Citizens are asked to buy, and asked to consider to buy, goods of all sizes and all prices, nearly all of the time. Appeals to political decision-making are less common. In The Consumer Citizen, Ethan Porter investigates how the techniques of everyday consumer experiences can shape political behavior. Drawing on more than a dozen original studies, he shows that the casual conflation of consumer and political decisions has profound implications for how Americans think about politics. Indeed, Porter explains that consumer habits can affect citizens' attitudes about their government, their taxes, their politicians, and even whether they purchase government-sponsored health insurance. The consumer citizen approaches government as if it were just an ordinary firm. Of course, government is not an ordinary firm---far from it---and the disjunction between what government is, and the consumer apparatus that citizens bring to bear on their evaluations of it, offers insight into several long-unanswered questions in political behavior and public opinion. How do many Americans make sense of the political world? The Consumer Citizen offers a novel answer: By relying on the habits and tools that they learn as consumers.
Forever and Ever By: Ethan Porter What happens when the spirit of life is taken away too soon? This is something that twelve-year old Everett knows all too well. Time brings him closer to his best friend, Katie, a confident girl who has a zest for everything in her life. However, when Katie becomes gravely ill, Everett wants to provide her everything she desires from life, including marriage. But how is that possible? Inspired by real childhood friends, Forever and Ever is a story about determination and faith in the darkest of times, and will leave its reader with the satisfaction that unconditional love overcomes all.
In the 1930s, Broadway's lights still burned brightly. Ethan Mordden completes his history of the Broadway musical by taking a look at this forgotten era. Shows like Anything Goes brought the glitter of Cole Porter and Merman's brass to the public. Innovations in dance were pioneered by Balanchine and others. Scenic advancements made Astaire's The Band Wagon move across the stage in novel ways. Gershwin's revolutionary Porgy and Bess entered the canon of American Classics. And The Cradle Will Rock and Johnny Johnson took the American political temperature. With his trademark wit and style, Ethan Mordden shines the spotlight on Broadway's forgotten decade.
This is a chronological review of both the plays and the people that brought the world of homosexuals, bisexuals, transexuals, metrosexuals, and the sexually fluid to the American stage. The plays--which take in a few foreign imports--treat strong gay content (e. g., The Boys in the Band or The Killing of sister George), or minor gay content (Season In the Sun, The Nervous Set), or even a phrase in passing (as in New Faces of 1956's joke about Rome's piazza Di Spagna, so niche that perhaps fifty people got it during the show's six-month run). I have included as well plays that portray gay through dog whistles (such as Bell, Book and Candle, in which the witches are really gay people) and even plays whose sense of parody or outright camp (such as Little Mary Sunshine or Johnny Guitar) are at least gay-adjacent. As for the people in the book--writers, actors, creatives-- I have included profiles of some who, though gay, had little interest in portraying gay lives--Edward Albee, for example, even as his influence not as a writer about gay but rather as a writer who is gay was extremely broad, so conclusive that he takes pride of place at the end of this volume. These so to say pre-Stonewall eminences--actor-manager Eva Le Gallienne is another one--are as much a part of the chronicle as such overtly gay-in-content writers as Terrence McNally"--
When films like The Jazz Singer started to integrate synchronized music, in the late 1920s many ambitious songwriting pioneers of the Great White Way - George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart, among many others - were enticed westward by Hollywood studios' promises of national exposure and top dollar success. But what happened when writers native to the business of Broadway ran into the very different business of Hollywood? Their movies had their producer despots, their stacking of writing teams on a single project, their use of five or six songs per story where Broadway fit in a dozen, and it seemed as if everyone in Hollywood was uncomfortable with characters bursting into song on the street, in your living room, or in "a cottage small by a waterfall." Did the movies give theater writers a chance to expand their art, or did mass marketing ruin the musical's quintessential charm? Is it possible to trace the history of the musical through both stage and screen manifestations, or did Broadway and Hollywood give rise to two wholly irreconcilable art forms? And, finally, did any New York writer or writing team create a film musical as enthralling and timeless as their work for the stage? In When Broadway Went to Hollywood, writer and celebrated steward of musical theatre Ethan Mordden directs his unmistakable wit and whimsy to these challenging questions and more, charting the volatile and galvanizing influence of Broadway on Hollywood (and vice versa) throughout the twentieth century. Along the way, he takes us behind the scenes of the great Hollywood musicals you've seen and loved (The Wizard of Oz, Gigi, The Sound of Music, Chicago, West Side Story, The Music Man, Grease) as well as some of the outrageous flops you probably haven't. The first book to tell the story of how Broadway affected the Hollywood musical, When Broadway Goes to Hollywood is sure to thrill theatre buffs and movie lovers alike.
From January to July of 1862, the armies and navies of the Union and Confederacy conducted an incredibly complex and remarkably diverse range of operations in the Commonwealth of Virginia. Under the direction of leaders like Thomas “Stonewall” Jackson, George McClellan, Joseph E. Johnston, John Rodgers, Robert E. Lee, Franklin Buchanan, Irvin McDowell, and Louis M. Goldsborough, men of the Union and Confederate armed forces marched over mountains and through shallow valleys, maneuvered on and along great tidal rivers, bridged and waded their tributaries, battled malarial swamps, dug trenches and constructed fortifications, and advanced and retreated in search of operational and tactical advantage. In the course of these operations, the North demonstrated it had learned quite a bit from its setbacks of 1861 and was able to achieve significant operational and tactical success on both land and sea. This enabled Union arms to bring a considerable portion of Virginia under Federal control—in some cases temporarily and in others permanently. Indeed, at points during the spring and early summer of 1862, it appeared the North just might succeed in bringing about the defeat of the rebellion before the year was out. A sweeping study of the operations on land and sea, From the Mountains to the Bay is the only modern scholarly work that looks at the operations that took place in Virginia in early 1862, from the Romney Campaign that opened the year to the naval engagement between the Monitor and Merrimac to the movements and engagements fought by Union and Confederate forces in the Shenandoah Valley, on the York-James Peninsula, and in northern Virginia, as a single, comprehensive campaign. Rafuse draws from extensive research in primary sources to provide a fast-paced, complete account of operations throughout Virginia, while also incorporating findings of recent scholarship on the factors that shaped these campaigns. The work provides invaluable insights into the factors and individuals who shaped these operations, how they influenced the course of the war, the relationships between political leaders and men in uniform, and how all these factors affected the development and execution of strategy, operations, and tactics.
Anecdotal and evincing a strong point of view, [this] book covers not only the shows and their authors but the personalities as well--W.S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C.B. Cochran coming to a most shocking demise for a man whose very name meant 'classy, carefree entertainment.' ... Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form"--
This volume is the essential guide to the Manassas battlefields, site of two of the Civil War’s critical campaigns. Ethan S. Rafuse, a distinguished scholar of the Civil War, provides a clearly organized, thorough, and uniquely insightful account of both campaigns, along with expert analysis and precise directions for armchair traveler and battlefield visitor alike. The July 1861 Battle of First Manassas and the August 1862 Battle of Second Manassas unequivocally influenced the course and outcome of the Civil War. The first battle dealt a decisive blow to hopes that the inexperienced armies of the North and the South could bring about a quick military resolution of the secession crisis. The second battle was the climactic engagement of a spectacular campaign that carried the war to the outskirts of Washington DC and marked the coming of age of Robert E. Lee’s Army of Northern Virginia. Manassas: A Battlefield Guide presents readers with a clear, convenient guide to the sites in northern and central Virginia that shaped the course and outcome of these campaigns. Lucid, concise narratives give readers a better understanding of the events that took place on these battlefields and of the terrain, personalities, and decisions that shaped them.
As a result, Rafuse sheds light not only on McClellan's conduct on the battlefields of 1861-62 but on United States politics and culture in the years leading up to the Civil War.
From the 1920s to the early 1960s, Manhattan was America's beacon of sophistication. From the theatres of Broadway to the lobby of the Algonquin Hotel to tables at the Stork Club, intelligence and wit were the twinned coins of the realm. Alexander Woolcott, Irving Berlin, Edna Ferber, Arturo Toscanini, Leonard Bernstein, Cole Porter, Dorothy Parker, Truman Capote, the Lunts and Helen Hayes presided over the town. Their books, plays, performances, speeches, dinner parties, masked balls, loves, hates, likes and dislikes became the aspirations of a nation. If you wanted to be sophisticated, you played by Manhattan's rules. If you didn't, you simply weren't on the guest list. The Heartland rebelled against Manhattan's dictum, but never prevailed. In this lively cultural history, Mordden chronicles the city's most powerful and influential era.
From the late 1920s to late 1950s, the Broadway theatre was America's cultural epicenter. Television didn't exist and movies were novelties. Entertainment took the form of literature, music, and theatre. During this golden age of Broadway, actors and actresses became legends and starred in now classic plays. Laurence Olivier, Alfred Lunt and Lynne Fontaine were names to remember, etching plays into memory as they brought the words of Tennessee Williams or Eugene O'Neill to life. Joseph Cotton romanced Katherine Hepburn in Philip Barry's The Philadelphia Story while Laurette Taylor became The Glass Menagerie's Amanda Wingfield. Frederic March, Florence Eldridge, Jason Robards Jr. and Bradford Dillman showed us life among the ruins in Long Day's Journey Into Night. In All That Glittered, Ethan Mordden, long one of Broadway's best chroniclers, recreates the fascinating lost world of its golden age.
Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally, Oh Kay!, Anything Goes, Show Boat, Oklahoma!, Follies, Chicago, and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was. The volume includes an extensive discography--the first of its kind--which offers a virtually self-contained history of recorded show music.
Economic ruin has descended on Europe. Civil war among the drug cartels in Mexico rages out of control. The United States Federal Government debates endlessly, but does nothing as the ruin in Europe slowly spreads around the world. With the end drawing near, Governor Katherine Brewster calls upon an intrepid businesswoman with a shaky past and the few allies they have to save California before infighting among the cartels spreading north and government corruption destroys them all...and takes the country with them. Meanwhile, Detective Timothy Burns works the streets of Los Angeles on the LAPD Gang Taskforce as turf wars begin erupting out of control without cause or warning. As the body-count racks up, he begins to realize that not everything, including the motives of the government he serves, is as it seems, and may be about to doom them all...
In September 1862 the Confederate Army of Northern Virginia and the Union Army of the Potomac conducted one of the truly great campaigns of the Civil War. At South Mountain, Harpers Ferry, and Antietam, North and South clashed in engagements whose magnitude and importance would earn this campaign a distinguished place in American military history. The siege of Harpers Ferry produced the largest surrender of U.S. troops in the nation's history until World War II, while the day-long battle at Antietam on September 17 still holds the distinction of being the single bloodiest day of combat in Amer.
A thought-provoking analysis of the historical expansion and recent dramatic acceleration of international crime control, 'Policing the Globe' provides a bridge between criminal justice and international relations on a topic of crucial public importance.
A thorough and effectively executed study, this biography will appeal to anyone interested in Stonewall Jackson and the military history of the Civil War. Thomas J. "Stonewall" Jackson was one of the greatest generals of the Civil War and remains an iconic figure of American history. Stonewall Jackson: A Biography offers a complete yet concise account of Jackson's life and career, illuminating the forces and events that shaped both. The study is organized chronologically, beginning with Jackson's hardscrabble upbringing in the mountains of western Virginia. It follows him through the experiences that brought him to 1861, when he won the nickname "Stonewall" on the battlefield of the first great battle of the Civil War, and then traces his military career and role in the Confederate victories of 1861–1863. Throughout, the biography never loses sight of the man himself. Readers will understand both Jackson's impact on military history and the qualities that enabled him to achieve personal satisfaction and fame as one of history's great soldiers.
Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess.
In Exit the Colonel, Ethan Chorin, a longtime Middle East scholar and one of the first American diplomats posted to Libya after the lifting of international sanctions, goes well beyond recent reporting on the Arab Spring to link the Libyan uprising to a flawed reform process, egregious human rights abuses, regional disparities, and inconsistent stories spun by Libya and the West to justify the Gaddafi regime's "rehabilitation." Exit the Colonel is based upon extensive interviews with senior US, EU, and Libyan officials, and with rebels and loyalists; a deep reading of local and international media; and significant on-the-ground experience pre- and post-revolution. The book provides rare and often startling glimpses into the strategies and machinations that brought Gaddafi in from the cold, while encouraging ordinary Libyans to "break the barrier of fear." Chorin also assesses the possibilities and perils for Libya going forward, politically and economically.
She said, "I became a singer because I couldn't get work as an actress," but Barbra Streisand not only became both but revolutionized the two professions. Her music transformed the smooth, uninflected style of the Frank Sinatras and Ella Fitzgeralds into an engine of dramatic vocalism in which each song is like a miniature three-act play. And Streisand's films changed forever the ideal of how a movie star chooses roles, going from musicals to dramas to comedies, from period fare to ultra-modern tales, from Funny Girl to The Way We Were to Yentl. On Streisand begins with a broad year-by-year outline of the landmark achievements and a few of her more whimsical escapades, as when Rex Reed apologizes for an oafish interview piece and she responds with "I had more respect for him when he hated me." This is followed by a long essay on how Streisand's idiosyncratic self-realization marks her as a unique national treasure, an artist without limits. Then comes the major part of the book, a work-by-work analysis. This section is broken down into separate chapters, each organized chronologically: the stage shows, then the television shows and concerts, then the movies, and last (because longest) the recordings. Throughout, Mordden follows Streisand's independence, which he sees as her central quality. Throughout all of the chapters on Streisand's shows, concerts, films, and recordings, Mordden illustrates how she was exercising individualistic control of her career from her very first audition, and how the rest of her professional life unfolded from that point. A book written by an opinionated expert whose prose is consistently full of flair and wit, On Streisand: An Opinionated Guide will appeal to general readers in all aspects of American life that Streisand has touched, from film to television to popular music to stardom.
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