Los Angeles, 1966. Matthew Banning is a quirky, 14-year-old preacher's kid who is victimized by his classmates and alienated by his mentally ill mother. Expecting a summer full of surfing and romance, his dreams are dashed when he and his two brothers are spirited away by his missionary father to Haiti. Matt discovers the perilous road through paradise-and the poverty, disease and hopelessness of the Haitian people. Once at the mission, he innocently becomes the target of reprisals from the corrupt head missionary. On a day-trip to Port-au-Prince with one of the seminarians, Matt falls in love with Rachel, a rich, mulatto daughter of a rebellious government dignitary. Matt endures a strange aphrodisiacal ritual, a voodoo ceremony, and a violent storm in his quest to be with the girl of his dreams. But Rachel's father leads a failed coup against dictator "Papa Doc" Duvalier and Rachel and her family vanish. Heroically, Matt leads the militia on a perilous chase across Haiti to reunite with her.
As an African American child growing up in St. Augustine, Florida, author Gerald Eubanks had a hard time seeing the victories won during the Civil War in action. Blacks were excluded from opportunities afforded to his white neighbors. Schools were aggressively segregated. Racial tensions simmered. The town’s sheriff deputized members of the notorious Ku Klux Klan to ensure continued white supremacy. It was through the persistence of quiet, unsung heroes that progress began to appear. Here, he celebrates the little-known champions of the movement—those who demonstrated tirelessly, picketed fearlessly, encouraged, consoled, stood tall, and never wavered in their determination to do the right thing despite overwhelming opposition. The Dark before Dawn is Gerald’s very personal story of the struggles of life in St. Augustine, Florida, during the civil rights movements of the late 1950s and beyond. It is a tribute to the hundreds of ordinary people who risked everything so that the lives of generations of others might be better. Those familiar with the events of the era credit the Eubanks family with making the significant contributions to the advance of human and civil rights, but their story has gone unheralded—until now. Gerald Eubanks lived through those turbulent times, and now he reminds readers that the fight for civil rights goes on today. He warns that without vigilance, we may find ourselves in the dark before the dawn once again. Preview coming soon. Gerald Eubanks, a graduate of Florida Memorial College and the University of North Florida, is an intern supervisor in the education department of Flagler College in St. Augustine, Florida. He is proud that the role his family played locally contributed to the passage of the national Civil Rights Bill of 1964.
This guidebook is the first of three regional volumes that invite residents and out-of-state visitors to explore North Carolina while reading literature from our state's finest writers. Organized geographically through a series of eighteen half-day and day-long tours in the western part of the state, the book directs curious travelers to the historic sites where Tar Heel authors have lived and worked. Along the way, travelers can read outstanding excerpts from the writers, evoking the places, customs, colloquialisms, and characters that figure prominently in their poetry, fiction, creative nonfiction, and plays. More than 170 writers from the past and present are featured in this volume, including Sequoyah, Elizabeth Spencer, Fred Chappell, Charles Frazier, Kathryn Stripling Byer, Robert Morgan, William Bartram, Gail Godwin, O. Henry, Thomas Wolfe, F. Scott Fitzgerald, Anne Tyler, Lillian Jackson Braun, Nina Simone, and Romulus Linney. Each tour provides information about the libraries, museums, colleges, bookstores, and other venues open to the public where writers regularly present their work or are represented in exhibits, events, performances, and festivals.
Waterways, including the Neuse and Trent Rivers, have shaped the history, industry, and culture of Eastern North Carolina's Craven County. With pre-colonial beginnings as home to Native Americans of different nations, this county became a center for royal government and a genteel destination after Baron Christof de Graffenreid risked his fortune to create the permanent settlement of New Bern. After redefining itself time and time again, Craven County has now emerged as a modern community without losing a drop of its original ambience. The charm of Craven County has been enjoyed not only by North Carolinians, but also by the English during the Revolutionary War, the Union during the Civil War, merchants visiting for trade, and well-to-do hunters who came for the wildlife. Within these pages, readers will discover the landscape that has for centuries surrounded locals and visitors alike with unequaled beauty. This volume uncovers the county as it once was, a contrast between the sophistication of the city once dubbed the "Athens of North Carolina" and the pastoral quality of life in the rural farmlands and hunting clubs. Longtime residents will no doubt recognize scenes in these vintage photographs that show landmarks and views of the waterfront from times past, while those new to the area will delight in seeing their home as it once was.
A multidisciplinary study of the uses of music and the portrayal of characters with mental disorder in seventeenth-century English opera and theater. In the seventeenth century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in seventeenth -century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. “In a world centered on notions of order and harmony, witchcraft, melancholia, and madness inhabit the margins of society. However, in this impressive and wide-ranging study, Amanda Eubanks Winkler skillfully relocates this trinity of disorder close to the center of our understanding of seventeenth-century English theater. Musically insightful, historically illuminating, and interpretatively rich, O Let Us Howle Some Heavy Note will amply reward scholars of music and theater alike.” —Steven Plank, Oberlin College “Winkler has crafted an extraordinarily useful and well-informed study that fills significant gaps in the existing musicological and theatrical scholarship on this period. With its interpretive subtlety, its approachable style, and its detailed exploration of a wide range of examples—from little-known stage works to such staples of the genre as Hamlet, The Duchess of Malfi, and Dido and Aeneas—this engaging book will be of interest to any scholar or non-specialist seeking to understand the seventeenth-century’s fascination with, and ambivalence toward, portrayals of witchcraft and madness on the theatrical stage.” —Dr. Andrew Walkling, Department of History, SUNY Binghamton “Seventeenth-century England provides an outstanding backdrop for this study, which focuses on theatrical characters generally associated with mental disorder. . . . Opera scholars should find this work helpful, and specialists in gender studies will gain much from Winkler’s discussion of stereotypes, role reversals, pathological diagnoses, and so on. . . . Recommended.” —Choice
Music, Dance, and Drama in Early Modern English Schools is the first book to systematically analyze the role that the performing arts played in English schools after the Reformation. Although the material record is riddled with gaps, Amanda Eubanks Winkler sheds light on the subject through an innovative methodology that combines rigorous archival research with phenomenological and performance studies approaches. She organizes her study around a series of performance-based questions that demonstrate how the schoolroom intersected with the church, the court, the domicile, the concert room, and the professional theater, which allows her to provide fresh perspectives on well-known canonical operas performed by children, as well as lesser-known works. Eubanks Winkler also interrogates the notion that performance is ephemeral, as she considers how scores and playtexts serve as a conduit between past and present, and demonstrates the ways in which pedagogical performance is passed down through embodied praxis.
Journey Home is the story of Tamara Woodson, who lives in the American West in the 1880s. She is smart and sassy, and has a mind of her own. Like many black families of that era following slavery, her family traveled west and founded their own town. Tamara Woodson is at a turning point in her life. She begins a journey of self-discovery that reveals important connections to her ancestral past. Prompted by her ambitions and experiences, she prepares herself for an uncertain future. At one point, Tamara’s fears are expressed in a dream that intertwines a Nigerian Yoruba folktale. She learns to interpret important symbols. At another, Tamara learns about the Apache Indian culture from a girl who is preparing for her own elaborate coming of age ceremony. Exposure to these two cultures helps Tamara validate the values and traditions of others as well as her own. As she matures, Tamara learns to let go of her own fears and to rely on her inner strength. Journey Home is book one in the juvenile historical fiction series, “Passage to Womanhood.”
Telling the stories of twelve North Carolina heritage foods, each matched to the month of its peak readiness for eating, Georgann Eubanks takes readers on a flavorful journey across the state. She begins in January with the most ephemeral of southern ingredients—snow—to witness Tar Heels making snow cream. In March, she takes a midnight canoe ride on the Trent River in search of shad, a bony fish with a savory history. In November, she visits a Chatham County sawmill where the possums are always first into the persimmon trees. Talking with farmers, fishmongers, cooks, historians, and scientists, Eubanks looks at how foods are deeply tied to the culture of the Old North State. Some have histories that go back thousands of years. Garlicky green ramps, gathered in April and traditionally savored by many Cherokee people, are now endangered by their popularity in fine restaurants. Oysters, though, are enjoying a comeback, cultivated by entrepreneurs along the coast in December. These foods, and the stories of the people who prepare and eat them, make up the long-standing dialect of North Carolina kitchens. But we have to wait for the right moment to enjoy them, and in that waiting is their treasure.
The project to publish the works of Marx and Engels continues, and this book, published in 1984, puts together a comprehensive bibliography of their works either written in or translated into English, including books, monographs, articles, chapters and doctoral dissertations, together with the works of their interpreters. The inclusion of the secondary literature makes this a particularly valuable bibliography, and contributes greatly to the understanding of the thought of Marx and Engels.
A fascinating biography of a forgotten golf legend, a riveting whodunit of a covered-up killing, a scalding exposé of a closed society—in To Win and Die in Dixie, award-winning writer Steve Eubanks weaves all these elements into a masterly book that resurrects a superb sportsman and reconstructs a startling crime. J. Douglas Edgar was the British-born golfer who broke every record, invented the modern swing, and coached such winners as Bobby Jones, the greatest amateur in history, and Alexa Stirling, the finest female player of her day. But on August 8, 1921, he was a man dead in the middle of the road, the victim, conventional wisdom said, of a hit-and-run. Comer Howell thought otherwise. He was an Atlanta Constitution reporter and heir to the paper’s fortune, a man frustrated by his reputation as the pampered boss’s son. To Howell, the physical evidence didn’t add up to a car accident. As he chronicled Edgar’s life, Howell discovered a working-class striver who had risen in the world through a passion to succeed, a quality the newspaperman admired. And as he investigated Edgar’s death, Howell also found a man whose recklessness may have doomed him to a violent demise. Cutting cinematically between Howell’s present and Edgar’s championship past, To Win and Die in Dixie brilliantly portrays one man’s quest for excellence and another’s search for redemption and the truth. Their stories meet in a Southern society of plush country-club golf courses, vast wealth, and decadent secrets. Filled with the vivid golf writing for which its author is renowned, To Win and Die in Dixie is a real-life story both shocking and inspiring, a book that propels Steve Eubanks to a new level of literary achievement.
In Walking with Friends, D.J. Gregory, a thirty-yearold who has cerebral palsy, describes his year of traveling with the PGA tour and walking every course. For D.J., this experience has been the fulfillment of a lifelong dream as well as a search for inspiration, but it has also become a source of inspiration for countless others. D.J. started watching golf with his father when he was twelve years old. While becoming a professional player, joining the amateur ranks, or even becoming a caddy were never realistic considerations because of his cerebral palsy, being able to walk the courses that the golfers—D.J.’s heroes— played was a dream D.J. never gave up on. Over the course of the 2008 PGA tour, D.J. teamed up with the PGA and made his dream come true. It was the ultimate challenge (D.J. compares walking 18 holes of golf for him to running a 10K with a couple of sandbags tied around your waist; he walked each round—four tournament rounds, plus a practice round—of every tournament), and the ultimate journey. At each of the PGA Tour events, D.J., with the help of a cane, walks the course and counts each step (and each fall) alongside a different golfer. Filled with detailed descriptions of the courses and tournaments as well as revealing conversations with players, Walking with Friends is a one-of-a-kind story about tough lies, majestic greens, colorful characters, and the walk of a lifetime.
Read your way across North Carolina's Piedmont in the second of a series of regional guides that bring the state's rich literary history to life for travelers and residents. Eighteen tours direct readers to sites that more than two hundred Tar Heel authors have explored in their fiction, poetry, plays, and creative nonfiction. Along the way, excerpts chosen by author Georgann Eubanks illustrate a writer's connection to a specific place or reveal intriguing local culture--insights rarely found in travel guidebooks. Featured authors include O. Henry, Doris Betts, Alex Haley, Langston Hughes, Zora Neale Hurston, John Hart, Betty Smith, Edward R. Murrow, Patricia Cornwell, Carson McCullers, Maya Angelou, Lee Smith, Reynolds Price, and David Sedaris. Literary Trails is an exciting way to see anew the places that you already love and to discover new people and places you hadn't known about. The region's rich literary heritage will surprise and delight all readers.
“This is the book all of us Mississippi writers, dead and alive, need to read. It is indeed a strange but glorious sensation to see your literary and geographic lineage so beautifully and rigorously explored and valued as it's still being created.” —Kiese Laymon, author of Heavy: An American Memoir In A Place Like Mississippi,award-winning author and Mississippi native W. Ralph Eubanks treats us to a literary tour of the evocative landscapes that have inspired writers in every era. From Faulkner to Wright, Welty to Trethewey, Mississippi has been both a backdrop and a central character in some of the most compelling prose and poetry of modern literature. The journey unfolds on a winding path, touching the muddy Delta, the rolling Hill Country, down to the Gulf Coast, and all points between. In every corner of the state lie the settings that informed hundreds of iconic works. Immersing us in these spaces, Eubanks helps us understand that Mississippi is not only a state but a state of mind. Or as Faulkner is said to have observed, “To understand the world, you must first understand a place like Mississippi.”
The astonishing story of a singer-songwriter living on the streets of Nashville who met Jesus, got sober, and found international stardom at the age of 62. Doug Seegers left New York for Nashville in search of every songwriter’s dream. When he didn’t find success, he fell into a state of loneliness that fed an addiction he had battled since adolescence. Soon, he was homeless, playing his guitar on the street with a cardboard sign asking for money. But then he cried out to God in repentance and need, and God graciously met him. Doug then found sobriety, regained some footing, and in a miraculous moment was discovered outside a food pantry by a Swedish musician and documentarian who put his story on the air in Stockholm. Within days of the documentary airing--even though he still walked to the public library every day and acquired most of his belongings from nearby Dumpsters--Doug had the number-one selling song in Sweden. Going Down to the River is Doug’s inspirational story of faith, forgiveness, and the power of prayer and belief. It is also the never-give-up tale of a man who played music for 55 years without success only to become a chart-topping artist at the age of 62.
You may think you know the South for its food, its people, its past, and its stories, but if there’s one thing that’s certain, it’s that the region tells far more than one tale. It is ever-evolving, open to interpretation, steeped in history and tradition, yet defined differently based on who you ask. This Is My South inspires the reader to explore the Southern States––Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia––like never before. No other guide pulls together these states into one book in quite this way with a fresh perspective on can’t-miss landmarks, off the beaten path gems, tours for every interest, unique places to sleep, and classic restaurants. So come see for yourself and create your own experiences along the way!
The American South is famous for its astonishingly rich biodiversity. In this book, Georgann Eubanks takes a wondrous trek from Alabama to North Carolina to search out native plants that are endangered and wavering on the edge of erasure. Even as she reveals the intricate beauty and biology of the South's plant life, she also shows how local development and global climate change are threatening many species, some of which have been graduated to the federal list of endangered species. Why should we care, Eubanks asks, about North Carolina's Yadkin River goldenrod, found only in one place on earth? Or the Alabama canebrake pitcher plant, a carnivorous marvel being decimated by criminal poaching and a booming black market? These plants, she argues, are important not only to the natural environment but also to southern identity, and she finds her inspiration in talking with the heroes the botanists, advocates, and conservationists young and old on a quest to save these green gifts of the South for future generations. These passionate plant lovers caution all of us not to take for granted the sensitive ecosystems that contribute to the region's long-standing appeal, beauty, and character.
Best known to audiences as the host of The Newlywed Game, Eubanks chronicles his life and work from the beginning of his career as a radio dj in the late 1950's, then as a concert promoter (for the Beatles and the Rolling Stones, among others) and manager for several country singers--he gave Dolly Parton her start and spent ten years on the road with Merle Haggard.
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