All history is necessarily an abridgment, the historian being compelled to select his material from a multitude of details. In the preparation of this history of Miami and Dade Comity much has doubtless been omitted that might have been of interest, but the author has been obliged to confine his text to the more salient points as illustrative of certain phases of local history. He provides a thorough account of the settlement, progress and achievement of the county, as well as individual sketches of representative citizens.
The past century has born witness to a growing interest in the belief systems of ancient Europe, with an array of contemporary Pagan groups claiming to revive these old ways for the needs of the modern world. By far the largest and best known of these Paganisms has been Wicca, a new religious movement that can now count hundreds of thousands of adherents worldwide. Emerging from the occult milieu of mid twentieth-century Britain, Wicca was first presented as the survival of an ancient pre-Christian Witch-Cult, whose participants assembled in covens to venerate their Horned God and Mother Goddess, to celebrate seasonal festivities, and to cast spells by the light of the full moon. Spreading to North America, where it diversified under the impact of environmentalism, feminism, and the 1960s counter-culture, Wicca came to be presented as a Goddess-centred nature religion, in which form it was popularised by a number of best-selling authors and fictional television shows. Today, Wicca is a maturing religious movement replete with its own distinct world-view, unique culture, and internal divisions. This book represents the first published academic introduction to be exclusively devoted to this fascinating faith, exploring how this Witches' Craft developed, what its participants believe and practice, and what the Wiccan community actually looks like. In doing so it sweeps away widely-held misconceptions and offers a comprehensive overview of this religion in all of its varied forms. Drawing upon the work of historians, anthropologists, sociologists, and scholars of religious studies, as well as the writings of Wiccans themselves, it provides an original synthesis that will be invaluable for anyone seeking to learn about the blossoming religion of modern Pagan Witchcraft.
From the American Revolution to the War in Afghanistan, the United States has had no shortage of conflicts on both domestic and world stages. All provide insight into the values of the presidents who led the nation through them. U.S. Presidents during Wartime: A History of Leadership takes readers through chronological entries of presidents who participated in key wars throughout U.S. history. An overview essay first considers the social, economic, and political factors that affected presidents during war. Entries beginning with the presidency of George Washington and ending with that of George W. Bush comprehensively cover each war therein, as well as the responses of the relevant presidents. Primary documents in each entry depict the perspectives of the presidents and offer opportunities for comparing and contrasting the presidents' engagements in wartime strategies. Ending each entry are chronologies of the various events and conflicts that marked the president's time in office. Moreover, entries build upon each other to help readers toward a broader understanding of the sum impact of the wars that the presidents led. While the book emphasizes the historical record, it also explores ongoing conflicts through the lens of contemporary U.S. presidents to provide readers with a complete picture of the changing nature of war over time.
“Extraordinary for its craft and emotional effect . . . [Ethan Canin is] a writer of enormous talent and charm.” –The Washington Post “Character is destiny,” wrote Heraclitus–and in this collection of four unforgettable stories, we meet people struggling to understand themselves and the unexpected turns their lives have taken. In “Accountant,” a quintessential company man becomes obsessed with the phenomenal success of a reckless childhood friend. “Batorsag and Szerelem” tells the story of a boy’s fascination with the mysterious life and invented language of his brother, a math prodigy. In “City of Broken Hearts,” a divorced father tries to fathom the patterns of modern relationships. And in “The Palace Thief,” a history teacher at an exclusive boarding school reflects on the vicissitudes of a lifetime connection with a student scoundrel. A remarkable achievement by one of America’s finest writers, this brilliant volume reveals the moments of insight that illuminate everyday lives. “Captivating . . . a heartening tribute to the form . . . an exquisite performance.” –The Boston Sunday Globe “A model of wit, wisdom, and empathy. Chekhov would have appreciated its frank renderings and quirky ironies.” –Chicago Tribune
A fascinating look at the gay and lesbian influence on the American stage by an internationally-recognized authority on the topic From the genteel female impersonators of the 1910s to the raucous drag queens of La Cage Aux Folles, from the men of The Normal Heart to the women of Fun Home, and from Eva Le Gallienne and Tallulah Bankhead to Tennessee Williams and Nathan Lane, Gays On Broadway deftly chronicles the plays and people that brought gay culture to Broadway. Writing with his customary verve and wit, author Ethan Mordden follows the steady liberation of gay themes on the American stage. The story begins in the early twentieth century, when gay characters were virtually banned from productions. The 1920s saw a flurry of plays closed on moral grounds as well as the Wales Padlock Act, which forbade representation of "sex degeneracy". While authorities made consistent attempts to shutter the movement, the public remained curious, and after a few decades of war making, a truce broke out when The Boys In the Band became a national smash hit. From this point on, gay theatre proved simply too popular to abolish. With this change, theatre was graced with a host of unforgettable characters - from thrill killers to historical figures to drag performers, as well as professional gays (such as the defiantly effeminate window dresser in Kiss of the Spider Woman), closeted gays, and those run-of-the-mill citizens who don't reside entirely within the colorful nonconformist identity (such as the two male lovers in the dinner-theatre comedy Norman, Is That You?). Spoken plays and musicals, playwrights, directors, and actors all played their part in popularizing the gay movement through art. Gays on Broadway is an essential chronological review of the long journey to bring the culture of gay men and women onto the American stage.
From Gilbert and Sullivan to Andrew Lloyd Webber, from Julie Andrews to Hugh Jackman, from Half a Sixpence to Matilda, Pick a Pocket Or Two is the story of the British musical: where it began and how it developed. In Pick a Pocket Or Two, acclaimed author Ethan Mordden brings his wit and wisdom to bear in telling the full history of the British musical, from The Beggar's Opera (1728) to the present, with an interest in isolating the unique qualities of the form and its influence on the American model. To place a very broad generalization, the American musical is regarded as largely about ambition fulfilled, whereas the British musical is about social order. Oklahoma!'s Curly wins the heart of the farmer Laurey--or, in other words, the cowboy becomes a landowner, establishing a truce between the freelancers on horseback and the ruling class. Half a Sixpence, on the other hand, finds a working-class boy coming into a fortune and losing it to fancy Dans, whereupon he is reunited with his working-class sweetheart, his modest place in the social order affirmed. Anecdotal and evincing a strong point of view, the book covers not only the shows and their authors but the personalities as well--W. S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C. B. Cochran coming to a most shocking demise for a man whose very name meant "classy, carefree entertainment." Unabashedly opinionated and an excellent stylist, author Ethan Mordden provokes as much as he pleases. Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form.
One of Janet Maslin’s Favorite Books of 2018, The New York Times One of John Warner’s Favorite Books of 2018, Chicago Tribune Named one of the “Best Civil War Books of 2018” by the Civil War Monitor “A fascinating and important new historical study.” —Janet Maslin, The New York Times “A stunning contribution to the historiography of Civil War memory studies.” —Civil War Times The stunning, groundbreaking account of "the ways in which our nation has tried to come to grips with its original sin" (Providence Journal) Hailed by the New York Times as a "fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most," Denmark Vesey's Garden "maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country" (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, "Kytle and Roberts's combination of encyclopedic knowledge of Charleston's history and empathy with its inhabitants' past and present struggles make them ideal guides to this troubled history" (Publishers Weekly, starred review). A work the Civil War Times called "a stunning contribution, " Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States.
An illuminating history of the reform agenda in higher education. For well over one hundred years, people have been attempting to make American colleges and universities more efficient and more accountable. Indeed, Ethan Ris argues in Other People’s Colleges, the reform impulse is baked into American higher education, the result of generations of elite reformers who have called for sweeping changes in the sector and raised existential questions about its sustainability. When that reform is beneficial, offering major rewards for minor changes, colleges and universities know how to assimilate it. When it is hostile, attacking autonomy or values, they know how to resist it. The result is a sector that has learned to accept top-down reform as part of its existence. In the early twentieth century, the “academic engineers,” a cadre of elite, external reformers from foundations, businesses, and government, worked to reshape and reorganize the vast base of the higher education pyramid. Their reform efforts were largely directed at the lower tiers of higher education, but those efforts fell short, despite the wealth and power of their backers, leaving a legacy of successful resistance that affects every college and university in the United States. Today, another coalition of business leaders, philanthropists, and politicians is again demanding efficiency, accountability, and utility from American higher education. But, as Ris argues, top-down design is not destiny. Drawing on extensive and original archival research, Other People’s Colleges offers an account of higher education that sheds light on today’s reform agenda.
There’s a real connection between craftsmanship and Web design. That’s the theme running through Handcrafted CSS: More Bulletproof Web Design, by bestselling author Dan Cederholm, with a chapter contributed by renowned Web designer and developer Ethan Marcotte. This book explores CSS3 that works in today’s browsers, and you’ll be convinced that now’s the time to start experimenting with it. Whether you’re a Web designer, project manager, or a graphic designer wanting to learn more about the fluidity that’s required when designing for the Web, you’ll discover the tools to create the most flexible, reliable, and bulletproof Web designs. And you’ll finally be able to persuade your clients to adopt innovative and effective techniques that make everyone’s life easier while improving the end user’s experience. This book’s seven chapters deconstruct various aspects of a case-study Web site for the Tugboat Coffee Company, focusing on aspects that make it bulletproof and demonstrate progressive enrichment techniques over more traditional labor-intensive methods. Subjects covered in this book include: building for unanticipated future use progressively enriching designs using CSS3 properties using RGBA color for transparency with an alpha channel modular float management crafting flexible frameworks fluid layouts using grid-based design principles craftsmanship details on typography, jQuery, and shifting backgrounds
Why would a successful Maine software developer in his early 60’s close his laptop and spend an entire year chasing a little known Birding Record? Follow the author’s 2021 adventure as he travels from Kittery to Caribou to Camden to Fryeburg in an attempt to see every species of bird in the State of Maine. Every Bird in Maine is a stunning visual narrative of the Birds of Maine and the challenge of seeing them all. You will join the author in his: • Hike to the top of Saddleback Mountain to find a bird that nests at the tree line • Lobster boat trip in stormy seas to find a wayward bird that belongs in the tropics • Freezing winter excursion to glimpse a rare owl • Interactions with birders and non-birders as he travels throughout the state Every Bird in Maine includes over 400 wildlife photos by the author, tied together with his humorous chronicle of an attempt to break the State’s Big Year Record. Introduction: In 2011, 20th Century Fox released “The Big Year”, a comedy starring Steve Martin, Owen Wilson and Jack Black. The movie was characterized as a box office failure and was quietly retired to the rear of various movie streaming services. One evening while watching HBO, the author stumbled across “The Big Year” and thoroughly enjoyed the story of three ‘competitive’ birders, striving to see the highest number of North American bird species in a calendar year. At the time, his knowledge of birds consisted of those that visit his feeders and the Bald Eagles and Ospreys that patrolled the river by his Wiscasset home. A few months later, the author met Ingrid, a beautiful 4th grade teacher who was also a birder. He was smitten from the moment he met her. In a desperate effort to impress Ingrid, on their second date he took her to a marsh where he had seen dozens of Snowy Egrets the previous September. The author had no idea that they had all migrated south four months earlier. Despite his birding ignorance, Ingrid continued to date him, and they married a year and a half later. Over time, their shared birding excursions became far more successful. Ingrid patiently taught the author how to identify different species, bought him a decent pair of binoculars, took him to birding festivals and slowly created a birding addict. By 2015 the couple began taking their vacations at birding hotspots in Texas, California, and Arizona. They would rush out the door every time a rare bird was spotted and spend all of their free time in marshes, bogs and at shorelines. A few years later, the author asked Ingrid how she would feel about him doing a ‘Maine Big Year’ in 2021, spending an entire calendar year seeing how many species of birds he could find. To do it right, he’d have to retire early, get his bad knees replaced, and spend even more time training for his Big Year. Ingrid immediately said, “I think you should do it!!!” Every Bird in Maine is a memoir of that Maine Big Year adventure. The state record sat at 317 species. Could he find 318?
This “extraordinary history” of the influential black newspaper is “deeply researched, elegantly written [and] a towering achievement” (Brent Staples, New York Times Book Review). In 1905, Robert S. Abbott started printing The Chicago Defender, a newspaper dedicated to condemning Jim Crow and encouraging African Americans living in the South to join the Great Migration. Smuggling hundreds of thousands of copies into the most isolated communities in the segregated South, Abbott gave voice to the voiceless, galvanized the electoral power of black America, and became one of the first black millionaires in the process. His successor wielded the newspaper’s clout to elect mayors and presidents, including Harry S. Truman and John F. Kennedy, who would have lost in 1960 if not for The Defender’s support. Drawing on dozens of interviews and extensive archival research, Ethan Michaeli constructs a revelatory narrative of journalism and race in America, bringing to life the reporters who braved lynch mobs and policemen’s clubs to do their jobs, from the age of Teddy Roosevelt to the age of Barack Obama. “[This] epic, meticulously detailed account not only reminds its readers that newspapers matter, but so do black lives, past and present.” —USA Today
Ethan Mordden's new entry in his history of the Broadway musical looks at an era that brought us not only the gritty reality of "A Chorus Line" and the brilliantly bittersweet works of Stephen Sondheim, but also the nostalgic crowd-pleasers "No, No, Nanette" and "Annie." It was a time when Broadway both looked to its past, but also to its future and allowed reality to enter. Mordden writes of the last time we ever saw true greatness on the stage of the Broadway musical. "[A] treasure trove for fans of the musical theatre." - Richard Ouzonian, Toronto Star
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.
Giving each of Stephen Sondheim's musicals its own chapter, Ethan Mordden applies fresh insights and analysis to consider Sondheim's place in modern art, addressing the newcomer and the aficionado alike.
A look up at the night sky reveals a treasury of wonders. Even to the naked eye, the Moon, stars, planets, the Milky Way and even a few star clusters and nebulae illuminate the heavens. For millennia, humans struggled to make sense of what's out there in the Universe, from all we can see to that which lies beyond the limits of even our most powerful telescopes. Beyond the Galaxy traces our journey from an ancient, Earth-centered Universe all the way to our modern, 21st century understanding of the cosmos. Touching on not only what we know but also how we know it, Ethan Siegel takes us to the very frontiers of modern astrophysics and cosmology, from the birth of our Universe to its ultimate fate, and everything in between.
In The Instrumental University, Ethan Schrum provides an illuminating genealogy of the educational environment in which administrators, professors, and students live and work today. After World War II, research universities in the United States underwent a profound mission change. The Instrumental University combines intellectual, institutional, and political history to reinterpret postwar American life through the changes in higher education. Acknowledging but rejecting the prevailing conception of the Cold War university largely dedicated to supporting national security, Schrum provides a more complete and contextualized account of the American research university between 1945 and 1970. Uncovering a pervasive instrumental understanding of higher education during that era, The Instrumental University shows that universities framed their mission around solving social problems and promoting economic development as central institutions in what would soon be called the knowledge economy. In so doing, these institutions took on more capitalistic and managerial tendencies and, as a result, marginalized founding ideals, such as pursuit of knowledge in academic disciplines and freedom of individual investigators. The technocratic turn eroded some practices that made the American university special. Yet, as Schrum suggests, the instrumental university was not yet the neoliberal university of the 1970s and onwards in which market considerations trumped all others. University of California president Clark Kerr and other innovators in higher education were driven by a progressive impulse that drew on an earlier tradition grounded in a concern for the common good and social welfare.
As banks crashed, belts tightened, and cupboards emptied across the country, American prisons grew fat. Doing Time in the Depression tells the story of the 1930s as seen from the cell blocks and cotton fields of Texas and California prisons, state institutions that held growing numbers of working people from around the country and the world—overwhelmingly poor, disproportionately non-white, and displaced by economic crisis. Ethan Blue paints a vivid portrait of everyday life inside Texas and California’s penal systems. Each element of prison life—from numbing boredom to hard labor, from meager pleasure in popular culture to crushing pain from illness or violence—demonstrated a contest between keepers and the kept. From the moment they arrived to the day they would leave, inmates struggled over the meanings of race and manhood, power and poverty, and of the state itself. In this richly layered account, Blue compellingly argues that punishment in California and Texas played a critical role in producing a distinctive set of class, race, and gender identities in the 1930s, some of which reinforced the social hierarchies and ideologies of New Deal America, and others of which undercut and troubled the established social order. He reveals the underside of the modern state in two very different prison systems, and the making of grim institutions whose power would only grow across the century.
In the 1960s, the Broadway musical was revolutionized from an entertainment characterized by sentimental standards, such as Camelot and Hello, Dolly!, to one of brilliant and bittersweet masterpieces, such as Cabaret and Fiddler on the Roof. In Open a New Window, Ethan Mordden continues his history of the Broadway musical with the decade that bridged the gap between the romantic, fanciful entertainments of the fifties, such as Call Me, Madam, to the seventies when sophisticated fare, such as A Little Night Music and Follies, was commonplace. Here in brilliant detail is the decade and the people that forever transformed the Broadway muscial.
Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess.
A unique thriller that dives deeply into Sunni and Shia Islam from a political perspective, taking readers behind the scenes in the Middle East. Messianic Reveal intelligently and compassionately, and at times humorously, narrates the story of an unexceptional young man of integrity who seeks simply to serve his country, and in so doing follows his instincts into a labyrinth of conspiracies. The novellaunches from and connects to real events and real people: the 1979 siege of Mecca, Osama Bin Laden’s brother, Ayatollah Khomeini’s temporary residences in France and Iraq, and so on. The most extraordinary and compelling parts of this fictional account are true or otherwise widely believed in the Middle East, and largely come from Ethan T. Burroughs’ personal experiences and relationships with locals there. Throughout Messianic Reveal, readers are taken behind the scenes into the government’s bureaucratic and policy machinations, and the West’s grappling with Islam’s political influence.
From the late 1920s to late 1950s, the Broadway theatre was America's cultural epicenter. Television didn't exist and movies were novelties. Entertainment took the form of literature, music, and theatre. During this golden age of Broadway, actors and actresses became legends and starred in now classic plays. Laurence Olivier, Alfred Lunt and Lynne Fontaine were names to remember, etching plays into memory as they brought the words of Tennessee Williams or Eugene O'Neill to life. Joseph Cotton romanced Katherine Hepburn in Philip Barry's The Philadelphia Story while Laurette Taylor became The Glass Menagerie's Amanda Wingfield. Frederic March, Florence Eldridge, Jason Robards Jr. and Bradford Dillman showed us life among the ruins in Long Day's Journey Into Night. In All That Glittered, Ethan Mordden, long one of Broadway's best chroniclers, recreates the fascinating lost world of its golden age.
In this reexamination of the last two years of Lee's storied military career, Ethan S. Rafuse offers a clear, informative, and insightful account of Lee's ultimately unsuccessful struggle to defend the Confederacy against a relentless and determined foe. This book provides a comprehensive, yet concise and entertaining narrative of the battles and campaigns that highlighted this phase of the war and analyzes the battles and Lee's generalship in the context of the steady deterioration of the Confederacy's prospects for victory.
THE STORY: Hiring and firing are antisocial acts. Workplace pressures make for nasty competition. And the work itself can be meaningless and alienating. Accordingly, the three short plays that make up OFFICES are comedies. OFFICES includes PEER REV
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