Everyone's feeling hot, hot, hot with these sexy summer romances at their fingertips. And who can blame them with these 10 hunks of burning love? Now they're in one place for one sizzling price. Don't wait to join the fun - grab a lounge chair, a fruity drink and dive in! Summer Promises: Drama queen Carly Foster is stuck with the theater in a touristy ghost town with charming Asher Day. Is he flirting with her because he's bored or is there room for passionate play off stage, too? Paradise Point: Inheriting half ownership in Paradise Point marina is a break Liv Barnette embraces with open arms. The sexy downside? Sharing her windfall with Army Ranger Adam Lark, who wants her gone . . . or so he thinks. Coming Home: Danny McCutcheon is a name Callie hasn't spoken in years, but now a family emergency brings her home. They both have reasons to fight the growing attraction between them, but the temptation may prove to be too much to resist, despite a very real risk to their hearts. Wildflower Redemption: Luz Wilkinson returns to tiny Rose Creek, Texas, to lick her wounds and toughen her resolve against love's sting. But will Aaron Estes, her riding student's widower dad, spur her to try again? Jade's Treasure: Jade Sawyer simply wants to be left alone to manage her family's mountain resort and design her jewelry. Then world-famous author Matthew Riley McLaughlin books a room as a hideout, and their shared need for privacy becomes personal. Can she overlook his betrayal when they reach the climax? Doubts of the Heart: Recent breast cancer survivor Nica Dobson is trying to regain her spirit and accept the changes in her body and mind. Now an old flame and ancient secrets during her Hawaiian leave challenge her to embrace love, too. An Outback Affair: The last thing Cassie expected when she stepped in to raise her nephew was for his uncle, Joel Caine, to wrestle for custody too. Now their plan to split parenting responsibilities requires trust in each other, and their attraction could disrupt the entire agreement. Letting Love Win: A misunderstanding leaves Kiley Adams stunned and pregnant with sexy CEO Rand Monroe's heir. Can this disastrous beginning lead to a happily ever after? His Wicked Celtic Kiss: It took just one teasing wink and a sexy Irish lilt from bad boy Lorcan Byrne to turn Julie Denison's world upside down. The problem is, he's only in town for six months, and happily ever after isn't in this world traveler's vocabulary . . . unless Julie can help him learn a new language. Surge: University transfer student Marcus sets out to earn fellow student Laura's friendship. That's all it can ever be, since his secret could jeopardize not only a relationship but everything he's worked for his entire life. But as the heat rises, he must choose between love and his dreams. Sensuality Level: Sensual
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. For over two thousand years magnets have inspired tales of myth, magic, exploration, science, and art. From the physical to the metaphorical, our language is littered with magnetic allusions: magnetic personalities, animal magnetism, mesmerism, and magnetic attraction. We take them for granted yet magnets are essential to our existence--as important as gravity--and to our survival on this planet and in this universe. Eva Barbarossa's Magnet weaves together stories of ancient and modern wonders, of discovery and creation, of madness and desire, of beauty and awe, taking us from the spectacle of the aurora borealis to the disastrous searches for the North Pole. Object Lessons is published in partnership with an essay series in The Atlantic.
Bree Blake is just a normal teenager, living a normal life with her normal friends and normal family. Shes normal, sure if its normal to be able to spy on her boyfriend through visions and summon windstorms when shes angry. So maybe Bree Blake isnt so normal after all, but her uniqueness is her own little secretthat is, until the arrival of Andrewa handsome Scottish boy who insists on becoming Brees friend. Bree suspects that Andrew may be onto her. She suspects he may know about her mysterious abilities, and this worries her. More worrisome, though, are the recent attempts on her life, which seem to coincide with Andrews arrival. Should Bree trust the sexy Scot, or should she avoid him altogether? Does she even have the willpower to avoid him? She may not have the freedom to make her own decision, as the secrets of her past bring them closer together. A story of love, magic, and mystery, Brees Fire will make you believe in the unbelievable, as one young woman navigates her path through the ways of Wicca and, perhaps, love. I absolutely adored this thrilling page turner. I couldnt put it down and ended up getting lost in a magical world where romance and action intertwine perfectly. Ariel Jorre de St. Jorre, sixteen year old reader
Cedar Key has long been a place of rest, healing, and release in the Claybourne family. But it might also be the birthplace of a lie that is poisoning the family from within. Join the strong Claybourne women--Anise, Kimberly, Jayme-Leigh, Heather, and Ami--as they each confront the truth. Their unique paths will lead them through heartbreak, misunderstandings, and pain. But their journeys will also bring reconciliation with each other and renewed love in their own lives. In her lyrical, evocative fashion, Eva Marie Everson weaves a tapestry of complicated relationships that, when complete, reveals the most beautiful work of art there is--family.
My 3 Heroes is the story of one womans fiery determination to give her three brave, handicapped children the opportunity to live in peace, with dignity and to see them achieve far beyond the limits set for them by the social norms of their day. She shared a quality that her patron saint, Joan of Arc exemplified: a determination to realize her vision. In Evas case, it was to see two of her children reach a high level of education. She was undeterred when the minister of education told her they were unable to be educated, and some in the medical profession suggested she put them away, advising her not to become too attached. Evas story leads the reader through the setbacks and successes of her daughter Mary Ellens struggle to learn Braille, and eventually attain a degree in social work at York University. Pauls determination, like his sister, despite partial blindness and debilitating bone disease, led him to receive a music degree from the same university. At every step, Eva was there for her heroes. Ross, the frailest, required Eva to learn how to administer complex medications through the use of a syringe; thus giving Ross, who died at the age of seventeen, a longer than expected lifespan.
ÊMore than three hundred years ago a little sailing vessel set out from Holland, crossed the Atlantic Ocean, and followed down our coast from Greenland. Its captain, Henry Hudson, was in search of a quick and easy route to Asia, and when he entered the mouth of the river that is named for him, he hoped that he had found a strait leading to the Asiatic coast. He was disappointed in this, but the Indians welcomed him, the mountains were rich in forests, and the ground was fertile. "It is the most beautiful land in all the world," declared the enthusiastic navigator. Henry Hudson was an Englishman, but he sailed in the employ of the Dutch East India Company, and soon the flag of this Company was well known along the Hudson River. It was the old flag of Holland, three horizontal stripes, of orange, white, and blue, with the initials of the Company on the white stripe. Hudson had not found a new route to Asia, but he had opened the way for the fur-trade. In a few years the Dutch had established trading-posts as far north as Albany. They had also founded a city which we call "New York," but which they named "New Amsterdam." So it was that in 1609 the Dutch flag first came to the New World. Nearly thirty years after the voyage of Henry Hudson, a company of Swedes made a settlement on the Delaware River. This had been planned by the great Gustavus Adolphus, King of Sweden. "That colony will be the jewel of my kingdom," he said; but the "Lion of the North" was slain in battle, and his twelve-year-old daughter Christina had become queen. That is why the loyal Swedes named their little fortification Fort Christiana, and over it they raised the flag of their country, a blue banner with a yellow cross. In course of time the Swedes were overpowered by the Dutch, and then the Dutch by the English; so that before many years had passed, the only flag that floated over the "Old Thirteen" colonies was that of England. This was brought across the sea by the settlers of our first English colony, Jamestown, in Virginia. Moreover, they had the honor of sailing away from England in all the glories of a brand-new flag made in a brand-new design. The flag of England had been white with a red upright cross known as "St. George's Cross"; but a new king, James I, had come to the throne, and the flag as well as many other things had met with a change. James was King of Scotland by birth, and the Scotch flag was blue with the white diagonal cross of St. Andrew. When James became King of England, he united the two flags by placing on a blue background the upright cross of St. George over the diagonal cross of St. Andrew; and he was so well pleased with the result that he commanded every English vessel to bear in its maintop this flag, "joined together according to the form made by our own heralds," the King declared with satisfaction. It was the custom at that time to call "ancient" whatever was not perfectly new, and therefore the flag used before James became king was spoken of as the "ancient flag," while the new one became the "King's Flag" or the "Union Jack." This change was made in the very year when the grant for Virginia was obtained, and therefore the little company of settlers probably sailed for America with the "King's Flag" in the maintop and the "ancient flag" in the foretop.
Kimberly Tucker's life hasn't turned out the way she thought it would. A divorced mother of two, Kim resents her ex-husband for moving on with his life and living it up while she struggles to understand what went wrong. When her sons end up spending five weeks of summer vacation with their father, Kim's own father suggests a respite in the family vacation home on tiny Cedar Key Island. As Kim revisits her childhood memories and loves, she soon discovers that treasures in life are often buried, and mistakes--both past and present--become redeemable in God's hand. Readers will be swept away to an island retreat where they walk alongside Kim as she discovers that God's answers may not come easily, but they do come.
This fascinating autobiography is set against the backdrop of some of the most dramatic episodes of the twentieth century. It is the story of a stubborn struggle against unjust regimes, sustained by a deep belief in the strength of the human spirit and the transcendental power of music. It is also an account of a rich spiritual life, during which the author has built upon her Jewish roots through the study of Eastern philosophy and meditation. Born in Germany, Eva Mayer Schay's early childhood in Mallorca was an idyllic one. Her parents had emigrated to the island following the Nazi party's rise to power, but in 1936, during the Spanish Civil War, the family was repatriated to Germany. Her father was arrested and given the choice of concentration camp or departing for Italy. They managed to leave Mussolini's Italy for South Africa before the race laws were implemented. During World War II, Mayer Schay's parents were classed as "enemy aliens" in South Africa, which led to considerable hardship. Her father died in 1945, after the end of the war. She went through all her schooling and university in Johannesburg, continued her musical studies in London, and after returning to Johannesburg, taught violin, played chamber music, and became a member of the SABC Symphony Orchestra. Defying apartheid, she was fired, later reinstated, but left Johannesburg to play with the Durban Civic Orchestra in 1959. Appalled at the increasing harshness of the nationalist government and by the Sharpeville massacre in 1960, she and her mother finally emigrated to England in 1961.In London, Mayer Schay worked as freelance violinist and was married in 1967. In September 1968, she joined the orchestra of Sadler's Wells Opera at the Coliseum Theatre, later renamed English National Opera, where she remained for almost thirty years.
The Theory of Christian Psychology comes from the worldview that sees humanity as the object of a love relationship with Jesus Christ. Parallel to Buddhist forms of Psychology, The Theory of Christian Psychology meets the worldwide Christian population need for its own Psychology. The Theory of Christian Psychology presents a flexible foundation, addressing personality with full humanity dimension, integrating principles of clinical psychology found in Psychoanalytic Psychodynamic Psychology. Soundly Biblical and non-denominational it focuses on key precepts that bind Christianity together. The Theory of Christian Psychology bridges clinical psychology and theology in an intersection of power accessibility. Psychology has been culture alien to Christianity. I have been asked to leave churches who only need God when they discovered I was a psychologist, and criticized by others, who only need psychology. Sound psychological principles are inherent throughout the Bible. There is no dichotomy necessary. We just need to speak the same language to clearly see the intersection. Issues addressed in The Theory of Christian Psychology carry relevancy for law and education. Her fi rst book, Dr. Klostreich plans to continue to write and speak. She is initiating The Institute for Christian Psychology to offer seminars, training, certification and ongoing research.
Portraits in Dignity is a collection of twelve short stories of brave young women, who were subjected to different kinds of gender abuse and have emerged victorious. Each story resonates with their individual strength exhibited under difficult circumstances.
A notorious rake Meets a spirited spinster…At a weekend shooting party, where the guests are as determined to bag a marriage partner as they are a pheasant, two attendees are under siege. The Duke of Kingsford from a clutch of desperate debutantes, and Charlotte FitzRoy from her matchmaking mother! A pretend courtship between them should keep the others at bay, but an unexpected, impassioned kiss may just bring about the marriage they both sought to avoid! From Harlequin Historical: Your romantic escape to the past. Breaking the Marriage Rules Book 1: Beguiling the Duke Book 2: Awakening the Duchess Book 3: Aspirations of a Lady’s Maid Book 4: How to Avoid the Marriage Mart
They met in the summer of 1958, and after a courtship that began on the front porch of the French Lick Sheraton Hotel, they quickly fell in love and were married that autumn. Events then took them away from Indiana, for the time being, but they always intended to move back to French Lick, “someday”. In this, her first book, Eva Sharron Kobee tells of stepping out in faith as she and husband Johnny Kobee move back to French Lick to pick up the life they had left 40 years before, proving Thomas Wolfe wrong, “at least for a little while”. This is a story of how pursuing their dreams led to challenges that turned into opportunities, memories that turned into discoveries, and all because of a love that turned into forever and beyond...
Stereotyping as Inductive Hypothesis Testing explicates the proposition that many stereotypes originate not so much in individual brains, but in the stimulus environment that interacts with and constitutes the social individual.
The purpose of this book is to provide a comprehensive philosophical theory which explains the cognitive contribution of metaphor. The argument is illustrated with analysis of metaphors from literature, philosophy, science, and everyday language.
This book looks at the UK banking in the context of general legal doctrines and banking regulation. It draws on Australian, US and Canadian examples and deals with the impact of the recent global financial crisis.
Grab a cocktail and have a girls’ night in! For the first time together, enjoy three stories of bold women searching for their best lives, with the support of their closest girlfriends. Hot Mess by Emily Belden Twentysomething Allie Simon is used to playing by the rules—until Benji Zane walks into her world and pulls her into his. The young chef is as famous for his struggle with addiction as he is for his creative culinary pairings, but Allie convinces herself that loving someone means supporting them no matter what. So when Benji’s offered an opportunity to open a new high-profile restaurant, Allie takes the ultimate risk and invests her life savings in his dream. But then Benji disappears, and Allie finds herself thrust into the cutthroat culinary world, where she can either crumble completely or fight like hell for the life she deserves. Something Like Happy by Eva Woods Annie is stuck in a life no thirty-five-year-old would want. Deep down, she’s mourning the terrible loss that tore a hole through her perfect existence. Until she meets Polly. Bright, bubbly, intrusive Polly is determined to wake her new friend up to life. Because if recent events have taught Polly anything, it’s that your time is too short to waste a single day—which is why she wants Annie to join her on a mission: one happy thing each day for one hundred days. But just as the daily challenge opens Annie up to the possibility of joy, it becomes clear that Polly is about to need her more than ever. And Annie will have to decide once and for all whether letting others in is a risk worth taking. Campaign Widows by Aimee Agresti Cady Davenport is living the American dream…but when her husband-to-be hits the road for the upcoming presidential election, Cady realizes she’s on her own—and that her dream life might not be all she’d imagined. Until she finds herself thrust into the most influential inner circle in Washington, DC: the campaign widows. As friends, they’re an unlikely group, but they share one undeniable bond: their spouses are all out on the trail during a hotly contested election season. With the pressures of the unprecedented election mounting, the widows’ worlds keep turning as they hold down the fort while running companies, raising babies, racking up page views and even reinventing themselves. And their friendship might be just what Cady needs to find the strength to pursue her own happiness.
From the tobacco fields of western Kentucky to the streets of Harlem, from the Gullah Islands off the South Carolina and Georgia coasts to the all-black republic of Haiti, painter Ellis Wilson (1899-1977) examined the scope and depth of black culture. One of Kentucky's most significant African American artists, Wilson graduated from the Art Institute of Chicago in 1923. He spent five more years in the city before moving to New York, where he lived for the rest of his life. Aside from his participation in the WPA's Federal Arts Project and a Guggenheim Fellowship, he was never able to support himself fully by painting. Yet his work has long been praised for its boldness and individuality. Black workers were a favorite subject: field hands, factory workers, loggers, fishermen, and more. Of his 1940s series of black factory employees, Wilson stated, "That was the first time I had ever seen my people working in industry, so I painted them." Over time his documentary style gave way to one that emphasized shape and color over pure representation. Despite exhibitions in New York and elsewhere, Wilson considered a small show at the public library in his hometown of Mayfield in 1947 to be "one of the high points" of his life. This catalog accompanies the first major retrospective of Wilson's paintings.
This book advances a real entity theory of company law, in which the company is a legal entity which acts autonomously in law, and company law establishes procedures facilitating autonomous organisational decision-making. The theory builds on the insight that organisations or firms are a social phenomenon outside of the law and that these are autonomous actors in their own right. They are more than the sum of the contributions of their participants and they act independently of the views and interests of their participants. This occurs because human beings change their behaviour when they act as members of a group or an organisation; in a group we tend to develop and conform to a shared standard, and when we act in organisations habits, routines, processes, and procedures form and a culture emerges. These take on a life of their own affecting the behaviour of the participants. Participants can affect organisational behaviour but this takes time and effort. Company law finds this phenomenon and supplies it with a structure supporting autonomous action by organisations. The real entity theory advanced in this book explains company law as it stands at a positive level. Legal personality overcomes the problems that organisations are social rather than brute facts and that there is no unique physical manifestation permanently associated with an organisation. The corporate constitution is not a contract - it is best characterised as an instrument adopted on a statutory basis through private action. Shareholders cannot limit the capacity of companies or the authority of the board to bind the company in contract and companies are liable in tort and crime. The statute creates roles for shareholders, directors, a company secretary, and auditors and so facilitates a process leading to organisational action. The law also integrates the interests of creditors and stakeholders.
The Poetics of Empowerment in David Mitchell’s Novels combines the investigation of David Mitchell’s novels with the introduction of a new critical concept to literary studies: empowerment. Aiming to situate and establish empowerment firmly within the context of literary studies, it offers the first framework and definition for reading fictional texts with the lens of empowerment and applies it in the analysis of discourse, the fictional characters, and the role of the reader in Mitchell’s novels. Drawing on narratological analysis, cognitive approaches to literature, and reader-response theory, it features close readings of Cloud Atlas (2004), Black Swan Green (2006), and The Thousand Autumns of Jacob de Zoet (2010) and dissects the author’s strategies, poetics, and agenda of empowering fiction. This book argues for an inherent, indissoluble connection between empowerment and the telling of stories and demonstrates how literary studies can benefit from a serious engagement with empowerment—and how such an engagement can stimulate new responses to fiction and put literary studies in conversation with other disciplines.
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