A landmark examination of the fraught relationship between humans and animals, taking the reader from Genesis to climate change. Beginning with the very origins of life on Earth, Woolfson considers prehistoric human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love, and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.
A landmark examination of the fraught relationship between humans and animals, taking the reader from Genesis to climate change. Beginning with the very origins of life on Earth, Woolfson considers prehistoric human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love, and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.
Esther Woolfson has been fascinated by corvids, the bird group that includes crows, rooks, magpies and ravens, since her daughter rescued a fledgling rook sixteen years ago. That rook - named Chicken - has lived with the family ever since. Other birds have also taken their place in the household - a magpie, starling, parrot and the inhabitants of an outdoor dovehouse. But above all, it has been the corvids (a talking magpie named Spike, Chicken the rook, and, recently, a baby crow named Ziki) that she has formed the closest attachments with, amazed by their intelligence, personality and capacity for affection. Living with birds has allowed Woolfson to learn aspects of bird behaviour which would otherwise have been impossible to know - the way they happily become part of the structure of a family, how they communicate, their astonishing empathy. We hear about Chicken's fears and foibles: her hatred of computers and other machines and her love of sitting on Woolfson's knee in the evening and having her neck scratched; the birds' elaborate bathing rituals, springtime broodiness, and the tendency to cache food in the most unlikely places. Woolfson tells the darker story of why corvids have always been objects of superstition and persecution; and with the lightest of touches, she weaves in the science of bird intelligence, evolution, song and flight throughout. Her account of her experiences is funny, touching and beautifully written, and gives fascinating insights into the closeness human beings can achieve with wild creatures.
Field Notes From a Hidden City is set against the background of the austere, grey and beautiful northeast Scottish city of Aberdeen. In it, Esther Woolfson examines the elements—geographic, atmospheric and environmental—which bring diverse life forms to live in close proximity in cities. Using the circumstances of her own life, house, garden and city, she writes of the animals who live among us: the birds—gulls, starlings, pigeons, sparrows and others—the rats and squirrels, the cetaceans, the spiders and the insects. In beautiful, absorbing prose, Woolfson describes the seasons, the streets and the quiet places of her city over the course of a year, which begins with the exceptional cold and snow of 2010. Influenced by her own long experience of corvids, she considers prevailing attitudes towards the natural world, urban and non–urban wildlife, the values we place on the lives of individual species and the ways in which man and creature live together in cities.
Against the background of austere and beautiful Aberdeen, Woolfson observes the seasons, the streets and the quiet places of her city over the course of a year. She considers the geographic, atmospheric and environmental elements which bring diverse life forms together in close proximity, and in absorbing prose writes of the animals among us: the birds, the rats and squirrels, the spiders and the insects. Her close examination of the natural world leads her to question our prevailing attitudes to urban and non-urban wildlife, and to look again at the values we place on the lives of individual species.
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