The Thousand and One Nights was reborn into an alien environment in 1704, its signs being received in a radically different way from their original meanings. Works of literature change as people and cultures who read them change. This study explores the Nights with reference to this view of literature.
Climate change is a defining issue of our time for which the immediate as well as potential future scope causes enormous impediments to human understanding and comprehension. It is argued here that humans ought to make wise use of their capacity of thinking, language, and communication in working on the task of responsible action. Required is nothing less than moving out of “thoughtlessness”, an unresponsiveness and ignorance in particular towards certain environmental problems. As human beings, we are a species on this planet that is uniquely capable to think and foresee potential consequences and hold power to induce change on our actions. It is up to human beings to confront challenges such as climate change, to consider what has been critically assessed in thought and reflect on potential responses. Crucial in this dialog is the ability to take the standpoint of the other –– including that of species as well as ecosystems –– in human imagination. It also means to develop a sensibility for the other in making sense of the world that today is largely shaped by humans. Throughout history, narratives, stories, images, artistic expressions have all played a key role for imaginative ventures that allow the mind to imagine the past, present, and the future. Language and communication can serve comprehension of an issue like climate change and provide a path in developing responsible responses to abstract problems of complex global future dimensions.
In this book, Eva Brann sets out no less a task than to assess the meaning of imagination in its multifarious expressions throughout western history. The result is one of those rare achievements that will make The World of the Imagination a standard reference.
This book seeks to examine how Sufi thought might provide critical understanding of contemporary life and a pathway towards the recovery of a more meaningful existence. Rumi’s mystical teachings are of great value at a time of rampant materialism and indiscriminate consumerism, and have the potential to illuminate the precarious state of the world, as well as revitalize contemporary social critique, eco-philosophy and bio-semiotics in what is increasingly being regarded as a post-secular age.
In exploring what it might be like to be a dog from a human perspective, Dog Boy sheds much light on what it is like to be human. Utterly compelling and believable' Yann Martel, author of Life of Pi 'A involving, careful book, marked out by a rare sympathy for the natural world ... It offers, also, a frightening and edifying insight into the barbaric systems of contemporary Russia' Telegraph Four-year-old Romochka is left alone in a dark, empty Moscow apartment. After a few days, hunger drives him outside, where he sees a large, yellow dog loping past and follows her to her lair on the outskirts of the city. During the seasons that follow, Romochka changes from a boy into something far wilder. He learns to see in the dark, attack enemies with tooth and claw, and understand the strict pack code. But when he begins to hunt in the city, the world of human beings, it is only a matter of time before the authorities take an interest...
‘Astonishing...A strange, sombre, sobering triumph.’ Sydney Morning Herald The settlement of Wahrheit, founded in exile to await the return of the Messiah, has been waiting longer than expected. Pastor Helfgott has begun to feel the subtle fraying of the community's faith. Then Matthias Orion shoots his wife and himself, on the very day their son Benedict returns home from boarding school. Benedict is unmoored by shock, severed from his past and his future. Unable to be inside the house, unable to speak, he moves into the barn with the horses and chooks, relying on the animals’ strength and the rhythm of the working day to hold his shattered self together. The pastor watches over Benedict through the year of his crazy grief: man and boy growing, each according to his own capacity, as they come to terms with the unknowable past and the frailties of being human. Eva Hornung, formerly published as Eva Sallis, was born in Bendigo and now lives in rural South Australia. Her first novel Hiam won the Australian/Vogel Literary Award in 1997 and the Nita May Dobbie Award in 1999 while The Marsh Birds won the Asher Literary Award 2005. The highly acclaimed Dog Boy was shortlisted for numerous prizes and won the Prime Minister’s Literary Award in 2010. The Last Garden won the Premier’s Award in the 2018 Adelaide Festival Awards for Literature. ‘A cut black gem of a book: beautiful, compact, and sinister.’ Andrew Fuhrmann, Best Books of 2017, Australian Book Review ‘In luminous prose Hornung paints a closed religious community awaiting the overdue coming of their Messiah and a violently orphaned boy tutored by nature.’ Adelaide Advertiser, Favourite Books of the Year ‘Hornung writes with extraordinary force and insight...an amazing feat of imaginative power.’ Canberra Times ‘Vivid, visceral and disconcerting. The descriptions of animals are intensely empathetic, and the book raises fundamental and confronting questions about how our animal and our human selves can or should co-exist.’ Books + Publishing ‘Hornung is a writer of extraordinary power, using her omniscient narrator to inhabit the minds of Benedict’s father, the grieving child and the faltering pastor, following the flux of their thoughts with elegance and precision...An unusual and hypnotic novel.’ Age ‘It's melancholy, beautiful, and deeply evocative. Michael Cathcart admitted to the writer that he knew he was going to love it from page one.’ Michael Cathcart, Radio National ‘Eva Hornung understands how critical human relationships with animals can be.’ Guardian ‘Yes, there are grotesque and sinister surprises aplenty in this weird prodigy of a book, but there is a lot of tenderness and an extraordinary beauty too.’ Saturday Paper ‘Melancholy, beautiful, and deeply evocative.’ RN Books and Arts ‘The Last Garden is by no means a long read but it is a big novel. Hornung’s characters, in all their awed complexity, will stay with you long after the covers of this powerful book are closed.’ Australian Book Review ‘...Exquisite, glittering prose. This gentle, literary novel is a moving meditation on the heavy mist of grief, and will bring back a dark solace to the tormented heart.’ Big Issue ‘Deep despair was cushioned by gorgeous writing in Eva Hornung’s The Last Garden.’ Bram Presser, Sydney Morning Herald’s Year in Reading ‘An extraordinarily powerful, unsettling and at times deeply moving tale.’ Sydney Review of Books
Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.
Milk and flesh : infancy and coexistence -- The world's skin ever expanding : spatiality and the structures of child consciousness -- About hens, hands, and old-fashioned telephones : gestural bodies and participatory consciousness -- The child in the world of things -- Playing at the edge : what we can learn from therapeutic play -- Because we are the upsurge of time : toward a genetic phenomenology of lived time -- Babble in the house of being : pointing, grammar, and metaphor in early language acquisition -- The invention of childhood : historical and cultural changes in selfhood and literacy.
Old Rappahannock County, originally embracing lands lying on both sides of the Rappahannock River, was organized in 1656 and was formerly a part of Lancaster County. In 1692 Old Rappahannock was abolished. The portion lying south of the river was taken to form Essex County, and the area north of the river formed the county of Richmond. Records of Old Rappahannock and Essex counties, on which this work is founded, date from 1655 and are on file at the courthouse in Tappahannock, Essex County. Some marriage bonds of the period 1804 to 1853 were previously copied into the marriage register, instituted as the official catalogue of marriages. In compiling this work, Mrs. Wilkerson used not only the marriage bonds found in the register and the marriage register itself, but also inferential marriage proofs derived from wills, deeds, and court order books. The result is a work of astonishing magnitude; the period covered runs to nearly 250 years and the number of persons namedΓ including brides, grooms, parents, and guardiansΓ touches 10,000. The text is arranged alphabetically throughout and includes the date of the marriage record and the source.
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
This comprehensive, user-friendly book provides a rationale and guidance for integrating teacher well-being content into both preservice and inservice professional learning environments. It explores the connections between teacher well-being, equity, and social justice, and shares examples of well-being programs that have been implemented throughout the United States"--
“In this extraordinary meditation, Eva Brann takes us to the fierce core of Heraclitus's vision and shows us the music of his language. The thought and beautiful prose in The Logos of Heraclitus are a delight.”—Barry Mazur, Harvard University “An engaged solitary, an inward-turned observer of the world, inventor of the first of philosophical genres, the thought-compacted aphorism,” “teasingly obscure in reputation, but hard-hittingly clear in fact,” “now tersely mordant, now generously humane.” Thus Eva Brann introduces Heraclitus—in her view, the West’s first philosopher. The collected work of Heraclitus comprises 131 passages. Eva Brann sets out to understand Heraclitus as he is found in these passages and particularly in his key word, Logos, the order that is the cosmos. “Whoever is captivated by the revelatory riddlings and brilliant obscurities of what remains of Heraclitus has to begin anew—accepting help, to be sure, from previous readings—in a spirit of receptivity and reserve. But essentially everyone must pester the supposed obscurantist until he opens up. Heraclitus is no less and no more pregnantly dark than an oracle…The upshot is that no interpretation has prevailed; every question is wide open.”
In this collection of essays, Eva Brann talks with readers about the conversations Socrates has with his fellow Athenians. She shows how Plato's dialogues and the timeless matters they address remain important to us today. From introductory pieces on the Republic, the Phaedo, and the Sophist, to an account of the less well known Charmides, each essay starts where Plato starts, without presupposing a critical theory. In the title essay's brilliant account of the Republic, Brann demonstrates its central importance in Plato's work. Other essays consider Plato's notion of time; discuss how to teach Plato to undergraduates; and contend that a thoughtful text-based study of Plato can have a very personal impact on a reader. Encouraged to befriend the dialogues, readers will join in the great Socratic conversations.
This concise introduction to the fundamentals of biological treatment of wastewater describes how to model and integrate biological steps into industrial processes. The book first covers the chemical, physical and biological basics, including wastewater characteristics, microbial metabolism, determining stoichiometric equations for catabolism and anabolism, measurements of mass transfer and respiration rates and the aerobic treatment of wastewater loaded with dissolved organics. It the moves on to deal with such applications and technologies as nitrogen and phosphorus removal, membrane technology, the assessment and selection of aeration systems, simple models for biofilm reactors and the modeling of activated sludge processes. A final section looks at the processing of water and the treatment of wastewater integrated into the production process. Essential reading for chemists, engineers, microbiologists, environmental officers, agencies and consultants, in both academia and industry.
What is time?' Well-known philosopher and intellectual historian, Eva Brann mounts an inquiry into a subject universally agreed to be among the most familiar and the most strange of human experiences. Brann approaches questions of time through the study of ten famous texts by such thinkers as Plato, Augustine, Kant, Husserl, and Heidegger, showing how they bring to light the perennial issues regarding time. She also offers her independent reflections. Examining the three phases of time, past, present, and future, she argues that neither external time nor the time of the human past is real: the one is a comparison of motions and the other a projection of memory. She concludes that true time is internal and has its origin in the imaginative structure of memory and expectation. Throughout her rich and original study, Brann never fudges the central fact that time is a mystery.
The Thousand and One Nights was reborn into an alien environment in 1704, its signs being received in a radically different way from their original meanings. Works of literature change as people and cultures who read them change. This study explores the Nights with reference to this view of literature.
A beautifully crafted novel of self discovery - it is through Lian's loss of identity in a confrontingly foreign culture that she is able to find compassion for her Vietnamese mother's difficult life and an understanding of their unforgiving relationship.
An anthology of essays, interviews and short stories written by children and young adults aged 11-20. These young people relate or imaginatively recreate the story of someone who came to Australia as a refugee.
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