In his lively and witty quasi-autobiography, Essad Bey tells us the story of his childhood in Baku, the capital of Azerbaijan, and of his flight from the Russian Revolution in 1917, which brought him through half the Orient, through the Caucasus, then to Istanbul - where this book concludes - and finally to Berlin.
“... But above all Essad Bey was a brilliant, intoxicating stylist. Bey's writing is of a kind that hardly exists among contemporary non-fiction writers, even less so among experts on Islam. It has rhythm and uses harmonious imagery; it is rich in semantic and syntactic variations; he understands the arc of suspense so well that it sometimes carries the author away from historical facts towards possible but not proven fiction. His biography on Mohammed has perhaps no place in scientific libraries – but one could not think of a more entertaining depiction, one which captures the spirit of early Islamic history above and beyond that of any source-critical monograph.” Navid Kermani
Essad Bey, the sickly son of an oil millionaire from Baku, Azerbaijan, receives permission from his father to spend the summer with his "milk brother” Ali Khan, passing the holiday in his home village in the wild Caucasus. So the two set out, under the custody of a wise attendant, into an archaic world in which chivalry counted more than buying power and poets were more highly regarded than princes – into a country in which, as a kind of curiosity shop of world history, all that is outlived and forgotten was loyally preserved. This is Essad Bey’s second book, which was first published in 1930. In it the author draws upon his Oriental imaginative powers, conjuring a vast panorama of the Caucasus, its people and customs. The result is a fresh and densely atmospheric work, even if not always laying claim to scientific accuracy. Often adding a touch of imagination, the author succeeds in bringing the heart and soul of this archaic world to life, which he had himself experienced and learned to love as a child.
Essad Bey, the sickly son of an oil millionaire from Baku, Azerbaijan, receives permission from his father to spend the summer with his "milk brother” Ali Khan, passing the holiday in his home village in the wild Caucasus. So the two set out, under the custody of a wise attendant, into an archaic world in which chivalry counted more than buying power and poets were more highly regarded than princes – into a country in which, as a kind of curiosity shop of world history, all that is outlived and forgotten was loyally preserved. This is Essad Bey’s second book, which was first published in 1930. In it the author draws upon his Oriental imaginative powers, conjuring a vast panorama of the Caucasus, its people and customs. The result is a fresh and densely atmospheric work, even if not always laying claim to scientific accuracy. Often adding a touch of imagination, the author succeeds in bringing the heart and soul of this archaic world to life, which he had himself experienced and learned to love as a child.
A pesar de las apasionantes 600 páginas que dedica Tom Reiss en El orientalista a M. Essad Bey (Kiev, 1905-Positano, 1942), y haber sido un espléndido escritor de enorme éxito entre 1929 y la Segunda Guerra Mundial, éste es el primero de sus libros que, firmado con ese nombre, se reedita en España en los últimos 70 años. Este judío ruso que escribía en alemán, cuyo verdadero nombre era Lev Nussimbaum, se convirtió a la religión musulmana y en monárquico partidario de los Hohenzollern en plena república de Weimar. Con el pseudónimo de Kurban Said, publicó Alí y Nino, su obra más conocida. Petroleo y sangre en Oriente (Öl und Blut im Orient, 1929), novela de trasfondo autobiográfico, nos ofrece una visión caleidoscópica, vertiginosa y sorprendente del Cáucaso y de Bakú, la capital del petróleo, entre 1900 y 1920. Las peripecias del protagonista durante la revolución rusa les recordarán poderosamente a las de El maestro Juan Martínez que estaba allí de Manuel Chaves Nogales. Essad Bey ha resucitado como escritor en los últimos años y sus obras están empezando a reeditarse de nuevo en toda Europa.
“... But above all Essad Bey was a brilliant, intoxicating stylist. Bey's writing is of a kind that hardly exists among contemporary non-fiction writers, even less so among experts on Islam. It has rhythm and uses harmonious imagery; it is rich in semantic and syntactic variations; he understands the arc of suspense so well that it sometimes carries the author away from historical facts towards possible but not proven fiction. His biography on Mohammed has perhaps no place in scientific libraries – but one could not think of a more entertaining depiction, one which captures the spirit of early Islamic history above and beyond that of any source-critical monograph.” Navid Kermani
In his lively and witty quasi-autobiography, Essad Bey tells us the story of his childhood in Baku, the capital of Azerbaijan, and of his flight from the Russian Revolution in 1917, which brought him through half the Orient, through the Caucasus, then to Istanbul - where this book concludes - and finally to Berlin.
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