People around the world know the tragic story of Anne Frank, the teenage girl who lost her life in a concentration camp during the Holocaust. But most people don't know about Eva Schloss, Anne’s playmate and posthumous stepsister. Though Eva, like Anne, was imprisoned in Auschwitz at the age of 15, her story did not end there. Together with her mother, Eva endured daily degradation and countless miseries at the hands of the Nazis. She was freed in 1945, but it would be decades before Eva was able to share her survivor’s tale with the world. Concluding with new discussion questions and a revealing interview with Eva, this moving memoir recounts—without bitterness or hatred—the horrors of war, the love between mother and daughter, and the strength and determination that helped a family overcome danger and tragedy.
In March 1938 the Germans invaded Austria and young Eva Geiringer and her family became refugees. Like many Jews they fled to Amsterdam where they hid from the Nazis until they were betrayed and arrested in May 1944. Eva was fifteen years old when she was sent to Auschwitz - the same age as her friend Anne Frank. Together with her mother she endured the daily degradation that robbed so many of their lives - including her father and brother. After the war her mother married Otto Frank, the only surviving member of the Frank family. Only after forty years was Eva able to tell her story. . .
A true story of a young Jewish girl and her brother growing up during the Second World War, caught in a world turned upside down by the Nazis. It is intended for children.
In March 1938 the Germans invaded Austria and young Eva Geiringer and her family became refugees. Like many Jews they fled to Amsterdam where they hid from the Nazis until they were betrayed and arrested in May 1944. Eva was fifteen years old when she was sent to Auschwitz -- the same age as her friend Anne Frank. Together with her mother she endured the daily degradation that robbed so many of their lives -- including her father and brother. After the war her mother married Otto Frank, the only surviving member of the Frank family. Only after forty years was Eva able to tell her story
The step-sister of Anne Frank relates her experiences during World War II, detailing the particulars of her Auschwitz confinement, as well as her mother's story
The search for the defining qualities of narrative has produced an expansive range of definitions which, largely unconnected with each other, obscure the notion of “narrativity” rather than clarifying it. The first part of this study remedies this shortcoming by developing a graded macro model of narrativity which serves three aims. Firstly, it provides a structured overview of the field of narrative elements and processes. Secondly, it facilitates the classification of narratological approaches by locating them on different stages of narrativity. Finally, it focuses attention on narrative dynamics as interpretative processes by which readers seek to produce narrative coherence. The second part of this study identifies three different narrative dynamics which characterise Laclos’s "Dangerous Connections," Kafka’s "Castle" and Toussaint’s novels. Wagner bases her analyses of these dynamics not only on the texts themselves but also on the ways in which literary scholars imbue the texts with narrative coherence. This book provides a long overdue systematisation of the jumbled field of theories of narrativity and opens new perspectives on the difficult relationship between narrative theory and interpretation.
,,The enamel pictures of the Hungarian Saint Crown" mark the pick of the successful painter's carrier of Éva Nyáry. Her uncle, Ernest Nyáry,Archbishop of Baghdad inspired the paintings of equal size, representing the pictures decorating the crown of our first king, Saint Stephan's, presented with national and international recognition to the interested public. the artist published the birth of the art pieces and the spirit and history of the crown in a work published with the similar title in 2002. She took the pen in 2006 and composed her following book entitled the Ancient Hungarian decorative art. Mgr. Ernest Nyáry, Carmelite monk, archbishop of the Catholic Latin mission of Baghdad, a member of the Saint Congregation of the Oriental Churches, awarded with the French Legion of Honor, approaching the age of 80 came to see his disciples, parents and friends living in Hungary for the last time, and than he transmitted his legacy in full to his brother Joseph's daughter, confiding her to preserve and manage it. Her father told many stories to Éva Nyáry about the romantic priest's carrier in her childhood. the several long meeting with him in the eighties meant her extraordinary impressions. the recorded conversations, the writings published about the noble thinking, sainted monk, matured the conception to share her impressions with readers. When she was handed over his diaries, texts, correspondence, photos and recorded memories, having his uncle's complete confidence, she has already felt as an obligation to work this fantastic treasury up. Ernest Nyáry's history of life who was born in an ancient Hungarian noble family in Turcansky Peter, today Slovakia in 1906, evolved in the priest's vocation, bridging world wars and continents--served as a lesson about faith, tolerance, decisions made in critical moments, and especially about humanity. Éva Nyáry's newest work follows her uncle's fantastic life relying on the documents at her disposal, many original quotations, and contemporary descriptions with historic fidelity. the unordinary story is completed by the archive photos of the legacy.
Set within the broader context of post-war Austria and the re-education initiatives set up by the Allied forces, particularly the US, this book investigates the art and architecture scene in Vienna to ask how this can inform our broader understanding of architectural Postmodernism. The book focuses on the outputs of the Austrian artist and architect, Hans Hollein, and on his appropriation as a Postmodernist figure. In Vienna, the circles of radical art and architecture were not distinct, and Hollein’s claim that ‘Everything is Architecture’ was symptomatic of this intermixing of creative practices. Austria's proximity to the so-called ‘Iron Curtain’ and its post-war history of four-power occupation gave a heightened sense of menace that emerged strongly in Viennese art in the Cold War era. Seen as a collective entity, Hans Hollein’s works across architecture, art, writing, exhibition design and publishing clearly require a more diverse, complex and culturally nuanced account of architectural Postmodernism than that offered by critics at the time. Across the five chapters, Hollein's outputs are viewed not as individual projects, but as symptomatic of Austria's attempts to come to terms with its Nazi past and to establish a post-war identity.
Fungi research and knowledge grew rapidly following recent advances in genetics and genomics. This book synthesizes new knowledge with existing information to stimulate new scientific questions and propel fungal scientists on to the next stages of research. This book is a comprehensive guide on fungi, environmental sensing, genetics, genomics, interactions with microbes, plants, insects, and humans, technological applications, and natural product development.
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
THE SUNDAY TIMES AND INTERNATIONAL BESTSELLER 'A standalone classic . . . An incredible book, remarkable for its unflinching gaze at the past and also for its hope' GUARDIAN, 'Books to Give You Hope' 'Remarkable . . . Makes it clear just what an achievement it was starting over again, when survivors were not only economically and physically depleted, but emotionally devastated, too' SCOTSMAN Eva was arrested by the Nazis on her fifteenth birthday and sent to Auschwitz. Her survival depended on endless strokes of luck, her own determination and the love and protection of her mother Fritzi, who was deported with her. When Auschwitz was liberated, Eva and Fritzi began the long journey home. They searched desperately for Eva's father and brother, from whom they had been separated. The news came some months later. Tragically, both men had been killed. Before the war, in Amsterdam, Eva had become friendly with a young girl called Anne Frank. Though their fates were very different, Eva's life was set to be entwined with her friend's for ever more, after her mother Fritzi married Anne's father Otto Frank in 1953. This is a searingly honest account of how an ordinary person survived the Holocaust. Eva's memories and descriptions are heartbreakingly clear, her account brings the horror as close as it can possibly be. But this is also an exploration of what happened next, of Eva's struggle to live with herself after the war and to continue the work of her step-father Otto, ensuring that the legacy of Anne Frank is never forgotten.
Sweeping across countries, class and music, Eva Ibboton's classic historical romance, Magic Flutes, is a richly imagined tale of intrigue and identity, with a new introduction from Harriet Evans. In the spring of 1922, young Austrian Princess Theresa-Maria – known to her ancient aunts as 'Putzerl' – abandons her crumbling castle and her royal duties. Disguising herself simply as Tessa, she enrolls as under wardrobe mistress of the International Opera Company and soon loses herself in the intoxicating world of the Viennese opera. But when Guy Farne, an Englishman looking to impress his new fiance, arrives in Austria and employs the Company to perform at his newly purchased Austrian estate, he finds himself fascinated by the under wardrobe mistress, and Tessa finds it increasingly difficult to keep her two lives separate . . . 'I have binged on Eva Ibbotson . . . her elegantly written, witty and well-observed fables' Nigella Lawson, The Times Rediscover Eva Ibbotson, award-winning author of Journey to the River Sea, in her sweeping historical romances, including The Morning Gift, A Song For Summer, The Secret Countess (originally published as A Countess Below Stairs), Madensky Square and A Company of Swans. Magic Flutes was originally published as The Reluctant Heiress.
Sunday, June 21, 1964 "Studio--To date have again done mainly drawings. Coming along. Sometimes I feel they’re good, often I get discouraged. Staying at studio gets a little easier + more pleasant. I usually take break + come home. Tom stays.”---Eva Hesse In 1964--65, Eva Hesse lived with her husband, sculptor Tom Doyle, in Kettwig-on-the-Ruhr, Germany, at the invitation of a European art collector. During this time, as she did throughout most of her life, Hesse kept diaries and made extensive notations in datebook calendars. These two datebooks, published for the first time as facsimile editions, are accompanied by a third volume that includes an essay on their significance in the artist’s career as well as full transcriptions and annotations. The 1964/65 datebooks impart astonishingly rich personal details about the artist’s life: whom she met and where she traveled, which books she read, and which films and exhibitions she saw and what impression they made on her. Hesse’s notations also reveal invaluable insights into the German art scene of the mid-1960s, her transition from a painter to a sculptor and her often conflicted artistic ambitions, the stresses of her marriage, and the difficulties of returning to Germany, the country that in 1938 she fled with her family to escape Nazi persecution.
This book provides an enquiry into the distinguishing traits of Greek and Roman figural imagery. A detailed analysis of a wide range of material conveys an understanding of the figural imagery of classical antiquity as a whole, counterbalancing studies conducted on single genres. Through in-depth studies of six major production categories—Greek painted pottery, Roman decorated walls, Greek gravestones, Roman sarcophagi, Greek and Roman official sculpture, and Greek and Roman coins—the reader gains insights into the making of classical figural imagery. The images are explored within their contextual frameworks, paying attention to both functional purposes and pictorial traditions. Image–viewer relations offer a perspective that is maintained across the chapters. The bottom-up approach and the many genres of imagery discussed provide the basis for an extensive synthesis. Lavishly illustrated with over 100 images, Excursions into Greek and Roman Imagery provides a valuable resource for students of classical antiquity and history of art. The book also offers classical scholars, museum curators and others interested in classical art a fresh approach to the figural imagery of antiquity.
Delo je bibliografski pregled slovenske zgodovinopisne publicistike objavljene v tujih jezikih v obdobju od leta 1918 do vključno leta 1993. Objavljeno je bilo ob priložnosti 18. mednarodnega kongresa zgodovinskih ved, ki je bil leta 1995 v Montrealu. Bibliografija je razdeljena na štiri dele. Prvi, splošni del, se nanaša na objave zgodovinskih virov in zgodovinsko vedo kot tako; drugi del prikazuje objave po zgodovinskih obdobjih; v tretjem delu je bibliografija razvrščena po predmetih oz. temah; četrti del prinaša bibliografijo o Slovencih v sosednjih deželah in v emigraciji. Bibliografija ima na koncu tudi imensko kazalo avtorjev, ki pripomore k večji preglednosti in uporabnosti.
Step-by-step, these twenty lessons, with charming and helpful illustrations, will enable you, regardless of previous language training, to read, write and speak in German in the shortest possible time. The Cortina Method has been time-tested and is the quick, easy and natural way to learn a language. It has received the approval of teachers, students, schools, colleges and business firms all over the world. Guide To Pronunciation And Spelling Explains how to pronounce the sounds, words and phases of the language through simple phonetic symbols based on English spelling. Rules of spelling are also explained. Twenty Conversational Lessons These lessons include useful vocabularies and everyday conversations. Alongside of each word and sentence is given the correct pronunciation and English translation. Easy-to-understand grammatical footnotes are combined in this Method to make your language study effective and interesting. Complete Reference Grammar Provides a complete and clear explanation of every rule of structure. It is cross-referenced with and adds to the explanation in the conversational lesson footnotes. Bi-Lingual Dictionary German-English/English-German Dictionary contains all useful words and terms you need to know, so you can locate them easily. Over 2,500,000 Cortina Method language books have been sold. Free cassette in German to the buyer of this language book starts you speaking German almost overnight! Cortina Institute, originator of the recorded method of learning languages, would like you, as a student of the Cortina Method, to have one of their language cassettes. Therefore, you have this special opportunity.
Eva Ibbotson's hugely entertaining The Star of Kazan is a timeless classic for readers young and old. In 1896, in a pilgrim church in the Alps, an abandoned baby girl is found by a cook and a housemaid. They take her home, and Annika grows up in the servants' quarters of a house belonging to three eccentric Viennese professors. She is happy there, but dreams of the day when her real mother will come to find her. And sure enough, one day a glamorous stranger arrives at the door. After years of guilt and searching, Annika's mother has come to claim her daughter, who is in fact a Prussian aristocrat whose true home is a great castle. But at crumbling, spooky Spittal, Annika discovers that all is not as it seems in the lives of her new-found family . . .
Lonely Planet's Italyis our most comprehensive guide that extensively covers all the country has to offer, with recommendations for both popular and lesser-known experiences. Relive the past at Pompeii, take a world-class Tuscan wine tour and explore the unspoilt wilderness of Sardinia; all with your trusted travel companion. Inside Lonely Planet's Italy Travel Guide: Lonely Planet's Top Picks - a visually inspiring collection of the destination's best experiences and where to have them Itineraries help you build the ultimate trip based on your personal needs and interests Local insights give you a richer, more rewarding travel experience - whether it's history, people, music, landscapes, wildlife, politics Eating and drinking - get the most out of your gastronomic experience as we reveal the regional dishes and drinks you have to try Toolkit - all of the planning tools for solo travellers, LGBTQIA+ travellers, family travellers and accessible travel Colour maps and images throughout Language - essential phrases and language tips Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Covers Rome, Turin, the Cinque Terre, Genoa, Milan, Venice, Verona, Bologna, Parma, Florence, Pisa, Naples, Bari, Sicily, Sardinia and more! eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing About Lonely Planet: Lonely Planet, a Red Ventures Company, is the world's number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveller since 1973, Lonely Planet reaches hundreds of millions of travellers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet). 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)
If I could have a dollar for each time I heard the following questions: I detected an accent, where are you from? or How did you come to the United States or Refugee camp? You were really in a refugee camp? among other questions, I could have paid for a house in full from that money. Ever since I could remember I always wanted to come to the United States. This country was not just a dream for me; it was a reality that I wanted to accomplish before I reached age 25. The decision was easy knowing what I wanted since age 11, but leaving elderly parents behind was very difficult. However, I had parents who understood that I could not accomplish what I wanted to be, to become a writer in a country where if you were not a member of the Communist Party, your chances for success was minimal. I wanted to write things that did not please those who was part of the Communist Inquisition. I dared to escape from the poverty, the hypocrisy and oppression that were all around us. I was willing to pay the price of isolation, starvation or anything that would help me to come to America. And this is my story.
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