After Brandi Monroe, a soon to be freshman at Goodton High, appears missing during an end-of-summer beach party her friends suspect she’s swimming. But Brandi’s body is discovered the next morning drowned in the ocean and David Miller, a single father struggling to raise two teenagers since his wife Mary’s cancer death, realizes a boy, Joey Young, may have been involved in this young girl’s death. Then David’s daughter, Adele, asks to date him! David uncovers more than a homicide as Goodton residents discover their place within the Diamond Party, a system uniting good people with diabolical ones to plan their community. The party has fortified four sides of life within a secret hierarchy and David’s children are left to pass into adulthood too early. In this coming of age tale, a single father’s bravery makes him the victim of circumstance when good folks fail to stand against boys taking advantage of girls, men manipulating goodwill, and a society relying on evil to get things done.
An engaging, relevant text, Working in Teams explores the major concepts related to team success and prepares students to lead and work in and lead collaborative, interdependent environments. Authors Brian A. Griffith, PhD, and Ethan B. Dunham EdM, MBA, teach readers to accomplish specific goals in teams, foster the development of individual members, and transform “high-potential” groups into “high performing” teams. Readers will develop a strong, practical foundation in topics essential to effective teamwork: team design and development, interpersonal dynamics, leadership, communication, decision making, creativity and innovation, diversity, project management, and performance evaluation.
From Gilbert and Sullivan to Andrew Lloyd Webber, from Julie Andrews to Hugh Jackman, from Half a Sixpence to Matilda, Pick a Pocket Or Two is the story of the British musical: where it began and how it developed. In Pick a Pocket Or Two, acclaimed author Ethan Mordden brings his wit and wisdom to bear in telling the full history of the British musical, from The Beggar's Opera (1728) to the present, with an interest in isolating the unique qualities of the form and its influence on the American model. To place a very broad generalization, the American musical is regarded as largely about ambition fulfilled, whereas the British musical is about social order. Oklahoma!'s Curly wins the heart of the farmer Laurey--or, in other words, the cowboy becomes a landowner, establishing a truce between the freelancers on horseback and the ruling class. Half a Sixpence, on the other hand, finds a working-class boy coming into a fortune and losing it to fancy Dans, whereupon he is reunited with his working-class sweetheart, his modest place in the social order affirmed. Anecdotal and evincing a strong point of view, the book covers not only the shows and their authors but the personalities as well--W. S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C. B. Cochran coming to a most shocking demise for a man whose very name meant "classy, carefree entertainment." Unabashedly opinionated and an excellent stylist, author Ethan Mordden provokes as much as he pleases. Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form.
Friendship is one of our most important social institutions. It is the not only the salve for personal loneliness and isolation; it is the glue that binds society together. Yet for a host of reasons--longer hours at work, the Internet, suburban sprawl--many have argued that friendship is on the decline in contemporary America. In social surveys, researchers have found that Americans on average have fewer friends today than in times past. In Friend v. Friend, Ethan J. Leib takes stock of this most ancient of social institutions and its ongoing transformations, and contends that it could benefit from better and more sensitive public policies. Leib shows that the law has not kept up with changes in our society: it sanctifies traditional family structures but has no thoughtful approach to other aspects of our private lives. Leib contrasts our excessive legal sensitivity to marriage and families with the lack of legal attention to friendship, and shows why more legal attention to friendship could actually improve our public institutions and our civil society. He offers a number of practical proposals that can support new patterns of interpersonal affinity without making friendship an onerous legal burden. An elegantly written and highly original account of the changing nature of friendship, Friend v. Friend upends the conventional wisdom that law and friendship are inimical, and shows how we can strengthen both by seeing them as mutually reinforcing.
This is an intro-level text that teaches how to think clearly and conceptually about quantitative information, emphasizing ideas over technicality and assuming no prior exposure to data analysis, statistics, or quantitative methods. The books four parts present the foundation for quantiative reasoning: correlation and causation; statistical relationships; causal phenomena; and incorporating quantitative information into decision making. Within these parts it covers the array of tools used by social scientists, including regression, inference, experiments, research design, and more, all by explaining the rationale and logic behind such tools rather than focusing only on the technical calculations used for each. New concepts are presented simply, with the help of copious examples, and the books leans towards graphic rather than mathematical representation of data, with any technical material included in appendices"--
The world of law is a world of information. Rules, judgments, decisions, interpretations, and agreements all involve using and communicating information. Today, we are experiencing a significant transition, from letters fixed on paper to information stored electronically. The digital era, where information is created, stored, and communicated electronically, is quickly approaching, if not already here. The future of law will no longer be found in impressive buildings and leather-bound books, but in small pieces of silicon, in streams of light, and in millions of miles of wires and cable. It will be a world of new relationships and greater possibilities for individual and group communication, an environment where the value of information increases as it is shared. In Law in a Digital world, M. Ethan Katsh explores how these new technologies will alter one of our most central institutions. He considers the different ways in which people will not only electronically read and write, but also interact with our vast storehouses of legal knowledge and information. He envisions how sounds and pictures will play into the largely imageless print world of law, and looks at the future importance of graphic and nontextual communication. He explores how the flexible, personalized organization of data will transform the way we gather information, and whether information can or cannot be contained, raising questions of copyright and privacy. What happens to the law when information is more plentiful and accessible? What happens to those people who suddenly have access to information never before available? Does the use of information in a new form change the institution, the user, and those who come in contact with the user? And, what role does the lawyer play in all of this? For citizens, for lawyers, for all those who will be part of the digital world rushing toward us, Katsh answers these questions while considering the implications of this new era.
For Ethan Mordden, the closing night of the hit musical, 42nd St. sounded the death knell of the art form of the Broadway musical. After that, big orchestras, real voices, recognizable books and intelligent lyrics went out the window in favor of cats, helicopters, yodeling Frenchmen, and the roof of the Paris Opera. Mordden takes us through the aftermath of the days of the great Broadway musical. From the long-running Cats to Miss Saigon, Phantom, and Les Miserables, to gems like The Producers, he is unsparing in his look at the remains of the day. Not content to scold the shows' creators, Mordden takes on the critics, too, splaying their bodies across the Great White Way like Sweeney Todd giving a close shave. Once more, it's "curtain going up," but Mordden is not applauding.
In Conundrums for the Long Week-End, Robert McGregor and Ethan Lewis explore how Sayers used her fictional hero to comment on, and come to terms with, the social upheaval of the time: world wars, the crumbling of the privileged aristocracy, the rise of democracy, and the expanding struggle of women for equality. A reflection of the age, Lord Peter's character changed tremendously, mirroring the developing subtleties of his creator's evolving worldview." "Scholars of the Modern Age, fans of the mystery genre, and admirers of Sayers's fiction are sure to appreciate McGregor and Lewis's incisive examination of the literary, social, and historical context of this prized author's most popular work."--Jacket.
“Generation after generation, Joy has been a warm, encouraging presence in American kitchens, teaching us to cook with grace and humor. This luminous new edition continues on that important tradition while seamlessly weaving in modern touches, making it all the more indispensable for generations to come.” —Samin Nosrat, author of Salt, Fat, Acid, Heat “Cooking shouldn’t just be about making a delicious dish—owning the process and enjoying the experience ought to be just as important as the meal itself. The new Joy of Cooking is a reminder that nothing can compare to gathering around the table for a home cooked meal with the people who matter most.” —Joanna Gaines, author of Magnolia Table In the nearly ninety years since Irma S. Rombauer self-published the first three thousand copies of Joy of Cooking in 1931, it has become the kitchen bible, with more than 20 million copies in print. This new edition of Joy has been thoroughly revised and expanded by Irma’s great-grandson John Becker and his wife, Megan Scott. John and Megan developed more than six hundred new recipes for this edition, tested and tweaked thousands of classic recipes, and updated every section of every chapter to reflect the latest ingredients and techniques available to today’s home cooks. Their strategy for revising this edition was the same one Irma and Marion employed: Vet, research, and improve Joy’s coverage of legacy recipes while introducing new dishes, modern cooking techniques, and comprehensive information on ingredients now available at farmers’ markets and grocery stores. You will find tried-and-true favorites like Banana Bread Cockaigne, Chocolate Chip Cookies, and Southern Corn Bread—all retested and faithfully improved—as well as new favorites like Chana Masala, Beef Rendang, Megan’s Seeded Olive Oil Granola, and Smoked Pork Shoulder. In addition to a thoroughly modernized vegetable chapter, there are many more vegan and vegetarian recipes, including Caramelized Tamarind Tempeh, Crispy Pan-Fried Tofu, Spicy Chickpea Soup, and Roasted Mushroom Burgers. Joy’s baking chapters now include gram weights for accuracy, along with a refreshed lineup of baked goods like Cannelés de Bordeaux, Rustic No-Knead Sourdough, Ciabatta, Chocolate-Walnut Babka, and Chicago-Style Deep-Dish Pizza, as well as gluten-free recipes for pizza dough and yeast breads. A new chapter on streamlined cooking explains how to economize time, money, and ingredients and avoid waste. You will learn how to use a diverse array of ingredients, from amaranth to za’atar. New techniques include low-temperature and sous vide cooking, fermentation, and cooking with both traditional and electric pressure cookers. Barbecuing, smoking, and other outdoor cooking methods are covered in even greater detail. This new edition of Joy is the perfect combination of classic recipes, new dishes, and indispensable reference information for today’s home cooks. Whether it is the only cookbook on your shelf or one of many, Joy is and has been the essential and trusted guide for home cooks for almost a century. This new edition continues that legacy.
Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, "growing up" in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles? These are the questions Ethan Mordden answers, with breezy erudition and irrepressible enthusiasm, in this fascinating and wonderfully readable book. Mordden illuminates how the style of each studio was primarily dictated by the personality, philosophy, and attitudes of its presiding mogul—and how all these factors affected the work and careers of individual actors, directors, writers, and technicians, and the success of the studio in general.
Beginning with the earliest strata of Indian philosophy, this book uncovers a distinct tradition of skepticism in Indian philosophy through a study of the “three pillars” of Indian skepticism near the beginning, middle, and end of the classical era: Nāgārjuna (c. 150-200 CE), Jayarāśi (c. 770-830 CE), and Śrī Harṣa (c. 1125-1180 CE). Moving beyond the traditional school model of understanding the history of Indian philosophy, this book argues that the philosophical history of India contains a tradition of skepticism about philosophy represented most clearly by three figures coming from different schools but utilizing similar methods: Nāgārjuna, Jayarāśi, and Śrī Harṣa. This book argues that there is a category of skepticism often overlooked by philosophers today: skepticism about philosophy, varieties of which are found not only in classical India but also in the Western tradition in Pyrrhonian skepticism. Skepticism about philosophy consists of intellectual therapies for those afflicted by the quest for dogmatic beliefs. The book begins with the roots of this type of skepticism in ancient India in the Ṛg Veda, Upaniṣads, and early Buddhist texts. Then there are two chapters on each of the three major figures: one chapter giving each philosopher’s overall aims and methods and a second demonstrating how each philosopher applies these methods to specific philosophical issues. The conclusion shows how the history of Indian skepticism might help to answer philosophy’s detractors today: while skeptics demonstrate that we should be modest about philosophy’s ability to produce firm answers, philosophy nonetheless has other uses such as cultivating critical thinking skills and lessening dogmatism. This book is situated within a larger project of expanding the history of philosophy. Just as the history of Western philosophy ought to inform contemporary philosophy, so should expanding the history of philosophy to include classical India illuminate understandings of philosophy today: its value, limits, and what it can do for us in the 21st century.
Ten years from now, what do you want or expect your students to remember from your course? We realized that in ten years what matters will be how students approach a problem using the tools they carry with them—common sense and common knowledge—not the particular mathematics we chose for the curriculum. Using our text, students work regularly with real data in moderately complex everyday contexts, using mathematics as a tool and common sense as a guide. The focus is on problems suggested by the news of the day and topics that matter to students, like inflation, credit card debt, and loans. We use search engines, calculators, and spreadsheet programs as tools to reduce drudgery, explore patterns, and get information. Technology is an integral part of today's world—this text helps students use it thoughtfully and wisely. This second edition contains revised chapters and additional sections, updated examples and exercises, and complete rewrites of critical material based on feedback from students and teachers who have used this text. Our focus remains the same: to help students to think carefully—and critically—about numerical information in everyday contexts.
All history is necessarily an abridgment, the historian being compelled to select his material from a multitude of details. In the preparation of this history of Miami and Dade Comity much has doubtless been omitted that might have been of interest, but the author has been obliged to confine his text to the more salient points as illustrative of certain phases of local history. He provides a thorough account of the settlement, progress and achievement of the county, as well as individual sketches of representative citizens.
This book is packed with strategies and insights that will help you design better training courses. It focuses on how people learn as the key factor in making design decisions. The book shows you how to design a good course for any field, no matter what medium you use to deliver it. Learn how the brain works, how people forget, how to gain and maintain attention and how to make a subject interesting. Then use the easy-to-follow guidelines to design strategically by increasing curiosity, making content emotional, making learners practise what they have learned and using failure as a teaching tool. The art of designing a course and making people learn is mastered through practical experience of running courses; the science is gained by evidence-based research on how people learn. The book combines the two, offering many examples and studies in cognitive psychology, neuroscience, instructional design and training the trainer. You will find lots of examples and studies in the book that provide insights that may not be obvious but that lead to important design decisions. They will change forever how you think about training design and delivery and help you design courses that your learners will love. In Course Design Strategy, you will learn: · How to make content memorable · What learners expect from a course · How people learn and forget, and why this should be the cornerstone of any course design · How to use eureka moments and eureka concepts as the building blocks of course design · How to make content easy to learn · Why the presence of a feedback loop is crucial to learning · How to use exercises and tests to enhance learning
Spies on the hunt. A traitor in their midst. Suspicions are high and time is short. Who is behind the betrayal? Spy Master Javin wants to eliminate two terrorist masterminds, but he's not the only one looking for them. When the mission suspiciously goes awry, his team is forced into a dubious alliance with Mossad and the infamous Iranian Islamic Revolutionary Guard. Pursuing the terrorists deep into hostile Saudi Arabia, they not only discover an assassination plot that could topple the Saudi kingdom, but also suspect a traitor has infiltrated their team. Who is behind this betrayal? With suspicions high and time short, can Javin and Claudia unmask the traitor and stop the assassination plot before the Middle East is plunged into an all-out war? Reviews ★★★★★ “I could not put the book down and can’t wait for the 3rd book in the series.” ★★★★★ “Once again, Ethan, you’ve nailed it…” ★★★★★ “A stunning fast paced adventure with a riveting storyline!!!” ★★★★★ “What a way to end the book!” ★★★★★ “Ongoing action, packed with tension and suspense and some spectacular twists; I quite kept forgetting to breathe!” The Javin Pierce Spy Thriller Series Betrayal is the second novel in this explosive, fast-paced, bestselling series with hundreds of five-star reviews and thousands of sales and downloads. Each book is a clean, self-contained story without cliffhangers and can be enjoyed on its own. If you like Ludlum, le Carré, Fleming, or Flynn, you’ll love Betrayal. Scroll up and join Javin now as he embarks on his next explosive mission—and be part of this clean, clever, and captivating series. If you love assassinations, conspiracies, crime, espionage, military, political, psychological, technothrillers, terrorism, suspense, spy thrillers, secret agents, clandestine covert missions, and action & adventure with series favorites such as Jack Storm, Justin Hall, Javin Pierce, Carrie O’Connor, or Max Thorne… You’ll love this book.
Building an Ark: 101 Solutions to Animal Suffering is a first-of-its-kind, inspiring look at practical solutions for the humane treatment of animals and animal liberation. Animal cruelty has many forms: factory farms, habitat destruction, animal product testing, the abuse and neglect of companion animals, the illegal trade in endangered species, unsustainable fishing, and climate change. All these create unnecessary suffering for animals and destroy animal rights. For several decades there has been a global movement building, an ever-increasing consciousness that will soon affect animal welfare and the future of life on Earth—if it’s given time to do so. Building an Ark is the story of this movement. Extensively researched and drawing on practical examples from around the world, it provides a voice for both the animals and the humans who have dedicated their lives to building a sustainable future for all species. The ark is ready for all to board. Individuals, action groups, schools, businesses, governments, farmers, fishers, developing nations—there’s a role for everyone on this journey. Building an Ark offers a host of solutions that, if adopted, will ensure that animals will suffer less today, and that humans and animals will share a more sustainable planet tomorrow. Ethan Smith is a writer, animal welfare advocate, and author/editor of the anthology Softly On This Earth: Joining Those Who Are Healing Our Planet. Guy Dauncey founded the Solutions Project and is author of several books, including Stormy Weather: 101 Solutions to Global Climate Change.
The US government has long sought investment opportunities for US companies in developing countries. But the results have been mixed: firms have preferred to invest in the industrial world and developing-world leaders have not always welcomed foreign investment. Violence and the presence of natural resources have also hindered foreign development.
How did you decide what to wear today? Did you base your selection on comfort or style? Did you want to blend in or stand out - or was it just the cleanest outfit available? We each make these decisions every day, reflecting how we view ourselves and impacting how others see us. Our choices matter - not just to us personally, but also to the magazine editors, brand ambassadors and trend forecasters who make a living by selling to us. Communicating Fashion introduces key concepts from the intersecting worlds of fashion and communication studies to connect how we all use clothing to express ourselves and how media systems support that process. In doing so, Myles Ethan Lascity explores social, cultural and ethical issues through the work of fashion journalism, brand promotions and the growing role of online influencers as well as the impact of film, television and art on self-image and expression. Key topics: - Advertising, Branding and Fashion Retail - Clothing, Art and Cultural Significance - Clothing as Group and Cultural Norms - Clothing, Identity and Interpersonal Communication - Fashion News and Tastemaking - Fashion, Social Media and Influencers - Meaning within the Fashion System - On-screen Clothing
Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.
“It is tremendously important that great poetry be written. It makes no jot of difference who writes it.” Ezra Pound’s remark makes some polemic, but still more prescriptive sense, as evaluative of our present situation. Some great poetry (never mind the far larger quantity of trash) is emerging – from countless coteries of devoted artists, quite plausibly in your community. This anthology brings to press fifteen exemplary poets from Springfield, Illinois and its environs. Yet though endorsing their wider popularity, this critical anthology advances an interpretative method. We can garner much from reading the justly famed poets reflexively, with those lesser known in our midst. Any specific poem of the highest quality is informed by, and informs through, comparison with works of like caliber. Indeed, the test of an obscure gem inheres in critical comparison. And relations never run one way. One may well harbor keener appreciation of Wallace Stevens in light of certain works by Corrine Frisch – just as Keats and Stevens mutually inform one another. The central tenet of this text holds, with Eliot and Frost – a not so unlikely coupling as might be thought, hence a perfect pair to introduce the author’s modus operandi – that we read relationally. “No artist . . . has his meaning alone.” “We read C the better to read D; D, the better to go back and get something more out of A. Progress is not the aim, but circulation: to get among the poems where they hold each other apart in their places as the stars do.”
In On Sondheim, renowned author Ethan Mordden takes the reader on a tour of Stephen Sondheim's work, arguing for the importance and appeal of the composer-lyricist in American theater and, even more, in American culture. Over the course of eighteen shows, Mordden demonstrates that Sondheim is a classical composer who happens to write musicals. Sondheim has intellectualized the musical by tackling serious content usually reserved for the spoken stage: nonconformism (in Anyone Can Whistle, 1964), history (in Pacific Overtures, 1976), and cannibalism as a metaphor for class warfare (Sweeney Todd, 1979). Yet his work combines complex music and intellectual plots with a masterly skill for the fabric of theatre. His shows are all intensely theatrical, produced with flair and brilliance, whether in the lush operetta of A Little Night Music (1973) or the quixotic fairy-tale magic of Into the Woods (1987). Mordden provides fresh insights and analyses of every Sondheim show, from his first hit (West Side Story, 1957) to his most recent title (Road Show, 2008). Each musical has a dedicated chapter, including articles on Sondheim's life and his major influences, and comprehensive bibliographical and discographical essays place the Sondheim literature and recordings in perspective. Writing with his usual blend of the scholarly and the popular - with a wicked sense of humor - Ethan Mordden reveals why Stephen Sondheim has become Broadway's most significant voice in the last fifty years.
Ethan Mordden's new entry in his history of the Broadway musical looks at an era that brought us not only the gritty reality of "A Chorus Line" and the brilliantly bittersweet works of Stephen Sondheim, but also the nostalgic crowd-pleasers "No, No, Nanette" and "Annie." It was a time when Broadway both looked to its past, but also to its future and allowed reality to enter. Mordden writes of the last time we ever saw true greatness on the stage of the Broadway musical. "[A] treasure trove for fans of the musical theatre." - Richard Ouzonian, Toronto Star
Edmund G. (Pat) Brown has long been considered one of the two or three most effective governors of California. Thanks to this exhaustively researched and vividly written study by Ethan Rarick, we can now grasp the true strength and charisma of this extraordinary governor and the highpoint of public value and performance he orchestrated in the creation of contemporary California. A seasoned reporter, Rarick left everything behind to research and write this book. He made the right decision."—Kevin Starr, University Professor of History, University of Southern California "This is an impressive and important work--exhaustively researched, elegantly written. It's not only the biography of the central figure in modern California history, Governor Pat Brown, but the story of a crucial era in California and its place in the nation's imagination. California Rising is a major document in our understanding of the man and the place he helped make."—Peter Schrag, former editorial page editor of the Sacramento Bee and author of Paradise Lost: California's Experience, America's Future "Ethan Rarick has written a shrewd and lively account of the life of Pat Brown, California's most constructive governor in the last half-century. What a pleasant way to learn about the history of the golden state during the key period in which state government was confronted with the economic and social challenges of rapid modernization. A very impressive book."—Nelson W. Polsby, Heller Professor of Political Science, University of California, Berkeley "An important and enjoyable book."—Bruce Cain, coeditor of Voting at the Political Fault Line "Ethan Rarick's narrative of the life of Pat Brown is a fascinating look at the maturation of a political animal. We follow closely as Brown gladhands his way up California's political ladder and becomes his state's most progressive governor. In this meticulous study, Rarick fleshes out Brown's battles with Richard Nixon and Ronald Reagan throughout the 1960s. California Rising profits from Rarick's broad understanding of California and his constructive use of Brown's personal notes and correspondence."—Douglas Brinkley, author of Tour of Duty: John Kerry and the Vietnam War
The inside story of the decades-long unravelling of the Gaddafi regime, and of the West's role in both empowering his dictatorship and seeding revolution.
In The Instrumental University, Ethan Schrum provides an illuminating genealogy of the educational environment in which administrators, professors, and students live and work today. After World War II, research universities in the United States underwent a profound mission change. The Instrumental University combines intellectual, institutional, and political history to reinterpret postwar American life through the changes in higher education. Acknowledging but rejecting the prevailing conception of the Cold War university largely dedicated to supporting national security, Schrum provides a more complete and contextualized account of the American research university between 1945 and 1970. Uncovering a pervasive instrumental understanding of higher education during that era, The Instrumental University shows that universities framed their mission around solving social problems and promoting economic development as central institutions in what would soon be called the knowledge economy. In so doing, these institutions took on more capitalistic and managerial tendencies and, as a result, marginalized founding ideals, such as pursuit of knowledge in academic disciplines and freedom of individual investigators. The technocratic turn eroded some practices that made the American university special. Yet, as Schrum suggests, the instrumental university was not yet the neoliberal university of the 1970s and onwards in which market considerations trumped all others. University of California president Clark Kerr and other innovators in higher education were driven by a progressive impulse that drew on an earlier tradition grounded in a concern for the common good and social welfare.
The clink of ice, the fragrance of fresh herbs, and the ritual of pouring artisanal spirits into a shaker or glass are all integral to the timeless experience of crafting a sophisticated cocktail. When we aren't drinking, whatever the reason may be, we still want to enjoy elegant, thoughtful beverages. This philosophy is at the heart of Craft: The Eat Fit Guide to Zero Proof Cocktails. Inspired by the talented bar staff of dozens of Eat Fit restaurant partners, these zero proof recipes surpass sugary mocktails and basic soda spritzers, proving that it's truly possible to create remarkable, elevated drinks that are alcohol free with little or no added sugars. Featuring more than 50 recipes, as well as guides to barware, bitters, glassware, and everything else you need to craft a fully sensorial cocktail, this book is an essential--and beautiful--resource for every home mixologist's library.
Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally, Oh Kay!, Anything Goes, Show Boat, Oklahoma!, Follies, Chicago, and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was. The volume includes an extensive discography--the first of its kind--which offers a virtually self-contained history of recorded show music.
Through close readings of Karl Barth's theological work from 1916 to 1929 this book offers an exposition of Barth's doctrine of sanctification in his earlier theology - arguing that from his earliest writings after 1915 the doctrine of sanctification was one of the key theological components used in describing the encounter between God and humanity in a positive and concrete manner. This book both fills an important gap in Barthian scholarship and responds to the appeal by other recent interpreters of Barth's theology for a more balanced and careful exposition of his work. Throughout the course of this exposition the force of Eduard Thurnyesen's wonderfully insightful comments about Barth show themselves to be fruitfully borne out within his work from early on. That is, 'Karl Barth's theological thinking was from the beginning directed to the life of man ... the life of man, on the one side, and on the other the Word of God that meets this life, lays hold of it, and transforms it.
Ethan Mordden completes his history of the Broadway musical by looking at how The Great White Way kept the lights burning in the depths of the Depression
In 1841 U.S. government authorities sent Major Ethan Allen Hitchcock to Indian Territory to investigate numerous charges of fraud and profiteering by various contractors dealing with the Cherokee, Creek, Seminole, Chickasaw, and Choctaw Indians, who had been removed from the South during the last decade. Hitchcock's report, filed after four months of travel, exposed such a high level of graft and corruption that his investigation was suppressed and never brought to the attention of Congress. Hitchcock kept nine personal diaries of his travels and observations, however, and they reveal much historic and ethnographic information on Indian life in Indian Territory. He observes how the Indians were adjusting alter removal and includes many details on their customs, beliefs, culture, religion, ceremonies, amusements, industry, tribal councils, and government. To aid the modern reader, editor Grant Foreman provides an introduction and annotations, and Michael D. Green, in his foreword, explains the politics behind Hitchcock's mission to Indian Territory and his accomplishments in advancing ethnographic knowledge.
Fantasy. Science fiction. Role-playing games. People around the globe turn away from the “real” world to inhabit others. Movie fan-freaks design costumes and collect Lord of the Rings action figures. Some attend comic book conventions and Renaissance fairs, others play live-action role-playing games (LARPs). The online game World of Warcraft (WoW) has lured twelve million users worldwide. Even old-school role-playing games such as Dungeons & Dragons (D&D) are still wildly popular. What could one man find if he embarked on a journey through fantasy world after fantasy world? In an enthralling blend of travelogue, pop culture analysis, and memoir, forty- year-old former D&D addict Ethan Gilsdorf crisscrosses America, the world, and other worlds—from Boston to New Zealand, and Planet Earth to the realm of Aggramar. On a quest that begins in his own geeky teenage past and ends in our online gaming future, he asks gaming and fantasy geeks how they balance their escapist urges with the kingdom of adulthood. He speaks to grown men who build hobbit holes, and to grown women who play massively multiplayer online games. He seeks out those who dream of elves, long swords, and heroic deeds, and mentally inhabit faraway magical lands. What lures them—old, young, male, female, able-bodied, and disabled—into fantasy worlds, and for what reasons, whether healthy, unhealthy, or in between? Our noble hero battles online goblins, trolls, and sorcerers for weeks on end. He travels to pilgrimage sites: Tolkien’s hometown, movie locations, and castles. He hangs out with Harry Potter tribute bands. He LARPs. He goes to fan conventions and gaming tournaments. He camps with medieval re-enactors—12,000 of them. He becomes Ethor, Ethorian, and Ethor-An3. He sews his own tunic. He even plays D&D. What he discovers is funny, poignant, and enlightening.
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