Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the most popular symphonic works of the modern period, Buch traces such complex and contradictory uses—and abuses—of Beethoven's Ninth Symphony since its premier in 1824. Buch shows that Beethoven consciously drew on the tradition of European political music, with its mix of sacred and profane, military and religious themes, when he composed his symphony. But while Beethoven obviously had his own political aspirations for the piece—he wanted it to make a statement about ideal power—he could not have had any idea of the antithetical political uses, nationalist and universalist, to which the Ninth Symphony has been put since its creation. Buch shows us how the symphony has been "deployed" throughout nearly two centuries, and in the course of this exploration offers what was described by one French reviewer as "a fundamental examination of the moral value of art." Sensitive and fascinating, this account of the tangled political existence of a symphony is a rare book that shows the life of an artwork through time, shifted and realigned with the currents of history.
L'affaire Bomarzo est une histoire de censure : la censure, par la dictature argentine en 1967, d'un opéra d'Alberto Ginastera et Manuel Mujica Lainez, accusé de « référence obsessionnelle au sexe, à la violence et à l'hallucination ». Ainsi, Bomarzo reste å ce jour l'emblème des persécutions idéologiques de la dictature militaire. D'abord soutenue par le général Onganía lors de sa création å Washington, cette œuvre de musique contemporaine est, quelques mois plus tard, brutalement exclue de la scène musicale de Buenos Aires par ce même régime. Ses auteurs, pourtant plutôt conservateurs, sont rejetés, condamnés, traités de pervers. Aussi haletante qu'un thriller, la chronique de ce scandale nous fait revivre l'ampleur et la complexité du débat suscité par l'interdiction, et interroge le rôle de l'Église et de l'État comme régulateurs des rapports entre l'art et la morale. En observant le comportement des artistes et des intellectuels pendant ces années sombres, Esteban Buch dévoile les engagements et les compromissions de l'ensemble de la société argentine et, plus largement, éclaire les rapports entre musique et politique au xxe siècle.
Who hasn't been stirred by the strains of Beethoven's Ninth Symphony? That's a good question, claims Esteban Buch. German nationalists and French republicans, communists and Catholics have all, in the course of history, embraced the piece. It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, yet it also serves as a ghastly and ironic leitmotif in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And played in German concentration camps by the imprisoned, it also figured prominently at Mitterand's 1981 investiture. In his remarkable history of one of the most popular symphonic works of the modern period, Buch traces such complex and contradictory uses—and abuses—of Beethoven's Ninth Symphony since its premier in 1824. Buch shows that Beethoven consciously drew on the tradition of European political music, with its mix of sacred and profane, military and religious themes, when he composed his symphony. But while Beethoven obviously had his own political aspirations for the piece—he wanted it to make a statement about ideal power—he could not have had any idea of the antithetical political uses, nationalist and universalist, to which the Ninth Symphony has been put since its creation. Buch shows us how the symphony has been "deployed" throughout nearly two centuries, and in the course of this exploration offers what was described by one French reviewer as "a fundamental examination of the moral value of art." Sensitive and fascinating, this account of the tangled political existence of a symphony is a rare book that shows the life of an artwork through time, shifted and realigned with the currents of history.
PLEASE NOTE THAT THIS BOOK IS ONLY THE 2ND HALF OF ONE SINGLE BOOK. IN ORDER TO HAVE A COMPLETE TEXT, READERS ARE SUGGESTED TO CONSIDER ALSO VOLUME I, AVAILABLE HERE http://bookstore.xlibris.com/Products/SKU-0081451017/default.aspx AFTER YEARS OF FIELD RESEARCH AND DEVELOPMENT, THIS IS A SECOND BOOK OF WHAT SEEMS TO BECOME A SERIES OF PUBLICATIONS. THE INTENT IS TO RECONSTRUCT THE ARCHITECTURE AND LANDSCAPES DESCRIBED IN THE HYPNEROTOMACHIA POLIPHILI WITH THE AID OF DIGITAL MEDIUMS. THIS ENIGMATIC INCUNABULUM WITH ITS 172 WOODCUTS, FIRST PUBLISHED IN VENICE IN 1499 BY THE VENETIAN PRESS OF ALDUS MANUTIUS, HAS FASCINATED HISTORIANS, PATRONS, AND ESPECIALLY ARCHITECTS EVER SINCE ITS ANONYMOUS PUBLICATION. A RENEWED INTEREST FOR THIS LEGENDARY RENAISSANCE TEXT HAS EMERGED WITH MODERN TRANSLATIONS READILY NOW AVAILABLE IN ITALIAN, ENGLISH, AND SPANISH, NOT TO MENTION ITS USE AS THE CENTRAL THEME FOR CALDWELL AND THOMASON’S BESTSELLER, THE RULE OF FOUR, NOW TO BECOME A MAJOR MOTION PICTURE. THE STORY BEGINS WITH POLIPHILUS, WHO FALLS ASLEEP AND DREAMS THAT HE IS SEARCHING FOR HIS LOST LOVE, POLIA. WHILE UNDER HER BELOVED SPELL, HE ENGAGES ON AN EROTIC PILGRAMAGE THROUGH ANTIQUITY, DISCOVERING INCREDIBLE ARCHITECTURE, GARDENS AND LANDSCAPES ALL ENVISIONED AND DESCRIBED IN MINUTE, TECHNICAL, AND ARTISTIC DESCRIPTION. PART TREATISE, PART NARRATIVE, THIS BOOK INTRODUCES A VAST ARRAY OF ARCHITECTURAL EXAMPLES AND LANDSCAPE DESIGNS WHICH WERE TOO VISIONARY FOR ITS TIME. WITH MORE THAN 160 ORIGINAL ARTWORK ILLUSTRATIONS, THIS WORK IS PRESENTED HERE AS AN ATTEMPT TO SHARE A NEW DECIPHERING OF THIS LABYRINTHINE TEXT AFTER YEARS OF OBSCURITY, BRINGING TO LIFE AND GIVING SIGNIFICANCE TO ITS FANTASTIC ARCHITECTURE AND ALLEGORICAL VISIONS.
Zu den aktuellen Entwicklungen in der Raumfahrtindustrie zählen das stetig wachsende Interesse an miniaturisierten Satelliten sowie der immer häufigere Einsatz elektrischer Antriebssysteme zu allgemeinen Lage- und Bahnregelungszwecken. Die Entwicklung miniaturisierter Satelliten erfordert ihrerseits den Einsatz von Antriebssystemen, die sehr kleine und präzise zu steuernde Schubkräfte erzeugen. Vor diesem Hintergrund stellen elektrische Triebwerke eine attraktive Option dar, die Antriebsanforderungen von Satelliten sowohl in herkömmlichen als auch in miniaturisierten Größen langfristig zu erfüllen. Bei miniaturisierten Satelliten sind die Schubanforderungen oft mit niedrigen Treibstoff-Massenstromwerten und verhältnismäßig kleinen geometrischen charakteristischen Längen verbunden. Dies kann zu verdünnten Gaszuständen innerhalb der Triebwerksdüsen führen. Wegen der hohen Komplexität der Plasmaphänomene innerhalb elektrischer Triebwerke sowie der typischerweise hohen Rechenanforderungen, die mit der Plasmamodellierung einhergehen, werden elektrische Antriebssysteme oft auf Basis empirischer Modelle und experimenteller Daten entwickelt. Der Fokus der vorliegenden Arbeit liegt auf den oben beschriebenen Herausforderungen und den dazugehörigen Forschungsfeldern: der Untersuchung verdünnter Gaszustände in transsonischen Strömungen sowie der Entwicklung numerischer Modellierungsansätze zur Beschreibung des Plasmaverhaltens innerhalb elektrischer Antriebssysteme. New trends regarding fundamental design approaches of orbital spacecraft have been developing in the space industry in recent years. They include an increased interest in miniaturized satellites as well as a general rise in the use of electric propulsion systems for orbit and attitude control. The successful implementation of miniaturized satellites requires the use of propulsion devices able to provide small and precise thrust and impulse levels. One technical solution able to meet the requirements of both standard-sized as well as miniaturized spacecraft involves the use of highly efficient and precise electric propulsion systems. In the particular case of miniaturized satellites, the propulsion requirements are often associated with low propellant mass flow rates and small characteristic geometrical lengths, potentially leading to the appearance of rarefied conditions inside the nozzles of the propulsion devices. Because of the high complexity of the plasma phenomena taking place inside such systems and the usually very high computational requirements associated with their numerical modelling, electric propulsion systems for space applications are usually designed based on empirical models and experimental data. The present work focuses on two key aspects outlined above: rarefied gas conditions in transonic micronozzle flows as well as the numerical modelling of plasma phenomena inside electric propulsion systems.
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