To make Medea more accessible for the modern reader, our Prestwick House Literary Touchstone Edition includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. In doing this, it is our intention that the reader may more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.Witch, barbarian, foreigner, or a woman wronged and committed to the most horrific kind of justice, Medea is a heroine who makes her audience shudder. Euripides shows us an astonishingly strong female protagonist, whom some readers have identified as the first feminist in Western literature. Seeing where her strength leads her, though, we must wonder if she was intended to be portrayed a model or as a warning.Because the three other plays that were traditionally performed with Medea have been lost, it is difficult to say whether Euripides? Athenian audience was as upset by the play as modern readers are. It won only third place at the biggest festival in the city, indicating that ancient audiences also found it controversial. With its still-relevant examination of marriage, love, and revenge, and its explicit scenes of mental and emotional agony, Medea continues to demand our attention.
Williams handles the spoken poetry in a flexible verse that encompasses a wide range of tone. His treatment of the lyrics uses a rhythmically bold form whose accents would particularly lend themsleves to effective choral acting.
Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including suggestions for discussion and analysis. Numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Iphigeneia at Aulis is suitable for students of Classical Civilisation and Drama. Features include a full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Iphigeneia at Aulis is aimed at A-level and undergraduate students in the UK, and college students in North America.
Transcending the literal bounds of genre, Euripides' Helen has been characterized as both a comedy and a tragedy. In this evocative translation by James Michie and Colin Leach, Euripides' delicate balance--in all its subtlety of texture and tone--is beautifully captured. Finding its source in a myth ascribed to the Sicilian poet Stesichorus, this drama centers on the myth of two Helens--a god-wrought phantom that was carried of by Paris to Troy, and the real, flesh-and-blood Helen who was mysteriously sent to Egypt. The reader encounters myriad reversals, worlds--real/ideal, tragic/comic--surprisingly juxtaposed and, as in any story of Helen, the pathos of the impossible, all allowing Euripides to comment of the futility of war and the difficult distinction between appearance and reality.
Euripides' Bacchae, the last of the surviving Greek tragedies, was first performed in 405 BC in the annual competition for tragic drama, where it won first prize. It has remained one of the most frequently performed Greek tragedies ever since and one of t
This is an English translation of Euripides' tragedy Hippolytus about how Phaedra unsuccessfully fights her desire for Hippolytus, while he risks his life to keep her passion secret. Focus Classical Library provides close translations with notes and essays. No play of Euripides is more admired than Hippolytus. The tale of a married woman stirred to passion for a younger man was traditional, but Euripides modified this story and blended it with one of divine vengeance to create a masterpiece of tension, pathos, and dramatic power. In this play, Phaedra fights nobly but unsuccessfully against her desire for her stepson Hippolytus, while the young man risks his life to keep her passion secret. Both of them, constrained by the overwhelming force of divine power and human ignorance, choose to die in order to maintain their virtue and their good names.
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