The six themes explored in the books of 1 and 2 Timothy enable us in the church today to hear the gospel as expressed to those early Christians. We need to concentrate on worship, be led by faithful leaders, stay strong i nthe faith, love God more than wealth, hear and live God's Word, and serve faithfully in the church. These themes can strengthen our lives of faith as well as the church's witness and service to Jesus Christ. This ovlume includes material for participants as well as outlines and guides for leading all six sessions. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
This study focuses on Jesus as Messiah as a beginning point for considering Matthew's perspective of the life and ministry of Jesus Christ. Jesus' important teachings are explored and we find how they shape our Christian lives today. They give the churchâ€"as the community of faithâ€"directions for its mission and ministries in the world. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
Ensign-George looks at six themes that begin in the early chapters of Genesis, span the pages of Scripture, and end with the glorious vision of the book of Revelation. This study is important for discussing basic biblical frameworks. Within Scripture, echoes of early themes are picked up and heard, leading to deeper appreciation of the biblical message. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
The Six Themes Everyone Should Know series introduces biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: An explanation of the theme The significance of the biblical theme for the life of faith An exploration of implications this biblical theme offers the church for its ministry Philippi is Paul's first destination outside Asia Minor, his first city to visit in Europe, and his first mission in a place where there was no Jewish community from which to begin preaching. Cynthia Campbell writes that in Paul's letter to the Philippians, we get a unique glimpse of our beginnings as Christians. Some themes explored include the importance of community for followers of Christ, Christian joy in spite of persecution, the nature of Christian unity, what it means to be "in Christ", and mutual hospitality.
Ensign-George looks at six themes that begin in the early chapters of Genesis, span the pages of Scripture, and end with the glorious vision of the book of Revelation. This study is important for discussing basic biblical frameworks. Within Scripture, echoes of early themes are picked up and heard, leading to deeper appreciation of the biblical message. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
The six themes explored in the books of 1 and 2 Timothy enable us in the church today to hear the gospel as expressed to those early Christians. We need to concentrate on worship, be led by faithful leaders, stay strong i nthe faith, love God more than wealth, hear and live God's Word, and serve faithfully in the church. These themes can strengthen our lives of faith as well as the church's witness and service to Jesus Christ. This ovlume includes material for participants as well as outlines and guides for leading all six sessions. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
This study focuses on Jesus as Messiah as a beginning point for considering Matthew's perspective of the life and ministry of Jesus Christ. Jesus' important teachings are explored and we find how they shape our Christian lives today. They give the churchâ€"as the community of faithâ€"directions for its mission and ministries in the world. The Six Themes Everyone Should Know series introductes biblical books and their main themes. Each volume consists of six chapters that present major biblical themes; each chapter contains an introduction and three major sections: What does the biblical theme mean? What is the meaning of this biblical theme for the life of faith? What does the biblical theme mean for the church at this point in history for action?
Writing the Empire is a collective biography of the McIlwraiths, a family of politicians, entrepreneurs, businesspeople, scientists, and scholars. Known for their contributions to literature, politics, and anthropology, the McIlwraiths originated in Ayrshire, Scotland, and spread across the British Empire, specifically North America and Australia, from the mid-nineteenth century onwards. Focusing on imperial networking, Writing the Empire reflects on three generations of the McIlwraiths’ life writing, including correspondence, diaries, memoirs, and estate papers, along with published works by members of the family. By moving from generation to generation, but also from one stage of a person’s life to the next, the author investigates how various McIlwraiths, both men and women, articulated their identity as subjects of the British Empire over time. Eva-Marie Kröller identifies parallel and competing forms of communication that involved major public figures beyond the family’s immediate circle, and explores the challenges issued by Indigenous people to imperial ideologies. Drawing from private papers and public archives, Writing the Empire is an illuminating biography that will appeal to readers interested in the links between life writing and imperial history.
Recent global events, including the ‘Arab Spring’ uprisings, Occupy movements and anti-austerity protests across Europe have renewed scholarly and public interest in collective action, protest strategies and activist subcultures. We know that social movements do not just contest and politicise culture, they create it too. However, scholars working within international politics and social movement studies have been relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this backdrop, this book explores the evolving political role of street art in Latin America during the twentieth and early twenty-first centuries. It examines the use, appropriation and reconfiguration of public spaces and political opportunities through street art forms, drawing on empirical work undertaken in Brazil, Bolivia and Argentina. Bringing together a range of insights from social movement studies, aesthetics and anthropology, the book highlights some of the difficulties in theorising and understanding the complex interplay between art and political practice. It seeks to explore 'what art can do' in protest, and in so doing, aims to provide a useful point of reference for students and scholars interested in political communication, culture and resistance. It will be of interest to students and scholars working in politics, international relations, political and cultural geography, Latin American studies, art, sociology and anthropology.
This fascinating historical study of how America's obsession with self-fulfillment permeates all aspects of society includes a look at the history of Americans' fascination with therapy. 39 halftones and 1 line drawing.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Deinstitutionalizing Art of the Nomadic Museum explores the possibility of the "nomadic museum" to facilitate social and political resistance through engagement with critical art practices and imagery. Grounded in a decade-long art therapy project in a contemporary art museum setting, this book offers a theoretically rich conceptualization of this experience. The text establishes an institutional critique of both the dominant psychopathology discourse and the instrumentalizations of art practices. Innovative in its approach, the results are analyzed in the framework of subjects such as hegemony-subalternity, subjectivity, resistance, the nomadic, critical art practices, narratives and minor language, deinstitutionalization, anti-psychiatries as well as institutional therapy. With a special focus on Latin America, international artists’ writings and works are intersected with the thoughts of curators and museum decision makers. The inevitable connection of the arts with social and political fields is highlighted, enabling the exploration of the intersections of art, critical analysis, social science, psychoanalysis, and political philosophy. This text will be of great interest to graduate and postgraduate students, academics, researchers, libraries and museums curators in the fields of art therapy, psychoanalysis, contemporary art, social & cultural anthropology, and political philosophy.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.