistible songs—about and for girls. Placing their stories squarely center stage, it gives full expression to their secret voices and innermost thoughts, highlighting the diversity and commonality of the issues they face. EMOTIONAL CREATURE is a call, a reckoning, an education, an act of empowerment for girls, and an illumination for parents and for us all. Eve Ensler’s Emotional Creature is a vehicle to empower girls and inspire their activism. V-Girls is a global network of girl activists and advocates. In the same way The Vagina Monologues built a movement on college campuses and in communities, young girls will be able to participate in V-Day’s empowerment philanthropy model, igniting their activism through V-Girls. V-Girls is rooted in youth-driven activism. A V-Girls Action Guide provides service-learning curriculum for middle and high school youth based on issues covered in Emotional Creature, with an emphasis on activism. Organizers can start a V-Girls club or incorporate V-Girls resources into an existing youth program.
A fascinating account of Apache history and ethnography. All the narratives have been carefully chosen to illustrate important facets of the Apache experience. Moreover, they make very interesting reading....This is a major contribution to both Apache history and to the history of the Southwest....The book should appeal to a very wide audience. It also should be well received by the Native American community. Indeh is oral history at its best."---R. David Edmunds, Utah Historical Quarterly
From the bestselling author of The Vagina Monologues-a powerful, life-changing examination of abuse and atonement. “A triumph of artistry and empathy.” -Naomi Klein “A crucial step forward . . . This is an urgently needed book right now.” -Jane Fonda “Courageous, transformative, and yes-healing.” -Anne Lamott Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father's point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology Eve has set out to provide a new way for herself and a possible road for others, so that survivors of abuse may finally envision how to be free. She grapples with questions she has sought answers to since she first realized the impact of her father's abuse on her life: How do we offer a doorway rather than a locked cell? How do we move from humiliation to revelation, from curtailing behavior to changing it, from condemning perpetrators to calling them to reckoning? What will it take for abusers to genuinely apologize? Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to re-emerge and heal. It is revolutionary, asking everything of each of us: courage, honesty, and forgiveness.
“Why has all this focus on security made me feel so much more insecure? Nothing is secure. And this is the good news. But only if you are not seeking security as the point of your life.”–Eve Ensler When her stage play The Vagina Monologues became a runaway hit and an international sensation, Eve Ensler emerged as a powerful voice and champion for women everywhere. Now the brilliant playwright gives us her first major work written exclusively for the printed page. Insecure at Last is a timely and urgent look at our security-obsessed world, the drastic measures taken to keep us safe, and how we can truly experience freedom by letting go of the deceptive notion of vigilant “protection.” Ensler draws on personal experiences and candid interviews with burka-clad women in Afghanistan; female prisoners in upstate New York; survivors at the Superdome after Katrina; and anti-war activist Cindy Sheehan–sharing unforgettable snapshots that chronicle a post-9/11 existence in which hyped obsession for safety and security has undermined our humanity. The us-versus-them mentality, Ensler explains, has closed our minds and hardened our compassionate hearts. Provocative, illuminating, inspiring, and boldly envisioned, Insecure at Last challenges us to reconsider what it means to be free, to discover that our strength is not born out of that which protects us. Ensler offers us the opportunity to reevaluate our everyday lives, expose our vulnerability, and, in doing so, experience true freedom and fulfillment.
Farah feels alone, even when surrounded by her classmates. She listens and nods but doesn’t speak. It’s hard being the new kid in school, especially when you’re from another country and don’t know the language. Then, on a field trip to an apple orchard, Farah discovers there are lots of things that sound the same as they did at home, from dogs crunching their food to the ripple of friendly laughter. As she helps the class make apple cider, Farah connects with the other students and begins to feel that she belongs. Ted Lewin’s gorgeous sun-drenched paintings and Eve Bunting’s sensitive text immediately put the reader into another child’s shoes in this timely story of a young Muslim immigrant.
In Vergil's Empire, Eve Adler offers an exciting new interpretation of the political thought of Vergil's Aeneid. Adler argues that in this epic poem, Vergil presents the theoretical foundations of a new political order, one that resolves the conflict between scientific enlightenment and ancestral religion that permeated the ancient world. The work concentrates on Vergil's response to the physics, psychology, and political implications of Lucretius' Epicurean doctrine expressed in De Rerum Natura. Proceeding by a close analysis of the Aeneid, Adler examines Vergil's critique of Carthage as a model of universal enlightenment, his positive doctrine of Rome as a model of universal religion, and his criticism of the heroism of Achilles, Odysseus, and Epicurus in favor of the heroism of Aeneas. Beautifully written and clearly argued, Vergil's Empire will be of great value to all interested in the classical world.
“Why has all this focus on security made me feel so much more insecure? Nothing is secure. And this is the good news. But only if you are not seeking security as the point of your life.”–Eve Ensler When her stage play The Vagina Monologues became a runaway hit and an international sensation, Eve Ensler emerged as a powerful voice and champion for women everywhere. Now the brilliant playwright gives us her first major work written exclusively for the printed page. Insecure at Last is a timely and urgent look at our security-obsessed world, the drastic measures taken to keep us safe, and how we can truly experience freedom by letting go of the deceptive notion of vigilant “protection.” Ensler draws on personal experiences and candid interviews with burka-clad women in Afghanistan; female prisoners in upstate New York; survivors at the Superdome after Katrina; and anti-war activist Cindy Sheehan–sharing unforgettable snapshots that chronicle a post-9/11 existence in which hyped obsession for safety and security has undermined our humanity. The us-versus-them mentality, Ensler explains, has closed our minds and hardened our compassionate hearts. Provocative, illuminating, inspiring, and boldly envisioned, Insecure at Last challenges us to reconsider what it means to be free, to discover that our strength is not born out of that which protects us. Ensler offers us the opportunity to reevaluate our everyday lives, expose our vulnerability, and, in doing so, experience true freedom and fulfillment.
The life of the great Carthaginian general who marched into Rome during the Second Punic War is reexamined in this revealing and scholarly biography. Once of the greatest military minds of the Ancient World, Hannibal Barca lived a life of daring and survival, massive battles, and ultimate defeat. A citizen of Carthage and military commander in Punic Spain, he famously marched his war elephants and huge army over the Alps into Rome’s own heartland to fight the Second Punic War. Yet the Romans were the ultimate victors. They eventually captured and destroyed Carthage, and thus it was they who wrote the legend of Hannibal: a brilliant and worthy enemy whose defeat represented military glory for Rome. In this groundbreaking biography, Eve MacDonald employs archaeological findings and documentary sources to expand the memory of Hannibal beyond his military career. Considering him in the context of his time and the Carthaginian culture that shaped him, MacDonald offers a complex portrait of a man from a prominent family who was both a military hero and a statesman. MacDonald also analyzes Hannibal’s legend over the millennia, exploring how statuary, Jacobean tragedy, opera, nineteenth-century fiction, and other depictions illuminate the character of one of the most fascinating figures in all of history.
Je ressemblais à Brigitte Bardot et j'étais la filleule de Stravinski." Chroniqueuse, égérie des nuits au champagne de Los Angeles, artiste, muse : avant d'avoir célébré ses 30 printemps, Eve Babitz avait déjà joué tous ces rôles. Immortalisée par la célébrissime photo de Julian Wasser dans laquelle elle dispute, en tenue d'Eve comme il se doit, une partie d'échecs avec Marcel Duchamp, Babitz fit une entrée fracassante en littérature avec ce livre paru en 1972 et traduit en français pour la première fois. Près d'un demi-siècle s'est écoulé, et pourtant la prose d'Eve Babitz, piquante, sensuelle et d'une folle liberté, n'a pas pris une ride. Dans cette autobiographie mosaïque, composée tel un album de choses vues et vécues par l'une des plus secrètes et flamboyantes figures de la Californie des années 70, le lecteur est transporté dans un univers peuplé de sublimes ingénues lycéennes, de chicanas outrageusement tatouées et de rock-stars menant la grande vie au mythique Chateau Marmont. Avec ces chroniques intimes, on redécouvre une Amérique perdue, devenue légendaire - celle où, comme l'écrivait Babitz dans son premier roman, Sex & Rage (Seuil, 2018), "la vie n'était qu'un long rock'n'roll". Traduit de l'anglais (Etats-Unis) et préfacé par Jakuta Alikavazovic Eve Babitz est née à Hollywood. Après avoir réalisé des couvertures d’albums pour des groupes tels que Buffalo Springfield ou The Byrds à la fin des années 1960, elle commence à écrire en 1972. Égérie de la côte Ouest bohème, rock et littéraire, elle est l’auteur de plusieurs recueils de chroniques, d’essais, de nouvelles et de romans. Eve à Hollywood est son tout premier livre, et le troisième traduit en France, après Jours Tranquilles, brèves rencontres et Sex & Rage. Eve Babitz vit toujours aujourd’hui à Los Angeles.
Two by Two is a fast-paced swirl through the dancing scene in L.A., where Leonardo DiCaprio has been known to swing at The Derby and Sandra Bullock salsas at El Floridita. Eve Babitz, a writer known for her hip, off-the-cuff, idiosyncratic style, spends two years of her life, ruins nine pairs of shoes, and goes through countless dance partners learning to appreciate and master all the hot dances from foxtrot and two-step to lindy, tango, salsa, and swing. Along the way she meets obsessed dancers and listens night after night as they pour out the secrets of their style—who the best teachers are, where to find the perfect dancing shoes, and how to fall in love with your partner. Eve brings the flirtatious energy of dancing alive like no other writer. Two by Two is not a book that teaches you how to dance, but it will surely make you want to learn once you've read it.
From the New York Times bestselling author of Fair Play comes an inspirational guide for setting new personal goals, rediscovering your interests, cultivating creativity, and reclaiming your Unicorn Space. With her acclaimed New York Times bestseller (and Reese’s Book Club pick) Fair Play, Eve Rodsky began a national conversation about greater equality on the home front. But she soon realized that even when the domestic workload becomes more balanced, people still report something missing in their lives—that is, unless they create and prioritize time for activities that not only fill their calendars but also unleash their creativity. Rodsky calls this vital time Unicorn Space—the active and open pursuit of creative self-expression in any form that makes you uniquely YOU. To help readers embrace all the unlikely, surprising, and delightful places where their own Unicorn Space may be found, she speaks with trail blazers, thought leaders, academics, and countless real people who have discovered theirs everywhere—from activism to artistic endeavors to second careers. Rodsky reveals what researchers already know: Creativity is not optional. It’s essential. Though most of us do need to remind ourselves how (and where) to find it. With her trademark mix of research based, how-to advice and big-picture inspirational thinking, Rodsky shows you a clear path to reclaim your permission to have fun, manifest your own Unicorn Space in an already too-busy life, and unleash your special gifts and undiscovered talents into the world.
Laura Iwasaki and her family are paying what may be their last visit to Laura's grandfather's grave. The grave is at Manzanar, where thousands of Americans of Japanese heritage were interned during World War II. Among those rounded up and taken to the internment camp were Laura's father, then a small boy, and his parents. Now Laura says goodbye to Grandfather in her own special way, with a gesture that crosses generational lines and bears witness to the patriotism that survived a shameful episode in America's history. Eve Bunting's poignant text and Chris K. Soentpiet's detailed, evocative paintings make the story of this family's visit to Manzanar, and of the memories stirred by the experience, one that will linger in readers' minds and hearts. Afterword.
AN INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK Tired, stressed, and in need of more help from your partner? Imagine running your household (and life!) in a new way... It started with the Sh*t I Do List. Tired of being the “shefault” parent responsible for all aspects of her busy household, Eve Rodsky counted up all the unpaid, invisible work she was doing for her family—and then sent that list to her husband, asking for things to change. His response was...underwhelming. Rodsky realized that simply identifying the issue of unequal labor on the home front wasn't enough: She needed a solution to this universal problem. Her sanity, identity, career, and marriage depended on it. The result is Fair Play: a time- and anxiety-saving system that offers couples a completely new way to divvy up domestic responsibilities. Rodsky interviewed more than five hundred men and women from all walks of life to figure out what the invisible work in a family actually entails and how to get it all done efficiently. With 4 easy-to-follow rules, 100 household tasks, and a series of conversation starters for you and your partner, Fair Play helps you prioritize what's important to your family and who should take the lead on every chore, from laundry to homework to dinner. “Winning” this game means rebalancing your home life, reigniting your relationship with your significant other, and reclaiming your Unicorn Space—the time to develop the skills and passions that keep you interested and interesting. Stop drowning in to-dos and lose some of that invisible workload that's pulling you down. Are you ready to try Fair Play? Let's deal you in.
Eve Bransons life reads like a fast-paced adventure novel. A classically trained ballet dancer, she appeared in racy West End productions, disguised herself as a boy to take glider lessons, enlisted in the Womens Royal Navy Service, and then embarked on a series of harrowing adventures as a Star Girl air hostess on the ill-fated British South American Airways. Though marrying the dashing ex-Cavalry officer, Edward Ted Branson, brought her down to earth to raise three children, Eves quest for adventure never faltered. After running several businesses, traveling the world, and doing global charity work, Eve is preparing to launch the first commercial space travelers to the edge of space in a Virgin Galactic mother ship that bears her name. In this lively, absorbing memoir part diary, part adventure story, part family history Eve Bransons formidable energy propels the reader through an extraordinary life. Along the way, she divulges some of the unorthodox but effective trade secrets behind raising one of the worlds most colourful entrepreneurs.
Little Bear loves his little boat. He rows it around Huckleberry Lake, fishing and dreaming. But then Little Bear begins to grow and grow, until one day he doesn’t fit in his little boat anymore! All children who experience growing pains will appreciate Little Bear’s predicament. And they will smile with satisfaction as the solution to his problem unfolds in simple, lyrical words and charming pictures from two award-winning picture-book creators.
Katerina longs to know why her late grandmother, Miriam, refused to talk about the past, especially when she inherits a journal and handwritten letters stashed in a wooden spice box, cryptic treasures written in Armenian, Miriam's mother tongue. On vacation in Cyprus, Katerina finds the key to unlocking her grandmother's secrets and discovers a family legacy of exile and loss. Aged seven, Miriam was expelled from her home in Eastern Turkey and witnessed the death of her beloved brother Gabriel, or so she believed. Katerina sets out on a fact-finding mission across the island and solves a mystery that changes her life and lays the ghosts of her grandmother's turbulent past to rest. My Big Fat Greek Wedding meets Sarah's Key in this gripping family saga, set during the tragic start of the Armenian genocide in 1915 Turkey, spanning the ups and downs of a family separated by the devastating aftermath in 1985 Greece. "--
In this refreshing reappraisal of the art and architecture of ancient Rome, Eve D'Ambra focuses on the personal, social and cultural identity of its subjects. The acquisition of art, whether the purchase of copies of Greek statuary, the construction of a sumptuous villa or the commissioning of a portrait head, played a crucial role in Roman society in which displays of wealth and culture were necessary to gain and maintain power. The question of identity is key to understanding the nature of the Roman empire, which seemed infinitely expandable at its peak, welcomed foreigners to become Romans, freed slaves to citizen status and allowed social mobility within a strictly hierarchical social order. D'Ambra discusses patronage on different social levels, from that of the emperor and his court to those of shopkeepers and of artisans, in diverse regions of the empire and in distinct ethnic groups. She compares the imagery of the state and of military victory with the humblest funerary reliefs. Many provincial artworks were based on imperial models, but others were created in resistance to prevailing imperial standards. D'Ambra draws on a range of sculpture, wall paintings, decorative arts, coins and architecture, from Italy to the edges of the empire, evoking the traditionalism and the adaptability of Roman art. She also looks ahead to the art and architecture of the fourth century AD, which despite the emergence of Christianity as the dominant religion continued to be influenced by Roman styles and themes. Eve D'Ambra is Associate Professor in the Department of Art at Vassar College, Poughkeepsie, New York. She has taught and published widely in the field of Roman art and society.
A homeless boy who lives in an airport with his father, moving from terminal to terminal trying not to be noticed, is given hope when a trapped bird finally finds his freedom. Full-color illustrations.
First published in 1985, Between Men was a decisive intervention in gender studies, a book that all but singlehandedly dislodged a tradition of literary critique that suppressed queer subjects and subjectivities. With stunning foresight and conceptual power, Eve Kosofsky Sedgwick's work opened not only literature but also politics, society, and culture to broader investigations of power, sex, and desire, and to new possibilities of critical agency. Illuminating with uncanny prescience Western society's evolving debates on gender and sexuality, Between Men still has much to teach us. With a new foreword by Wayne Koestenbaum emphasizing the work's ongoing relevance, Between Men engages with Shakespeare's Sonnets, Wycherley's The Country Wife, Sterne's A Sentimental Journey Through France and Italy, Hogg's The Private Memoirs and Confessions of a Justified Sinner, Tennyson's The Princess, Eliot's Adam Bede, Thackeray's The History of Henry Esmond, Esq., and Dickens's Our Mutual Friend and The Mystery of Edwin Drood, among many other texts. Its pathbreaking analysis of homosocial desire in Western literature remains vital to the future of queer studies and to explorations of the social transformations in which it participates.
Eve Bunting's heartfelt story and David Diaz's dramatic illustrations create a compelling child's-eye view of urban violence. A young boy and his mother are forced to flee their apartment during a night of rioting in Los Angeles. Fires and looting force neighbors--who have always avoided one another--to come together in the face of danger and concern for their missing pets. David Diaz was awarded the Caldecott Medal for his bold acrylic paint and photo-collage illustrations.
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