The Journey book at http: //eugenebroadway.com continues the Broadway family's journey from slaves to their lives as freedmen with new opportunities, gaining land, losing land and more. Author Eugene Broadway takes the common threads uncovered by Author Marie Tom's (Broadway Generations) and unravels several more family heritage mysteries. The candid accounts of family life, interviews and stories from other Broadway family members cover everything from life events during slavery, freedmen transistions, Civil Rights Movements and more. On the journey, Mr. Broadway takes his readers to the very plantation house site the Broadway family originated from. He goes on to introduce several new ancestors and unexpected facts and finds not revealed in previous Broadway Generations book...The Journey is an entertaining read for any African American family enthusiast as well as all Broadway family members.
The Journey book at http: //eugenebroadway.com continues the Broadway family's journey from slaves to their lives as freedmen with new opportunities, gaining land, losing land and more. Author Eugene Broadway takes the common threads uncovered by Author Marie Tom's (Broadway Generations) and unravels several more family heritage mysteries. The candid accounts of family life, interviews and stories from other Broadway family members cover everything from life events during slavery, freedmen transistions, Civil Rights Movements and more. On the journey, Mr. Broadway takes his readers to the very plantation house site the Broadway family originated from. He goes on to introduce several new ancestors and unexpected facts and finds not revealed in previous Broadway Generations book. The Journey is an entertaining read for any African American family enthusiast as well as all Broadway family members.
In the book, Broadway Royals, the three first cousins, Eugene Broadway, Marie Broadway Toms, and Dennis Jerome Turner, continued their Broadway ancestry research from the first three books they wrote. Tremendous effort was given to documenting the slave owner(s), the death particulars of their ancestors, and providing a path for others to research their ancestors. Detailed analysis was performed on 1870 and 1880 neighborhoods in Anson County, North Carolina via the United States Federal Census. Specifics were drawn from neighbors, Black and White. They looked at occupation, age, marriage, and land ownership. Also, of interest to them was former slave ownership, slave masters, slave ancestors, migratory patterns, and disconnected relatives. Research and discoveries concerning the following topics are inside this book: Why African American Broadways Story of Eugene's destiny to find his great-great grandfather Broadways and the Slavery Era in America Other Broadway Family Heritage Books Walk Through Anson County as Black Broadways Notable Black Broadway siblings born between 1815 to 1834: James, Harry, Robert, George, and William Continued cemetery research and discoveries for Broadways Discovery of various new research documents Examination of 1860 Slave Schedules Broadway FAQ and Pictures of Early 1900s Broadway Royals Workbook including Ten Simple Exercises Of Discovering Your Personal Family History Including 100+ Ways To Find And Record The Details! Preparing the torch for future generations, the Broadway first cousins, Eugene, Marie and Jerome present a 230+ page family treasure trove of information ready to be passed from generation to generation. The Broadway Royals book is a stirring read for any African American family enthusiast as well as all Broadway family members.
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
Eugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, as Jim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.
A Moon for the Misbegotten is a play by Eugene O'Neill. The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 - his final work, as his failing health made it physically impossible for him to write.The play premiered on Broadway in 1947 and has had four Broadway revivals, plus a West End engagement.
Josie, a towering woman with a quick tongue and a ruined reputation lives in a dilapidated Connecticut farmhouse with her conniving father. Together, they're a formidable force as they scrape together a livelihood. But Josie's softer side is exposed through her love of Jim Tyrone, her father's drinking buddy - a third-rate actor whose dreams of stardom were washed away by alcohol. The companion pieces are "Long Day's Journey" and "The Iceman Cometh.
Arguing that the 1964 edition of Eugene O'Neill's unfinished play More Stately Mansions, prepared after the playwright's death, was missing a substantial amount of material that O'Neill intended for inclusion, Martha Bower here presents an entirely new edition of the play with this material--dialogue, character description, an entire scene, the epilogue, and large parts of other scenes--restored. Published to coincide with the centennial of O'Neill's birth, it will stand as an important contribution to O'Neill scholarship.
This 1922 Pulitzer Prize-winning drama from Orsquo;Neillrsquo;s early career concerns the reunion of a barge captain and his daughter after 20 years. The fatherrsquo;s disaffection for the seafaring life and the daughterrsquo;s love for a sailor elicit a shocking confession. Students and enthusiasts of modern theater will prize this inexpensive edition of a moving drama of social realism.
This collection contains Eugene O'Neill's first three full-length plays: BEYOND THE HORIZON, THE EMPEROR JONES, and ANNA CHRISTIE. BEYOND THE HORIZON: Winner of the 1920 Pulitzer Prize for Drama "...an absorbing, significant, and memorable tragedy... ...a playwright of real power and imagination... ...the play has greatness in it and marks O'Neill as one of our foremost playwrights...." Alexander Woolcott, Times "Only once or twice in the course of the dramatic season does a playof such terrific force and such simple directness award the patient theatrical chroniclers..." Robert Gilbert Welsh, Evening Telegram "...this season's most notable play of a serious theme and purpose by an American author...." World THE EMPEROR JONES: "...for strength and originality [O'Neill] has no rivals among the American writers for the stage." Alexander Woolcott, Times "An odd and extraordinary play, written with imaginative genius..." Kenneth Macgowan, Globe "...the most interesting play which has yet come from the most promising playwright in America..." Heywood Broun, Tribune ANNA CHRISTIE: Winner of the 1922 Pulitzer Prize for Drama "...a rich and salty play that grips the attention with the rise of the first curtain and holds it fiercely to the end.... A play written with that abundant imagination, that fresh and venturesome mind and that sure instinct for the theatre which set this young author apart...." Alexander Woollcott, Times
THE STORY: As told by Chapman, (NY News): The time of the play is 1828, and the setting is a tavern in a village near Boston. The tavern is owned by a tempestuous Irishman, Con Melody, who is as proud as he is ill-tempered. He had been born with w
Anna Christie is a play in four acts, which won O'Neill the 1922 Pulitzer Prize for Drama. Anna makes contact with the father she has not seen since her infancy, and he takes her on board his coal barge. There she falls in love with a man they rescue from a shipwreck, but trouble arises when she tells them she has been working as a prostitute.
The groundbreaking, Pulitzer Prize–winning drama following the private life of a professor’s daughter, by the playwright famed for The Iceman Cometh. Nina Leeds, the daughter of a classics professor at a New England college, has had her dreams shattered by the Great War, in which her fiancé perished. In her grief, she sets out on an aimless path of sordid affairs while rejecting a devoted admirer. When she finally does marry, it is to a pleasant, trusting fellow named Sam. But when she hears deeply upsetting news while carrying his baby, her shock leads her on a deceptive path that will cast a shadow over their relationship, and the rest of Nina’s life. Debuting on Broadway in 1928 with Lynn Fontanne in the starring role, Strange Interlude earned Nobel laureate Eugene O’Neill one of his four Pulitzer Prizes, and remains one of his most daring and interesting works.
The book 'Discovering Our African Culture' reveals the rich African heritage every Broadway family member and every African American can know about their deep roots and culture. Four book Author Eugene Broadway takes the reader on yet another journey in history; this time going beyond the slavery of his ancestors. In this book he unearths more legacy through the: History of Africans and African Americans during the 1800s, 1700s, and even 1600s. Journey to modern-day Africa to discover his rich culture. Discovery of Ghanian cultural path and Adinkra symbolism. Examination of multicultural societies through tribal practices. Celebration of African culture traditions. Accounts from African and African American writers. Stories of royal appointments and kingship. According to the author, Mr. Broadway, "We want to give back to the entire black race and shine a spotlight on the African American heritage for the entire human race to see." Slavery is where many people think that African American history began. The fact is slavery is where our history is entangled, stripped, hidden, denied textbook pages, submerged at sea, forbidden tradition, robbed of our heritage, and much more. Take the journey with Mr. Broadway, a look beyond slavery and get a glimpse of our African American's past through our ancestors' culture.
This collection of thirty years of interviews with America's only Nobel Prize dramatist records his encounters with the press and gives a striking portrait of the man and the process of his public mythologizing. A profoundly private individual, O'Neill struggled throughout his life to overcome his intense discomfort with oral discourse as he responded to the probings of interviewers wishing him to discuss a wide range of social, political, literary, and theatrical issues. Collected in their entirety for the first time, these interviews begin in 1920, when O'Neill was thirty-two. Serious American drama, for many, began and, for many others, ended with Eugene O'Neill. This collection lends new testimony to the truth of that assertion.
A selection of early work—including two Pulitzer Prize-winning plays—from Eugene O'Neill, winner of the Nobel Prize in Literature A Penguin Classic Included in this volume are seven one-act plays (The Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home, Ile, Where the Cross Is Made, and The Rope), and five full-length plays (Beyond the Horizon, The Straw, Anna Christie, and the classics The Emperor Jones and The Hairy Ape), all written between 1914 and 1921 and produced for the stage between 1916 and 1922. The majority of these plays are heavily influenced by German expressionism—Freud, Nietzsche, Strindberg, and the radical leftist politics in which O'Neill was involved during his youth. Also included in this unique collection is the little-known and highly autobiographical play The Straw, which draws on O'Neill's confinement in the Gaylord Farm Sanatorium.
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