My Fellow Skin is a beautiful, affectionate novel told from the point of view of an impressionable young boy. The novel opens before the boy can talk, and we follow Anton’s first, tentative steps on the path to adulthood. He gradually begins to grasp an understanding of time and death, and when he goes to school he falls in love for the first time – not with the schoolgirls his peers are interested in, but with his classmate, Willem. A gentle, protective relationship develops between them, and this gives Anton his own, new identity, his ‘fellow skin’. But their love ends tragically, and Anton ultimately loses not only his love, but also his youth, the protection of his parents, and the old house in the village. He is left desolate.
While the Gods Were Sleeping is a novel about the magnitude and impact of the First World War, the recollections of which are recorded in the notebooks of the elderly Helena. The young Helena is sent to her uncle’s country house before the war, and from here she witnesses scenes of indescribable horror. But it is also where she meets Matthew again, a British Army photographer who she goes on to marry. This is a story not about spectacular events; rather, Mortier is concerned with writing about war, history and the past with great empathy and engagement, and with a mixture of melancholy, qualification and resignation.
A wonderful, balanced novel about how the remains of the past reverberate in the present, Shutterspeed sensitively and delicately describes the powerful emotions which lie just beneath the surface of the unruffled sheen of village life. Joris’ father died young, and his mother moved to Spain, so he has lived with his aunt and uncle since early childhood. He is quiet and introverted, and his aunt and uncle fear that he harbours a deep resentment for the loss of his parents. The gentle pace of life in the village is suddenly disturbed when a decision is made to remove the cemetery in the centre. For the boy, this awakens various emotionally charged memories of his dead father. The books ends with the death of the boy’s foster parents, marking a definitive end to his youth.
What makes me saddest, is the double silence of her being. Language has packed its bags and jumped over the railing of the capsizing ship, but there is also another silence in her or around her. I can no longer hear the music of her soul.' One day, the author's mother no longer remembers the word for 'book'. This seemingly innocuous moment of distraction is the first sign of the slow disintegration of her mind. As Alzheimer's disease sets in and language increasingly escapes her, her son attempts to gather the fragments of what she has become, writing a moving, loving chronicle of the gradual descent into dementia of someone who 'no longer knows who she is, where she is or what will happen'.
In this collection of essays, ten leading writers from different countries consider the conflicts that have informed their own literary lives. 1914-Goodbye to All That borrows its title from Robert Graves's "bitter leave-taking of England" in which he writes not only of the First World War but the questions it raised: how to live, how to live with each other, and how to write. Interpreting this title as broadly and ambiguously as Graves intended, these essays mark the War's centenary by reinvigorating these questions. The book includes Elif Shafak on an inheritance of silence in Turkey, Ali Smith on lost voices in Scotland, Xiaolu Guo on the 100,000 Chinese sent to the Front, Daniel Kehlmann on hypnotism in Berlin, Colm Toibin on Lady Gregory losing her son fighting for Britain as she fought for an independent Ireland, Kamila Shamsie on reimagining Karachi, Erwin Mortier on occupied Belgium's legacy of shame, NoViolet Bulawayo on Zimbabwe and clarity, Ales Steger on resisting history in Slovenia, and Jeanette Winterson on what art is for. Contributors include: Ali Smith - Scotland Ales Steger - Slovenia Jeanette Winterson - England Elif Shafak - Turkey NoViolet Bulawayo - Zimbabwe Colm Toíbín - Ireland Xiaolu Guo - China Erwin Mortier - Belgium Kamila Shamsie - Pakistan Daniel Kehlmann - Germany
While the Gods Were Sleeping is a novel about the magnitude and impact of the First World War, the recollections of which are recorded in the notebooks of the elderly Helena. The young Helena is sent to her uncle’s country house before the war, and from here she witnesses scenes of indescribable horror. But it is also where she meets Matthew again, a British Army photographer who she goes on to marry. This is a story not about spectacular events; rather, Mortier is concerned with writing about war, history and the past with great empathy and engagement, and with a mixture of melancholy, qualification and resignation.
Written from the point of view of a ten-year-old boy who lives with his grandmother, Marcel is a striking debut novel describing the vivid history of a family in a Flemish village. The mysterious death of Marcel, the family favourite, has always haunted the young boy. With the help of his schoolteacher, he starts to discover the secrets of Marcel’s ‘black’ past. The story of his death on the Eastern Front for the sake of Flanders, and the shame this brought upon his family gradually become clear. Erwin Mortier unravels this shameful family past in an unusually sensitive and evocative manner.
What makes me saddest, is the double silence of her being. Language has packed its bags and jumped over the railing of the capsizing ship, but there is also another silence in her or around her. I can no longer hear the music of her soul.' One day, the author's mother no longer remembers the word for 'book'. This seemingly innocuous moment of distraction is the first sign of the slow disintegration of her mind. As Alzheimer's disease sets in and language increasingly escapes her, her son attempts to gather the fragments of what she has become, writing a moving, loving chronicle of the gradual descent into dementia of someone who 'no longer knows who she is, where she is or what will happen'.
A wonderful, balanced novel about how the remains of the past reverberate in the present, Shutterspeed sensitively and delicately describes the powerful emotions which lie just beneath the surface of the unruffled sheen of village life. Joris’ father died young, and his mother moved to Spain, so he has lived with his aunt and uncle since early childhood. He is quiet and introverted, and his aunt and uncle fear that he harbours a deep resentment for the loss of his parents. The gentle pace of life in the village is suddenly disturbed when a decision is made to remove the cemetery in the centre. For the boy, this awakens various emotionally charged memories of his dead father. The books ends with the death of the boy’s foster parents, marking a definitive end to his youth.
Due to the rise in petroleum prices as well as increasing environmental concerns, there is a need to develop biochemicals and bioproducts that offer realistic alternatives to their traditional counterparts; this book will address the lack of a centralized resource of information on lubricants and greases from renewable sources, and will be useful to a wide audience in industry and academia. It is based on 20 years of research and development at the UNI-NABL Center, and discusses the various types of vegetable oils available, comparing their characteristics, properties and benefits against those of typical petroleum oils as well as discussing common evaluation tests and giving examples and case studies of successful applications of biobased lubricants and greases. Whilst scientific and engineering research data is included, the book is written in an accessible manner and is illustrated throughout. Focuses on an industrial application of lubrication technology undergoing current explosive growth in the global market. Includes a detailed review of the material benefits of plant-based lubricants that include a better viscosity index and lubricity even at extreme temperatures, lower flammability due to higher flash points and lower pour points. Covers the basic chemistry of vegetable oils as well as their profiles for use in lubricants and greases and environmental benefits. Includes examples and case studies of where vegetable-based lubricants have been successfully employed in industry applications.
In this collection of essays, ten leading writers from different countries consider the conflicts that have informed their own literary lives. 1914-Goodbye to All That borrows its title from Robert Graves's "bitter leave-taking of England" in which he writes not only of the First World War but the questions it raised: how to live, how to live with each other, and how to write. Interpreting this title as broadly and ambiguously as Graves intended, these essays mark the War's centenary by reinvigorating these questions. The book includes Elif Shafak on an inheritance of silence in Turkey, Ali Smith on lost voices in Scotland, Xiaolu Guo on the 100,000 Chinese sent to the Front, Daniel Kehlmann on hypnotism in Berlin, Colm Toibin on Lady Gregory losing her son fighting for Britain as she fought for an independent Ireland, Kamila Shamsie on reimagining Karachi, Erwin Mortier on occupied Belgium's legacy of shame, NoViolet Bulawayo on Zimbabwe and clarity, Ales Steger on resisting history in Slovenia, and Jeanette Winterson on what art is for. Contributors include: Ali Smith - Scotland Ales Steger - Slovenia Jeanette Winterson - England Elif Shafak - Turkey NoViolet Bulawayo - Zimbabwe Colm Toíbín - Ireland Xiaolu Guo - China Erwin Mortier - Belgium Kamila Shamsie - Pakistan Daniel Kehlmann - Germany
Relied on by students, professors, and practitioners, Erwin Chemerinsky’s popular treatise clearly states the law and identifies the underlying policy issues in each area of constitutional law. Thorough coverage of the topic makes it appropriate for both beginning and advanced courses. New to the 7th Edition: Discussion of many new cases, including: Allen v. Cooper; American Legion v. American Humanist Association.; Americans for Prosperity Foundation v. Bonta; California v. Texas; Calvary Chapel Dayton Valley v. Sisolak; Campbell-Ewald v. Gomez; Carr v. Saul; Carson v. Makin; Cedar Point Nursery v. Hassid; Central Virginia Community College v. Katz; City of Austin v. Reagan National Advertising; Collins v. Yellen; Davis v. Bandemer; Dept. of Commerce v. New York; Dobbs v. Jackson Women’s Health Organization; Espinoza v. Montana Department of Revenue; Franchise Tax Board v. Hyatt; Fulton v. City of Philadelphia; Gundy v. U.S.; June Medical Services LLC v. Russo; Kennedy v. Bremerton School District; Knick v. Township of Scott, Pennsylvania; Lamone v. Benisek; Mahanoy Area School District v. B.L.; Manhattan Community Access Corp. v. Halleck; Merrill v. Milligan; New York Rifle and Pistol Association. v. Bruen; New York State Rifle and Pistol Association., Inc. v. City of New York, NY; Our Lady of Guadalupe School v. Morrissey-Berru; PennEast Pipeline Co. v. New Jersey; Ramos v. Louisiana; Republican National Committee v. Democratic National Committee; Roman Catholic Diocese of Brooklyn v. Cuomo; Rucho v. Common Cause; Seila Law LLC v. Consumer Financial Protection Bureau; Siegel v. Fitzgerald; Shurtleff v. City of Boston; South Bay Pentecostal Church v. Newsom; Tandon v. Newsom; Tennessee Wine & Spirits Retailers Association. v. Thomas; Timbs v. Indiana; Torres v. Texas Dept. of Public Safety; TransUnion LLC v. Ramirez; Trump v. Hawaii; Trump v. Mazars USA, LLP; Trump v. Vance; U.S. v. Arthrex, Inc.; U.S. v. Sanchez-Gomez; U.S. v. Washington; Uzuegbunam v. Preczewski; Veith v. Jubelirer; West Virginia v. EPA; and Whole Woman’s Health v. Jackson Benefits for instructors and students: Renowned authorship Examination of black-letter law and all the myriad issues of constitutional interpretation with unrivaled thoroughness and lucidity Excellent historical overview of the creation and ratification of constitution, examining the existential question of why we have a constitution
A stylish critique of literary attitudes towards painting, TextualVision explores the simultaneous rhetorical formation and empirical fragmentation of visual reading in enlightenment Britain. Beginning with an engaging treatment of Pope's Rape of the Lock, Timothy Erwin takes the reader on a guided tour of the pointed allusion, apt illustration, or the subtle appeal to the mind's eye within a wide array of genres and texts, before bringing his linked case studies to a surprising close with the fiction of Jane Austen. At once carefully researched, theoretically informed and highly imaginative, Textual Vision situates textual vision at the cultural crossroads of ancient pictura-poesis doctrine and modernist aesthetics. It provides reliable interpretive poles for reading enlightenment imagery, offers vivid new readings of familiar works, and promises to invigorate the study of Restoration and eighteenth-century visual culture.
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