Sarah is already in her late twenties with an acting career in London and a baby on the way when she learns from her father about Gaglow, his family's grand East German country estate that was seized before the war. With the fall of the Berlin Wall, the estate will now come back to them. Sarah attempts to solicit from her father all he knows about Gaglow: the three lucky sisters, Bina, Martha, and Eva; their masterly governess, Fraulein Schulze; their father, Wolf Belgard, a prosperous Jewish grain dealer; their mother, Marianna, a "vulgar woman" whose children privately mocked her; and their older brother, Emanuel, wretched from the family to serve his country. Alternating between Sarah's life and her grandmother's childhood during the First World War, Summer at Gaglow unites four generations of an extraordinary family across the vast reaches of silence, place, loss, and time.
The debut novel from the author of Summer at Gaglow, called "a near-seamless meshing of family feeling, history and imagination" by the New York Times Book Review Escaping gray London in 1972, a beautiful, determined mother takes her daughters, aged 5 and 7, to Morocco in search of adventure, a better life, and maybe love. Hideous Kinky follows two little English girls -- the five-year-old narrator and Bea, her seven-year-old sister -- as they struggle to establish some semblance of normal life on a trip to Morocco with their hippie mother, Julia. Once in Marrakech, Julia immerses herself in Sufism and her quest for personal fulfillment, while her daughters rebel -- the older by trying to recreate her English life, the younger by turning her hopes for a father on a most unlikely candidate. Shocking and wonderful, Hideous Kinky is at once melancholy and hopeful. A remarkable debut novel from one of England's finest young writers, Hideous Kinky was inspired by the author's own experiences as a child. Esther Freud, daughter of the artist Lucian Freud and great-granddaughter of Sigmund Freud, lived in Marrakech for one and a half years with her older sister Bella and her mother. Hideous Kinky is now a major motion picture starring Kate Winslet ("Titanic," "Sense and Sensibility").
“Unexpected and satisfying.” — New York Newsday The architect Klaus Lehmann loves his wife, Elsa, with a passion that continues throughout their married life despite long periods of separation. Almost half a century after Lehmann’s death in the village of Steerborough, a young woman, Lily, arrives to research his life and work. Pouring over Klaus’s letters to Elsa, Lily pieces together the story of their lives together and apart. And alone in her rented cottage by the sea, she begins to sense an absence in her own life that may not be filled by simply going home. The Sea House is the story of the village of Steerborough and the marshes and the sea beyond. It is the story of one generation living in the footprints of another; of a landscape shaped by lives, and lives shaped by landscape. With characteristic skill and a new depth and range, Esther Freud explores the twisting paths that people take—and the places where those paths meet.
A mesmerising coming-of-age tale set in sun-drenched Tuscany, from the author of Hideous Kinky and I Couldn't Love You More 'A vividly rendered portrait of a young girl's journey towards self discovery and maturity' Daily Mail 'Love Falls captures the delicious uncertainty and electrifying beginnings of first love' Glamour It is July, three months after Lara's seventeenth birthday, and a week before Charles and Diana's Royal Wedding. When Lara's father, a man she barely knows, invites her to accompany him on holiday, she finds herself far away from the fumes of London's Holloway Road in the sun-scorched hillsides of Tuscany. There she meets the Willoughby family, rife with illicit alliances and vendettas. The more embroiled Lara becomes with them, and with the carelessly beautiful Kip, the more consumed she is with doubt, curiosity and dread. And so begins her intoxicating, troubled journey into self discovery and across the very fine line between childhood and what lies beyond ...
A novel about the wonder and difficulties of childhood, families and growing up by the author of Hideous Kinky and Love Falls 'A beautiful book, savage and tender by turns ... attending to Esther Freud's still, truthful voice becomes not only a pleasure but a necessity' Jonathan Coe 'Wonderful ... Freud has a precious and remarkable gift for creating fictional children. She is infinitely patient with the subtle differences between the worlds of children and adults, and her descriptions of the collisions between them are hauntingly beautiful' The Times Nine-year-old Tess has never seen anything like The Wild. An old bakery, converted into a home, it has a fireplace big enough to sit in, a garden with a badminton net and another one for vegetables. And then there's William, its owner. Single father of three, he cooks homemade ravioli, cuts trees down with a chainsaw and plays the guitar. When her mother, Francine, rents two rooms from him, Tess can hardly believe her luck. Her brother Jake, however, proves harder to convince. As the two grown-ups begin to fall for each other, Tess struggles to please the adults as well as win Jake round. But she finds that good intentions don't always bring happiness and that adults are disturbingly capable of making mistakes...
1914. Thomas Maggs is thirteen and lives with his parents and sister at the Blue Anchor pub, in the village of Dunwich on the Suffolk coast. Born in winter while the sea stormed, Thomas is the youngest child, and the only son surviving. In Dunwich, life is quiet and shaped by the seasons: fishing and farming, the summer visitors, and the girls who come down from the Highlands to gut and pack the herring. Thomas visits his brothers' grave in the churchyard, sketches the boats from the harbor, and longs for adventure -- a chance to go to sea. Then one day a mysterious Scotsman and his red-haired wife arrive in the village. The man's name is Charles Rennie Mackintosh, but the locals are soon calling him Mac. Mac and his wife are both artists, regarded as eccentrics in town, but a source of wonder and fascination for Thomas. Yet just as Thomas and Mac's friendship begins to bloom, war with Germany is declared. The summer guests flee, replaced by regiments of soldiers on their way to Belgium. And as the war weighs increasingly heavily on the community, the villagers on the home front become increasingly suspicious of Mac and his curious behavior. Mr. Mac and Me is the story of an unlikely friendship, and a vivid portrait of one of the most brilliant and misunderstood artists of his generation.
It is their first day at Drama Arts, and the circle of huddled, nervous students are told in no uncertain terms that here, unlike at any other drama school, they will be taught to Act. To Be. To exist in their own world on the stage. But outside is the real world - a pitiless, alluring place in which each of them in their most fervent dreams, hopes to flourish and excel. Nell, insecure and dumpy, wonders if she will ever be cast as anything other than the maid. She’ll never compete, she knows this, with the multitude of confident, long-legged beauties thronging the profession-most notably Charlie, whose effortless ascendance is nothing less than she expects. While Dan, ambitious and serious, has his sights fixed on Hamlet, as well as on fiery, rebellious Jemma. Over the following decade these young actors will grapple with haphazard tours, illogical auditions, unobtainable agents, deluxe caravans, rocky relationships and red-carpet premieres. This dazzling new novel from Esther Freud uncovers a world of ruthless ambition, uncertain alliances and the many-sided holy grail of Success.
Originally published in 1989 as Appointment in Vienna, Esther Menaker's Misplaced Loyalties is a fascinating memoir covering five years of student life in Vienna during the early years of the psychoanalytic movement started by Sigmund Freud. It begins in 1930, when full of high expectations, the author and her husband left their native America and eagerly embarked on an exhilarating journey that would take them to Austria, where they were to become candidates at the Psychoanalytic Institute.
Embarking on their educations at Drama Arts school of acting, insecure and dumpy Nell anticipates a career of minor roles in the shadow of beautiful ingénues; while ambitious Dan targets the role of Hamlet and pursues the fiery and rebellious Jemma. Original.
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Twee kleine meisjes trekken in de jaren zestig met hun hippiemoeder in een krakkemikkige bestelwagen door Europa en vestigen zich tenslotte in een pension in Marrakesj.
Exploring the twisting paths people take, "The Sea House" is the story of one generation living in the footprints of another; a landscape shaped by lives, and lives shaped by landscapes.
Clinical Applications of Psychoanalytic Theory provides a description of a psychoanalytic approach to a wide range of mental disorders affecting both adults and children. Clinical examples are provided.
Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life. Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain. Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.
The Ethics of Lacanian Psychoanalysis observes different aspects of life – childhood, romantic love, sex, death, and human suffering – through a Lacanian lens, with a glance toward a Buddhist point of view. Combining Lacanian psychoanalysis with insight from Freud, Bion, and the Zen masters, this book suggests finding ways to suffer less and cultivate a passion for life. Yehuda Israely and Esther Pelled consider the ethics in the light of which people live, and the questions pertinent to this choice. What kind of person do you want to be? What desire will you choose your life to be led by? How will you deal with separations, relationships, and cravings that you cannot control? This book raises these questions and proposes possible answers through an accessible, conversational format. The Ethics of Lacanian Psychoanalysis will be of interest to psychoanalysts in practice and in training as well as readers looking to learn more about applying Lacanian ideas to everyday life.
Die 9-jährige Tess, deren Eltern geschieden sind, lebt mit ihrer Mutter Francine und ihrem Bruder Jake in Sussex in einer Wohngemeinschaft mit William und seinen 3 Töchtern. Während Tess William vergöttert, begegnet Jake ihm mit Aggression und Verachtung.
This collection of stories includes some of Esther Pearlmans best ever. Stories from her creative world feature adventures as artist, book author and movie extra. In the section Esther & Marty, we encounter their clever banter, Esthers touching birthday toasts to Marty, and even a trip to a nudist colony! We follow Esther as she navigates her daily life from cleverly handling a possible theft at the health food market to getting chatty with a caller from an 800 number. We also get glimpses of her earlier years. Esthers escapades are infused with her love of life and natural charm. Be charmed and enjoy!
The author recounts her experiences during five years as a student at the Psychoanalytic Institute in Vienna, detailing her relationship with Anna Freud and her impressions of Viennese life
Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life. Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain. Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.
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