This book presents the early history of psychoanalysis, focusing on the network of psychoanalytic "filiations" and the context of discovery of crucial concepts, such as Freud's technical recommendations, the therapeutic use of countertransference, and the psychotherapeutic treatment of psychoses.
This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht. Aufricht's book is most notable for its insider's account of the Berlin theater scene from the great days of the late 1920s and early 30s. Its range, however, from school years and the military to his time as an actor and then producer, the rise of the Nazis, and finally long years of exile in France and America. The book will be of interest to an academic audience, but its reflections on a period of momentous artistic and political events will expand its appeal to a wider group: those interested in twentieth-century German history, music and theater history, as well as the general reader. Benjamin Bloch is a clinical psychologist who grew up speaking German at home with his native German father and studied German and English Literature."--Provided by publisher.
TABLE OF CONTENTS: ALGEBRA, WHAT ELSE?: 1. The Birth of a Masterwork - 2. Commutativity and Left- and Right-Division - 3. Algorithms, Algorithms, Algorithms - 4. Formalism - 5. A Fateful Choice - 6. Overview - 7. A Strange Document - 8. Acknowledgements - 9. Tools - Notes — ON THE FORMAL ELEMENTS OF THE ABSOLUTE ALGEBRA: §. 1. Character des zu behandelnden Problems. Character of the Problem in Issue - §. 2. Einschränkungen der Aufgabe. Restrictions of our Scope - §. 3. Die Fundamentalgleichungen für nur zwei Zahlen. Algorithmen. The Fundamental Equations for only Two Numbers. Algorithms - §. 4. Vertauschungsprincipien. Principles of Permutation - §. 5. Die Fundamentalgleichungen für drei Zahlen. Elementarcyklen und Gruppen. The Fundamental Equations for Three Numbers. Elementary Cycles and Groups - §. 6. Consequenzen der Algorithmen C1; C2; C3 für drei Zahlen. Consequences of the Algorithms C1; C2; C3 for Three Numbers - §. 7. Consequenzen von C0. Consequences of C0 - §. 8. Combination der Ci. Combination of the Ci - §. 9. Das Formelsystem O1 der ordinäre Algebra. The Formal System O1 of the Usual Algebra - §. 10. Untergeordnete Algorithmen von O1: Weitere ermittelte Tragweitezahlen. Subordinate Algorithms of O1: Further Sizes — FIGURES - Notes — APPENDIX - Notes — ILLUSTRATIONS - Bibliography - Index of the Main Concepts - Index of the Illustrations.
Hoffmann, among the greatest and most popular of the German Romantics, is renowned for his humorous and sometimes horrifying tales of supernatural beings. This selection, while stressing the variety of his work, focuses on those stories in which the real and the supernatural are brought into contact and conflict. This new translation includes The Golden Pot, The Sandman, Princess Brambilla, Master Flea, and My Cousin's Corner Window.
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
This book contains a collection of articles on social psychology, the psychology of terror and violence, psychoanalytic psychotherapy, and the history of psychoanalysis. It also includes Federn's moving memoir of his encounter with Bruno Bettelheim in Buchenwald.
“Ernst van de Wetering's wonderful book has taken us further than almost any study over the past twenty years, towards an understanding of the machinery of Rembrandt's genius. No one attempting to write about Rembrandt in the future will be able to do so without taking this fine work into account.” —Simon Schama "Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Wetering comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter." —Ernst Gombrich
A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.
Parable research has to a large degree ignored the Sermon on the Mount (SM) and for its part, research into the SM has likewise left the parables by the wayside. However, the use of parabolic language in more than one third of the SM influences its interpretation and indeed opens up a new approach to it. In the current volume, Ernst Baasland focuses on this important factor, whilst also taking the rhetoric of Jesus' teaching into consideration. The author maintains that rhetorical features have a great bearing on the interpretation of the text with the overall structure illuminating the entire composition of the sermon. Fresh insights into its oration therefore serve to challenge the source problem in a new way. The religious and philosophical settings of this most well-known of Christ's preachings are clarified by its parables and rhetoric; and the sermon's Jewish background has often been investigated. While the author continues with that particular task, he simultaneously affords more emphasis to the parallels in (Greek) Hellenistic literature. The combining of all these factors leads to a clearer comprehension of the Sermon on the Mount's philosophy of life and provides a better understanding of this classical text"--
This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century.
This study appears at a time when a decisive turn is due in the research on personality development. After many years of stagna tion and misguided research in this field, this book should lead to a thorough revision and a better understanding of current views on the factors which have an influence on personality. Let us consider the unsatisfactory aspects of the recent develop ments in personality studies. At the beginning of this century, the revolutionary insight gained ground that personality is susceptible to various influences, in particular to those resulting from human interaction. This insight swept away many of the old scholastic concepts and gained special importance in the fields of pedagogics and psychotherapy. How ever, in the wake of every great discovery we find inherent dangers. For years, various claims and creeds on the malleability of personality have been put forward as if they were proven facts. Lay literature, too, was permeated with wrong and distorted information on factors which might endanger child development.
This title was first published in 2003. What prevents the human species from finally learning the lessons of social justice and global peace in an unreconciled world? Are Christians better off? Presenting new challenges to moral and religious education, this book clarifies the true image of the biblical God around the topics of justice and reconciliation. Rejuvenating interpretations of the most outstanding traditions of the Old and New Testament, Karl Ernst Nipkow's approach of 'elementarization' - well known in German speaking countries - is introduced for the first time in the English language. Theological perspectives are confronted with data from evolutionary ethics and social psychology, through practice-based examples of the roots of aggression, violence, xenophobia and ethno-centrism. The analysis ends with peace and spirituality in the light of different faiths. This book presents a striking blend of theology, education and the social sciences, to explore central issues in moral and religious education.
- Now Available in Paperback - First study of the Antietam campaign from civilians' perspectives - Many never-before-published accounts of the Battle of Antietam The battle at Antietam Creek, the bloodiest day of the American Civil War, left more than 23,000 men dead, wounded, or missing. Facing the aftermath were the men, women, and children living in the village of Sharpsburg and on surrounding farms. In Too Afraid to Cry, Kathleen Ernst recounts the dramatic experiences of these Maryland citizens--stories that have never been told--and also examines the complex political web holding together Unionists and Secessionists, many of whom lived under the same roofs in this divided countryside.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.