‘Hawker is a terrific creation’ Bernard Cornwell Are they saving a prince, or unchaining a monster? December 1476. The infamous Vlad the Impaler – Dracula – is reported killed in a Turkish ambush: the brutal scourge of the Ottomans is no more... November 1485. Nine years later, mysterious Hungarian noblewoman Maria Hunyadi lays a quest at the feet of Sir John Hawker, loyal retainer to the fallen King Richard III and protector of Richard’s illegitimate son, Sir Giles Ellingham. The mission: to liberate her father from imprisonment in a remote Wallachian mountain fortress. The prisoner: Vlad Dracula. Indebted to Maria for saving his men’s lives in Venice, Hawker reluctantly accepts her story and agrees to come to her aid. But any rescue will be fraught with danger. There are powerful forces at work who would not want the great warlord found alive. But is Maria really who she says she is? Is she looking for more than just her father? And is the Impaler truly alive, after all this time – a lost prince? From the fringes of the Hungarian empire to the dark mountain forests of Saxon Transylvania, Hawker must contend with enemies on all sides, and those unseen within the company itself. The exciting sequel to Hawker and the King’s Jewel – described by Bernard Cornwell as ‘brilliant’ – perfect for fans of Christian Cameron and David Gilman. Praise for Hawker and the King’s Jewel ‘A brutal, brilliant tale, told with verve and pace. Hawker is a terrific creation’ Bernard Cornwell ‘Bale takes the reader from the terror of battle where a crown is lost and won to the sparkling jewel that is Venice, teeming with intrigue and treachery. Great storytelling’ David Gilman, author of the Master of War series 'An absolute gem of a novel. I was taken aback by Bale's skill and talent. Meticulously researched, with a totally authentic medieval feel, the novel fizzes with action, romance and intrigue. A gripping yarn' Angus Donald, author of the Outlaw series ‘Hawker is an ageing, flawed character and it is in his description of the man's inner turmoil, his bursts of energy and, above all, loyalty that the author has created a living soul... Compelling, authentic characters, a tight narrative which drives the story with verve; dialogue which is neither mock Gothic nor anachronistic, all allow the reader to feel part of the sounds and sights of the late fifteenth century. The novel deserves high praise’ The Ricardian What readers are saying about Hawker and the King's Jewel ‘I bought this to read on holiday on the back of a friend's recommendation. I don't normally read historical fiction like this but was blown away by the experience - it was a great story, told at a good clip with wonderful characters, action and lovely historical touches that made you really “feel” and appreciate the period but without weighing down the whole. I more than surprised myself by sneaking in the odd hour of reading here and there in ways that I never normally do. It was an absolute treat’ ‘The characterisation and period detail are superb and with plenty of action. The pace is just right, making it a really good and engaging read’ ‘A rollercoaster ride full of twists and turns’ ‘I can honestly say the book grabs the reader’s attention and draws them in from the opening pages. It opens your mind to all sorts of possibilities to where the narrative is heading, then suddenly switches track, leaving you grasping for answers. It certainly had me riveted and enthralled’ ‘You will be drawn into the political intrigues of15th century Europe. Very informative and not too heavy. I would thoroughly recommend it.’ ‘Beautifully researched; an exciting & gripping tale of what might have been’ ‘Breathless and rollicking... This reader could hardly bear to put it down’
‘A brutal, brilliant tale, told with verve and pace’ Bernard Cornwell In the twilight of the Wars of the Roses, one knight carries out a final mission for his fallen king... HAUNTED BY A SIN August, 1485. Grizzled knight Sir John Hawker carries a heavy burden on his soul: a decision taken, a deed committed that cannot be undone. When his liege lord, King Richard III, charges Hawker with two secret missions, a chance for atonement beckons. A RACE ACROSS EUROPE... Then Richard falls at the Battle of Bosworth Field, and Hawker puts spurs to his horse, ready to discharge his final duty to the king. But the usurping Tudors have discovered Hawker’s quest, and are hot on his heels. ...FOR THE FATE OF A KINGDOM The Tudors know that Hawker carries with him two things; the king’s priceless ruby, rumoured to be cursed, and a Plantagenet heir... And they know where he’s going. A breath-taking cat and mouse chase across medieval Europe, from Bosworth to Venice. Packed with intricate plotting and beautifully realised characters, this is perfect for fans of Christian Cameron and David Gilman. Praise for Hawker and the King’s Jewel ‘A brutal, brilliant tale, told with verve and pace. Hawker is a terrific creation’ Bernard Cornwell ‘Bale takes the reader from the terror of battle where a crown is lost and won to the sparkling jewel that is Venice, teeming with intrigue and treachery. Great storytelling’ David Gilman, author of the Master of War series 'An absolute gem of a novel. I was taken aback by Bale's skill and talent. Meticulously researched, with a totally authentic medieval feel, the novel fizzes with action, romance and intrigue. A gripping yarn' Angus Donald, author of the Outlaw series ‘Hawker is an ageing, flawed character and it is in his description of the man's inner turmoil, his bursts of energy and, above all, loyalty that the author has created a living soul... Compelling, authentic characters, a tight narrative which drives the story with verve; dialogue which is neither mock Gothic nor anachronistic, all allow the reader to feel part of the sounds and sights of the late fifteenth century. The novel deserves high praise’ The Ricardian
Hawker is a terrific creation’ Bernard Cornwell Unfinished business, and a soul in search of redemption. Europe, Spring 1486. Facing a grisly death if captured alive, veteran mercenary and Plantagenet henchman Sir John Hawker and his unlikely band of misfits return to Venice to attempt to free the woman he left behind there months before. Braving the spies and militia of the Serene Republic, Hawker must somehow reach his beloved Chiara, overcome her captors and spirit her off the island. Hope hangs by a slender thread. But his conscience already carries a heavy burden: the weight of a lifetime of dubious deeds, bad decisions, dead friends and lost loves. If he survives the coming days, can he make amends and start a new life? Or will his unwavering loyalty to the White Rose and his friend Sir Giles Ellingham – illegitimate son of Richard III – lead him back to England to join the new rebellion against Henry Tudor? The epic conclusion to The Swords of the White Rose trilogy by master wordsmith Ethan Bale. Perfect for readers of Christian Cameron and David Gilman. Praise for the series ‘A brutal, brilliant tale, told with verve and pace. Hawker is a terrific creation’ Bernard Cornwell ‘Bale takes the reader from the terror of battle where a crown is lost and won to the sparkling jewel that is Venice, teeming with intrigue and treachery. Great storytelling’ David Gilman, author of the Master of War series 'An absolute gem of a novel. I was taken aback by Bale's skill and talent. Meticulously researched, with a totally authentic medieval feel, the novel fizzes with action, romance and intrigue. A gripping yarn' Angus Donald, author of the Outlaw series ‘Hawker is an ageing, flawed character and it is in his description of the man's inner turmoil, his bursts of energy and, above all, loyalty that the author has created a living soul... Compelling, authentic characters, a tight narrative which drives the story with verve; dialogue which is neither mock Gothic nor anachronistic, all allow the reader to feel part of the sounds and sights of the late fifteenth century. The novel deserves high praise’ The Ricardian What readers are saying about the series ‘I bought this to read on holiday on the back of a friend's recommendation. I don't normally read historical fiction like this but was blown away by the experience - it was a great story, told at a good clip with wonderful characters, action and lovely historical touches that made you really “feel” and appreciate the period but without weighing down the whole. I more than surprised myself by sneaking in the odd hour of reading here and there in ways that I never normally do. It was an absolute treat’ ‘The characterisation and period detail are superb and with plenty of action. The pace is just right, making it a really good and engaging read’ ‘A rollercoaster ride full of twists and turns’ ‘I can honestly say the book grabs the reader’s attention and draws them in from the opening pages. It opens your mind to all sorts of possibilities to where the narrative is heading, then suddenly switches track, leaving you grasping for answers. It certainly had me riveted and enthralled’ ‘You will be drawn into the political intrigues of15th century Europe. Very informative and not too heavy. I would thoroughly recommend it.’ ‘Beautifully researched; an exciting & gripping tale of what might have been’ ‘Breathless and rollicking... This reader could hardly bear to put it down’
The Audio Expert is a comprehensive reference that covers all aspects of audio, with many practical, as well as theoretical, explanations. Providing in-depth descriptions of how audio really works, using common sense plain-English explanations and mechanical analogies with minimal math, the book is written for people who want to understand audio at the deepest, most technical level, without needing an engineering degree. It's presented in an easy-to-read, conversational tone, and includes more than 400 figures and photos augmenting the text. The Audio Expert takes the intermediate to advanced recording engineer or audiophile and makes you an expert. The book goes far beyond merely explaining how audio "works." It brings together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics, showing how they're intimately related. Describing in great detail many of the practices and techniques used by recording and mixing engineers, the topics include video production and computers. Rather than merely showing how to use audio devices such as equalizers and compressors, Ethan Winer explains how they work internally, and how they are spec'd and tested. Most explanations are platform-agnostic, applying equally to Windows and Mac operating systems, and to most software and hardware. TheAudioExpertbook.com, the companion website, has audio and video examples to better present complex topics such as vibration and resonance. There are also videos demonstrating editing techniques and audio processing, as well as interviews with skilled musicians demonstrating their instruments and playing techniques.
This book is a study of popular responses to the English Reformation. It takes as its subject not the conversion of English subjects to a new religion but rather their political responses to a Reformation perceived as an act of state and hence, like all early modern acts of state, negotiated between government and people. These responses included not only resistance but also significant levels of accommodation, co-operation and collaboration as people attempted to co-opt state power for their own purposes. This study argues, then, that the English Reformation was not done to people, it was done with them in a dynamic process of engagement between government and people. As such, it answers the twenty-year-old scholarly dilemma of how the English Reformation could have succeeded despite the inherent conservatism of the English people, and it presents a genuinely post-revisionist account of one of the central events of English history.
In 1975, the Broadway musical Chicago brought together a host of memes and myths - the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon (two of the greatest talents in the musical's history), and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar. As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American Musical to life in all its artistry and excitement.
This book, like nearly all of Hamburg's previous works embodies a distinct period of transition in the artist's approach. In the three sections of the work, composed over a two year period, we can feel the impending cataclysm, the anticipation and climactic realization of character that takes place. Anyone who has ever been overcome by love or by solitude, been seduced by suffering or by redemption is, as usual, guaranteed to be stirred by Hamburg's contrast of unrelenting honesty and austere discipline of form. The imagery and texture invoked by the author fills the readers senses and takes a single candle down into the damp subconscious where we are greeted by the super-real sensations of our dreams and of our youth. Eternally fascinating and terrifying, these are the images that make us immortal, gods of the flesh. "Ethan F. Hamburg turns the poem into a brutally honest depiction of love and self-hate, elevating beauty while making himself small." —Lee Kitzis
The first comprehensive history of America’s attempts to promote international development by exporting private enterprise, a story marked by frequent failure and occasional success. Foreign aid is a primary tool of US foreign policy, but direct financial support and ventures like the Peace Corps constitute just a sliver of the American global development pie. Since the 1940s, the United States has relied on the private sector to carry out its ambitions in the developing world. This is the first full account of what has worked and, more often, what has failed in efforts to export American-style capitalism. Ethan Kapstein draws on archival sources and his wide-ranging experience in international development to provide penetrating case studies from Latin America and East Asia to the former Soviet Union, Afghanistan, and Iraq. After WWII the Truman and Eisenhower administrations urged US companies to expand across the developing world. But corporations preferred advanced countries, and many developing nations, including Taiwan and South Korea, were cool to foreign investment. The Cold War made exporting capitalism more important than ever, even if that meant overthrowing foreign governments. The fall of the Soviet Union brought new opportunities as the United States promoted privatization and the bankrolling of local oligarchs. Following the invasions of Afghanistan and Iraq, the United States believed it had blank slates for building these economies, but ongoing conflict eroded such hopes. Kapstein’s sobering history shows that private enterprise is no substitute for foreign aid. Investors are often unwilling to put capital at risk in unstable countries. Only in settings with stable governments and diverse economic elites can private enterprise take root. These lessons are crucial as the United States challenges China for global influence.
In late October 1846, the last wagon train of that year's westward migration stopped overnight before resuming its arduous climb over the Sierra Nevada Mountains, unaware that a fearsome storm was gathering force. After months of grueling travel, the 81 men, women and children would be trapped for a brutal winter with little food and only primitive shelter. The conclusion is known: by spring of the next year, the Donner Party was synonymous with the most harrowing extremes of human survival. But until now, the full story of what happened, what it tells us about human nature and about America's westward expansion, remained shrouded in myth. Drawing on fresh archaeological evidence, recent research on topics ranging from survival rates to snowfall totals, and heartbreaking letters and diaries made public by descendants a century-and-a-half after the tragedy, Ethan Rarick offers an intimate portrait of the Donner party and their unimaginable ordeal: a mother who must divide her family, a little girl who shines with courage, a devoted wife who refuses to abandon her husband, a man who risks his life merely to keep his word. But Rarick resists both the gruesomely sensationalist accounts of the Donner party as well as later attempts to turn the survivors into archetypal pioneer heroes. "The Donner Party," Rarick writes, "is a story of hard decisions that were neither heroic nor villainous. Often, the emigrants displayed a more realistic and typically human mixture of generosity and selfishness, an alloy born of necessity." A fast-paced, heart-wrenching, clear-eyed narrative history, A Desperate Hope casts new light on one of America's most horrific encounters between the dream of a better life and the harsh realities such dreams so often must confront.
Vividly recreating the unique pleasure of experiencing a song-and-dance show, Broadway Babies spotlights the men and women who made a difference in the development of American musical comedy. Mordden's account features such show people as Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and such musicals as Sally, Oh Kay!, Anything Goes, Show Boat, Oklahoma!, Follies, Chicago, and countless others. While theatrical historians traditionally have emphasized the role of the authors of musicals, Mordden also examines the personal styles of the directors, choreographers, and producers, in order to demonstrate not only what the musical became but what it was. The volume includes an extensive discography--the first of its kind--which offers a virtually self-contained history of recorded show music.
Dred Scott exemplies neither originalism nor aspirationalism gone wrong, as many modern critics now argue. Rather, the Dred Scott Court erred chiefly because the majority gave in to the still-relevant temptation to subordinate honest legal reasoning to the pursuit of what the majority regarded as a noble and crucial political agenda_in this case, to protect slavery and the political power of the slave-holding South, and thereby preserve the Union.
Learn how traditional herbal practitioners are responding to the sudden, massive popularity of herbal medicine! Herbal Voices: American Herbalism Through the Words of American Herbalists examines how herbal practitioners who started in the 1960s and 1970s are reacting to the mainstream popularity of herbal medicine today. This unique book features interviews with 20 of America’s most prominent herbalists—focusing on their careers, their beliefs, and their perspectives on the contemporary herbal product boom in recent years. Also included is important information on herbal organizations, publications, schools, and companies where seeds and rootstock of endangered medicinal plants can be obtained, as well as a list of the United Plant Savers’ “At Risk” and “To Watch” medicinal plants. Herbal Voices synthesizes the words of a representative group of herbalists into a compelling picture of modern American herbalism as they offer their opinions on the roles of science, folklore, and spirituality in herbal medicine. This timely resource addresses controversial issues that arise within the herbal community, such as the endangered plant crisis, professionalism and licensure, and shifting the American consciousness toward a more Earth-centered way of life and health. In Herbal Voices, you’ll hear from many well-known herbal practitioners, including: Rosemary Gladstar—founder of The California School of Herbal Studies and United Plant Savers, co-founder of Sage Mountain Herbs, and author of Herbal Healing for Women and of the Sage Healing Way series James Green—former Director of The California School of Herbal Studies, a member of the advisory committee for United Plant Savers, and author of both The Herbal Medicine-Makers Handbook and The Male Herbal David Hoffmann—Fellow of Britain’s National Institute of Medical Herbalists, former President of the American Herbalists Guild, and author of The New Holistic Herbal, An Elder’s Herbal, and Therapeutic Herbalism Richo Cech—herbalist, owner of Horizon Herbs, executive board member of United Plant Savers, and author of Growing Your Garden Pharmacy Sharol Tilgner—licensed naturopathic physician, founder and current President of Wise Woman Herbals, Inc., editor of Herbal Transitions, associate editor of Medical Herbalism, and author of Herbal Medicines From the Heart of the Earth For the first time, these leading educators, clinicians, and business owners share the joys and pitfalls of practicing an age-old healing tradition in modern America. This rich resource of reflections fills a gap in the existing literature that will be useful for herbalists, herbal enthusiasts, historians, anthropologists, popular culturists, and holistic/alternative medical practitioners.
Acclaimed army scout Wink Jefford finds himself put on trial for helping a captured Apache brave to escape from Fort Defiance in New Mexico. Forced to leave in disgrace, Wink is hired to guide some settlers to the town of Tularosa, but they are attacked by Apaches led by Mangus Voya who is intent on driving the hated invaders from his lands. Wink tries parleying with the Indians but is staked out. The wife of Mangus helps him to escape for saving her son, Shinto. On reaching Tularosa he is accused of cowardice for abandoning his duty allowing the Indians to massacre the settlers. Wink is jailed by Sheriff Troy Vickery for his own safety. Shinto helps him to escape a lynching and reveals that the settlers were betrayed by a white man. Tracking down the culprit enables Wink to uncover the startling reason behind the treachery.
“It is tremendously important that great poetry be written. It makes no jot of difference who writes it.” Ezra Pound’s remark makes some polemic, but still more prescriptive sense, as evaluative of our present situation. Some great poetry (never mind the far larger quantity of trash) is emerging – from countless coteries of devoted artists, quite plausibly in your community. This anthology brings to press fifteen exemplary poets from Springfield, Illinois and its environs. Yet though endorsing their wider popularity, this critical anthology advances an interpretative method. We can garner much from reading the justly famed poets reflexively, with those lesser known in our midst. Any specific poem of the highest quality is informed by, and informs through, comparison with works of like caliber. Indeed, the test of an obscure gem inheres in critical comparison. And relations never run one way. One may well harbor keener appreciation of Wallace Stevens in light of certain works by Corrine Frisch – just as Keats and Stevens mutually inform one another. The central tenet of this text holds, with Eliot and Frost – a not so unlikely coupling as might be thought, hence a perfect pair to introduce the author’s modus operandi – that we read relationally. “No artist . . . has his meaning alone.” “We read C the better to read D; D, the better to go back and get something more out of A. Progress is not the aim, but circulation: to get among the poems where they hold each other apart in their places as the stars do.”
Ethan Campbell argues that a central feature of the Gawain-poet's Middle English works' moral rhetoric is anticlerical critique. Written in an era when clerical corruption was a key concern for polemicists such as Richard FitzRalph and John Wyclif, as well as satirical poets such as John Gower, William Langland, and Geoffrey Chaucer, the Gawain poems feature an explicit attack on hypocritical priests in the opening lines of Cleanness as well as more subtle critiques embedded within depictions of flawed priest-like characters.
The generalship of Robert E. Lee, the Confederacy's greatest commander, has long fascinated students of the American Civil War. In assessing Lee and his military career, historians have faced the great challenge of explaining how a man who achieved extraordinary battlefield success in 1862–1863 ended up surrendering his army and accepting the defeat of his cause in 1865. How, in just under two years, could Lee, the Army of Northern Virginia, and the Confederacy have gone from soaring triumph at Chancellorsville to total defeat at Appomattox Court House? In this reexamination of the last two years of Lee's storied military career, Ethan S. Rafuse offers a clear, informative, and insightful account of Lee's ultimately unsuccessful struggle to defend the Confederacy against a relentless and determined foe. Robert E. Lee and the Fall of the Confederacy describes the great campaigns that shaped the course of this crucial period in American history, the challenges Lee faced in each battle, and the dramatic events that determined the war's outcome. In addition to providing readable and richly detailed narratives of such campaigns as Gettysburg, Bristoe Station, Spotsylvania, and Appomattox, Rafuse offers compelling analysis of Lee's performance as a commander and of the strategic and operational contexts that influenced the course of the war. He superbly describes and explains the factors that shaped Union and Confederate strategy, how both sides approached the war in Virginia from an operational standpoint, differences in the two sides' respective military capabilities, and how these forces shaped the course and outcome of events on the battlefield. Rich in insights and analysis, this book provides a full, balanced, and cogent account of how even the best efforts of one of history's great commanders could not prevent the total defeat of his army and its cause. It will appeal to anyone with an interest in the career of Robert E. Lee and the military history of the Civil War.
Fantasy. Science fiction. Role-playing games. People around the globe turn away from the “real” world to inhabit others. Movie fan-freaks design costumes and collect Lord of the Rings action figures. Some attend comic book conventions and Renaissance fairs, others play live-action role-playing games (LARPs). The online game World of Warcraft (WoW) has lured twelve million users worldwide. Even old-school role-playing games such as Dungeons & Dragons (D&D) are still wildly popular. What could one man find if he embarked on a journey through fantasy world after fantasy world? In an enthralling blend of travelogue, pop culture analysis, and memoir, forty- year-old former D&D addict Ethan Gilsdorf crisscrosses America, the world, and other worlds—from Boston to New Zealand, and Planet Earth to the realm of Aggramar. On a quest that begins in his own geeky teenage past and ends in our online gaming future, he asks gaming and fantasy geeks how they balance their escapist urges with the kingdom of adulthood. He speaks to grown men who build hobbit holes, and to grown women who play massively multiplayer online games. He seeks out those who dream of elves, long swords, and heroic deeds, and mentally inhabit faraway magical lands. What lures them—old, young, male, female, able-bodied, and disabled—into fantasy worlds, and for what reasons, whether healthy, unhealthy, or in between? Our noble hero battles online goblins, trolls, and sorcerers for weeks on end. He travels to pilgrimage sites: Tolkien’s hometown, movie locations, and castles. He hangs out with Harry Potter tribute bands. He LARPs. He goes to fan conventions and gaming tournaments. He camps with medieval re-enactors—12,000 of them. He becomes Ethor, Ethorian, and Ethor-An3. He sews his own tunic. He even plays D&D. What he discovers is funny, poignant, and enlightening.
As banks crashed, belts tightened, and cupboards emptied across the country, American prisons grew fat. Doing Time in the Depression tells the story of the 1930s as seen from the cell blocks and cotton fields of Texas and California prisons, state institutions that held growing numbers of working people from around the country and the world—overwhelmingly poor, disproportionately non-white, and displaced by economic crisis. Ethan Blue paints a vivid portrait of everyday life inside Texas and California’s penal systems. Each element of prison life—from numbing boredom to hard labor, from meager pleasure in popular culture to crushing pain from illness or violence—demonstrated a contest between keepers and the kept. From the moment they arrived to the day they would leave, inmates struggled over the meanings of race and manhood, power and poverty, and of the state itself. In this richly layered account, Blue compellingly argues that punishment in California and Texas played a critical role in producing a distinctive set of class, race, and gender identities in the 1930s, some of which reinforced the social hierarchies and ideologies of New Deal America, and others of which undercut and troubled the established social order. He reveals the underside of the modern state in two very different prison systems, and the making of grim institutions whose power would only grow across the century.
Although he fears being in the water, sixteen-year-old Dain is determined to be a professional lobsterman, despite pressure from his older brother and widowed mother that he attend college instead, and despite the fact that someone is sabotaging his lobster traps.
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