This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Offers a summary account of the history of philosophical thought through the 19th century, an unusually updated and balanced account of 20th century thought, and lengthy chapters on the history of Chinese and Indian thought. Selected by Choice as an Outstanding Academic Book of 1988-1989.
Toward a Dialectic of Philosophy and Organization is an exploration of Hegel’s dialectic and its radical re-creation in Marx’s thought within the context of revolutions and revolutionary organizations in the nineteenth and twentieth centuries. Does a dialectic in philosophy itself bring forth a dialectic in revolutionary organization? This question is explored via organizational practices in the Paris Commune, the 2nd International, the Russian Revolutions of 1905 and 1917, the Spanish Revolution of 1936-37 and the Hungarian Revolution of 1956, as well as the theoretical-organizational concepts of such thinkers as Lassalle, Lenin, Luxemburg, Trotsky and Pannekoek. “What Philosophic-Organizational Vantage Point Is Needed for Revolutionary Transformation Today?” is examined by engaging the theoretical arguments of a number of thinkers. Among them: Adorno, Dunayevskaya, Hardt and Negri, Holloway, Lebowitz, Lukcás, Mészáros and Postone.
Pieces of Resistance is a 1988 collection of Eugene Goodheart's essays and reviews written between 1960 and 1985. The book responds to the political, cultural, and literary changes expressed during this period by novelists, critics, and journalists. Goodheart's book is divided into three parts. The first section discusses critics Trilling, Rahv, Leslie Fiedler, Geoffrey Hartman, David Bleich, and Susan Sontag - to name a few. The second part devotes itself to contemporary culture and includes essays on journals such as The New York Review of Books, Commentary, and The Evergreen Review, which in the 1960s and early 1970s provided a well-lit playground for various political, cultural, and literary themes. Finally, Goodheart examines the work of many modern writers with essays on Isaac Bashevis Singer, Daniel Fuchs, Ralph Ellison, Nadine Gordimer, V. S. Naipaul, Bernard Malamud, William Styron, Donald Barthelme, Raymond Carver, and Saul Bellow. Goodheart does not pretend to impersonal objectivity; his commitment to evaluative criticism is a deliberate response to increasingly specialized forms of criticism.
An important debate in modern literary criticism concerns the exact relationship between the ancient epic and the novel. Both the epic and the most ambitious modern novels are large-scale attempts to present a comprehensive view of the world through the experience of a representative hero. However, in the older tradition the hero stood for the aspirations and highest ideals of his society. The protagonist of the modern novel is usually at odds with that society, whether as exile, active rebel, or antagonistic critic. In Novel Practices, the distinguished literary scholar Eugene Goodheart surveys a representative selection of modern novelists tracing how the epic impulse has been reshaped under the conditions of modernity.
Eugene Goodheart examines the skeptic disposition that has informed advanced literary discourse over the past generation, arguing that the targets of deconstructive suspicion are fundamental humanistic values. "[This book] is a fair-minded, generous critique of the deconstructionist theories of Jacques Derrida, Paul de Man, and their followers. These writers have argued that language is so inherently slippery it can never express a speaker's intended meaning. The critic's role, in their view, is to explore the contradictions, subtexts, and metaphorical byways of works that may be most radically deceptive when they appear simple. Critics have castigated this language-centered skepticism as a form of nihilism geared to multiply numbingly similar readings of already familiar texts. Mr. Goodheart's objection is more subtle. He suggests that the philosophical orientation of deconstructive critics leads them to overemphasize the tricky propositional sense of words at the expense of the broader impact of literature--its power to wound, thrill, or transform us."--Morris Dickstein, The New York Times Book Review Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Eugene Goodheart's remarkably compact and penetrating analysis examines the skeptic disposition that has informed advanced literary discourse over the past generation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Complaints about the decline of critical standards in literature and culture in general have been voiced for much of the twentieth century. These have extended from F.R. Leavis's laments for a "lost center of intelligence and urbane spirit," to current opposition to the predominance of radical critical theory in contemporary literature departments. Humanist criticism, which has as its object the quality of life as well as works of art, may well lack authority in the contemporary world. Even amid the disruptions of the industrial revolution, nineteenth-century humanists such as Matthew Arnold, John Ruskin, and Thomas Carlyle could assume a positive order of value and shared habits of imaginative perception and understanding between writers and readers. Eugene Goodheart argues that, by contrast, contemporary criticism is infused with the skepticism of modernist aesthetics. It has willfully rejected the very idea of moral authority.Goodheart starts from the premise that questions about the moral authority of literature and criticism often turn upon a prior question of what happens when the sacred disappears or is subjected to the profane. He focuses on contending spiritual views, in particular the dialectic between the Protestant-inspired, largely English humanist tradition of Carlyle, Ruskin, Arnold, and D.H. Lawrence and the decay of Catholicism represented by James Joyce and T.S. Eliot. Goodheart argues that literary modernism, in distancing itself from natural and social vitality, tends to render suspect all privileged positions. It thereby undermines the critical act, which assumes the priority of a particular set of values. Goodheart makes his case by analyzing the work of a variety of novelists, poets, and critics, nineteenth century and contemporary. He blends literary theory and practical criticism.
In My Brother's Image is the extraordinary story of Eugene Pogany's father and uncle-identical twin brothers born in Hungary of Jewish parents but raised as devout Catholic converts until the Second World War unraveled their family. In eloquent prose, Pogany portrays how the Holocaust destroyed the brothers' close childhood bond: his father, a survivor of a Nazi internment camp, denounced Christianity and returned to the Judaism of his birth, while his uncle, who found shelter in an Italian monastic community during the war, became a Catholic priest. Even after emigrating to America the brothers remained estranged, each believing the other a traitor to their family's faith. This tragic memoir is a rich, moving family portrait as well as an objective historical account of the rupture between Jews and Catholics.
Morality and the Market is a business ethics anthology unlike any other. The book covers the foundations of markets, their operations, and their effects by incorporating most traditional business ethics topics while introducing new ones as well. The result is a text with genuine diversity of opinion, philosophical depth, and breadth of topic, accompanied throughout by a knowledgeable and sympathetic account of the traditional issues in business ethics.Morality and the Market places special and distinctive emphasis on virtue and its applicability to the contexts of commerce. Each of the traditional topics of business ethics is related to particular virtues. For example, the virtue of honesty is related to advertising and sales; integrity is related to whistle-blowing; social responsibility is related to business profit; and courage is related to entrepreneurship. Morality and the Market explores the moral foundations of markets, their moral consequences, and considers the effects of commerce on the arts, culture, the environment, and technological progress.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
007234508X
ISBN 13
9780072345087
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