Radio Australia - the multilingual overseas radio service of the Australian Broadcasting Corporation - is little known in Australia, but is heard by millions of listeners in the Asia-Pacific region and others throughout the world. Radio Wars, first published in 1995, was the first book to tell the story of this important but unexplored aspect of Australia's international presence. Launched in 1939 as a propaganda tool, the service was for three decades caught uncomfortably between those who would use it as an instrument of foreign policy and those who would have it an icon of journalistic integrity. But the author argues that by the time of the Dili massacre, propaganda had given way to forthright and factual reporting. Spiced with anecdotal detail, Radio Wars traces a struggle that ranges from personal pettiness to events with significant political ramifications.
Whether it was Jane Campion's The Piano, Mel Gibson in Mad Max, Paul Hogan in Crocodile Dundee, or The Lord of the Rings saga, we have all experienced the cinema of Australia and New Zealand. This book is an introduction and guide to the film of Australia and New Zealand. With entries on many exceptional producers, directors, writers and actors, as well as the films indicated above and many others, this reference also presents the early pioneers, the film companies and government bodies, and much more in its hundreds of cross-referenced dictionary entries. Through a chronology that shows how far these cinemas have come in a short time and an introduction that presents them more broadly, a clear portrait of the two countries' motion pictures emerge. The bibliography is an excellent source for further reading.
Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.
Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
This profusely illustrated comprehensive key for identifying amphibians and reptiles from the continental United States and Canada incorporates a wealth of scientific findings. Since the first edition was published in 1998 and the second in 2012, the number of currently recognized species of native amphibians and reptiles in the area covered by this key has increased from 545 to 634 to 685, and the number of established non-native species has increased from 39 to 58 to 67. The increase in native taxa reflects the dynamic nature of modern systematics and the use of new (especially molecular) techniques to elucidate relationships and redefine species boundaries. The increase in non-native species reflects the porosity of the North American borders when it comes to controlling animal imports. The key is easy to use and illustrated with outstanding line drawings that show details of color patterns and structures used for identification. To accommodate the additional taxa, the number of line drawings in this third edition has increased from 257 to 279 to 295. In addition, nine maps illustrate the distributions of species that have been recognized since the publication of maps in the most recent editions of the Peterson Field Guides to the reptiles and amphibians of eastern, central, and western North America. A large number of annotations detail current taxonomic ambiguities or disagreements and the literature cited has been expanded. Collectively these features enhance opportunities to teach and learn the classification and identification of amphibians and reptiles in the continental United States and Canada.
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