This is the first critical, contextualized edition in English of Eine Jugend in Deutschland (1933), the remarkable autobiographical account of Ernst Toller (1893-1939), one of the most important German writers of the first half of the twentieth century. He was a celebrated poet and, along with Bertolt Brecht, the most significant and innovative playwright of the Weimar Republic. His critically acclaimed and societally controversial work left its mark on many of his contemporaries and is still inspiring writers today. Completed at the beginning of Toller’s exile from Nazi Germany, Eine Jugend in Deutschland gives a remarkable account of his childhood as the son of Jewish merchants in Eastern Prussia under Kaiser Wilhelm II, his studies in France, his eager service at the western front during World War One, his conversion to pacifism, his activism in the German Revolution of 1918-1919 and leadership in the short-lived Bavarian Soviet Republic, his trial for high treason, and his incarceration as a political prisoner of the Weimar Republic.
This is the fascinating autobiography of Ernst Toller. Ernst Toller (1893 – 1939) was a German left-wing playwright, best known for his expressionist plays. He also famously served for six days in 1919 as the President of the short-lived Bavarian Soviet Republic, later being imprisoned for his actions. This volume is highly recommended for those with an interest in twentieth-century European history. Contents include: “Childhood”, “A Student in France”, “War”, “At the Front”, “An Attempt to Forget Revolt”, “Strike”, “The Military Prison”, “The Lunatic Asylum”, “Revolution”, “The Bavarian Soviet Republic”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
The second collection of plays from the German Expressionist playwright. Includes the plays: The Machine Breakers, The German Hinkemann, The Revenge of the Lover Scorned, Wotan Unbound, Day of the Proletariat and German Revolution. Ernst Toller (1893-1939) was a formative figure in the development of theatrical modernism. He was also a revolutionary activist who experienced fully the unbearable cataclysms of his times: war, revolution, imprisonment, the chaos of Weimar life, Nazi persecution, exile and the Holocaust. His revolutionary intensity infuses these three innovative plays, all of which inspired landmark productions and substantially extended the language of theatricality. These stage-worthy new translations capture that spirit of artistic and political combustion and should help to restore Toller's rightful place in the modern repertoire.
This is the fascinating autobiography of Ernst Toller. Ernst Toller (1893 – 1939) was a German left-wing playwright, best known for his expressionist plays. He also famously served for six days in 1919 as the President of the short-lived Bavarian Soviet Republic, later being imprisoned for his actions. This volume is highly recommended for those with an interest in twentieth-century European history. Contents include: “Childhood”, “A Student in France”, “War”, “At the Front”, “An Attempt to Forget Revolt”, “Strike”, “The Military Prison”, “The Lunatic Asylum”, “Revolution”, “The Bavarian Soviet Republic”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
The plays collected within this volume are social dramas and tragedies. They bear witness to human suffering, and to fine yet vain struggles to vanquish this suffering. Four of these plays were written in prison, others were banned. This early work by Ernst Toller was originally published in 1934, we are now republishing it with a brand new introductory biography.
This is the first critical, contextualized edition in English of Eine Jugend in Deutschland (1933), the remarkable autobiographical account of Ernst Toller (1893-1939), one of the most important German writers of the first half of the twentieth century. He was a celebrated poet and, along with Bertolt Brecht, the most significant and innovative playwright of the Weimar Republic. His critically acclaimed and societally controversial work left its mark on many of his contemporaries and is still inspiring writers today. Completed at the beginning of Toller’s exile from Nazi Germany, Eine Jugend in Deutschland gives a remarkable account of his childhood as the son of Jewish merchants in Eastern Prussia under Kaiser Wilhelm II, his studies in France, his eager service at the western front during World War One, his conversion to pacifism, his activism in the German Revolution of 1918-1919 and leadership in the short-lived Bavarian Soviet Republic, his trial for high treason, and his incarceration as a political prisoner of the Weimar Republic.
This book contains the play No More Peace, written by the famous German playwright Ernst Toller. An entertaining and thoughtful comedy, this play promises to entertain and provoke the mind of the reader and constitutes a must-have for any fans of Toller’s seminal work. Originally published in 1937, we are proud to republish this scarce text with a new prefatory biography of the author. Ernst Toller (1893 –1939) was a German left-wing playwright, best remembered for his expressionist plays. He was also briefly the President of the Bavarian Soviet Republic in 1919, after which time he was imprisoned for five years. This book has been elected for modern republication due to its immense literary value and in the hope that it will continue to be read and enjoyed by future generations.
An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
We are all looking to flourish, to experience joy, feel engaged with the world, and experience meaningful lives. But the stresses and strains of our daily lives makes this a challenge. Using Positive Psychology Every Day: Learning How to Flourish is about (re)finding the art of living, enabling you to flourish. Bringing together the best of positive psychology, this book introduces eight evidence-based resources of well-being and flourishing: positive emotions, the discovering and use of strengths, optimism, compassion, post-traumatic growth, positive relationships and spirituality. Each chapter has a concise, simple theoretical introduction and several evidence-based, easy-to-apply exercises. This book is for anyone experiencing stress, distress or lower well-being, as well as coaches and therapists who can use the book for clients in the context of guided self-help.
This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht. Aufricht's book is most notable for its insider's account of the Berlin theater scene from the great days of the late 1920s and early 30s. Its range, however, from school years and the military to his time as an actor and then producer, the rise of the Nazis, and finally long years of exile in France and America. The book will be of interest to an academic audience, but its reflections on a period of momentous artistic and political events will expand its appeal to a wider group: those interested in twentieth-century German history, music and theater history, as well as the general reader. Benjamin Bloch is a clinical psychologist who grew up speaking German at home with his native German father and studied German and English Literature."--Provided by publisher.
Heritage of Our Times is a brilliant examination of modern culture and its legacy by one of the most important and deeply influential thinkers of the 20th century. Bloch argues that the key elements of a genuine cultural tradition are not just to be found in the conveniently closed and neatly labeled ages of the past, but also in the open and experimental cultural process of our time. One of the most compelling aspects of this work is a contemporary analysis of the rise of Nazism. It probes its bogus roots in German history and mythology at the very moment when the ideologies of Blood and Soil and the Blond Beast were actually taking hold of the German people. The breadth and depth of Bloch's vision, together with the rich diversity of his interest, ensure this work a place as one of the key books of the 20th century.
Ernst Jünger was one of twentieth-century Germany’s most important—and most controversial—writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war’s horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat—writings that are of major historical and literary significance. Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.
This book is the first full-length annotated bibliography of the works of humorist Robert Benchley. It contains chapters on his books, essays, newspaper writings, dramatic criticism, plus a filmography and a discography. Also included is a chapter on secondary sources about his life. When humorist Robert Benchley died in 1945 at the age of 56, he left behind a large body of little-known material. Some of this material was collected into book form during and after Benchley's lifetime, but much of it remains uncollected. This annotated bibliography brings together in one volume citations to most of Benchley's collected and uncollected works. The volume contains chapters on Benchley's books, essays, newspaper writings, dramatic criticism, secondary sources about him, a filmography, and a discography. The books chapter contains all of Benchley's major books and lists the contents of each. The chapters on his essays and newspaper writings detail his work for such publications as the New Yorker, Life, Liberty, Vanity Fair, the New York Tribune, New York World, and the Chicago Tribune. The dramatic criticism chapter contains all his theater reviews, for Life and the New Yorker, with the titles of the reviewed plays and the authors for each. Entries are numbered, cross-referenced, and indexed to assist the reader.
This highly personal memoir by one of Adolf Hitler's closest associates during the Nazi rise to power delves into the mind and character of the man responsible for more death and destruction than any person in history. Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. There by chance he heard Adolf Hitler. Hanfstaengl befriended Hitler and welcomed him into his home. He saw himself as a civilizing influence on the volatile politician, and for a time he was. But later, after Hitler was jailed in Landsberg, their relationship began to change. It was there Hitler wrote Mein Kampf, honing his fanatical theories and ideas - especially his growing anti-Semitism - and surrounding himself with rabid extremists like Goering, Hess, Rosenberg, and Goebbels.
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