In this autobiographical novel by a leading German author and translator, the narrator attempts to revive a run-down Hungarian movie theater—an unpromising endeavor that soon leads into a consideration of the building’s history and an homage to the power of the cinema, imperiled as it may be in our time. While travelling through the Great Alföld, the vast plain in southeastern Hungary, the narrator of Seeing Further stops in an all but vacant town near the Romanian border. There she happens upon a dilapidated movie theater. Once the heart of the village, it has been boarded up for years. Entranced, she soon finds herself embarking on the colossal task of renovating it in order to preserve the cinematic experience. Seeing Further illuminates the cinema's former role as a communal space for collective imagining. For Esther Kinsky and her narrator, it remains a place of wonder, a dark room that unfurls a vastness not beholden to the ordinary rules of time and space. Seeing Further is an homage to cinema in words and pictures.
In this autobiographical novel by a leading German author and translator, the narrator attempts to revive a run-down Hungarian movie theater—an unpromising endeavor that soon leads into a consideration of the building’s history and an homage to the power of the cinema, imperiled as it may be in our time. While travelling through the Great Alföld, the vast plain in southeastern Hungary, the narrator of Seeing Further stops in an all but vacant town near the Romanian border. There she happens upon a dilapidated movie theater. Once the heart of the village, it has been boarded up for years. Entranced, she soon finds herself embarking on the colossal task of renovating it in order to preserve the cinematic experience. Seeing Further illuminates the cinema's former role as a communal space for collective imagining. For Esther Kinsky and her narrator, it remains a place of wonder, a dark room that unfurls a vastness not beholden to the ordinary rules of time and space. Seeing Further is an homage to cinema in words and pictures.
Seven survivors of the 1976 Friuli earthquake in northeastern Italy, which left hundreds dead and thousands unhoused, speak of their lives after the catastrophe in this poignant, propulsive work of fiction by a noted poet, translator, and novelist. Il rombo is an Italian term for the subterranean rumble before an earthquake. In May and September 1976, two severe earthquakes ripped through the Friuli region in northeastern Italy, causing extensive damage. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes forever. Rombo is a record of this disaster and its aftermath, as told by seven men and women who were children at the time: Anselmo, Mara, Olga, Gigi, Silvia, Lina, and Toni. They speak of portents that preceded the earthquakes and of the complete disorder that followed, the obliteration of all that was familiar and known by heart. Their memories, like the earth, are subject to rifts and abysses. Esther Kinsky splices these indelible, incomplete recollections with exacting descriptions of the alpine region, forgoing a linear narrative for a deftly layered collage that reaches back and forth in time. The brilliantly original book that emerges is both memorial and purgatorial mount.
Poems that were written through the years for relatives and friends. The author has lived a very full life throughout her 94 years so she has the opportunity to write not only for relatives but also for friends. Researching and writing about Thomas Jefferson, she also met interesting individuals. Hopefully, this book will reflect the expansive nature of her life.
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